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Is That a Fish in Your Ear?: Translation and the Meaning of Everything Hardcover – October 11, 2011
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A New York Times Notable Book for 2011
One of The Economist's 2011 Books of the Year
People speak different languages, and always have. The Ancient Greeks took no notice of anything unless it was said in Greek; the Romans made everyone speak Latin; and in India, people learned their neighbors' languages―as did many ordinary Europeans in times past (Christopher Columbus knew Italian, Portuguese, and Castilian Spanish as well as the classical languages). But today, we all use translation to cope with the diversity of languages. Without translation there would be no world news, not much of a reading list in any subject at college, no repair manuals for cars or planes; we wouldn't even be able to put together flat-pack furniture.
Is That a Fish in Your Ear? ranges across the whole of human experience, from foreign films to philosophy, to show why translation is at the heart of what we do and who we are. Among many other things, David Bellos asks: What's the difference between translating unprepared natural speech and translating Madame Bovary? How do you translate a joke? What's the difference between a native tongue and a learned one? Can you translate between any pair of languages, or only between some? What really goes on when world leaders speak at the UN? Can machines ever replace human translators, and if not, why?
But the biggest question Bellos asks is this: How do we ever really know that we've understood what anybody else says―in our own language or in another? Surprising, witty, and written with great joie de vivre, this book is all about how we comprehend other people and shows us how, ultimately, translation is another name for the human condition.
- Print length384 pages
- LanguageEnglish
- PublisherFarrar, Straus and Giroux
- Publication dateOctober 11, 2011
- Dimensions6 x 1.5 x 8.5 inches
- ISBN-100865478570
- ISBN-13978-0865478572
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“[Bellos] offers an anthropology of translation acts. But through this anthropology a much grander project emerges. The old theories were elegiac, stately; they were very much severe. Bellos is practical, and sprightly. He is unseduced by elegy. And this is because he is onto something new . . . Dazzlingly inventive.” ―Adam Thirlwell, The New York Times
“In the guise of a book about translation this is a richly original cultural history . . . A book for anyone interested in words, language and cultural anthropology. Mr Bellos's fascination with his subject is itself endlessly fascinating.” ―The Economist
“For anyone with a passing interest in language this work is enthralling . . . A wonderful celebration of the sheer diversity of language and the place it occupies in human endeavour. Conducted by a man who clearly knows his stuff, it is a whirlwind tour round the highways and byways of translation in all its glorious forms, from literary fiction to car repair manuals, from the Nuremberg trials to decoding at Bletchley Park.” ―The Scotsman
“Bellos has numerous paradoxes, anecdotes and witty solutions . . . his insights are thought provoking, paradoxical and a brilliant exposition of mankind's attempts to deal with the Babel of global communication.” ―Michael Binyon, The Times
“This informed book props open the door to the idea of translation with pop culture . . . This broad-ranging book reads like a survey course in translation, providing a look at its history, detractors, challenges, future--if computers are the future--and current practice, both spoken and written . . . The result is arresting.” ―Carolyn Kellogg, Los Angeles Times
“David Bellos writes like a person who chooses his words not only carefully but also confidently and pragmatically. Translation is a challenging enterprise, but one he embraces vigorously and without the gloomy pessimism that leads some to declare that it's impossible . . . Rich, often playful chapters.” ―Jim Higgins, Milwaukee Journal Sentinel
“[A] witty, erudite exploration . . . [Bellos] delights in [translation’s] chequered past and its contemporary ubiquity . . . He would like us to do more of it. With the encouragement of this book, we might even begin to enjoy it.” ―Maureen Freely, Sunday Telegraph
“Is That A Fish In Your Ear? is spiced with good and provocative things. At once erudite and unpretentious . . . [it is a] scintillating bouillabaisse.” ―Frederic Raphael, Literary Review
“Forget the fish--it's David Bellos you want in your ear when the talk is about translation. Bellos dispels many of the gloomy truisms of the trade and reminds us what an infinitely flexible instrument the English language (or any language) is. Sparkling, independent-minded analysis of everything from Nabokov's insecurities to Google Translate's felicities fuels a tender--even romantic--account of our relationship with words.” ―NATASHA WIMMER, translator of Roberto Bolaño's Savage Detectives and 2666
