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Tarzan of the Apes Illustrated Kindle Edition
Edgar Rice Burroughs
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Editorial Reviews
Amazon.com Review
The passages in which the nut-brown boy teaches himself to read and write are masterly and among the book's improbable, imaginative best. How tempting it is to adopt the ten-year-old's term for letters--"little bugs"! And the older Tarzan's realization that civilized "men were indeed more foolish and more cruel than the beasts of the jungle," while not exactly a new notion, is nonetheless potent. The first in Burroughs's serial is most enjoyable in its resounding oddities of word and thought, including the unforgettable "When Tarzan killed he more often smiled than scowled; and smiles are the foundation of beauty." --This text refers to an alternate kindle_edition edition.
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Excerpt. © Reprinted by permission. All rights reserved.
Out to Sea
I had this story from one who had no business to tell it to me, or to any other. I may credit the seductive influence of an old vintage upon the narrator for the beginning of it, and my own skeptical incredulity during the days that followed for the balance of the strange tale.
When my convivial host discovered that he had told me so much, and that I was prone to doubtfulness, his foolish pride assumed the task the old vintage had commenced, and so he unearthed written evidence in the form of musty manuscript, and dry official records of the British Colonial Office to support many of the salient features of his remarkable narrative.
I do not say the story is true, for I did not witness the happenings which it portrays, but the fact that in the telling of it to you I have taken fictitious names for the principal characters quite sufficiently evidences the sincerity of my own belief that it may be true.
The yellow, mildewed pages of the diary of a man long dead, and the records of the Colonial Office dovetail perfectly with the narrative of my convivial host, and so I give you the story as I painstakingly pieced it out from these several various agencies.
If you do not find it credible you will at least be as one with me in acknowledging that it is unique, remarkable, and interesting.
From the records of the Colonial Office and from the dead man’s diary we learn that a certain young English nobleman, whom we shall call John Clayton, Lord Greystoke, was commissioned to make a peculiarly delicate investigation of conditions in a British West Coast African Colony from whose simple native inhabitants another European power was known to be recruiting soldiers for its native army, which it used solely for the forcible collection of rubber and ivory from the savage tribes along the Congo and the Aruwimi.
The natives of the British Colony complained that many of their young men were enticed away through the medium of fair and glowing promises, but that few if any ever returned to their families.
The Englishmen in Africa went even further, saying that these poor blacks were held in virtual slavery, since after their terms of enlistment expired their ignorance was imposed upon by their white officers, and they were told that they had yet several years to serve.
And so the Colonial Office appointed John Clayton to a new post in British West Africa, but his confidential instructions centered on a thorough investigation of the unfair treatment of black British subjects by the officers of a friendly European power. Why he was sent, is, however, of little moment to this story, for he never made an investigation, nor, in fact, did he ever reach his destination.
Clayton was the type of Englishman that one likes best to associate with the noblest monuments of historic achievement upon a thousand victorious battlefields—a strong, virile man—mentally, morally, and physically.
In stature he was above the average height; his eyes were gray, his features regular and strong; his carriage that of perfect, robust health influenced by his years of army training.
Political ambition had caused him to seek transference from the army to the Colonial Office and so we find him, still young, entrusted with a delicate and important commission in the service of the Queen.
When he received this appointment he was both elated and appalled. The preferment seemed to him in the nature of a well-merited reward for painstaking and intelligent service, and as a stepping stone to posts of greater importance and responsibility; but, on the other hand, he had been married to the Hon. Alice Rutherford for scarce a three months, and it was the thought of taking this fair young girl into the dangers and isolation of tropical Africa that appalled him.
For her sake he would have refused the appointment, but she would not have it so. Instead she insisted that he accept, and, indeed, take her with him.
There were mothers and brothers and sisters, and aunts and cousins to express various opinions on the subject, but as to what they severally advised history is silent.
We know only that on a bright May morning in 1888, John, Lord Greystoke, and Lady Alice sailed from Dover on their way to Africa.
