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The Terminal Experiment Mass Market Paperback – August 30, 2011
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- Print length352 pages
- LanguageEnglish
- PublisherAce
- Publication dateAugust 30, 2011
- Dimensions4.19 x 0.86 x 6.69 inches
- ISBN-100441020801
- ISBN-13978-0441020805
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About the Author
He is one of only seven writers in history—and the only Canadian—to win all three of the world’s top awards for best science-fiction novel of the year: the Hugo (which he won in 2003 for Hominids), the Nebula (which he won in 1995 for The Terminal Experiment), and the John W. Campbell Memorial Award (which he won in 2005 for Mindscan).
In total, Rob has authored over 18 science-fiction novels and won forty-one national and international awards for his fiction, including a record-setting ten Canadian Science Fiction and Fantasy Awards (“Auroras”) and the Toronto Public Library Celebrates Reading Award, one of Canada’s most significant literary honors. In 2008, he received his tenth Hugo Award nomination for his novel Rollback.
His novels have been translated into 14 languages. They are top-ten national mainstream bestsellers in Canada and have hit number one on the Locus bestsellers’ list.
Born in Ottawa in 1960, Rob grew up in Toronto and now lives in Mississauga (just west of Toronto), with poet Carolyn Clink, his wife of twenty-four years.
He was the first science-fiction writer to have a website, and that site now contains more than one million words of material.
Product details
- Publisher : Ace (August 30, 2011)
- Language : English
- Mass Market Paperback : 352 pages
- ISBN-10 : 0441020801
- ISBN-13 : 978-0441020805
- Item Weight : 7 ounces
- Dimensions : 4.19 x 0.86 x 6.69 inches
- Best Sellers Rank: #764,760 in Books (See Top 100 in Books)
- #2,374 in Genetic Engineering Science Fiction (Books)
- #2,809 in Cyberpunk Science Fiction (Books)
- #14,698 in Science Fiction Adventures
- Customer Reviews:
About the author

Robert J. Sawyer is one of only eight writers ever to win all three of the world’s top awards for best science-fiction novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award. He has also won the Robert A. Heinlein Award, the Edward E. Smith Memorial Award, and the Hal Clement Memorial Award; the top SF awards in China, Japan, France, and Spain; and a record-setting sixteen Canadian Science Fiction and Fantasy Awards (“Auroras”).
Rob’s novel FlashForward was the basis for the ABC TV series of the same name, and he was a scriptwriter for that program. He also scripted the two-part finale for the popular web series Star Trek Continues.
He is a Member of the Order of Canada, the highest honor bestowed by the Canadian government, as well as the Order of Ontario, the highest honor given by his home province; he was also one of the initial inductees into the Canadian Science Fiction and Fantasy Hall of Fame.
Rob lives just outside Toronto.His website and blog are at sfwriter.com, and on Facebook, Twitter, and Patreon he’s RobertJSawyer.
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So, yes, the more salient topic here is of course the murder aspect: if you’ve read the book’s promotional blurb you know the plot concerns itself with a computer program that in essence comes “alive” and is quite literally killing flesh-and-blood characters out there in the real world. And yes, I’m aware this topic has been out there already; the book was published 20 years ago. But like a great sporting event you’ve seen before, the book handles its certainly “trope-ic” topic in a way that is innovative and fresh and lets us see its concept in a new and stimulating light.
For instance, the artificial intelligence(s) is not the initial focus of central character Peter Hobson: when he is a young medical grad student he has the opportunity to fulfill credit hours by observing a doctor and his team harvesting organs from a motorcycle crash victim’s dead body. Hobson’s early enthusiasm for the procedure is given a horrible shock when he observes the victim’s body go through very life-like -seizures, and afterward the post grad comes up with the idea of creating a neural net not unlike a shower cap that will map the brain’s activity of dying patients. It is through this procedure that he begins to notice a recurrent phenomenon: a small amount of electrical energy seems to “escape” the body and travel onward.
It is because of this phenomenon that Hobson decides to investigate whether there is indeed an afterlife, and wonders if he can mimic it by creating three copies of his brain by cleverly removing certain aspects from two of them: the first will represents life after death; the second, an immortal mind; and finally, the third will be a “control,” or unaltered copy. And yes, one copy seems to be guilty of murder… first one, then two, and then, well….
For me, the suspense is merely a by-product of a great topic; it’s not why I read Sawyer. No, he “sells” his book from the first words on. Though THE TERMINAL EXPERIMENT is certainly suspenseful, I don’t feel Sawyer is necessarily merely hoping we will nail-bite our fingers while sitting up all night to read the next page. No, I believe it’s more that TERMINAL is asking us to look at what it is that makes up the human soul, to wonder if there is indeed a “life” thereafter… and, in fact, whether there might be a God. While many might argue that this is not a proper topic for sci-fi – that in fact, this is a better topic for religious books like THE SHACK (by William P. Young) – it’s not one he shies away from: in fact, a decade later this is a KEY factor in Sawyer’s excellent novel CALCULATING GOD (which was nominated for a Hugo award).
