ELPs second LP ‘Tarkus’ (1971) stretched their sound in new directions and dimensions, with more complex electronic keyboard sound. The title track took up the first side of the LP and ultimately defined the ELP sound - loud, bombastic and boundlessly exultant in its instrumental power. ‘Tarkus’ the album was No.1 in the U.K. and No.9 in the U.S. Last minute addition ‘Lucky Man’ became their debut single, a U.K. and U.S. hit Disc One is the 24 bit / High Density 2012 remaster of original 1971 album by highly renowned rock mastering engineer Andy Pearce Disc Two is the Steven Wilson 2012 Stereo Mix of the 2012 remaster, with bonus tracks from the original album sessions: ‘Oh, My Father’, ‘Unknown Ballad’ and an alternative take of ‘Mass’ The CD booklet features extensive notes of new 2016 interview with band members Keith Emerson and Greg Lake, by legendary rock journalist Chris Welch The LP is the original 1971 album, newly cut for the first time from the 24 Bit / High Density 2012 remaster, with original gatefold LP sleeve and artwork, faithfully reproduced Digital versions are: Standard, Made for iTunes and Hi Density, all taken from the 2012 remasters www.emersonlakepalmer.com https://www.facebook.com/EmersonLakePalmer?fref=ts
- Is Discontinued By Manufacturer : No
- Language: : English
- Product Dimensions : 4.88 x 5.51 x 0.59 inches; 3.81 Ounces
- Manufacturer : BMG Rights Management (UK) Ltd
- Original Release Date : 2016
- Date First Available : June 15, 2016
- Label : BMG Rights Management (UK) Ltd
- ASIN : B01H2ROW0C
- Number of discs : 2
- Best Sellers Rank: #87,106 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- Customer Reviews:
Top reviews from the United States
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The remainder of the album Tarkus is comprised of 6 songs that range in duration from 1:47 to 3:58. Of these shorter songs, my favorite is A Time And A Place. The other shorter tracks are listenable, but that’s about all in my opinion; hence, the 4-star rating. Tarkus, the title track, however, is worth 5 stars, and it alone is well worth the price of the album.
Tarkus as an album is another matter. Following the Tarkus suite is a daunting task and the second half of the album illustrates the difficulty as it is noticably weaker than the first half. They introduce what was to become the obligatory honky-tonk piano piece with Jeremy Bender. Pleasant enough, but a bit of a let down after the take no prisoners performance of Tarkus. [...] Crystal makes up for it with high tempo and intensity. The Only Way and Infinite Space are subdued and a little frustrating in their restraint, more so because they are squeezed between [...] Crystal and the other part two highlight (and equally intense) A Time and a Place. Are You Ready Eddy? is a complete throwaway and an almost shameful end to the album considering how it begins. Yet even with its faults, Tarkus holds its place as one of the most influential progressive rock albums ever released. If they never matched Tarkus as a single work, ELP cranked out at least two more albums, Trilogy and Brain Salad Surgery, that were almost as strong and by most accounts more listenable as a whole, but Tarkus binds their undisputed standing as progressive rock's first supergroup and well earned it is.
Top reviews from other countries
So progressive rock is not the most accessible genres of music on the planet. The weird blend of hard rock, jazz and classical is something that makes the live performers comes across as pompous, arrogant and big headed. You would be right on all accounts. But what people don’t appreciate is the sheer level of genius that band’s like King Crimson, Yes and ELP had in their gigantic brains.
Tarkus is a brilliant example of why these guys are some of the greatest musicians in the industry. Sure their song writing abilities were not about catchy pop hooks but the intense musicianship is something that a lot of people need to sit down and listen to. The band play more chords and notes on one song than the average musician is aware of. The average drummer probably couldn’t count a steady beat to at least half of the songs on this album. Probably because the frantic change in tempo and time signature is as constant as Keith Richards’ heart beat. You just never know where it will go next and that is what I love about this band.
The opening track Tarkus is a twenty minute opening monster that is perhaps the band’s most creative number period and a perfect example of what I mentioned above. The seven part epic is a genre defining classic and it is worth buying the album for the song alone. The song still features that raw power that was present on their début album but has an improved sense of music complexity that would make Rush blush. The music is frantic and intense as it constantly swerves through different groove and melodies which is so damn exciting. Sure it must be a little alienating to the average bum but it is a great challenging piece.
The rest of the album is more of the same. There are no real ballads and soft folk tunes as such but more rocking prog. Whilst side two of the album is not bad by any means. The songs are superbly crafted. It just does not compared to the monster title track. Rush fans could compared this to listening to their classic, 2112. Each song is roughly three minutes long and have a much simpler song structure. But good luck following the band on this one. They play like they sold their soul to the prog rock Devil.
Tarkus sits nicely next to Trilogy and Brain Salad Surgery as the centre piece of their back catalogue. They vary in styles but never go into heavier commercial territories like later albums. It is a great continuation of a quadrilogy of albums that deserve more praise. If you like your music complex and weird then I could not recommend this album more. Tarkus is as offensive to musicians as it is brilliant. It puts us all to shame by rubbing the genius in our faces.