A month later they arrived at Freetown where they chartered a small sailing vessel, the Fuwalda, which was to bear them to their final destination.
And here John, Lord Greystoke, and Lady Alice, his wife, vanished from the eyes and from the knowledge of men.
Two months after they weighed anchor and cleared from the port of Freetown a half dozen British war vessels were scouring the south Atlantic for trace of them or their little vessel, and it was almost immediately that the wreckage was found upon the shores of St. Helena which convinced the world that the Fuwalda had gone down with all on board, and hence the search was stopped ere it had scarce begun; though hope lingered in longing hearts for many years.
The Fuwalda, a barkentine of about one hundred tons, was a vessel of the type often seen in coastwise trade in the far southern Atlantic, their crews composed of the offscourings of the sea—unhanged murderers and cutthroats of every race and every nation.
The Fuwalda was no exception to the rule. Her officers were swarthy bullies, hating and hated by their crew. The captain, while a competent seaman, was a brute in his treatment of his men. He knew, or at least he used, but two arguments in his dealings with them— a belaying pin and a revolver—nor is it likely that the motley aggregation he signed would have understood aught else.
So it was that from the second day out from Freetown John Clayton and his young wife witnessed scenes upon the deck of the Fuwalda such as they had believed were never enacted outside the covers of printed stories of the sea.
It was on the morning of the second day that the first link was forged in what was destined to form a chain of circumstances ending in a life for one then unborn such as has never been paralleled in the history of man.
Two sailors were washing down the decks of the Fuwalda, the first mate was on duty, and the captain had stopped to speak with John Clayton and Lady Alice.
The men were working backwards toward the little party who were facing away from the sailors. Closer and closer they came, until one of them was directly behind the captain. In another moment he would have passed by and this strange narrative would never have been recorded.
But just that instant the officer turned to leave Lord and Lady Greystoke, and, as he did so, tripped against the sailor and sprawled headlong upon the deck, overturning the water-pail so that he was drenched in its dirty contents.
For an instant the scene was ludicrous; but only for an instant. With a volley of awful oaths, his face suffused with the scarlet of mortification and rage, the captain regained his feet, and with a terrific blow felled the sailor to the deck.
The man was small and rather old, so that the brutality of the act was thus accentuated. The other seaman, however, was neither old nor small—a huge bear of a man, with fierce black mustachios, and a great bull neck set between massive shoulders.
As he saw his mate go down he crouched, and, with a low snarl, sprang upon the captain crushing him to his knees with a single mighty blow.
From scarlet the officer’s face went white, for this was mutiny; and mutiny he had met and subdued before in his brutal career. Without waiting to rise he whipped a revolver from his pocket, firing point blank at the great mountain of muscle towering before him; but, quick as he was, John Clayton was almost as quick, so that the bullet which was intended for the sailor’s heart lodged in the sailor’s leg instead, for Lord Greystoke had struck down the captain’s arm as he had seen the weapon flash in the sun.
Words passed between Clayton and the captain, the former making it plain that he was disgusted with the brutality displayed toward the crew, nor would he countenance anything further of the kind while he and Lady Greystoke remained passengers.
The captain was on the point of making an angry reply, but, thinking better of it, turned on his heel and black and scowling, strode aft.
He did not care to antagonize an English official, for the Queen’s mighty arm wielded a punitive instrument which he could appreciate, and which he feared—England’s far-reaching navy.
The two sailors picked themselves up, the older man assisting his wounded comrade to rise. The big fellow, who was known among his mates as Black Michael, tried his leg gingerly, and, finding that it bore his weight, turned to Clayton with a word of gruff thanks.
Though the fellow’s tone was surly, his words were evidently well meant. Ere he had scarce finished his little speech he had turned and was limping off toward the forecastle with the very apparent intention of forestalling any further conversation.
They did not see him again for several days, nor did the captain accord them more than the surliest of grunts when he was forced to speak to them.
They took their meals in his cabin, as they had before the unfortunate occurrence; but the captain was careful to see that his duties never permitted him to eat at the same time.
