I've had this book in my possession before, but never owned it. I used it as a reference for a student film and I learned a lot from it. Sure, you can do a lot of the stuff in Avid now, without having to do it the old fashion way, but how can you make the SFX if you don't know what you're trying to achieve? This book tells you how the effects were done practically, and then from their it may inspire you to see NLE in a new way.
Personally, that's how I feel about this book. It taught me to have new found respect for all the work that went into filmmaking before I came along. So, if you want to learn more about the filmmaking process and really open your mind, get this book. As far as I know they aren't making any more copies, and some are going for well over [...]bucks. So obviously somebody thinks it's valuable, that's why I finally ordered my copy. It really is an amazing book. If you want to be a DP or knowledgeable camera operator, then you should know your past.
Techniques of Special Effects of Cinematography (Library of Communication Techniques) 4th Edition
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Raymond Fielding
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Raymond Fielding
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ISBN-13:
978-0240512341
ISBN-10:
0240512340
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Editorial Reviews
From the Back Cover
This superb book provides a unique insight into professional visual effects for motion pictures. Special effects have long been used to enhance scale and place, and to suggest realities that are but imagined. Once intended to save money, special effects films have now developed into the dominant motion picture genre.
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Product details
- Publisher : Focal Press; 4th edition (October 17, 1985)
- Language : English
- Hardcover : 472 pages
- ISBN-10 : 0240512340
- ISBN-13 : 978-0240512341
- Item Weight : 2.25 pounds
- Dimensions : 6.41 x 1.27 x 9.49 inches
-
Best Sellers Rank:
#1,650,516 in Books (See Top 100 in Books)
- #274 in Cinematography (Books)
- #1,382 in Film & Television
- #2,104 in Video Direction & Production (Books)
- Customer Reviews:
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12 global ratings
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Reviewed in the United States on November 2, 2008
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Reviewed in the United States on January 12, 2019
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Nice book on cinema techniques
Reviewed in the United States on March 4, 2006
For many years, Raymond Fielding's "Techniques of Special Effects Cinematography" was the quintessential "how'd they do that?" manual for the field of Special Visual Effects. Apart from back issues of American Cinematographer magazine, if you lived outside the Los angeles area, this was your best source of info on everything from stop-motion and front screen projection to matte paintings and miniatures. Many independent, amateur & student filmmakers have benefited from the techniques outlined in this book.
Since many of the effects explained in this book can now be accomplished digitally, it also makes it a great film HISTORY book. But even still, for the filmmaker who wants to utilize tried & true, old school effects techniques (out of curiosity, artistic choice or budget) this is THE book that covers it all. If you are looking for a "how-to" book covering digital effects, I recommend perusing the books & manuals covering the specific software packages you are using or considering.
Since many of the effects explained in this book can now be accomplished digitally, it also makes it a great film HISTORY book. But even still, for the filmmaker who wants to utilize tried & true, old school effects techniques (out of curiosity, artistic choice or budget) this is THE book that covers it all. If you are looking for a "how-to" book covering digital effects, I recommend perusing the books & manuals covering the specific software packages you are using or considering.
7 people found this helpful
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Reviewed in the United States on February 1, 2010
Don't be put off by what you read here about "most of the effects here are now being achieved digitally". Digital has many limitations also, not least that it can appear poor and unreal. You are often in the creative hands of another person. FOr a crude example, check out the difference between the Star Trek New Generation TV series and The Star Trek motion picture, or look at the feel of work in films like Blade Runner and 2001. Many of these Techniques are now returning because of their aesthetique qualities. Also, trying to achieve a complex and realistic 3D shot with a limited budget and schedule is often impossible. It will almost certainly look poor and you will be killed by the schedule. Miniatures and Models have made a big comeback now. Certainly worth checking out this book to get all the details.
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