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Tamron AF 10-24mm f/3.5-4.5 SP Di II LD Aspherical (IF) Lens for Canon Digital SLR Cameras (Model B001E)
|Price:||$379.00 & FREE Shipping|
|You Save:||$120.00 (24%)|
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- 10-24mm focal length
- 15-36mm equivalent focal length on APS-C cameras, 16-38.4mm equivalent focal length on Canon APS-C cameras
- F3.5-4.5 maximum aperture; F22-29 minimum
- Micromotor-type AF motor without full-time manual focusing
- 77mm filters
- 0.24m/9.45" minimum focus
- Available in Canon EF, Nikon F (DX), Pentax KAF, Sony Alpha mounts
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|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Sold By||Adorama Camera||Amazon.com||Cameta Camera||Amazon.com||Digital Goja||Last Samurai|
|Compatible Camera Mount||Canon EF-S||Canon EF-S||—||—||Canon EF||Canon EF-S|
|Focus Type||Micromotor||Stepper motor||auto-focus||auto-focus||Ring-type ultrasonic||Ring-type ultrasonic|
|Item Dimensions||3.27 x 3.31 x 3.27 in||2.68 x 0.91 x 2.68 in||3.29 x 3.3 x 3.29 in||3.29 x 3.2 x 3.29 in||3.43 x 3.46 x 3.43 in||3.31 x 3.19 x 3.31 in|
|Item Weight||0.9 lb||4.41 ounces||0.97 lb||0.97 lb||1.15 lbs||1.04 lbs|
|Lens Type||Zoom lens||Prime lens||zoom||zoom||Zoom lens||Zoom lens|
|Maximum Focal Length||24 millimeters||24 millimeters||24 millimeters||24 millimeters||20 millimeters||20 millimeters|
|Minimum Focal Length||10 millimeters||24 millimeters||10 millimeters||10 millimeters||10 millimeters||10 millimeters|
|Photo Filter Thread Size||77 millimeters||52 millimeters||77 millimeters||77 millimeters||82 millimeters||77 millimeters|
The ultimate extended-range, ultra-wide-angle zoom lens! Wider and longer than others in its class, this compact, lightweight, high-performance lens for DSLRs with APS-C size sensors provides 35mm equivalent coverage from 16mm ultra-wide to 37mm semiwide, a remarkable 2.4X zoom ratio. With a maximum coverage of over 108°, this state-of-the-art classic is the perfect solution for expanding your visual horizons.
This ultra wide-angle zoom lens for digital SLR cameras, with the first-ever focal length range of 10-24mm-the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle-is a perfect tool for creating dramatic landscape, cityscape,a nd seascape imagery. At the ultra wide-angle setting, you'll be able to capture vistas beyond what the eye can see. At the semi-wide-angle setting, you'll capture scenes with angles of view almost as spectacular.
SP AF10-24mm F/3.5-4.5 Di II Features
Super Performance (SP) for Discriminating Shooters
Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.
Internal Focus (IF)
Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron's Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)
Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness)
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.
Top customer reviews
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I met with a Tamron rep earlier today, he said from my description of the problems with the serial number it was more than likely a "grey market" lens. I have no idea, all I know is that it stopped working and I got burned for almost $100 for something that cost more than $400.00 and didn't last 3 months.
Be careful what you buy through Amazon, if it's a direct buy then you might be ok with any problem solving, beyond that don't expect much if any help.
I've used it on a crop sensor canon camera. T2i and 60D.
The best thing about this lens is the focal length. Going out to 10mm is really nice sometimes on a crop sensor and I've found it really handy lots of times. However, I think that focal length is often highly overrated. You can always work around your focal length: step back, step closer, hold the camera up in the air, etc. But if the images produced are of bad quality then what difference does the focal length matter?!
The corners on this lens look horrible. Not just the distortion which is pronounced even on a crop sensor which is fine, its 10mm after all! But the quality is bad. Fuzzy, blurry, bad color, no good!
Additionally the zoom and focus are clunky and not smooth. This lens feels somewhat cheap in the hands and its very ugly to look at.
Save your money and try the Tokina 11-16. Or something else I don't know what. But this one is not great.