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The Temple of My Familiar Paperback – Bargain Price, September 3, 2010
First published in 1990, The Temple of My Familiar, Alice Walker’s follow-up novel to her iconic The Color Purple, spent more than four months on the New York Times Bestseller list and was hailed by critics as a “major achievement” (Chicago Tribune).
Described by the author as “a romance of the last 500,000 years,” The Temple of My Familiar follows a cast of interrelated characters, most of African descent, and each representing a different ethnic strain—ranging from diverse African tribes to the mixed bloods of Latin America—that contribute to the black experience in America.
- Print length432 pages
- LanguageEnglish
- PublisherMariner Books
- Publication dateSeptember 3, 2010
- Dimensions7.96 x 5.6 x 1.01 inches
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Editorial Reviews
Review
"As a sequel to The Color Purple, The Temple of My Familiar is a major achievement." (Chicago Tribune )
About the Author
Product details
- ASIN : B0058M8H3M
- Publisher : Mariner Books; Reprint edition (September 3, 2010)
- Language : English
- Paperback : 432 pages
- Item Weight : 14.4 ounces
- Dimensions : 7.96 x 5.6 x 1.01 inches
- Best Sellers Rank: #4,725,326 in Books (See Top 100 in Books)
- #11,570 in Deals in Books
- #18,703 in Black & African American Women's Fiction (Books)
- #55,754 in Contemporary Literature & Fiction
- Customer Reviews:
About the author

Alice Walker (b. 1944), one of the United States’ preeminent writers, is an award-winning author of novels, stories, essays, and poetry. In 1983, Walker became the first African-American woman to win a Pulitzer Prize for fiction with her novel The Color Purple, which also won the National Book Award. Her other books include The Third Life of Grange Copeland, Meridian, The Temple of My Familiar, and Possessing the Secret of Joy. In her public life, Walker has worked to address problems of injustice, inequality, and poverty as an activist, teacher, and public intellectual.
Customer reviews
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Top reviews
Top reviews from the United States
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I'm still in the middle of the book but I feel with these stories and occurrences the people never forget the treatment of their experience, but they never let it overtake them and inhibit their movement forward. It is a lesson for all of us that the world can throw curveballs and hand you lemons but you make something out of yourself and never stay a victim. She is one of my favorite authors and I never grow tired of reading her books over and over.
Sometimes I might read a book that takes me out of my safe zone and into dark and turbulent territory. This is not that book. This is the book I call on to immediately pick me up and take me back to my happy place.
If you haven’t already, get familiar with Alice Walker’s The Temple Of My Familiar.
Top reviews from other countries
"Obenjomade, cup your endearingly large ears: EVERYONE ALL OVER THE WORLD KNOWS EVERYTHING THERE IS TO KNOW ABOUT THE WHITE MAN. That's the essential meaning of television. BUT THEY KNOW NEXT TO NOTHING ABOUT THEMSELVES."
"If you tear out the tongue of another, you have a tongue in your hand for the rest of your life. You are responsible, therefore, for all that person might have said."
Folk Memory, Matriarchy and Writing Back
Through the Black woman Lissie and the Latina/First Nation woman Zede, Walker speculates about pre-colonisation African and American societies, with anarchist and matriarchal or segregated organisations. She does this in a beautiful, poetic, magical realist style, freely imagining and reimagining myths and relationships between groups and even species. I think a number of reviewers have not understood or enjoyed this aspect of the book. I think it's about opening human possibilities into a space of folk-memory rather than a utopian future. Since kyriarchy has constructed human history we should not accept its interpretation. If myths and meta-narratives shape us, we urgently need to rewrite those that have deformed us. In particular, I love her rewriting of the Adam and Eve story to address the racism of Western Christianity and remove blame from Woman. This writing back is Walker’s answer to the quote above. The White man is still here even after he has left, so we have to replace him with something. We need an antidote to his poison.
Beauty and Play
I love the way Alice Walker sees the beauty in everything and always chooses the beauty, without censoring the painful truth. I love the simple values she upholds: love & care & pleasure & health & spiritual wholeness. It's so un-elitist and sensible compared to (usually really privileged) authors and their characters who are sunk in malaise and can find nothing to satisfy them in a comfortable existence. Walker's mode of description and appreciation of bodies, especially Black women's bodies, is radical because it dismantles the Whiteness, thin-ness and general hegemony of beauty. The contrast becomes explicit when a male character Suwelo describes a woman who Walker earlier described in a totally different way: his conventional description of her performance of femininity in terms of male sexuality is exactly what we expect. He reads Carlotta’s high heels sexually, in contrast to Walker’s earlier description of dressing up as play.
Black History
When I read about the life in which Lissie was an African child/woman sold into slavery I had to slow down, I was sitting on the tube and I found myself stopping to stare into space repeatedly. The story of the nursing mothers whose babies had been taken or killed offering their milk to feed children and salve wounds is so moving. I wonder if this is true? I have never heard it before. On reading to the end of this chapter, to the part about women being raped and impregnated on the middle passage and the slavers being paid extra for pregnant women, I could not continue with the book and had to sit still on the train until I got to my stop. Although I have read about this before, Walker's folk-memory telling brought it inside me for the first time - it is inside all of us, in the sense that memory and memes inhabit us communally, and in the sense of history creating us and the circumstances of our lives: in my case, the wealth and comfort I enjoy rests on the backs of those women and men who were stolen and enslaved.
Health and Environment, Colonialism and Academia
I think this book, in many ways is about how to live, and Walker is obviously angry about the way Black people in particular have been cut off from health and harmony with the Earth by poverty, slavery and the theft of their lands.
“’Like the Hopi in your country, most ancient Africans thought of the earth as a body that needs all its organs and bones and blood in order to function properly. The ore miners were forced out, the theory goes. They went north.’ ‘Yes,’ said Fanny, frowning, ‘and unfortunately in about 1492 they continued West’”
One of my favourite characters in the book is Fanny Nzingha, the granddaughter of Celie, protagonist of The Colour Purple. She is involved in many serious conversations about colonialism. In a way, she is the book’s criticizer, while Lissie is its source of hope and restoration. She represents the awakened, angry consciousness of injustice for me. I was happy that she found her African sister Nzingha Anne.
“’In the United States there is the maddening illusion of freedom without substance. It’s never solid, unequivocal, irrevocable. So much depends on the horrid politicians the white majority elects. Black people have the oddest feeling, I think, of forever running in place’”
This is an incredible book that successfully synthesises a huge wealth of ideas. It’s really beyond me to do it justice in a review.
20才の頃読み、またまたノックアウトされた。私にとっては、「カラーパープル」こちらのほうが、より傑作である。
まさに「原始、女性は太陽であった」である。
自然を畏怖すること、自分のセックス観、自我、五感を大事にすること
それらを教えてくれた。、
太古の昔から、19世紀のイギリスから、現代まで、時代と場所が交互に錯綜するのも読んでいて楽しい。
小説中に、シャグという女性が教会をひらき、「シャグの福音書」
これは、私にとって、なくてはならないものです。全部で27あるのですが、その中から三つ。
欠点を切り捨てず、あるがままに人を愛するものは救われる。彼らには思考の明晰さが与えられるだろう。
動物や植物のあらゆる色を愛するのと同じように、すべての人間のあらゆる肌の色を愛する者は救われる。彼らはその子孫や祖先、また彼ら自身のしべてについて知ることができる。
死の恐れを乗り越える者は救われる。一枚の草の葉に未来を見る力は彼らのものである。
そして、知る者は救われる。