Though TERMINAL’s topic is really the soul, it’s handled with Sawyer’s typically wry and clever approach. It’s not just through Hobson’s life that we see things develop...for instance, the story frequently steps back and let us see the topic through a variety of clips from the media. For instance:
“The suicide rates on Native reserves in the United States in Canada, and in the three largest ghettos in the US, were at a five-year high this past month. One suicide note, from Los Angeles, typified a recurrent theme: ‘Something beyond this life exists. It can’t be worse than being here.’”
In essence, Sawyer does what those other great sci-fi authors do: he writes well enough to let his provocative ideas sell the story. In fact, the author drives us to do what we must do with ALL literature, particularly sci-fi, and that is to suspend our disbelief by taking frankly difficult topics and building them step by step. We accept what we are reading because the authors let characters behave like people do, and by melding science fiction with the actions of everyday people and proceeding onward. I have read almost Sawyer’s entire collection and can hardly wait for his next.
A little factoid I’ll throw in here for those who care: I was in near seventh heaven when Hobson relates to us that he is beginning to enjoy what was for him a new author: mystery writer Robert B. Parker’s SPENSER series…which is one of my favorites. Sadly, Mr. Parker passed on a short while ago, though his character(s) live on through other author’s penning new books. I can only hope Robert J. Sawyer is here for decades to come.
Oddly enough, that's not really what the book is about, except for openers. He goes a lot further in trying to comprehend this "soul" phenomenon, and what death really is -- and is not -- in ways that may or may not qualify as scientific. They are based on technology, sure enough, but he and his partner seem to do a lot of interpretation which goes well beyond the facts. But then, so does the mass media in reporting all that he is getting into.
Still, they have an even more daring experiment which is not reported to the media, or to anyone else, and for which Peter is himself the guinea pig. Since I really hate spoilers, let's just say that I don't agree that his experimental design would measure what he thought it would, and the end of the story at least partially vindicates my skepticism. In the meantime, several murders and disappearances, and one or two rather impressive liars, are encountered.
This is a good read, but not quite up to the standards of Sawyer's best work.
Now scratch all that and think of The Da Vinci Code. Of utter blandness, of thrillers that don't thrill, of pop philosophy and newspaper prose.
Unfortunately, The Terminal Experiment quickly settles into the second category.
The story gets you in a straight line from chapter 1 to the retrospective prologue, without ever giving you a chance to be surprised or intrigued. The only attempt to develop a believable world around the characters is made through several interludes/news digests, that become repetitive and superfluous after the second time they appear. Other than that, the only reason that you should think most of the events happen in 2011, Toronto, or even on planet Earth, is that the author insists so. Of course, this may be a Hollywood style effect intended to make the reader gasp 'This could happen here and now!' - but instead of helping you paste your own reality around the story, it just leaves it in a grey limbo.
There is only one character we could try to identify with, namely the protagonist, Peter Hobson - all the rest are flat to the extreme - but even he is too immature and at times plain boring. It is difficult to have understanding or sympathy as we follow him through his life crises and moral dilemmas.
The dialogue is weak, and mostly sounds scripted for people more used to watching movies than reading books. The following excerpt, taken from a page at random, illustrates this quite well:
Cathy sighed '...'. Sandra nodded '...'. Cathy looked shocked '...'. Sandra looked Cathy up and down, '...'. Cathy's large blue eyes blazed defiantly '...'. Cathy was angry '...'. Sandra was surprised '...'. Cathy looked exasperated '...'. Cathy was angry '...'. Sandra nodded '...'. Cathy was flabbergasted '...'.
And so are we.
There are enough topics thrown together - from AI and neural networks, through religion, to basic Freudian psychology, that the reviews can describe the book as 'thought-provoking' - but none of those topics are explored in any meaningful way. Putting them all in the same novel without adding a coherent whole just makes for a pop culture style 'deep' - the kind of speculations you can easily drop after you've finished reading.
With all that being said, the book does have some interesting ideas that could keep you entertained through to the inevitable ending. Yet, coming back to the title, if you would read it, just don't expect to be blown away; read it for what it is - light reading for the bus, or an airplane trip, not for it being amazing science fiction and a Nebula award winner.
Top reviews from other countries
If you're not familiar with Robert J. Sawyer either you hate science fiction, or you've been living under a rock. In either case you really should check it out as it's a fairly good sample of what his writing tends to be like.
With only few words, we can quickly grasp the visual aspect and feel of the scene the story takes place in.
I even felt sick every time I read the part about the medical surgery at the beginning of the book.
The story is compelling, and we want to get involved in resolving the crimes taking place in the book as we read it.







