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Tenth of December: Stories Kindle Edition
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George Saunders
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Publication dateJanuary 8, 2013
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Editorial Reviews
Review
“The best book you’ll read this year.”—The New York Times Magazine
“A feat of inventiveness . . . This eclectic collection never ceases to delight with its at times absurd, surreal, and darkly humorous look at very serious subjects. . . . George Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini, author of The Kite Runner
“The best short-story writer in English—not ‘one of,’ not ‘arguably,’ but the Best.”—Mary Karr, Time
“A visceral and moving act of storytelling . . . No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.”—Michiko Kakutani, The New York Times
“Saunders’s startling, dreamlike stories leave you feeling newly awakened to the world.”—People
“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal
“An irresistible mix of humor and humanity . . . that will make you beam with unmitigated glee. [Grade:] A”—Entertainment Weekly
“Saunders captures the fragmented rhythms, disjointed sensory input, and wildly absurd realities of the twenty-first century experience like no other writer.”—The Boston Globe
“Tenth of December shows George Saunders at his most subversive, hilarious, and emotionally piercing. Few writers can encompass that range of adjectives, but Saunders is a true original—restlessly inventive, yet deeply humane.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
“George Saunders is a complete original, unlike anyone else, thank god—and yet still he manages to be the rightful heir to three other complete American originals—Barthelme (the lyricism, the playfulness), Vonnegut (the outrage, the wit, the scope), and Twain (the common sense, the exasperation). There is no author I recommend to people more often—for ten years I’ve urged George Saunders onto everyone and everyone. You want funny? Saunders is your man. You want emotional heft? Saunders again. You want stories that are actually about something—stories that again and again get to the meat of matters of life and death and justice and country? Saunders. There is no one better, no one more essential to our national sense of self and sanity.”—Dave Eggers, author of A Hologram for the King
“A feat of inventiveness . . . This eclectic collection never ceases to delight with its at times absurd, surreal, and darkly humorous look at very serious subjects. . . . George Saunders makes you feel as though you are reading fiction for the first time.”—Khaled Hosseini, author of The Kite Runner
“The best short-story writer in English—not ‘one of,’ not ‘arguably,’ but the Best.”—Mary Karr, Time
“A visceral and moving act of storytelling . . . No one writes more powerfully than George Saunders about the lost, the unlucky, the disenfranchised.”—Michiko Kakutani, The New York Times
“Saunders’s startling, dreamlike stories leave you feeling newly awakened to the world.”—People
“It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal
“An irresistible mix of humor and humanity . . . that will make you beam with unmitigated glee. [Grade:] A”—Entertainment Weekly
“Saunders captures the fragmented rhythms, disjointed sensory input, and wildly absurd realities of the twenty-first century experience like no other writer.”—The Boston Globe
“Tenth of December shows George Saunders at his most subversive, hilarious, and emotionally piercing. Few writers can encompass that range of adjectives, but Saunders is a true original—restlessly inventive, yet deeply humane.”—Jennifer Egan, Pulitzer Prize–winning author of A Visit from the Goon Squad
“George Saunders is a complete original, unlike anyone else, thank god—and yet still he manages to be the rightful heir to three other complete American originals—Barthelme (the lyricism, the playfulness), Vonnegut (the outrage, the wit, the scope), and Twain (the common sense, the exasperation). There is no author I recommend to people more often—for ten years I’ve urged George Saunders onto everyone and everyone. You want funny? Saunders is your man. You want emotional heft? Saunders again. You want stories that are actually about something—stories that again and again get to the meat of matters of life and death and justice and country? Saunders. There is no one better, no one more essential to our national sense of self and sanity.”—Dave Eggers, author of A Hologram for the King
Amazon.com Review
Amazon Best Books of the Month, January 2013: George Saunders' first short-story collection in six years, Tenth of December is as profound and moving as it is entertaining. Saunders' wonderful ability to portray a character's inner monologue--the secret voices, the little fantasies, the inside jokes, the spots of sadness--might be his greatest talent as a writer. But he is also expert at parceling out details to hook the reader and nudge the story in whatever direction he wants it to go. While these stories are generally more straightforward than we’re used to seeing from this author, the turns they take are constantly surprising. Saunders is an American original, a writer gifted at expressing the irony and absurdity all around us and inside us, but his ultimate goal is to show us something deeper: Our lives are composed of genuine experiences that deserve to be taken seriously. --Chris Schluep
--This text refers to an out of print or unavailable edition of this title.
