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Tamron AF 18-250mm F/3.5-6.3 Di-II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras (Model A18)
| Price: | $399.95 |
| Brand | Tamron |
| Lens Type | Macro |
| Compatible Mountings | Canon AF |
| Maximum Focal Length | 250 Millimeters |
| Minimum Focal Length | 18 Millimeters |
About this item
- Make sure this fits by entering your model number.
- 18-250mm zoom lens with f/3.5-6.3 maximum aperture for Canon digital SLR cameras
- Offers telephoto capabilities of 28-388mm (35mm equivalent) in a single compact housing
- Low-dispersion (LD) glass eliminates chromatic aberration and sharpens ultra-long shots
- Maximum magnification ratio of 1:3.5 for macro shots; minimizes ghosting and flare
- Measures 2.9 inches in diameter and 3.3 inches long; weighs 15.2 ounces
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This item
Tamron AF 18-250mm F/3.5-6.3 Di-II LD Aspherical (IF) Macro Zoom Lens for Canon Digital SLR Cameras (Model A18)
|
Tamron AF 18-200mm F/3.5-6.3 Di-II VC All-in-One Zoom for Canon APS-C Digital SLR
|
Tamron AF 18-270mm f/3.5-6.3 Di II VC LD Aspherical IF Macro Zoom Lens for Canon Digital SLR Cameras (Model B003E) (Discontinued by Manufacturer)
|
Sigma 18-250mm f3.5-6.3 DC MACRO OS HSM for Canon Digital SLR Cameras
|
Canon EF-S 55-250mm f/4.0-5.6 IS II Telephoto Zoom Lens
|
Sigma 18-300mm F3.5-6.3 Contemporary DC Macro OS HSM Lens for Canon
|
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|---|---|---|---|---|---|---|
| Customer Rating | 4.0 out of 5 stars (87) | 4.3 out of 5 stars (318) | 4.4 out of 5 stars (211) | 4.4 out of 5 stars (2492) | 4.8 out of 5 stars (2923) | 4.5 out of 5 stars (1226) |
| Price | $399.95$399.95 | $249.00$249.00 | $181.89$181.89 | $349.98$349.98 | $154.00$154.00 | $499.00$499.00 |
| Sold By | Willoughby's Established 1898 | Amazon.com | R&R Electro | japan-move | Grace Photo NY | Amazon.com |
| Color | black | Black | black | Black | Black | Black |
| Compatible Camera Mount | Canon AF | Canon EF | Canon EF-S | Canon EF-S | Canon EF-S | Canon EF |
| Focus Type | Autofocus | Autofocus | Autofocus | Micro-type ultrasonic | Micromotor | Ultrasonic |
| Item Dimensions | 3.3 x 2.9 x 2.9 inches | 3.8 x 4 x 4 inches | 3.8 x 3.2 x 3.2 inches | 3.5 x 2.91 x 2.91 inches | 4.25 x 2.76 x 2.76 inches | 4 x 3.11 x 3.11 inches |
| Item Weight | 0.93 lbs | 0.88 lbs | 1.00 lbs | 1.04 lbs | 0.86 lbs | 1.29 lbs |
| Lens Type | Macro | Telephoto | Macro | Macro | Telephoto | Wide Angle, Telephoto |
| Maximum Aperture | 3.5 | f/3.5 | 3.5 | 3.5 | f/2 | f/6.3 |
| Maximum Focal Length | 250 millimeters | 200 millimeters | 270 millimeters | 250 millimeters | 250 millimeters | 300 millimeters |
| Minimum Focal Length | 18 millimeters | 18 millimeters | 18 millimeters | 18 millimeters | 55 millimeters | 18 millimeters |
Product description
Product Description
L1) 18-250MM F3.5-6.3 DI II F/Canon
From the Manufacturer
This breakthrough zoom covers the greatest range of any interchangeable lens in digital SLR photography—an astounding 14x wide-to-super telephoto ratio. That's the 35mm equivalent of a 28-400mm on an APS-C format DSLR. And it focuses down to 0.45m(17.7") over its entire range for dramatic close-ups. Remarkably compact and lightweight, its sharpness, resolution, and color accuracy are outstanding thanks to special lowe dispersion (LD) glass, high-tech molded aspherics, the latest multi-coating, and second-generation digital optimization (Di II). This is the most powerful zoom lens on the planet, and it literally puts the world at your fingertips, delivering crisp, flare free images of scenic vistas, sports, nature, and intimate close-ups of kids. It's the perfect all-in-one lens for traveling light and capturing the unanticipated.
AF 18-250mm F/3.5-6.3 Di II Highlights
Di II:
Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di II products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.
14x Zoom
Capture your world with the longest-range zoom lens you can buy--experience the great power of a 14X zoom range with Tamron's 18-250mm--a single lens capable of shooting both wide angle and telephoto scenes. At nearly 14x, Tamron's lens is the world's most powerful zoom and delivers all the photographic freedom of this enormous zoom range in a single, compact lens.
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Low Dispersion (LD)
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)
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Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron’s Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.
Anomalous Dispersion (AD) for Better Color Correction
Anomalous dispersion (AD) glass is a special type of optical glass that is used to achieve more precise control of chromatic aberrations, thereby enhancing overall imaging performance. Glass of this type provides an abnormally large partial dispersion ratio (amount of diffraction) for light of specific wavelength ranges (colors) within the visible spectrum. By combining AD glass having these special characteristics with elements made of normal glass having different dispersion characteristics, it is possible to control the dispersion factors of a specific wavelength. This enhanced level of control results in much lower levels of on-axis (central) chromatic aberration for telephoto lenses (or zooms used at tele-photo settings) and a significant reduction of lateral (peripheral) chromatic aber-ration for wide-angle lenses (or zooms used at wide-angle settings.)