“A disquisition of remarkable freshness on language, speech and translation. In short, punchy, instructive chapters that take in such things as linguistics, philosophy, dictionaries, machine translation, Bible translations, international law, the Nuremberg trials, the European Union and the rise of simultaneous interpreting . . . I could say anyone with an interest in translation should read Is That a Fish, but there wouldn't be very much point; instead, anyone with no interest in translation, please read David Bellos's brilliant book” ―Michael Hofmann, The Guardian
“Bellos has adopted a radically different approach: as his Hitchhikery title suggests, he has set out to make it fun . . . Is That a Fish in Your Ear? is essential reading for anyone with even a vague interest in language and translation--in short, it is a triumph.” ―Shaun Whiteside, The Independent
“Erudite . . . ultimately illuminating, even transformative.” ―Kirkus Reviews
“Written by an award-winning translator and professor of comparative literature, this book is informed by considerable culture and an original, probing intelligence with a mostly light touch--the title riffs off of Douglas Adams's The Hitchhiker's Guide to the Galaxy, whose babel fish, when inserted in one's ear, could translate any imaginable language. If only it were that easy . . . It is a breeze to get lost in translation, and for this reason Bellos cannily exclaims, ‘We should do more of it.'” ―Publishers Weekly (starred review)
About the Author
David Bellos is the director of the Program in Translation and Intercultural Communication at Princeton University, where he is also a professor of French and comparative literature. He has won many awards for his translations of Georges Perec, Ismail Kadare, and others, including the Man Booker International Translator's Award. He also received the Prix Goncourt for George Perec: A Life in Words.
Product details
- Publisher : Farrar, Straus and Giroux; 36376th edition (October 11, 2011)
- Language : English
- Hardcover : 384 pages
- ISBN-10 : 0865478570
- ISBN-13 : 978-0865478572
- Item Weight : 1.12 pounds
- Dimensions : 6 x 1.5 x 8.5 inches
- Best Sellers Rank: #1,762,941 in Books (See Top 100 in Books)
- #520 in Translation Reference
- #779 in Cookie Baking (Books)
- #1,139 in Low Fat Cooking (Books)
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In attempting to write a book that covers, well, pretty much everything about translation, David Bellos has produced a comprehensive and badly needed primer full of insight, yet a not-so coherent and cohesive unity. The book is divided into 32 small sections (yes, 32), each dealing with a different aspect of translation, from the meaning of "meaning", to the alleged "myth" of literal translation, with newswires and the ridiculous sophistication of coffee-shop language somewhere in-between. Some of these sections are delightful and concisely written, others are riddled with analogies and humorous attempts that distract from the main topic, yet others are frankly repetitive or well under-developed. The result is less a piece that seems to flow from chapter to chapter, but rather something that feels at times like a collection of disparate short essays that rumble from bananas to bibles to eskimos and back to translation. While some chapters indeed perform liaisons to previous or following ones, sadly that is not the overall feeling that one gets when tackling the text.
I guess this is the unavoidable result of attempting to put together so many different topics under a single umbrella, while trying to give equal importance to each and every single one. But my other assumption is that the book could have greatly benefited from a better editing job, which in turn would have resulted in a more 'natural' feeling to the final product.
On the other hand, I do not necessarily agree with everything that Mr. Bellos asserts and the way he does it (but that is a whole different story). I believe he gives too much credence to his own opinions and parades them as axioms, without even considering or giving some space to alternative or critical views. The issue of 'literal translation' is a good -but no the only one- example of this. According to the author's Manichean vision, a literal translation is 'not really' a translation and is such a daunting and fictitious task that is almost not worth trying. This whole argument is sustained in a verbal and semantic pirouette, given that he later on acknowledges that it really all depends on what 'literal' and, yes, 'translation' means to you. However, he does not even bother in considering the opinion of someone who believes that a literal translation (or something close to it) is possible. It simply can not happen, period. One wonders whether he is representing the entire translation community or just speaking for himself which, based on reading his text, is quite hard to tell.