Excerpt. © Reprinted by permission. All rights reserved.
TENTH of DECEMBER
The pale boy with unfortunate Prince Valiant bangs and cublike mannerisms hulked to the mudroom closet and req- uisitioned Dad’s white coat. Then requisitioned the boots he’d spray-painted white. Painting the pellet gun white had been a no. That was a gift from Aunt Chloe. Every time she came over he had to haul it out so she could make a big stink about the wood grain.
Today’s assignation: walk to pond, ascertain beaver dam. Likely he would be detained. By that species that lived amongst the old rock wall. They were small but, upon emerging, assumed certain proportions. And gave chase. This was just their methodology. His aplomb threw them loops. He knew that. And reveled in it. He would turn, level the pellet gun, intone: Are you aware of the usage of this human implement?
Blam!
They were Netherworlders. Or Nethers. They had a strange bond with him. Sometimes for whole days he would just nurse their wounds. Occasionally, for a joke, he would shoot one in the butt as it fled. Who henceforth would limp for the rest of its days. Which could be as long as an additional nine million years.
Safe inside the rock wall, the shot one would go, Guys, look at my butt.
As a group, all would look at Gzeemon’s butt, exchanging sullen glances of: Gzeemon shall indeed be limping for the next nine million years, poor bloke.
Because yes: Nethers tended to talk like that guy in Mary Poppins.
Which naturally raised some mysteries as to their ultimate origin here on Earth.
Detaining him was problematic for the Nethers. He was wily. Plus could not fit through their rock-wall opening. When they tied him up and went inside to brew their special miniaturizing potion—Wham!— he would snap their antiquated rope with a move from his self-invented martial arts system, Toi Foi, a.k.a., Deadly Forearms. And place at their doorway an implacable rock of suffocation, trapping them inside.
Later, imagining them in their death throes, taking pity on them, he would come back, move the rock.
Blimey, one of them might say from withal. Thanks, guv’nor. You are indeed a worthy adversary.
Sometimes there would be torture. They would make him lie on his back looking up at the racing clouds while they tortured him in ways he could actually take. They tended to leave his teeth alone. Which was lucky. He didn’t even like to get a cleaning. They were dunderheads in that manner. They never messed with his peen and never messed with his fingernails. He’d just abide there, infuriating them with his snow angels. Sometimes, believing it their coup de grâce, not realizing he’d heard this since time in memorial from certain in-school cretins, they’d go, Wow, we didn’t even know Robin could be a boy’s name. And chortle their Nether laughs.
Today he had a feeling that the Nethers might kidnap Suzanne Bledsoe, the new girl in homeroom. She was from Montreal. He just loved the way she talked. So, apparently, did the Nethers, who planned to use her to repopulate their depleted numbers and bake various things they did not know how to bake.
All suited up now, NASA. Turning awkwardly to go out the door.
Affirmative. We have your coordinates. Be careful out there, Robin.
Whoa, cold, dang.
Duck thermometer read ten. And that was without windchill. That made it fun. That made it real. A green Nissan was parked where Poole dead-ended into the soccer field.
Hopefully the owner was not some perv he would have to outwit.
Or a Nether in the human guise.
Bright, bright, blue and cold. Crunch went the snow as he crossed the soccer field. Why did cold such as this give a running guy a headache? Likely it was due to Prominent Windspeed Velocity.
The path into the woods was as wide as one human. It seemed the Nether had indeed kidnapped Suzanne Bledsoe. Damn him! And his ilk. Judging by the single set of tracks, the Nether appeared to be carrying her. Foul cad. He’d better not be touching Suzanne inappropriately while carrying her. If so, Suzanne would no doubt be resisting with untamable fury.
This was concerning, this was very concerning.
When he caught up to them, he would say: Look, Su- zanne, I know you don’t know my name, having misad- dressed me as Roger that time you asked me to scoot over, but nevertheless I must confess I feel there is something to us. Do you feel the same?
Suzanne had the most amazing brown eyes. They were wet now, with fear and sudden reality.
