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Tetro
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July 31, 2009 "Please retry" | — | 1 | $8.26 | $5.79 |
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| Genre | Drama |
| Format | Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen |
| Contributor | Francis Ford Coppola, Vincent Gallo |
| Language | English, Spanish |
| Runtime | 2 hours and 7 minutes |
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Product Description
Product Description
Fresh-faced and naive, 17-year-old Bennie (Alden Ehrenreich) arrives in Buenos Aires to search for his older brother who has been missing for more than a decade. The family had emigrated from Italy to Argentina, but with the great musical success of their father Carlo (Klaus Maria Brandauer), an acclaimed symphony conductor, the family moved from Argentina to New York. When Bennie finds his brother, the volatile and melancholy poet Tetro (Vincent Gallo), he is not at all what Bennie expected. In the course of staying with Tetro and his girlfriend Miranda (Maribel VerdA), Bennie grapples with his brother and the haunting experiences of their shared past in this widely acclaimed film by legendary director Francis Ford Coppola.
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Even assuming one agrees that Tetro is Francis Ford Coppola's "best since Apocalypse Now," as one pundit put it, that's not saying a whole lot--the three decades since the latter film, the culmination of a decade (the 1970s) in which Coppola also turned out the first two Godfather chapters and The Conversation, haven't exactly witnessed an unbroken string of artistic and commercial triumphs for the director-writer-producer. Still, Tetro, a breathtakingly gorgeous film addressing such timeless themes as dark family secrets and father-son rivalries, has a great deal going for it. As the story begins, soon-to-be 18-year-old Bennie Tetrocini (Alden Ehrenreich) finds himself in Buenos Aires, where the cruise ship on which he works has stopped for repairs. As it happens, that's also where his half-brother Angelo (Vincent Gallo), who now calls himself Tetro, lives with his smart, pretty girlfriend, Miranda (Maribel Verdu). But when Bennie appears at the couple's apartment, his reception isn't exactly warm and fuzzy. Tetro, an unfulfilled writer (he's "a genius without enough accomplishments," says Miranda), is an angry, bitter fellow who has long since ceased all contact with his family, admonishing his sibling that "in our family, love is a quick stab in the heart." Most of his rage is directed toward his father (Klaus Maria Brandauer, seen only in flashback), a world-famous symphony conductor and a profoundly conceited, cruel man, but there's more--much more, and as Tetro grudgingly lets Bennie into his life, shocking incidents and revelations of many long-hidden truths ensue. Most of this is presented in luminous black and white (the flashbacks are in color), courtesy of cinematographer Mihai Malaimare Jr.; the film is wonderful to look at, and Coppola's sure hand behind the camera combines with evocative music, the richness of the setting, and some excellent acting to make Tetro a vivid and rewarding viewing experience. Copious bonus material includes a director's commentary track and a clutch of featurettes. --Sam Graham
Stills from Tetro (Click for larger image)
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : R (Restricted)
- Product Dimensions : 0.7 x 7.5 x 5.4 inches; 2.72 Ounces
- Audio Description: : English
- Item model number : 7305344
- Director : Francis Ford Coppola
- Media Format : Multiple Formats, AC-3, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
- Run time : 2 hours and 7 minutes
- Release date : May 4, 2010
- Actors : Vincent Gallo
- Subtitles: : English, Spanish
- Studio : Lions Gate - Mongrel Media
- ASIN : B0035L1PHI
- Number of discs : 1
- Best Sellers Rank: #144,480 in Movies & TV (See Top 100 in Movies & TV)
- #24,677 in Drama DVDs
- Customer Reviews:
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Shot in stunning black-and-white, Tetro centers around a young man named Benny (Alden Ehrenreich), who has arrived in Buenos Aires, Argentina, in search of his older brother, Angelo (Vincent Gallo). Angelo left the family some years prior and now goes by the name "Tetro," taken from the clan's surname. Benny and Angelo's meeting prompts an exhumation of family secrets which leads both brothers to re-evaluate their identities. Looming over the proceedings is their father, a world-famous conductor, whose ego, success and fame has had a disastrous impact on his sons.
Though sometimes indulgent, there is much to admire about Tetro. It is no secret that Coppola is a once-great director who went on to make a string of weak films in the 1990's that overshadowed the seminal films he directed in the 1970's. He could have quite easily continued his retirement from film making and focused on his vineyard and other business ventures, but Coppola remained true to himself as an artist and decided to begin making the personal films that he wants to make. Because of this, Tetro is made without any commercial considerations -- it quite literally is Coppola's vision. As a result, it is one of the most unique films I've seen in quite some time.