The other officers were coarse, illiterate fellows, but little above the villainous crew they bullied, and were only too glad to avoid social intercourse with the polished English noble and his lady, so that the Claytons were left very much to themselves.
This in itself accorded perfectly with their desires, but it also rather isolated them from the life of the little ship so that they were unable to keep in touch with the daily happenings which were to culminate so soon in bloody tragedy.
There was in the whole atmosphere of the craft that undefinable something which presages disaster. Outwardly, to the knowledge of the Claytons, all went on as before upon the little vessel; but that there was an undertow leading them toward some unknown danger both felt, though they did not speak of it to each other.
On the second day after the wounding of Black Michael, Clayton came on deck just in time to see the limp body of one of the crew being carried below by four of his fellows while the first mate, a heavy belaying pin in his hand, stood glowering at the little party of sullen sailors.
Clayton asked no questions—he did not need to—and the following day, as the great lines of a British battleship grew out of the distant horizon, he half determined to demand that he and Lady Alice be put aboard her, for his fears were steadily increasing that nothing but harm could result from remaining on the lowering, sullen Fuwalda.
Toward noon they were within speaking distance of the British vessel, but when Clayton had nearly decided to ask the captain to put them aboard her, the obvious ridiculousness of such a request became suddenly apparent. What reason could he give the officer commanding her majesty’s ship for desiring to go back in the direction from which he had just come!
What if he told them that two insubordinate seamen had been roughly handled by their officers? They would but laugh in their sleeves and attribute his reason for wishing to leave the ship to but one thing—cowardice.
John Clayton, Lord Greystoke, did not ask to be transferred to the British man-of-war. Late in the afternoon he saw her upper works fade below the far horizon, but not before he learned that which confirmed his greatest fears, and caused him to curse the false pride which had restrained him from seeking safety for his young wife a few short hours before, when safety was within reach—a safety which was now gone forever.
It was mid-afternoon that brought the little old sailor, who had been felled by the captain a few days before, to where Clayton and his wife stood by the ship’s side watching the ever diminishing outlines of the great battleship. The old fellow was polishing brasses, and as he came edging along until close to Clayton he said, in an undertone:
“ ’Ell’s to pay, sir, on this ’ere craft, an’ mark my word for it, sir. ’Ell’s to pay.”
“What do you mean, my good fellow?” asked Clayton.
“Wy, hasn’t ye seen wats goin’ on? Hasn’t ye ’eard that devil’s spawn of a capting an’ ’is mates knockin’ the bloomin’ lights outen ’arf the crew?
“Two busted ’eads yeste’day, an’ three to-day. Black Michael’s as good as new agin an’ ’e’s not the bully to stand fer it, not ’e; an’ mark my word for it, sir.”
“You mean, my man, that the crew contemplates mutiny?” asked Clayton.
“Mutiny!” exclaimed the old fellow. “Mutiny! They means murder, sir, an mark my word for it, sir.”
“When?”
“Hit’s comin’, sir; hit’s comin’ but I’m not a-sayin’ wen, an’ I’ve said too damned much now, but ye was a good sort t’other day an’ I thought it no more’n right to warn ye. But keep a still tongue in yer ’ead an’ when ye ’ear shootin’ git below an’ stay there.
“That’s all, only keep a still tongue in yer ’ead, or they’ll put a pill between yer ribs, an’ mark my word for it, sir,” and the old fellow went on with his polishing, which carried him away from where the Claytons were standing.
“Deuced cheerful outlook, Alice,” said Clayton.
“You should warn the captain at once, John. Possibly the trouble may yet be averted,” she said.
“I suppose I should, but yet from purely selfish motives I am almost prompted to ‘keep a still tongue in my ’ead.’ Whatever they do now they will spare us in recognition of my stand for this fellow Black Michael, but should they find that I had betrayed them there would be no mercy shown us, Alice.”
“You have but one duty, John, and that lies in the interest of vested authority. If you do not warn the captain you are as much a party to whatever follows as though you had helped to plot and carry it out with your own head and hands.”
