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Tascam TM-2X Stereo X-Y Microphone for DSLR Cameras
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$99.00
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| Brand | Tascam |
| Color | Black |
| Connectivity Technology | Wired |
| Polar Pattern | Unidirectional |
| Item Weight | 0.55 Pounds |
| Hardware Platform | Camera |
| Number of Channels | 1 |
About this item
- The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere
- Easily handles high sound pressures up to 120 dB SPL, and a two-stage output level adjustment switch ensures compatibility with a variety of cameras
- Setup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video
- Included shoe adapter can be attached to the camera accessory shoe, and tripod mounting threads enable attachment to a camera tripod
- An on-board low-cut filter can be switched on and off to cut out low-frequency background noise when needed
- The floating support structure underneath the mics absorbs unwanted handling and mechanical noise, aided by the included noise isolation arm
- Wind noise can be reduced by simply covering the mic unit with the included windscreen
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From the manufacturer
- Microphone Type: Cardioid
- Frequency Range: 50Hz to 20kHz
- Output Impedance: 1.6k ohms
- S/N Ratio: 74dB (at 1kHz, 1Pa, A weighted)
- Cable Length: 33cm
- Plug: 3.5 mm (1/8'") TRS stereo mini plug
- Power: Plug-in power (JEITA standard CP-1203A)
- Accessories: Fur windscreen, noise isolation arm, Owner's Manual, warranty
TASCAM TM-2X
Stereo X-Y Microphone for DSLR Cameras
The directional condenser microphones equipped on the TM-2X are the same mics used in our highly-regarded DR-series recorders. The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere, whether it's sound from a wide area or directly in front of the camera. As a result, the TM-2X records pristine sound that fits naturally with the recorded video.
- Directional stereo condenser microphone in an X-Y configuration
- Designed with the capacity to easily handle high sound pressures up to 120 dB SPL
- Two-stage output level adjustment switch ensures compatibility with a variety of cameras
- Vari-angle microphone structure allows 180º rotation for optimal mic placement
- Included shoe adapter (ISO/JIS specification compliant) can be attached to the camera accessory shoe
- Tripod mounting threads enable the unit to be attached to a camera tripod
Record High-Quality Audio for High-Definition Video Straight to your Camera
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Delivers high audio quality and the capacity to handle high sound pressuresWe have consistently utilized our expertise in developing recording devices that focus on the design of the analog circuits behind the mic capsules. As a result, the TM-2X achieves a high performance rating and a frequency response of 50 Hz to 20 kHz. Furthermore, we designed the TM-2X with the capacity to handle high sound pressures up to 120 dB SPL to prevent distortion even in loud scenarios. |
Built-in stereo mini plug output can be connected directlySetup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video. The output can be set to one of two levels to enable compatibility with a variety of cameras. |
On-board Low-cut filter eliminates unwanted low frequenciesThe unit includes an on-board low-cut filter to cut out low-frequency background noise. Depending on the video recording scenario, you can choose to turn this feature on or off (Low cut/Flat). |
Includes: Noise Isolation Arm, Floating Support Structure & Furry Windscreen
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Noise isolation arm to reduce lens operation noise includedWhen capturing video using changeable auto-focus lenses, the sounds produced from the lens itself can disrupt and interfere with recordings. In situations where this noise is a problem, you can reduce the interruptions by using the included noise isolation arm. The noise isolation arm physically increases the distance from the noise source to reduce its capture. The structure of the arm, including its length and height, was developed through extensive testing. |
Floating structure reduces handling noiseThe floating support structure underneath the mics absorbs unwanted handling noise and sounds from cameras' mechanics. |
Furry windscreen to reduce wind noiseWhen filming outdoors, even a slight breeze can enter the mic and cause wind noise. This unit comes with a furry windscreen that can physically prevent this noise from occurring. Wind noise can be reduced by simply covering the mic unit with this windscreen. |
Compare with similar items
Product description
TASCAMs continued devotion to the Audio for Video market is made apparent in the TM-2X Stereo X-Y Pattern Mic for DSLR Cameras. Users now have the option to utilize the same cardioid mics made popular on the DR-Series PCM recorders and record straight into their camera of choice. Over the past few years TASCAM has become the most trusted supplier of audio devices for amateur and pros DSLR filmmakers alike. The TM-2X continues that reputation.
Product information
| Item Weight | 8.8 ounces |
|---|---|
| Product Dimensions | 6.06 x 3.19 x 8.5 inches |
| Domestic Shipping | Item can be shipped within U.S. |
| International Shipping | This item can be shipped to select countries outside of the U.S. Learn More |
| Country of Origin | USA |
| ASIN | B00GBATPFO |
| Item model number | TM-2X |
| Customer Reviews |
4.1 out of 5 stars |
| Best Sellers Rank |
#215 in Professional Video Microphones
#3,526 in Recording Microphones & Accessories |
| Is Discontinued By Manufacturer | No |
| Date First Available | October 21, 2013 |
| Color Name | Black |
| Hardware Platform | Camera |
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Customer reviews
Top reviews from the United States
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This is a microphone system that connects to the hot shoe. The plug goes into the audio input, and there are two sensitivity: High and Low. A cover allows for wind reduction in outdoor performances. An additional attachment sets the microphone apart from the camera body. This decreases the chance of recording sounds from the lens motor.