Published by Steven Lornie
What more could you ask for? Included also is a great booklet well writen by Chris Welch about Tarkus and the work re-creating this classic album.
The sound in my opinion is stunning considering it was recorded on 16 track tape in 1971. For the price what you get is a very generous collection of discs that cover Tarkus in several ways of listening pleasure.
Spend £10 and enjoy this piece of musical genius all over again. I did and I am sure glad I have.
Just played the 2nd CD using a decent CD player and a high quality headphones and the sound mix is very clear and very well done. This is a treat to the ears.
`Tarkus' is a tight 20-minute piece of several movements, each flowing into the next. It's full of energy, musical virtuosity and innovation, mostly instrumental with a few melodic vocal passages, musing on the futility of war and conflict - surely a more relevant theme now in the 21st century than in 1971. You can hear the influence of jazz fusion in the improvisational sections, and of classical symphonic structure in the way the whole is put together: introducing the main theme, re-stating it with variation, going off on thematic musical excursions in the same key, and finally returning to the main theme with a brief grand finale. Keith Emerson's inventive and ground-breaking (for 1971) use of synthesizers as lead-melodic instrument is a particular highlight of `Tarkus' but all three of the trio are on top form throughout, with Carl Palmer demonstrating mastery of complex percussive time-signatures and Greg Lake belting out full-blooded, multi-tracked vocals and playing some mean electric guitar on `Battlefield'. Some sections of the piece are truly great.
The original 1971 vinyl release featured the `Tarkus' suite on the first side and a curious odds-and-sods second side made up of two joke-numbers (the honky-tonk `Jeremy Bender' and rock-&-roll `Are you ready Eddy?' dedicated to their sound engineer Eddy Offord), two tightly structured hard-rock numbers and an interesting, classical-music influenced two-part hymn called `The only way'. As with Pink Floyd's material from this period, it's hard to think of any band in the 21st century which would offer up this kind of wide palette of experimentation to a listening audience, which is some loss to a more musically impoverished modern generation.
Like the simultaneously released eponymous debut album, Sony's 2012 offering of `Tarkus' contains two CDs plus an audio-only DVD, presented in a 4-section fold-out featuring William Neal's distinctive `armadillo tank' cartoon artwork from the original 1971 gatefold album cover.
The first CD features the original album mix produced by Greg Lake. The second CD claims to be `The Alternate Tarkus - new 2012 stereo mixes' but you'll need to listen hard to spot the minor differences. What you do get on disk 2, however, are 3 extras:
* `Oh my Father' - a classic ballad from Greg Lake in the `Lucky Man' style (why wasn't it included on the original album? - Too personal maybe?)
* Unknown ballad - with Keith singing (and yes, he can sing OK and in key)
* An alternate take of `Mass' from the `Tarkus' suite
The DVD is in 5.1 surround sound DTS & PCM stereo, and contains all the material from the two CDs. As with the simultaneously released debut album, all the 2012 remixing from the original 16-track recording tapes is the work of Grammy-winning sound wizard Steven Wilson. A 16-page booklet with period photos, full track listings and newly-written story-narrative by Chris Welch completes the package.
This music sounds as good as it ever did, unbelievably fresh after 40 years. No-one - but no-one - is making music like this now. It almost seems that this kind of virtuoso, cross-genre musical innovation is dead; a pity.
The sound - especially on the DVD, if you have the equipment to play it as it's meant to be heard - is good, but falls short of the excellent result on the eponymous concurrently released debut album. The sound on `Tarkus' is in fact a bit on the `quiet' side, Wilson perhaps sensitive to potential accusations of excessive `loudness' which mars so much modern music and digital re-issues by over-compression of the dynamic range. The sound is OK, though: just turn up the volume a bit, and it's fine. This, together with the lean offering of only 3 genuine extra tracks (in contrast to the large amount of extra material on the concurrently released debut-album package) for me demotes it to 4 stars.
However if you don't have this milestone of the 1970s in your music collection, this is the definitive version to buy. Overall it's a fine package and great value at the asking price.
The key for existing owners is the sound quality. I have had the Manticore release of Tarkus on CD for a long time and that's my comparison start point. The simple answer is that this edition of Tarkus sounds a lot better; the sound is cleaner and more distinct without, thankfully, a superfluous boost in volume level. As others have said, Tarkus has never sounded so good. I have focused on the remastered/remixed stereo version (each multi-track part cleaned and then the whole remixed with the intention of sounding faithful to the original). It's good. For other tastes, there is a remaster of the original mix and then 5.1 and stereo versions on a DVD (there is video on the DVD too but it is essentially just a set of menus).
So Tarkus sounds great and it has also grown by two extra tracks, both solid additions to the album, and an alternate version of one existing track. The whole thing is packaged nicely in a four part card 'roll' that somehow reminded me of the monumental triple vinyl of Welcome Back my Friends! Lots of reasons to buy this and the price is the final bonus.
I look forward to further releases especially Welcome Back My Friends. Many years ago I went to an art exhibition of ELP related art work and heard a quad mix of the album. I can recall AquaTarkus swirling around the room and hope that mix still exists and is transferred to the 5.1 mix.
Can you improve perfection - sometimes and this is an example of one very welcome improvement (not that I thought one was needed).