“You do not understand, dear,” replied Clayton. “It is of you I am thinking—there lies my first duty. The captain has brought this condition upon himself, so why then should I risk subjecting my wife to unthinkable horrors in a probably futile attempt to save him from his own brutal folly? You have no conception, dear, of what would follow were this pack of cutthroats to gain control of the Fuwalda.”
“Duty is duty, John, and no amount of sophistries may change it. I would be a poor wife for an English lord were I to be responsible for his shirking a plain duty. I realize the danger which must follow, but I can face it with you.”
“Have it as you will then, Alice,” he answered, smiling. “Maybe we are borrowing trouble. While I do not like the looks of things on board this ship, they may not be so bad after all, for it is possible that the ‘Ancient Mariner’ was but voicing the desires of his wicked old heart rather than speaking of real facts.
“Mutiny on the high sea may have been common a hundred years ago, but in this good year 1888 it is the least likely of happenings.
“But there goes the captain to his cabin now. If I am going to warn him I might as well get the beastly job over for I have little stomach to talk with the brute at all.”
So saying he strolled carelessly in the direction of the companionway through which the captain had passed, and a moment later was knocking at his door.
“Come in,” growled the deep tones of that surly officer.
And when Clayton had entered, and closed the door behind him:
“Well?”
“I have come to report the gist of a conversation I heard to-day, because I feel that, while there may be nothing to it, it is as well that you be forearmed. In short, the men contemplate mutiny and murder.”
“It’s a lie!” roared the captain. “And if you have been interfering again with the discipline of this ship, or meddling in affairs that don’t concern you you can take the consequences, and be damned. I don’t care whether you are an English lord or not. I’m captain of this here ship, and from now on you keep your meddling nose out of my business.”
The captain had worked himself up to such a frenzy of rage that he was fairly purple of face, and he shrieked the last words at the top of his voice, emphasizing his remarks by a loud thumping of the table with one huge fist, and shaking the other in Clayton’s face.
Greystoke never turned a hair, but stood eying the excited man with level gaze.
“Captain Billings,” he drawled finally, “if you will pardon my candor, I might remark that you are something of an ass.”
Whereupon he turned and left the captain with the same indifferent ease that was habitual with him, and which was more surely calculated to raise the ire of a man of Billings’ class than a torrent of invective.
So, whereas the captain might easily have been brought to regret his hasty speech had Clayton attempted to conciliate him, his temper was now irrevocably set in the mold in which Clayton had left it, and the last chance of their working together for their common good was gone.
“Well, Alice,” said Clayton, as he rejoined his wife, “I might have saved my breath. The fellow proved most ungrateful. Fairly jumped at me like a mad dog.
“He and his blasted old ship may hang, for aught I care; and until we are safely off the thing I shall spend my energies in looking after our own welfare. And I rather fancy the first step to that end should be to go to our cabin and look over my revolvers. I am sorry now that we packed the larger guns and the ammunition with the stuff below.”
They found their quarters in a bad state of disorder. Clothing from their open boxes and bags strewed the little apartment, and even their beds had been torn to pieces.
“Evidently someone was more anxious about our belongings than we,” said Clayton. “Let’s have a look around, Alice, and see what’s missing.”
A thorough search revealed the fact that nothing had been taken but Clayton’s two revolvers and the small supply of ammunition he had saved out for them.
“Those are the very things I most wish they had left us,” said Clayton, “and the fact that they wished for them and them alone is most sinister.”
“What are we to do, John?” asked his wife. “Perhaps you were right in that our best chance lies in maintaining a neutral position.
“If the officers are able to prevent a mutiny, we have nothing to fear, while if the mutineers are victorious our one slim hope lies in not having attempted to thwart or antagonize them.”
“Right you are, Alice. We’ll keep in the middle of the road.”
As they started to straighten up their cabin, Clayton and his wife simultaneously noticed the corner of a piece of paper protruding from beneath the door of their quarters. As Clayton stooped to reach for it he was amazed to see it move further into the room, and then he realized that it was being pushed inward by someone from without.