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Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness)
Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.
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Another original Tamron mechanical engineering concept is the Zoom Lock (ZL), a simple convenience feature that prevents undesired extension of the lens barrel when carrying the camera/lens unit on a neck strap.
Product information
| Product Dimensions | 3.3 x 2.9 x 2.9 inches |
|---|---|
| Item Weight | 14.9 ounces |
| ASIN | B000IBLMHQ |
| Item model number | AF018C-700 |
| Customer Reviews |
4.0 out of 5 stars |
| Best Sellers Rank |
#2,246 in SLR Camera Lenses
|
| Is Discontinued By Manufacturer | No |
| Date First Available | October 2, 2001 |
| Manufacturer | Tamron |
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Customer reviews
Top reviews from the United States
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First the good: I was happy with the overall appearance of my photos as long as I had enough light to keep the shutter speed high. The lens was fairly light for it's size, and easy to use and carry. I did not have any zoom creep. The zoom moved acceptably smoothly from wide to telephoto and back. The casing is plastic of course, but did not feel cheap. I was happy with the build quality.
My photos were acceptably sharp across all focal lengths, with a little softness in the corners on some shots. Most of my shots were with aperature wide open or near wide open. I don't shoot test charts or newsprint. I'm basing my view on real-world shooting of people and wildlife, and some landscapes. I printed some sunsets @ 13x19 and they turned out beautifully.
Now the not-so-good: There was some vignetting visible, especially in photos with smooth backgrounds such as blue sky. Not horrible, but noticeable, and fixable in Photoshop. There was also more colored fringing than I am used to. I guess that's common in super zoom lenses, tho. This was my first super-zoom so I definitely noticed the difference. Once again, correctable in Photoshop.
Now the deal-breaker: Without image stabilization on this lens I was limited to shooting outdoors in good light or indoors with a flash. I simply could not hold the lens steady enough to avoid blur in many shooting situations. I ruined too many shots. I don't always have a tripod handy. The big selling point of a lens like this is versatility and ease of use. Unfortunately I could not use it successfully in too many situations. I knew when purchasing it that this could be a potential problem but I wanted to give it a fair try before shelling out the extra bucks for stabilization. I have since purchased a 70-300 IS zoom and am very happy with it. For me the IS makes all the difference.
In summary, this is a good lens and an excellent value as long as you understand it's limitations and are realistic about how you will be using it. At the longer focal lengths you need good light, a flash, or some sort of bracing to achieve acceptable results. Otherwise, save your packaging because you'll be boxing it up again.
For the extreme 18-250mm range, the optics are outstanding. Photozone comparisons show this lens to be clearly superior to the earlier Tamron 18-200mm version. In fact, it's sharpness is equal to or better than the expensive Nikon 18-200mm VR lens (Nikon mount only) over all but the 200mm length where it's a close second.
I attached the lens to my 20D and went to Hawaii for two weeks on two islands, shooting hundreds of pictures of landscapes, seascapes, parades, and macro-like closeups. Did I mention that this lens also focuses to about 18" even at 250mm - giving near macro capability. It provided outstanding pictures with eye-poping color and right-on autofocus - all in a lightweight package about the same size as the Canon 17-85mm.
The only downside is the lack of IS, OS or VR (whatever Tamron wants to call it). At the wide end, with good sharpness at even f4, the lack of IS is no problem even in shady or heavily overcast areas. At 250mm, with a need to stop down to f8 or f9, means good natural light or a flash is needed for use without a tripod or other support. Hawaii provided lots of good light so this was not an issue.
By Michael Morgan on June 26, 2007
For the extreme 18-250mm range, the optics are outstanding. Photozone comparisons show this lens to be clearly superior to the earlier Tamron 18-200mm version. In fact, it's sharpness is equal to or better than the expensive Nikon 18-200mm VR lens (Nikon mount only) over all but the 200mm length where it's a close second.
I attached the lens to my 20D and went to Hawaii for two weeks on two islands, shooting hundreds of pictures of landscapes, seascapes, parades, and macro-like closeups. Did I mention that this lens also focuses to about 18" even at 250mm - giving near macro capability. It provided outstanding pictures with eye-poping color and right-on autofocus - all in a lightweight package about the same size as the Canon 17-85mm.
The only downside is the lack of IS, OS or VR (whatever Tamron wants to call it). At the wide end, with good sharpness at even f4, the lack of IS is no problem even in shady or heavily overcast areas. At 250mm, with a need to stop down to f8 or f9, means good natural light or a flash is needed for use without a tripod or other support. Hawaii provided lots of good light so this was not an issue.
The only gripe I have about the lens is the zoom creep (the lens barrel extending on its own when the camera's pointing down, such as when you're looking at the LCD screen). There's a lock switch on the lens to stop this, but you can only lock it at the 18mm end. So, setting this lens at a zoom range pointing up or down might be a problem, unless you help it by using a rubber band or a velcro strap over the barrels.
I'm still giving it 5 stars because despite the zoom creep, the lens works very well for me. The convienence, image quality, and the price all combine to make it a superb product for me. Oh yeah, the six year warranty helps, too (Canon only provides 1 year).
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