The advantages over my Rode are that there is a smaller profile, two microphone heads and no requirement for additional batteries.
The microphone is lightweight and compact. Sound quality is excellent. Using this on my Canon 80D, I am able to fine tune audio recording sensitivity, additional wind reduction, audio recording levels, and also monitor sound quality through a set of audio headphones.
Overall, I’m very pleased.
I took this out in the field one time. When pointed in the direction of any minor RF source hundreds of feet away, digital noise will come through on the recording emanating from the source. It's unavoidable - and it tells me that the electronics inside are not adequately shielded from RF noise that is ubiquitous everywhere humans exist that isn't deep backcountry. A few others have reported this issue as well. Sound quality is not particularly better than other mics that do not exhibit severe RF interference.
The XY stereo pattern is nice for environmental field recordings - and it does sound pretty good. But again - too many other issues abound. Let's continue:
The mic cord is permanently attached to the unit and is not user replaceable. I didn't know this was the case before I bought the unit. When I unboxed it - this was an immediate turnoff. As all it takes is a minor cord snafu to turn the mic into an expensive piece of dead weight attached to your camera. the cable is flimsy, attached the same way many of my past headphones that have failed were attached. I wouldn't expect it to last for long and will likely render the mic unusable in short order after a few trips into nature.
While the footprint of the mic is small, and the built-in shock mount is a clever idea - in execution it leaves much to be desired. Upon importing recorded footage, any small movements of the camera resulted in a lot of clicking noise from the shock mount banging around against the mic itself - defeating the entire purpose of the unit. There is also no way to decouple the mic from the shock mount. So it's a permanent issue with the mic.
Additionally, the stereo XY capsule module - while it's awesome that it can be adjusted up and down for, let's say, narration versus being pointed towards a subject - I found as I walked that the mic capsule would gradually fall down. when the deadcat is attached - you can't see that it's fallen down. This means the mic will just be picking up a bunch of camera sensor & lens AF noise since it's pointed directly at it. You have to check it and adjust every single shot. Lame.
Also, the included deadcat is nearly useless. It pulls off too easily and there is a large air gap around the edges that allowed wind to come in from behind the mic. A lot of wind noise got in to my finished footage - way, way too much wind noise for such a large deadcat.
This thing? This?? How does it have such high reviews? I cannot for the life of me understand why people are writing gushing reviews of this mic. It nearly ruined an hour long video that I produced. There was as much wind noise WITH the deadcat attached as my b-cam GoPro footage that had no deadcat at all. Truly bizarre.
I did quite a bit of research, initially thinking I would go with a shotgun stereo mic, but after reading multiple reviews, decided to go with this Tascam mic. I already had a handheld Tascam digital recorder with very similar mics that made exceptional recordings. I had read several reviews complaining about the plastic shoes on this mic breaking. I figured I would do my best not to bash the mic when mounted (primarily on tripods when taking video) so that this would not be an issue.
The mic arrived, I noticed the box looked like it had been opened before. However, the mic inside was fully packaged. I unpacked it, and first looked at the boom/extension. When I picked it up, the shoe fell off of it. Looking closer, the piece of plastic connecting the shoe to the rest of the boom was in fact broken.
I figured I would use the mic to do testing, and when I picked it up, the shoe fell of it as well! It too had been broken. Obviously someone had broken the shoes on both the boom and the mic, then returned it - it had been refurbished (i.e. repackaged) and shipped out to me (by Amazon) as new! I was extremely unimpressed with this.
To Amazon's credit, they had a replacement (new, this time) unit in my hands two days later, and paid for the return of the broken unit. I then got to use the new mic for the first time that weekend.
The results: spectacular! The difference in sound between the on-camera mics and this external mic are like night and day. The on-camera mics sound muddy and tonally narrow, with limited dynamics. The Tascam mic produces excellent sound, quite flat and with very good dynamics. The stereo imaging was excellent, and there was no evidence of overmodulation, despite the high SPL at the event.
My tests in a quiet room with these mics on my D5300 did produce an audible noise floor in the form of hiss, at probably -30dB. Some other reviews attribute this to the mics, however I tried plugging the mics into my Tascam recorder, and the hiss was not evident. Therefore I attribute the hiss to the preamp and/or phantom power supply inside the D5300, not the microphones themselves. When recording any kind of decent audio levels the hiss is not evident however.
With the boom installed, the sounds of autofocus motors in the lens are barely audible in recordings, and then only when the surrounding area is extremely quiet. Again, when recording any kind of audio level, autofocus motor noise will not be an issue.
Overall I am very pleased with the sound of these mics. I will continue to be vigilant in handling the mics when mounted to the camera to try to avoid the shoe breakage issue that is so clearly a problem with them. That said, the manner in which I saw them broken could very likely be easily fixed with application of some epoxy.
Top reviews from other countries
Pros: Between those times it produced clear immersive sound.
Cons: The support is made of thin rubber and is rather weak, the arm is 100% plastic, windscreen does not fit at all (runs very large, although it might have been switched before).
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