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Tetsuo - The Iron Man (Special Edition) [DVD]
| Additional DVD options | Edition | Discs | Price | New from | Used from |
|
DVD
July 12, 2005 "Please retry" | — | 1 | — | $30.75 |
|
DVD
July 19, 2005 "Please retry" | Special Edition | 1 |
—
| — | $49.99 |
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| Format | AC-3, Color, Dolby, DVD, Subtitled, NTSC, DTS Surround Sound, Closed-captioned |
| Contributor | Renji Ishibashi, Kei Fujiwara, Tomorowo Taguchi, Nobu Kanaoka, Naomasa Musaka, Shinya Tsukamoto |
| Language | Japanese |
| Runtime | 1 hour and 7 minutes |
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Product Description
Somewhere between nightmare and a techno-fetishist's ultimate fantasy, this extraordinary film from Shinya Tsukamoto caused a sensation when it was first released, and spawned a companion piece, Tetsuo II: The Body Hammer. Concerning itself with a young man's gradual mutation into a metal-being, the film takes a surreal journey into a dark and disturbing world where D.I.Y. body transformations and post-human women with deadly robot arms form the fabric of a strange new reality. Likened to the work of Lynch and Cronenberg, Tetsuo molds explosive violence, bizarre sexual imagery and jet-black humor into a cinematic experience like you've never seen before.
Product details
- Aspect Ratio : 1.33:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.5 x 5.5 x 1 inches; 4.8 Ounces
- Director : Shinya Tsukamoto
- Media Format : AC-3, Color, Dolby, DVD, Subtitled, NTSC, DTS Surround Sound, Closed-captioned
- Run time : 1 hour and 7 minutes
- Release date : July 19, 2005
- Actors : Kei Fujiwara, Tomorowo Taguchi, Nobu Kanaoka, Renji Ishibashi, Naomasa Musaka
- Subtitles: : English
- Language : Japanese (Dolby Digital 2.0 Mono), Japanese (Dolby Digital 5.1), Japanese (DTS 5.1)
- Studio : Tartan Video
- ASIN : B0009GV9FK
- Writers : Shinya Tsukamoto
- Number of discs : 1
- Best Sellers Rank: #168,761 in Movies & TV (See Top 100 in Movies & TV)
- #3,247 in Foreign Films (Movies & TV)
- #6,588 in Horror (Movies & TV)
- Customer Reviews:
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Tetsuo = kinetic, interesting, good acting, solid special effects, understandable, satisfying, and engaging
Eraserhead = slow, boring, bad acting, horrible special effects, insoluble by design, pretentious, and annoying
Shinya Tsukamoto made Tetsuo as a kinetic, interesting, and engaging film. The opening sequence immediately grabs the viewer, and the female flesh-metal zombie scene - a classic horror sequence in its own right - basically earns the viewer's attention for the rest of the film. David Lynch made Eraserhead as a slow, boring, and annoying film. The opening sequence is nothing short of irritating, and after 30 minutes the viewer's patience is taken to the limit when inflicted with such an utter waste of celluloid. Some dude pops his head into space, only to then walk around aimlessly for minutes on end, encountering nothing of importance or interest.
The acting in Tetsuo, although over the top, is pretty good. The actress who played the flesh-metal zombie was awesome, and the lead actor was admirable. The acting in Eraserhead was abominable in every possible respect - I've seen trees that were less wooden.
The special effects in Tetsuo were used advantageously. The camera work was sped up during the chase scenes and the stop-motion animation was fantastic, providing the metal effects. Eraserhead mishandled almost everything. The decapitation scene was pitifully fake, and the stop-motion was pointlessly wasted on - get this - a worm.
Finally, the difference that truly sets Tetsuo and Eraserhead apart is the simple fact that Tetsuo is mostly understandable, comprehensible, and thoughtful. It's truly a revenge story that touches upon the relationships between man and machine (i.e., flesh and iron). Eraserhead is just dim-witted - as if the filmmakers were shooting random takes that were thoughtlessly spliced together to the detriment of comprehensibility.
In the end, Lynch isn't even in Tsukamoto's class here. Tsukamoto is a master who is excellent at balancing originality and entertainment while avoiding the pitfalls of pretentiousness and incomprehensible artistic nonsense. Lynch is simply a hack who likes to make a film that only he can remotely understand because he doesn't bother to include the necessary communication to the viewer. Perhaps he should have kept this tripe in his basement. And perhaps the reviewers on this website could have refrained from drawing parallels between Tetsuo and Eraserhead. It would have saved me 90 minutes of torture.
The fact that Tsukamoto succeeded in making the outrageous endeavor known as Tetsuo entertaining is simply amazing, but experiencing Lynch's dismal failure known as Eraserhead adds a great deal of emphasis. Movies that are both crazy and entertaining are difficult to make. So please stop comparing a master with a hack, lest you morph into a flesh-metal zombie.
Portraying many different ideas and metaphors, it's all wrapped in a sort of stop-motion cyber-punk style of filming with a loose plot of (at it's basic element) a man whom sticks an iron rod into his leg and slowly transforms a horrid machine. However underlaying symbols and quick-cam shots riddle the film into puzzles of fear and technological nightmares. Metaphors of trials in Japanese culture (technological take-over, alienation, xenophobia, guilt, and modern isolation) plague the screen which gives a strong depth to it, making it worthy of multiple watches.
Though let me warn you, it is not pretty. The reason it's frequently upheld in the horror genre is that it IS also bloody and bone-driven with fx and violence. Many of the scenes can be downright really creepy and suspenseful. Body parts are turned into machinery, people are stabbed and beaten, and there's a Hell of alot of screaming.
Don't just take this film at face value. Like I said, when broken down it is more of an art film than horror flick. There are alot of layers to it and you need to look deep to interpret the substance of the subplots and symbolism. Not only that but the style of filming and camera work. Yes, did I mention it's absolutely insane in it's musical score, camera angles and cinematography?
Anyway if this entices you at all then definitely check this film out because it's right up there with Eraserhead, The Holy Mountain, and many other great dark surrealist-type films.
Very interesting
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