Quickly and silently he stepped toward the door, but, as he reached for the knob to throw it open, his wife’s hand fell upon his wrist.
“No, John,” she whispered. “They do not wish to be seen, and so we cannot afford to see them. Do not forget that we are keeping to the middle of the road.”
Clayton smiled and dropped his hand to his side. Thus they stood watching the little bit of white paper until it finally remained at rest upon the floor just inside the door.
Then Clayton stooped and picked it up. It was a bit of grimy, white paper roughly folded into a ragged square. Opening it they found a crude message printed almost illegibly, and with many evidences of an unaccustomed task.
Translated, it was a warning to the Claytons to refrain from reporting the loss of the revolvers, or from repeating what the old sailor had told them—to refrain on pain of death.
“I rather imagine we’ll be good,” said Clayton with a rueful smile. “About all we can do is to sit tight and wait for whatever may come.” --This text refers to an alternate kindle_edition edition.
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- ASIN : B07YXHCZ17
- Publication date : October 9, 2019
- Language: : English
- File size : 714 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 322 pages
- Page numbers source ISBN : B08N3F323Q
- Lending : Enabled
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I had a great time reading Tarzan of the Apes, but it is absolutely a pulp novel. The plot is well known to most, the details probably less so, but there isn’t anything ground breaking going on here. Or is there? It’s hard to say. On one hand, like I pointed out above, Tarzan has been around for over a hundred years now. That certainly doesn’t rank him in Shakespearean terms, but outside of Sherlock Holmes, Zorro, or James Bond, I can’t think of many other characters that have persisted quite like that, barring the entrance of comic book super heroes. Tarzan serves as a kind of model man for young boys – like the ultimate Boy Scout. The boy Tarzan, like many boys, is born and feels mundane until that first look in the water reveals he is actually special. And over time, he learns to do things others can’t. This is the super hero origin part of the story, and it begins early on. Tarzan becomes capable of physical feats that mere men are not while at the same time, the other side of him becomes the learned English gentleman. In many ways, he foreshadows Bruce Wayne and Batman, except the disguise for Tarzan is absent. He lost his parents, was an outsider, trains his mind and body to super human levels, then re-enters society as a regular man. Outside of the losing your parents part, it isn’t hard to imagine this journey as that of a young boy’s fantasy. That alone doesn’t seem like quite enough to carry a dime story novel for a century though. Is there more? I feel like the further men of our current culture are separated from their traditional primitive roles of hunter gatherer, the greater the need and difficulty finding value and meaning in one’s own existence becomes. In that sense, I feel like Tarzan speaks to all the guys out there that are mild mannered, sit at a desk all day doing accounting or insurance adjusting or whatever, and go home to throw something in the microwave, and just don’t feel fulfilled. They wish they could have their cake and eat it too. They want to hunt there food, trudge through the jungle back to home, and slap their kill down on the table. But they want tea too, and of course, Matlock’s coming on. Instead, they’ve got their fantasies. I think the current plague of zombie content fits this same void for modern audiences. It’s like the modern male wishes society were wiped away so he could reign supreme again. Except not really. It’s just a fantasy. It’s what books are for. I got to be Tarzan for a little while, but now it’s back to work for me. They don’t have showers in the jungle or wives to share a morning coffee with, but I have both, and I better not get complacent about it either… cause… you know… the zombies and stuff.
The character of an Englishman of noble birth, raised in the wilds of Africa by great apes captured the imagination of many and deservedly so. Tarzan is one of the seminal fictional characters and has never been depicted as well as Burroughs imagined him.
Raised as an ape, he speaks and understands their language, which is also spoken by monkeys and baboons. His sense of smell is highly developed and he is taught to hunt and kill to eat. When a great ape makes a kill, he lets forth with a terrifying howl of victory that lets the rest of the jungle know. It’s a fearsome sound and nothing like Johnny Weissmuller’s glorious yodel. After killing the great ape that was his stepfather, he sets out on his own and discovers the cabin his real father made after being marooned on the African coast.