Stop talking to her, mate, the Nether said.
I won’t, he said. And Suzanne? Even if you don’t feel there is something to us, rest assured I will still slay this fellow and return you home. Where do you live again? Over in El Cirro? By the water tower? Those are some nice houses back there.
Yes, Suzanne said. We also have a pool. You should come over this summer. It’s cool if you swim with your shirt on. And also, yes to there being something to us. You are by far the most insightful boy in our class. Even when I take into consideration the boys I knew in Montreal, I am just like: No one can compare.
Well, that’s nice to hear, he said. Thank you for saying that. I know I’m not the thinnest.
The thing about girls? Suzanne said. Is we are more content-driven.
Will you two stop already? the Nether said. Because now is the time for your death. Deaths.
Well, now is certainly the time for somebody’s death, Robin said.
The twerpy thing was, you never really got to save anyone. Last summer there’d been a dying raccoon out here. He’d thought of lugging it home so Mom could call the vet. But up close it was too scary. Raccoons being actually bigger than they appear in cartoons. And this one looked like a potential biter. So he ran home to get it some water at least. Upon his return, he saw where the raccoon had done some apparent last-minute thrashing. That was sad. He didn’t do well with sad. There had perchance been some pre-weeping, by him, in the woods.
That just means you have a big heart, Suzanne said. Well, I don’t know, he said modestly. Here was the old truck tire. Where the high-school kids
partied. Inside the tire, frosted with snow, were three beer cans and a wadded-up blanket.
You probably like to party, the Nether had cracked to Suzanne moments earlier as they passed this very spot.
No, I don’t, Suzanne said. I like to play. And I like to hug. Hoo boy, the Nether said. Sounds like Dullsville. Somewhere there is a man who likes to play and hug, Suzanne said. He came out of the woods now to the prettiest vista he knew. The pond was a pure frozen white. It struck him as somewhat Switzerlandish. Someday he would know for sure. When the Swiss threw him a parade or whatnot.
Here the Nether’s tracks departed from the path, as if he had contemplatively taken a moment to gaze at the pond. Perhaps this Nether was not all bad. Perhaps he was having a debilitating conscience-attack vis-à-vis the valiantly struggling Suzanne atop his back. At least he seemed to somewhat love nature.
Then the tracks returned to the path, wound around the pond, and headed up Lexow Hill.
What was this strange object? A coat? On the bench? The bench the Nethers used for their human sacrifices?
No accumulated snow on coat. Inside of coat still slightly warm.
Ergo: the recently discarded coat of the Nether.
This was some strange juju. This was an intriguing conundrum, if he had ever encountered one. Which he had. Once, he’d found a bra on the handlebars of a bike. Once, he’d found an entire untouched steak dinner on a plate behind Fresno’s. And hadn’t eaten it. Though it had looked pretty good.
Something was afoot. Then he beheld, halfway up Lexow Hill, a man. Coatless bald-headed man. Super-skinny. In what looked
like pajamas. Climbing plodfully, with tortoise patience, bare white arms sticking out of his p.j. shirt like two bare white branches sticking out of a p.j. shirt. Or grave.
What kind of person leaves his coat behind on a day like this? The mental kind, that was who. This guy looked sort of mental. Like an Auschwitz dude or sad confused grandpa.
Dad had once said, Trust your mind, Rob. If it smells like shit but has writing across it that says Happy Birthday and a candle stuck down in it, what is it?
Is there icing on it? he’d said.
Dad had done that thing of squinting his eyes when an answer was not quite there yet.
What was his mind telling him now?
Something was wrong here. A person needed a coat. Even if the person was a grown-up. The pond was frozen. The duck thermometer said ten. If the person was mental, all the more reason to come to his aid, as had not Jesus said, Blessed are those who help those who cannot help themselves but are too mental, doddering, or have a disability?
He snagged the coat off the bench. It was a rescue. A real rescue, at last, sort of.
Ten minutes earlier, Don Eber had paused at the pond to catch his breath.
He was so tired. What a thing. Holy moley. When he used to walk Sasquatch out here they’d do six times around the pond, jog up the hill, tag the boulder on top, sprint back down.
Better get moving, said one of two guys who’d been in discussion in his head all morning.
