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![The Taming of the Shrew by [William Shakespeare]](https://m.media-amazon.com/images/I/411VB3p6DBL._SY346_.jpg)
The Taming of the Shrew Kindle Edition
William Shakespeare (Author) Find all the books, read about the author, and more. See search results for this author |
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Shakespeare’s controversial comedy about a man’s quest to break the will of his headstrong wife.
Whether this tale is motivated by misogyny, or is simply a satirical critique of men’s treatment of women is a matter up for much debate. Regardless of its potentially polarizing intentions, The Taming of the Shrew is one of William Shakespeare’s most intriguing comedies. Framed as a play within a play, it tells the story of the assertive Katherina’s marriage to Petruchio, who resorts to all sorts of psychological abuse in order to force her to be a traditional obedient wife.
The inspiration for the Broadway play Kiss Me, Kate, The Taming of the Shrew is a fascinating glimpse into the sexual politics of the Elizabethan era.- LanguageEnglish
- PublisherOpen Road Media
- Publication dateMay 5, 2020
- File size2926 KB
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About the Author
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' ... a radically fresh and challenging view of the play.' The Times Higher Education Supplement --This text refers to an alternate kindle_edition edition.
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From the Back Cover
From the Royal Shakespeare Company – a fresh new edition of Shakespeare's controversial comedy of the war between the sexes
THIS EDITION INCLUDES:
• An illuminating introduction to The Taming of the Shrew by award-winning scholar Jonathan Bate
• The play - with clear and authoritative explanatory notes on each page
• A helpful scene-by-scene analysis and key facts about the play
• An introduction to Shakespeare's career and the Elizabethan theatre
• A rich exploration of approaches to staging the play featuring photographs of key productions
The most enjoyable way to understand a Shakespeare play is to see it or participate in it. This unique edition presents a historical overview of The Taming of the Shrew in performance, recommends film versions, takes a detailed look at specific productions and includes interviews with two leading directors and an actress - Gregory Doran, Phyllida Lloyd and Michelle Gomez – so that we may get a sense of the extraordinary variety of interpretations that are possible, a variety that gives Shakespeare his unique capacity to be reinvented and made 'our contemporary' four centuries after his death.
Ideal for students, theatre-goers, actors and general readers, the RSC Shakespeare plays offer an accessible and contemporary approach to reading and rediscovering Shakespeare's works for the twenty-first century.
--This text refers to an alternate kindle_edition edition.
From the Inside Flap
Each Edition Includes:
- Comprehensive explanatory notes
- Vivid introductions and the most up-to-date scholarship
- Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
- Completely updated, detailed bibliographies and performance histories
- An interpretive essay on film adaptations of the play, along with an extensive filmography --This text refers to an alternate kindle_edition edition.
From the Publisher
Product details
- ASIN : B087TD8C7Z
- Publisher : Open Road Media (May 5, 2020)
- Publication date : May 5, 2020
- Language : English
- File size : 2926 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Not Enabled
- Print length : 110 pages
- Page numbers source ISBN : 1095048465
- Lending : Enabled
- Best Sellers Rank: #1,258,787 in Kindle Store (See Top 100 in Kindle Store)
- #706 in Shakespearean Literature Literature
- #729 in British & Irish Drama & Plays
- #1,663 in Shakespeare Dramas & Plays
- Customer Reviews:
About the authors
David Martin Bevington (born May 13, 1931) is an American literary scholar. He is Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and in English Language & Literature, Comparative Literature, and the College at the University of Chicago, where he has taught since 1967, as well as chair of Theatre and Performance Studies. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specializes in British drama of the Renaissance, and has edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. Bevington remains the only living scholar to have personally edited Shakespeare's complete corpus.
He also edits the Norton Anthology of Renaissance Drama and an important anthology of Medieval English Drama, the latter of which was just re-released by Hackett for the first time in nearly four decades. Bevington's editorial scholarship is so extensive that Richard Strier, an early modern colleague at the University of Chicago, was moved to comment: "Every time I turn around, he has edited a new Renaissance text. Bevington has endless energy for editorial projects." In addition to his work as an editor, he has published studies of Shakespeare, Christopher Marlowe, and the Stuart Court Masque, among others, though it is for his work as an editor that he is primarily known.