Inside the cabin, he discovers the skeletons of his parents as well as his father’s knife, which will serve him through the rest of the series. Also inside the cabin are books that were meant for a boy’s instruction. In a fascinating and ingenious sequence, he teaches himself to read and write English without knowing how the language sounds. After rescuing a French soldier from cannibals, he learns French before English.
Among his enemies are Numa, the Lion; Sheeta, the Panther; Hista, the Snake and cannibals. Enemies are what help define protagonists and through the series, there are enemies galore. There are Germans, Swedes, Russians, Communists, Arabs, Shiftas (bandits) and Japanese who find themselves up against the Ape-Man.
Tarzan is fluent in French and English as well as the language of the beasts and the native African tribes who have learned to fear and respect him. He becomes king of the Waziri and them, his loyal subjects and armed force.
The Johnny Weissmuller films are filled with scenes of Tarzan calling for hordes of jungle beasts to charge white hunters and whatever enemy is on the horizon destroying his jungle paradise. Unlike Weissmuller, Tarzan is quite articulate. In the books, the only scene with an animal charge (other than when Tantor is employed) is when Tarzan persuades a baboon king to send his horde of baboons to attack his enemies. Otherwise, his power over animals is limited. Tantor, the Elephant, is Tarzan’s friend and is happy to carry him on his back to wherever he wishes to go.
However, in The Beasts of Tarzan resides an extraordinary sequence, where after becoming the chief of a tribe of great apes and saving a panther from a trap that would otherwise have cost it its life, the beasts join Tarzan in his quest to recapture his bride, Jane. Together with marooned sailors, the apes row a hollowed-out tree to the coast of Africa while Sheeta, the panther drools over the sailors but will not eat them out of loyalty to the Lord of the Jungle. Not so, the fate of Jane’s abductors. Any mention of animal loyalties would be amiss without mentioning the Golden Lion, Jad-bal-ja, whom Tarzan raised from a cub to become his ally and watcher. More than one enemy is vanquished by Tarzan’s loyal avenger, who will not attack any of Tarzan’s friends.
In the first part of Tarzan Returns, he wears clothing, fights off killers in Paris and is hired by the French government to go undercover in North Africa. He’s more like James Bond and quite skilled with a gun in his hand in addition to his superior physical prowess.
One of the major threads that runs through the novels are the lost worlds hidden in the Dark Continent. The first of the worlds is Opar, a city and civilization originally from Atlantis and its queen, La. Opar and La figure in several subsequent novels.
Lost worlds are a throwback to the 19th-century writings of H. Rider Haggard, H.G. Wells, and Jules Verne. Among the lost worlds Burroughs imagined are two warring Roman cities, warring Crusaders who took a wrong turn returning from the Holy Land, warring civilizations of cat people, warring religious fanatics among many others.
The novels are at their best when focusing on Tarzan and his Waziris, his son, and wife, Jane.
The series lost momentum after shifting focus to lost worlds rather than keeping sharp focus on Tarzan. He even cross-fertilized Tarzan with the Pelucidar series sending the Ape-Man to the Earth’s Core. The stories are at their best when focusing on Tarzan himself. Burroughs created one of the great and most enduring characters of fiction. He revolutionized science fiction and fantasy. He predicted many medical advances and probably inspired discoverers and inventors with his audacious fiction.
One barrier for many modern readers is the language used in 1912. There are many archaic terms and descriptors used, but as the series progresses the language evolves and is less off-putting.
One note on the version I read. The later novels were digitized utilizing Optical Character Recognition (OCR) software because there are missing periods and abbreviations that don’t make sense otherwise. The letters “Ms” are in place of where it should have read “his” for example among many other artifacts. The edition I read cost 99 cents for 25 complete novels. Figuring out what the word should have been should be easy enough for the reader and well worth the minor extra effort.
