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The Ten Commandments
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Editorial Reviews
Product description
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments
Amazon.com
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh
Product details
- Aspect Ratio : 1.66:1
- Is Discontinued By Manufacturer : No
- MPAA rating : G (General Audience)
- Product Dimensions : 7.25 x 5.25 x 0.5 inches; 4.8 Ounces
- Director : Cecil B. DeMille
- Media Format : AC-3, Anamorphic, Closed-captioned, Color, Widescreen, NTSC
- Run time : 3 hours and 40 minutes
- Release date : March 30, 1999
- Actors : Charlton Heston, Yul Brynner, Anne Baxter, Edward G. Robinson, Yvonne De Carlo
- Language : English (Dolby Digital 2.0 Surround), English (Dolby Digital 5.1), French (Dolby Digital 1.0)
- Studio : Paramount
- ASIN : 0792154649
- Writers : A.E. Southon, Dorothy Clarke Wilson, Fredric M. Frank, J.H. Ingraham, Jack Gariss
- Number of discs : 2
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- #10,370 in Drama DVDs
- Customer Reviews:
Customer reviews
Top reviews from the United States
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And of course, when one thinks of Moses, it is safe to say the Charlton Heston is the only one that comes to everyone's mind!
I have to add here that I've not been too impressed with Blu-ray or HD TV. It's nice, but I have to admit that I'm no longer that driven with chasing after the latest, newest technology. I just like to sit down and watch a good movie every once in a while and not have to spend a small fortune trying to keep up with all of that. I wasn't expecting too much with this purchase. I was just hoping for a good copy of a great movie to add to our collection.
Having said all that, I have to say this, "WOW!!!" We were totally overwhelmed with the color, the clarity, the sound! It was like watching a brand new movie and I couldn't take my eyes off the screen. The colors really popped and the clarity was brilliant. I don't know anything about the technology of making a movie over into Blu-ray format, but this is one movie that was actually made better by the change. We were really glad that we paid the extra for this format.
There is one little note that I have to add. (Spoiler alert). I don't know why, but they weren't able to bring that sickly green glow into that "death mist" and it lost a bit of it's scariness just looking like fog moving on the ground. Too bad about that as it's one of those defining moments in the movie that something "supernatural" is occurring. Gotta love this movie though!
The good news is that the transfer is excellent, as is the eye-popping color. Now, with over 7,500 reviews, I think we can count on the finger of one finger how many will actually see this review.
Top reviews from other countries
Not being a theologian and finding my spirit willing but my flesh weak ,I shall keep this review brief . The Film,on 2 discs has a lengthy opening introduction by Demille (that you may feel is a bit of a warning regarding 'The evils of Communism') and contains stirring Overture, entracte and exit music (by Elmer Bernstein). The sets ,design, image framing and the Technicolor-Vistavision print are outstanding in clarity,depth and colour range.The acting is certainly....theatrical & may have a rather 'camp' quality for some,used to a style of 'realism' based acting- even in the most far fetched of stories.
I found the first 'half' to be the strongest ,this is before the story requires its various special effects ,which range from the rather unconvincing to the still spectacular. The 2001 edition only extras are 3 lengthy trailers(from '56,'66 & '89).The English version is in Dolby Digital 5.1 audio, while the French ,German ,Italian and Spanish language versions are in Mono, there are subtitles in 19 languages.
The picture ratio is '1.78:1 anamorphic' widescreen. Film '222 mins approx'- region 2 .The 2004 'special edition' has a '6 part documentary'- In 2005 a 3 disc edition was released that included DeMilles' original 1923 version ,with hand tinted Red Sea & Exodus sequences & includes documentaries & commentaries to both films.) The 2disc DVD edition from 2013 is the same as I've reviewed but with a different cover image(& usually more expensive!). The bluray edition from 2013 contains a commentary.
Goodness knows how much Cecil B. DeMille’s remake of his silent film (some 30 years previously) cost but I’m willing to bet he got his capital outlay back, in double-quick time.
With the possible exception of Yul Brynner (a bit wooden), the cast is excellent: Charlton Heston as Moses is impressive, Anne Baxter is a terrific, scheming princess, out for what she wants, i.e. Moses, and Edward G. Robinson is suitably slimy as the Hebrew overseer (‘Chief Hebrew overseer’, as he fawningly corrects Yul Brynner).
But leaving aside the casting, the sets and the spectacle are everything, all given a sense of urgency by Elmer Bernstein’s stirring score. The old grease woman, about to be crushed between the moving stones in Sethi’s treasure city, the ‘ping!’ of the ropes as the giant obelisk (or is it a pylon?) is lowered into place and the parting of the Red Sea with the subsequent chase by Pharaoh’s chariots are made all the more compelling by that tremendous music, plus first-rate direction.
This has got to be one of the most spectacular – if not the most – films of the 20th Century.
I don't remember much about the film before the actual Exodus and the spectacular events beyond, but the souvenir programme we bought at the cinema I still have, and the artwork in it formed my visual concept of the Story of Moses.
Watching the film again after 60+ years, I have to say simply that it's of its time.
De Mille's zeal in remaking his old silent movie is beyond question, and the detailed historical research his team made is evident in every frame, but much of the acting style and picture composition in the "human drama" first half (largely invented for the film) harks back to the days of silent movies.
In the second, "miraculous", half the effects are stunning but look dated, at times even cartoonish.
Much of the acting is low-key and so not particularly involving. Yul Brynner glowers his way through his scenes......when did he ever do anything else?.....and Charlton Heston, though sincere, is frankly rather dull as Moses. There are memorable character sketches from veteran Hollywood 'names' like Cedric Hardwicke and Edward G Robinson. The women, led by Anne Baxter, all look very similar and have little personality.
John Dexter looks macho and striking as Joshua, but unlike the heavily bearded Modes he does not age 40 years at the end. He also miraculously acquires armour the minute the Exodus begins.....where from? It isn't Egyptian armour, so he hasn't looted it.
Which brings me to my biggest beef about this film: the sacrifice of realistic drama in favour of Spectacle.
Nowhere is this better illustrated than the Exodus.
For most of the film, the Hebrews languish in slavery in Egypt. Wearing little but rags, they are wretched, oppressed and malnourished. Then suddenly, at a blast of Joshua's shofar, they acquire colourful clothing, cattle, geese, oxen, camels and wagons! How?
No, this film was made at a time when unquestioning belief in the Bible was far more widespread in the Christian world. It is irrevocably dated now, impressive but only as a museum piece.
Strange, because at the time all the movie executives thought Moses was great in the rushes!
A great film to pass a Saturday or Sunday afternoon, get some snacks in and just while away a few hours enjoying a classic piece of overdone American cinema, classic!