That is, if you’re still set on the boulder idea, the other said.
Which still strikes us as kind of fancy-pants.
Seemed like one guy was Dad and the other Kip Flemish.
Stupid cheaters. They’d switched spouses, abandoned the switched spouses, fled together to California. Had they been gay? Or just swingers? Gay swingers? The Dad and Kip in his head had acknowledged their sins and the three of them had struck a deal: he would forgive them for being possible gay swingers and leaving him to do Soap Box Derby alone, with just Mom, and they w... --This text refers to an out of print or unavailable edition of this title.
The pale boy with unfortunate Prince Valiant bangs and cublike mannerisms hulked to the mudroom closet and req- uisitioned Dad’s white coat. Then requisitioned the boots he’d spray-painted white. Painting the pellet gun white had been a no. That was a gift from Aunt Chloe. Every time she came over he had to haul it out so she could make a big stink about the wood grain.
Today’s assignation: walk to pond, ascertain beaver dam. Likely he would be detained. By that species that lived amongst the old rock wall. They were small but, upon emerging, assumed certain proportions. And gave chase. This was just their methodology. His aplomb threw them loops. He knew that. And reveled in it. He would turn, level the pellet gun, intone: Are you aware of the usage of this human implement?
Blam!
They were Netherworlders. Or Nethers. They had a strange bond with him. Sometimes for whole days he would just nurse their wounds. Occasionally, for a joke, he would shoot one in the butt as it fled. Who henceforth would limp for the rest of its days. Which could be as long as an additional nine million years.
Safe inside the rock wall, the shot one would go, Guys, look at my butt.
As a group, all would look at Gzeemon’s butt, exchanging sullen glances of: Gzeemon shall indeed be limping for the next nine million years, poor bloke.
Because yes: Nethers tended to talk like that guy in Mary Poppins.
Which naturally raised some mysteries as to their ultimate origin here on Earth.
Detaining him was problematic for the Nethers. He was wily. Plus could not fit through their rock-wall opening. When they tied him up and went inside to brew their special miniaturizing potion—Wham!— he would snap their antiquated rope with a move from his self-invented martial arts system, Toi Foi, a.k.a., Deadly Forearms. And place at their doorway an implacable rock of suffocation, trapping them inside.
Later, imagining them in their death throes, taking pity on them, he would come back, move the rock.
Blimey, one of them might say from withal. Thanks, guv’nor. You are indeed a worthy adversary.
Sometimes there would be torture. They would make him lie on his back looking up at the racing clouds while they tortured him in ways he could actually take. They tended to leave his teeth alone. Which was lucky. He didn’t even like to get a cleaning. They were dunderheads in that manner. They never messed with his peen and never messed with his fingernails. He’d just abide there, infuriating them with his snow angels. Sometimes, believing it their coup de grâce, not realizing he’d heard this since time in memorial from certain in-school cretins, they’d go, Wow, we didn’t even know Robin could be a boy’s name. And chortle their Nether laughs.
Today he had a feeling that the Nethers might kidnap Suzanne Bledsoe, the new girl in homeroom. She was from Montreal. He just loved the way she talked. So, apparently, did the Nethers, who planned to use her to repopulate their depleted numbers and bake various things they did not know how to bake.
All suited up now, NASA. Turning awkwardly to go out the door.
Affirmative. We have your coordinates. Be careful out there, Robin.
Whoa, cold, dang.
Duck thermometer read ten. And that was without windchill. That made it fun. That made it real. A green Nissan was parked where Poole dead-ended into the soccer field.
Hopefully the owner was not some perv he would have to outwit.
Or a Nether in the human guise.
Bright, bright, blue and cold. Crunch went the snow as he crossed the soccer field. Why did cold such as this give a running guy a headache? Likely it was due to Prominent Windspeed Velocity.
The path into the woods was as wide as one human. It seemed the Nether had indeed kidnapped Suzanne Bledsoe. Damn him! And his ilk. Judging by the single set of tracks, the Nether appeared to be carrying her. Foul cad. He’d better not be touching Suzanne inappropriately while carrying her. If so, Suzanne would no doubt be resisting with untamable fury.
This was concerning, this was very concerning.