Burroughs pulls the series out of the lost world rut in Tarzan and the Lion Man where he infuses the story with science fiction ideas usually found in the Barsoom series. A mad scientist has created a race, crossing gorillas with men. It’s a thrilling entry to the series with brilliant elements of horror in it. That novel was written in 1933-34 with a subplot involving a Hollywood production of a Tarzan-like feature filmed on location in Africa. References to Burroughs’ success in Hollywood continue as characters refer to Lord Greystoke as “a regular Tarzan” not knowing who he really is. Once we reach World War II in Tarzan and the Foreign Legion, Lord Greystoke is a British Army Colonel who reveals his true identity to the band of warriors fighting the Japanese on the island of Sumatra.
No discussion of Burroughs’ Tarzan novels would complete without mentioning the “Tantor” in the room: race. It’s important to keep in mind that Burroughs was a product of his time and his writing reflects what were many prevailing attitudes and ideas of the day. The essential idea of a British nobleman raised by apes only to realize the promise of his superior genes is rightly regarded today as racist. Tarzan hates the black tribes he first meets but one must keep in mind that they were also cannibals. There is liberal use of what is now referred to as the N-Word throughout the books. Tarzan himself doesn’t use the word but many of the white characters do and most of those are Tarzan’s enemies. Throughout the novels, Tarzan is frequently predisposed to help a person because they are white and is callous to the fate of the black tribesmen he encounters.
In Tarzan’s defense, he frequently prefers the law of the jungle to the law of man. He would rather be eaten by a lion or a tiger or gored by a rhinoceros than have the knife of a duplicitous man stab him in the back. The books are replete with wry observations of Tarzan’s preference for the savage natural world over civilization.
Burroughs gradually evolved his regard for the black tribes. By the time the novels mature, Tarzan relies on a tribe of blacks known as his Waziri and its chief, Muviro. They become the source of many a deus ex machina while coming to his rescue. They are noble, beautiful and strong. He infuses them with loyalty, self-sacrifice, intelligence, and great courage. They love Tarzan and Tarzan loves them. We could all use allies such as these.
By the time we reach Tarzan and the Tarzan Twins with Jad-Bal-Ja the Golden Lion, most of Tarzan’s most beloved characters play a part in the resolution of the tale. Tantor is here as well as Nkima, the monkey and his loyal Waziri facing down the half-men of Opar, descended from gorillas.
Edgar Rice Burroughs created one of the most fascinating and enduring characters in literature and was wildly successful in his lifetime. None of the film adaptations captured the essence of the author’s vision but Burroughs was more than happy to laugh all the way to the bank. The novels are high adventure with romance and impossible situations (with sometimes ridiculous storylines) but holding all together is the audacious imagination of Edgar Rice Burroughs, who arguably created modern science fiction and infused many of those fantastic situations from what was one time called The Dark Continent, a place of mystery and limitless possibilities that launched many a fantasy adventure. Most of the writers of more recent science fiction were inspired as boys and girls by the writings of Edgar Rice Burroughs.
The physical courage of Tarzan is something all boys aspire to. Cast off, naked and alone with nothing but our wits and wills to be engines of our survival, there is a part of every person alive who ought to wish to emulate Tarzan.
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I think that everyone must know the basics of the tale, who Tarzan's parents were and how he was brought up. Edgar Rice Burroughs struck gold with this piece of fiction, writing many more Tarzan stories and causing a whole host of imitators to spring up because of its popularity. The quality of the stories do differ immensely though. Apart from one group of short stories this particular book and Return of Tarzan are arguably the best.
If you have never read this before, then why not immerse yourself in a new world? Or if you have read it before, relax and take in the story again.

Reviewed in the United Kingdom on July 26, 2012
I think that everyone must know the basics of the tale, who Tarzan's parents were and how he was brought up. Edgar Rice Burroughs struck gold with this piece of fiction, writing many more Tarzan stories and causing a whole host of imitators to spring up because of its popularity. The quality of the stories do differ immensely though. Apart from one group of short stories this particular book and [[ASIN:B0083ZRJF8 Return of Tarzan]] are arguably the best.
If you have never read this before, then why not immerse yourself in a new world? Or if you have read it before, relax and take in the story again.


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