Despite his formal retirement, Bevington continues to teach and publish. Most recently he authored Shakespeare and Biography, a study of the history of Shakespearean biography and of such biographers, as well as Murder Most Foul: Hamlet Through the Ages. In August, 2012, after a decade of research, he released the first complete edition of Ben Jonson published in over a half-century with Ian Donaldson and Martin Butler from the Cambridge Press. In addition to his preeminence among scholars of William Shakespeare, he is a much beloved teacher, winning a Quantrell Award in 1979.
Bio from Wikipedia, the free encyclopedia.
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's preeminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was born in Stratford-upon-Avon in Warwickshire and was baptised on 26 April 1564. Thought to have been educated at the local grammar school, he married Anne Hathaway, with whom he went on to have three children, at the age of eighteen, before moving to London to work in the theatre. Two erotic poems, Venus and Adonis and The Rape of Lucrece were published in 1593 and 1594 and records of his plays begin to appear in 1594 for Richard III and the three parts of Henry VI. Shakespeare's tragic period lasted from around 1600 to 1608, during which period he wrote plays including Hamlet and Othello. The first editions of the sonnets were published in 1609 but evidence suggests that Shakespeare had been writing them for years for a private readership.
Shakespeare spent the last five years of his life in Stratford, by now a wealthy man. He died on 23 April 1616 and was buried in Holy Trinity Church in Stratford. The first collected edition of his works was published in 1623.
(The portrait details: The Chandos portrait, artist and authenticity unconfirmed. NPG1, © National Portrait Gallery, London)
Stephen Orgel is Professor of English at Stanford University. Best known as a scholar of Shakespeare, Orgel writes primarily about the political and historical context of Renaissance literature.
Orgel received his B.A. from Columbia University in 1954 and his Ph.D. from Harvard University in 1959. He has taught at Stanford since 1985.
Bio from Wikipedia, the free encyclopedia.
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The formatting makes it impossible to orient yourself (no line numbers, but also, the titles of acts and scenes are often jambed up against the end of actual dialogue, with occasional signifiers like SC_2 that have no meaning and no context is provided).
We purchased this book because we're in a Shakespeare read-aloud group and wanted to use a book instead of a screen to read from. We purchased it over a month ahead of time, which unfortunately means it can't be returned at this point, so I'm hoping that this warning to others will be helpful.
DO NOT BUY THIS COPY. You'd be better off going to MIT's online collection and just printing it off.
But that would be to miss the major storyline of the play. It has been imitated so much that reading it anew is an arduous task in itself. Shakespeare set the tone at the beginning of modernity for the training of a potential spouse, male or female, to be one’s lifelong mate. Even outside of literature, one must acknowledge that this type of education goes on today throughout the world—creating many a happy marriage.
While Kate’s final monologue and many of Petruchio’s tactics belong thoroughly in the past, the play can still be enjoyed without endorsing them. It was obviously meant by Shakespeare to be a light romance in which love, once again, conquers all.
And, like many of Shakespeare’s comedies, the imagined world is more zany than believable. Are we really to think that Petruchio’s beating of his servants is meant to be taken by Shakespeare as realistic comedy? No more than the beatings which take place in children’s cartoons. Still less are Petruchio and Kate meant to be full-bodied characters.
Sometimes one must simply accept the conventions of an age, both good or bad, to enjoy a work of literature. Who knows what barbarisms the future will see in the works of today? It may not be Shakespeare’s best comedy but it is humorous—even if the mores of a different era can be grating.
The Signet editions are great in general. Very readable, helpful (but not intrusive) footnotes, and good introductions. I recommend them for anyone looking to read more Shakespeare.
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Could do better, WS! (And he did, fortunately .... thank goodness for the tragedies, I say.)