When he caught up to them, he would say: Look, Su- zanne, I know you don’t know my name, having misad- dressed me as Roger that time you asked me to scoot over, but nevertheless I must confess I feel there is something to us. Do you feel the same?
Suzanne had the most amazing brown eyes. They were wet now, with fear and sudden reality.
Stop talking to her, mate, the Nether said.
I won’t, he said. And Suzanne? Even if you don’t feel there is something to us, rest assured I will still slay this fellow and return you home. Where do you live again? Over in El Cirro? By the water tower? Those are some nice houses back there.
Yes, Suzanne said. We also have a pool. You should come over this summer. It’s cool if you swim with your shirt on. And also, yes to there being something to us. You are by far the most insightful boy in our class. Even when I take into consideration the boys I knew in Montreal, I am just like: No one can compare.
Well, that’s nice to hear, he said. Thank you for saying that. I know I’m not the thinnest.
The thing about girls? Suzanne said. Is we are more content-driven.
Will you two stop already? the Nether said. Because now is the time for your death. Deaths.
Well, now is certainly the time for somebody’s death, Robin said.
The twerpy thing was, you never really got to save anyone. Last summer there’d been a dying raccoon out here. He’d thought of lugging it home so Mom could call the vet. But up close it was too scary. Raccoons being actually bigger than they appear in cartoons. And this one looked like a potential biter. So he ran home to get it some water at least. Upon his return, he saw where the raccoon had done some apparent last-minute thrashing. That was sad. He didn’t do well with sad. There had perchance been some pre-weeping, by him, in the woods.
That just means you have a big heart, Suzanne said. Well, I don’t know, he said modestly. Here was the old truck tire. Where the high-school kids
partied. Inside the tire, frosted with snow, were three beer cans and a wadded-up blanket.
You probably like to party, the Nether had cracked to Suzanne moments earlier as they passed this very spot.
No, I don’t, Suzanne said. I like to play. And I like to hug. Hoo boy, the Nether said. Sounds like Dullsville. Somewhere there is a man who likes to play and hug, Suzanne said. He came out of the woods now to the prettiest vista he knew. The pond was a pure frozen white. It struck him as somewhat Switzerlandish. Someday he would know for sure. When the Swiss threw him a parade or whatnot.
Here the Nether’s tracks departed from the path, as if he had contemplatively taken a moment to gaze at the pond. Perhaps this Nether was not all bad. Perhaps he was having a debilitating conscience-attack vis-à-vis the valiantly struggling Suzanne atop his back. At least he seemed to somewhat love nature.
Then the tracks returned to the path, wound around the pond, and headed up Lexow Hill.
What was this strange object? A coat? On the bench? The bench the Nethers used for their human sacrifices?
No accumulated snow on coat. Inside of coat still slightly warm.
Ergo: the recently discarded coat of the Nether.
This was some strange juju. This was an intriguing conundrum, if he had ever encountered one. Which he had. Once, he’d found a bra on the handlebars of a bike. Once, he’d found an entire untouched steak dinner on a plate behind Fresno’s. And hadn’t eaten it. Though it had looked pretty good.
Something was afoot. Then he beheld, halfway up Lexow Hill, a man. Coatless bald-headed man. Super-skinny. In what looked
like pajamas. Climbing plodfully, with tortoise patience, bare white arms sticking out of his p.j. shirt like two bare white branches sticking out of a p.j. shirt. Or grave.
What kind of person leaves his coat behind on a day like this? The mental kind, that was who. This guy looked sort of mental. Like an Auschwitz dude or sad confused grandpa.
Dad had once said, Trust your mind, Rob. If it smells like shit but has writing across it that says Happy Birthday and a candle stuck down in it, what is it?
Is there icing on it? he’d said.
Dad had done that thing of squinting his eyes when an answer was not quite there yet.
What was his mind telling him now?
Something was wrong here. A person needed a coat. Even if the person was a grown-up. The pond was frozen. The duck thermometer said ten. If the person was mental, all the more reason to come to his aid, as had not Jesus said, Blessed are those who help those who cannot help themselves but are too mental, doddering, or have a disability?
He snagged the coat off the bench. It was a rescue. A real rescue, at last, sort of.
Ten minutes earlier, Don Eber had paused at the pond to catch his breath.