Influenced strongly by The Red Shoes (which makes an appearance as a film within the film during a brief flashback sequence), Coppola uses surreal dance and opera sequences to underscore the emotions of the film. This, coupled with the vivid color flashback sequences, gives Tetro a dream-like quality that is both compelling and unsettling at the same time.
The Blu-Ray transfer is stunning and clear, though since the movie appears to have been shot in HD rather than film, it does look a bit too clean for my tastes. I very much miss film grain, which would have added texture to the presentation. The feaurettes provide a lot of background information on the film, but I was less than impressed by the commentary track, which I didn't find very informative as the featurettes.
Overall, Tetro is an exciting return from one of the world's greatest living filmmakers and well worth the time of any fan of Francis Ford Coppola, or independent film. The film may not always be perfect, but it's always interesting and engaging.
Black and white helps elevate any film, but along with all his other amazing breakthroughs of the 70s, 80s, and 90s, it's great to see Coppola's still the master of a kind of pristine yet rich, vintage Euro-style visual language and aesthetic that completely recreated American film-making, raising the bar for all that came after THE CONVERSATION, and THE GODFATHER I and II. And of course, the iconic war epic APOCALYPSE NOW. Most of the acting here in TETRO was excellent and believable...since the story was transplanted to Argentina, making the necessary slow-down in pacing generally feel real. And with my own family's estrangement of decades, here's me admitting I was primed to jump into this particular story.
Got a chill about 20 minutes into TETRO, when I realized how the torch had been passed to Sofia Coppola with her amazing, Osar-winning LOST IN TRANSLATION. Watching TETRO, you can clearly see the power of this impeccable visual language first perfected by Francis, taken up and brilliantly morphed by the next Coppola generation. Brava!
While I looked forward to the promise of discovering the only Coppola film I missed seeing, by about 40 minutes in, found myself reacting as though the writing and pacing were stuck in a time warp, like the great European films of 60 years ago...
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It's a while since I last watched Rumble Fish but the brothers there were Mickey Rourke (a rare good film for him at that time) and Matt Dillon. It's about street gangs and pool halls and how an older brother can be very impressionistic on a younger sibling. I'll say no more, except it's a blinder of a film and better than this.
I would have to say that the monochrome cinematography here, though, that everybody drools over is just too dark and contrasty, for this subject and film. I'm a photographer, so hopefully know and whilst Rumble Fish looked superb, that was full of geometric angles and angular paradoxes. Here, the screen is often plunged into almost darkness much of the time.
There is a balletic beauty to much of it though and we veer away from Rumble Fish and on to his works of epic greatness. The Godfathers and Apocalypse Now all share with this, an operatic build up of artistic and emotional tension that is mesmerising. Tetro has this toward the end at the Festival and we start anticipating something big and great. Do we get it? You'll have to see it yourself...
Others have touched on the actual storyline and I'm going to leave that to them. That said, the cast are all good but oddly, Vincent Gallo, as Tetro seems to short-change us. Not performance wise but in that we just don't seem to get to know him, which is part of the whole story, of course. Clamming up into a shell is nature's way of protecting us, emotionally, which is what Tetro did - and still does.
One major plus to this, very bog-standard DVD, was the sound quality - I 'felt' the sound as much as heard it. It prickled my eardrums with a tactile clarity, certainly Hi-fi standard, plus. OK, it was through separate amp and speakers but is as all my TV watching is.
Is Tetro a film for you? That's a difficult one. Arthouse cinema lovers probably will and those who like a drama that is quite complex also but those who want action and something akin to Apocalypse Now, no. It is long, visually rich and dark (like plain chocolate) and accordingly, not for everybody but for those who do, it holds many strengths.
A la fois baroque et intimiste, subtil et expressif, voici un film impressionnant de maîtrise, tant graphique que narrative, hommage à l'Art avec un grand A ! Car tout y passe, danse, opéra, littérature, musique... avec un amour confondant pour l'art de l'illusion, quel qu'il soit (à ce sujet, les effets spéciaux sont sublimes).
La direction photo est brillante et expressive, et dans les passages n&b, vibrants, et dans les passages en couleur, souvent époustouflants.
Les acteurs et leurs personnages sont touchants, tous, et sont le cœur battant de passion de cet écrin d'images destiné à les sublimer...
Tetro, c'est plus qu'un film : c'est une peinture, c'est un chant, et on reste souvent béat d'admiration devant un tel déploiement de beautés. Bravo, et respect, Mr Coppola.