Now, on the positive side, the book is full of pearls of wisdom and clever insights into the world of translating. I really hope that this work contributes to spreading the word on the invaluable contribution of translators all over the world, and I hope as well that next time Mr. Bellos will find a better editor.
Bellos tells us that although there are perhaps as many as 7,000 languages spoken in the world today, most are spoken by very small groups. To engage with the outside world, "vehicular languages" are needed; that is, languages learned by nonnative speakers for the purpose of communicating with native speakers of a third tongue. Some eighty languages are considered vehicular, but knowing just nine of them would permit effective conversation with around 90 percent of the world's population. The language with the largest number of nonnative users is English, but English is not the language with the largest number of native speakers, which currently is Mandarin Chinese.
Perhaps I have thus far given the impression that this book is just a compendium of fun language facts. It is, but that's not the point of the book at all. Rather, the author sets out to define translation, and then determine what makes a good translation, and finally to consider why we need translation at all? Why don't we all just learn to speak a common language?
In characterizing translation, Bellos explains that "meaning" is not the only component of an utterance; there is also tone of voice, context, layout, intention, culture, form (such as poem, play, legal document), the identities of the communicants together with the relationship between them, etc. In fact, as Bellos observes, what matters the most is not a word-to-word congruence. On the contrary, it is more important for the translator to preserve the force of the utterance in another language. Thus the translator must take into account such factors as levels of formality in conversation, as well as customs and rules about how men and women and people of different social classes may relate to each other. Importantly, he adds, "No sentence contains all the information you need to translate it."
One of my favorite examples in the book is this anecdote: "In many parts of Africa... casting branches in the path of a chief expresses contempt, whereas in the Gospels it is done to mark Jesus's return to Jerusalem as a triumph... Revision of the Gospel's account of Palm Sunday is both absolutely necessary to avoid giving the wrong message to African readers and at the same time impossible without profoundly altering the story being told."
Another great example given by Bellows concerns a statement released by the office of Otto von Bismarck, the German chancellor, in 1870. The statement referred to a communication made to the French by "the adjutant of the day." In German, this is a high-ranking courtier, but in French, this is a mere warrant officer. The French took the meaning of this word-for-word translation as a sign of grievous disrespect, and an international incident ensued, culminating in a declaration of war by the French six days later.
Translating humor is a particular challenge; meaning must almost always be changed to get the particular point across the original is trying to make.
Moreover, translators try to get across the style of an author or what makes him or her distinct: "The question is: At what level is the Dickensianity of any text by Dickens located? In the words, the sentences, the paragraphs, the digressions, the anecdotes, the construction of character, or the plot?"
All of these considerations (and many more delineated by Bellos) mean that just knowing the words of another language is insufficient to be a good translator.
At the end of the book, Bellos asks if one day we might just be able to have the equivalent of a translation fish in our ears, as was the device used in "The Hitchhiker's Guide to the Universe," and then we would all be able to understand one another totally. He suggests this is unlikely, since linguistic diversity serves other functions besides the conveyance of meaning in different formats: it also serves to establish lines of in-groups and out-groups, and helps form part of the identity of an individual as a member of a specific community. "Every language," he notes, "tells your listener who you are, where you come from, where you belong." It is not poetry that is lost in translation, he avers, it is community. But translation can accomplish almost everything else to enable human beings to communicate thought. He concludes "We should do more of it."
Evaluation: This is a highly entertaining and thought-provoking treatise on what comprises communication and the surprisingly small but important role that language plays in the process. I loved this book.
Top reviews from other countries
日本語の「翻訳」(hon’yaku)についてもかなり詳しい言及がある。評者も英語ー日本語の翻訳経験はあるが、ひたすら英和辞典を片手にという感があった。Native command: Is Your Language Really Yours? という章もある。本書を読んでいれば、もっとましな翻訳ができたのにと思う。