He was so tired. What a thing. Holy moley. When he used to walk Sasquatch out here they’d do six times around the pond, jog up the hill, tag the boulder on top, sprint back down.
Better get moving, said one of two guys who’d been in discussion in his head all morning.
That is, if you’re still set on the boulder idea, the other said.
Which still strikes us as kind of fancy-pants.
Seemed like one guy was Dad and the other Kip Flemish.
Stupid cheaters. They’d switched spouses, abandoned the switched spouses, fled together to California. Had they been gay? Or just swingers? Gay swingers? The Dad and Kip in his head had acknowledged their sins and the three of them had struck a deal: he would forgive them for being possible gay swingers and leaving him to do Soap Box Derby alone, with just Mom, and they w... --This text refers to an out of print or unavailable edition of this title.
From Bookforum
It's almost hard to fathom how a writer this good could get better. But he has. A lot better, even. Saunders has always been a daring writer, but here he's trying something very risky indeed: he's going to tell you exactly what he's thinking about. —Zach Baron
--This text refers to an out of print or unavailable edition of this title.
About the Author
MacArthur “Genius Grant” fellow George Saunders is the acclaimed author of several collections of short stories, including Pastoralia and CivilWarLand in Bad Decline, as well as a collection of essays and a book for children. He teaches in the creative writing program at Syracuse University.
--This text refers to an out of print or unavailable edition of this title.
From Booklist
*Starred Review* Saunders, a self-identified disciple of Twain and Vonnegut, is hailed for the topsy-turvy, gouging satire in his three previous, keenly inventive short story collections. In the fourth, he dials the bizarreness down a notch to tune into the fantasies of his beleaguered characters, ambushing readers with waves of intense, unforeseen emotion. Saunders drills down to secret aquifers of anger beneath ordinary family life as he portrays parents anxious to defang their children but also to be better, more loving parents than their own. The title story is an absolute heart-wringer, as a pudgy, misfit boy on an imaginary mission meets up with a dying man on a frozen pond. In “Victory Lap,” a young-teen ballerina is princess-happy until calamity strikes, an emergency that liberates her tyrannized neighbor, Kyle, “the palest kid in all the land.” In “Home,” family friction and financial crises combine with the trauma of a court-martialed Iraq War veteran, to whom foe and ally alike murmur inanely, “Thank you for your service.” Saunders doesn’t neglect his gift for surreal situations. There are the inmates subjected to sadistic neurological drug experiments in “Escape from Spiderhead” and the living lawn ornaments in “The Semplica Girl Diaries.” These are unpredictable, stealthily funny, and complexly affecting stories of ludicrousness, fear, and rescue. --Donna Seaman
--This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B008LMB4C2
- Publisher : Random House (January 8, 2013)
- Publication date : January 8, 2013
- Language : English
- File size : 3959 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 271 pages
- Lending : Not Enabled
-
Best Sellers Rank:
#43,418 in Kindle Store (See Top 100 in Kindle Store)
- #81 in Literary Satire Fiction
- #90 in Literary Short Stories
- #130 in U.S. Short Stories
- Customer Reviews:
Customer reviews
3.7 out of 5 stars
3.7 out of 5
1,662 global ratings
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5.0 out of 5 stars
An incredibly well-written, inventive, funny, engaging set of short stories that deserves all its acclaim and then some
Reviewed in the United States on September 20, 2015Verified Purchase
Even after all the acclaim Tenth of December has gotten, I was a little iffy about jumping into the collection for fear that I was going to get what I've come to think of as the worst stereotypes of New Yorker short stories - stories about rich white people that focus so much on malaise and angst that they forget to have a story or much beyond a setting and some character beats. Instead, what I got was a collection of sharp, funny, satirical stories that brought in science-fiction elements, social commentary, rich characterization, and absolutely wonderful prose - and, if all that's not enough, even managed to be genuinely, richly funny and nicely moving. Saunders takes on all kinds of issues in these stories, and while a lot of them are about class issues, he also takes a look at the American obsession with medication, the absurdity of business speak, helicopter parents, and much more. But he does all of these while always telling engaging, satisfying stories first and foremost, and giving them all not only lots of thematic depth, but also satisfying plot beats as well. There's "Victory Lap," which finds a pair of over-parented children dealing with an intrusion of the real world into their overly-regulated lives. There's the spectacular "Exhortation," where a business manager tries to find the most positive spin for a job that only gradually reveals itself as something less than desirable. "The Semplica Girl Diaries" gives us a window into a middle class life that's constantly striving to do whatever it takes to match up with everyone else, while "My Chivalric Fiasco" finds a Renaissance Fair knight embracing his role at exactly the wrong time. And that doesn't even touch on the painful, darkly comic but ultimately horrifying "Escape from Spiderhead," where you get a window into the next generation of medications that will shape our moods, or the heartfelt title story, as a terminally ill man's attempt to end his life is thwarted in an unexpected way. There's not a bad story to be found in Tenth of December, but more than that, there's not a story that falls into some cliche about what bad short stories have become these days. They're sharply satirical, engagingly funny, richly plotted, and as if that's not enough, the writing is wonderfully and constantly surprising, finding new voices constantly and evolving to fit whatever the story needs it to be. In short, Tenth of December deserves all of its acclaim and then some, and it makes me not only a convert but an enthusiastic one who's going to be reading more Saunders as soon as I possibly can.
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Reviewed in the United States on June 27, 2019
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I bought this expecting actual stories by a wildly acclaimed writer, and opened it to find absolute gibberish. "Does anyone actually talk like this?" might have been a reasonable response, but that would at least assume there was actual talking. It reminded me of Donald Barthelme, who was a big deal among academics way back when I was in college. Odd phrases with no clear structure, apparently meant to be insightful The afterward is an interview with the author by the insufferable David Sedaris, which would have been enough to stop me from buying the book had I known.
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Reviewed in the United States on May 7, 2017
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George Saunders is like no other author I've read, and I read a lot. His style is odd, but it's not because he's odd but because he peers inside of his characters' minds and finds the weird truth of what it's like to the other, those people who are battling through every scene of life with limited skills but a fierce commitment to getting to the end of the story. You'll see. The best stories in the collection are the title piece, a chilling tale of selflessness and courage in the face of crippling limitations, and the first two, Victory Lap and Escape from Spiderhead. Riveting, soul crushing and finally surpassing, each in its own very different way. Absolutely incredible stuff. Read it now.
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Reviewed in the United States on June 25, 2017
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The first thing I thought after reading “Victory Lap,” the first short story in George Saunders’ ten-story collection, was “This is a story that will stick with me for a while.” Saunders chases the threads of thought of three characters as a traumatic moment unfolds. In so doing, he raises some poignant questions: Are we really that different from the “bad” guys? And if we are, how thin exactly is the line that separates us?
The poet Galway Kinnell once said, “Often a poem at least starts out being about oneself, about one’s experiences, a fragment of autobiography. But then, if it’s really a poem, it goes deeper than personality. It takes on that strange voice, intensely personal yet common to everyone, in which all rituals are spoken. A poem expresses one’s most private feelings; and these turn out to be the feelings of everyone else as well.” It’s this degree of empathy that makes the successful stories in Saunders’ collection really pop, whether it be from the perspective of criminals (“Escape from Spiderhead”) or in addressing a topic like slavery (“The Semplica Girl Diaries”).
Nearly every one of these ten stories experiments with form. It’s here that the collection’s weakness lies. Some stories, like “My Chivalric Fiasco”, while well-written, seem more interested in experimenting with form than in the message it tries to convey. Or at least the form draws too much attention to itself. The same could be argued for the diaristic shorthand of “The Semplica Girl Diaries.”
Needless to say, it’s unusual to find a voice willing to struggle (and with such authority) to find the good in a humanity clothed in darkness — and in a tone of voice that’s as fun as writers like Voltaire or Kurt Vonnegut. Saunders seems deeply attached to his characters, pitying them, like Leo Tolstoy — not because he’s better than them, but because the faults that cause their suffering are the same as his.
The poet Galway Kinnell once said, “Often a poem at least starts out being about oneself, about one’s experiences, a fragment of autobiography. But then, if it’s really a poem, it goes deeper than personality. It takes on that strange voice, intensely personal yet common to everyone, in which all rituals are spoken. A poem expresses one’s most private feelings; and these turn out to be the feelings of everyone else as well.” It’s this degree of empathy that makes the successful stories in Saunders’ collection really pop, whether it be from the perspective of criminals (“Escape from Spiderhead”) or in addressing a topic like slavery (“The Semplica Girl Diaries”).
Nearly every one of these ten stories experiments with form. It’s here that the collection’s weakness lies. Some stories, like “My Chivalric Fiasco”, while well-written, seem more interested in experimenting with form than in the message it tries to convey. Or at least the form draws too much attention to itself. The same could be argued for the diaristic shorthand of “The Semplica Girl Diaries.”
Needless to say, it’s unusual to find a voice willing to struggle (and with such authority) to find the good in a humanity clothed in darkness — and in a tone of voice that’s as fun as writers like Voltaire or Kurt Vonnegut. Saunders seems deeply attached to his characters, pitying them, like Leo Tolstoy — not because he’s better than them, but because the faults that cause their suffering are the same as his.
20 people found this helpful
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Reviewed in the United States on July 6, 2018
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I almost always finish a book, once started, no matter how ill conceived or poorly written the nonsense, but not this one. Who needs help being depressed!
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Reviewed in the United States on December 11, 2017
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This wonderful book uses extreme scenarios, unusual people and circumstances to get to the heart of what it means to be human. As in his Lincoln in the Bardo, there are moments that are very moving, the humanity of the characters coalescing in a single remarkable sentence or paragraph. The stories are humorous, sometimes almost science-fictional, but the poignancy of the characters is even more finely drawn because of the juxtaposition. I highly recommend this collection. Saunders is a master of the short story.
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Reviewed in the United States on August 3, 2019
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Awful book. NONE of my book club liked it. Pick anything else.
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100wordreviewer
5.0 out of 5 stars
Outstandingly readable - and weird - short stories
Reviewed in the United Kingdom on July 2, 2019Verified Purchase
I read this collection as preparation for a course on short story writing and was blown away by the richness and variety of the stories. By parts surreal, visceral and absurd, the stories are consistently disturbing and often hilarious. A really enjoyable and memorable read.
3 people found this helpful
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Woodworm
5.0 out of 5 stars
My review contains two lines. One is true, one is a lie. See if you can work out which.
Reviewed in the United Kingdom on September 7, 2017Verified Purchase
Each story contains more literary brilliance than most authors achieve in whole books. I read the whole thing on December 10th and only noticed the coincidence afterwards.
6 people found this helpful
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Dylan35
2.0 out of 5 stars
Somewhat disappointing
Reviewed in the United Kingdom on January 17, 2015Verified Purchase
Struggled with this. Loved "Civilwarland in Bad Decline" and "Pastoralia" - a genuinely new satirical voice taking funny and often surreal shots at American sacred cows. This, however, is too dense at times, and seems wilfully weird and abstract, and mostly fails to find the sweet spot we know he can work in. There are some interesting, clever ideas, but they don't really come off with the kind of style I would expect, and a couple of the stories were actually boring - reminded me a bit of the kind of "wacky" attempt at humour you sometimes see in an Aaron Sorkin teleplay. Somewhat disappointing, given my previous experience, and the enormous amount of critical praise and prizes this collection has received.
2 people found this helpful
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M. King
5.0 out of 5 stars
Ignore the Intro
Reviewed in the United Kingdom on July 17, 2016Verified Purchase
An intro that takes up 10% of the book and tells us how great the author is (not written by him I hasten to add) just rubbed me the wrong way.
Luckily the stories that follow are delightfully dark, funny and real comments on the human condition.
Saunders may not be a genius or the best writer of short stories around (sorry intro) but he is a bloody good writer.
Luckily the stories that follow are delightfully dark, funny and real comments on the human condition.
Saunders may not be a genius or the best writer of short stories around (sorry intro) but he is a bloody good writer.
5 people found this helpful
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Anonymous Reviewer
5.0 out of 5 stars
Really quite something
Reviewed in the United Kingdom on July 12, 2020Verified Purchase
I hadn’t read any George Saunders so started with the short but touching Fox 8. Have progressed to this. Each story is full of incredible imagination, very well written and for me totalling engaging. Would thoroughly recommend. Am working my way up to Lincoln In The Bardo.
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