Buy new:
$15.95$15.95
FREE delivery: Wednesday, Dec 28 on orders over $25.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $1.95
Other Sellers on Amazon
+ $3.99 shipping
91% positive over last 12 months
+ $3.99 shipping
86% positive over last 12 months
Usually ships within 2 to 3 days.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the Authors
OK
That's Not a Feeling Paperback – Illustrated, October 2, 2012
| Dan Josefson (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
|
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial | |
|
MP3 CD, Audiobook, MP3 Audio, Unabridged
"Please retry" | $14.99 | — |
Enhance your purchase
WINNER OF THE 2015 WHITING AWARD FOR FICTION
New York Times Editors’ Choice
Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches—all run by adults who themselves have yet to really come of age.
The only person who comprehends the school's many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a "self-afflicting personality." More and more, Benjamin thinks about running away from Roaring Orchards—but he feels an equal need to know just what it is he would be leaving behind.
- Print length368 pages
- LanguageEnglish
- PublisherSoho Press
- Publication dateOctober 2, 2012
- Dimensions5.5 x 0.94 x 8.2 inches
- ISBN-101616951885
- ISBN-13978-1616951887
- Lexile measure840L
The Amazon Book Review
Book recommendations, author interviews, editors' picks, and more. Read it now.
Editorial Reviews
From Booklist
Review
New York Times Editors’ Choice
Booklist Editors’ Choice
"Dan Josefson is a writer of astounding promise and That's Not a Feeling is a bold, funny, mordant, and deeply intelligent debut."
—David Foster Wallace, author of Infinite Jest
"If That's Not a Feeling were a fifth novel, it would be a triumph. As a first novel, it is an astonishment. Dan Josefson sails along the scary edge of perfection in this book, and does so with style, empathy, compassion, humor, and wisdom."
—Tom Bissell, author of The Father of All Things
“Deft, tempered prose...unornamented, but never flat or blunted, so that the characters, not the sentences, heat the pages.”
—New York Times Book Review
"Quirkily brilliant."
—Los Angeles Review of Books
“The prose is matter-of-fact, even placid, and studded with perfectly phrased
gems, a cool surface to a work that is rich in feeling. A wonderful and noteworthy debut.”
—Booklist, Starred Review
“Funny at times, and more than a little sad, the book’s form perfectly mirrors Benjamin’s profound sense of dislocation and uncertainty. This is a powerful, haunting look at the alternate universe of an unusual therapeutic community.”
—Library Journal, Starred Review
“Metaphor is a hell of a weapon in Dan Josefson's debut That's Not a Feeling...a funny, humane, egalitarian, and gently challenging book, one to quote and roar over, and one that gets better and stranger as it goes.”
—SF Weekly, "Instant Classic"
"This is a book of enormous intelligence, and even more heart."
—Jim Shepard, author of Like You'd Understand, Anyway
“An incredibly daring experiment in characterization, and one that will surely reward many rereadings.”
—School Library Journal, "Adult Books for Teens"
“It’s difficult to read this novel and not feel challenged, moved, devastated, and excited for Josefson’s next book.”
—Tottenville Review
“Not only is this novel a humorous narrative adventure, it’s also deeply moving, subtle in its approach, and beautiful in its execution.... A vivid portrait of human frailty and perseverance, one that makes us question what breaks us, what heals us, and what makes that journey worth it.”
—Tethered by Letters
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Upsate New York, late August
No one noticed the evening’s approach until the long shadows cast by the mountains began to merge in the grass. Alternative Boys stood on the Dirt Pile, digging away at it with their shovels and tossing the dirt toward the adjacent woods. Only when Roger woke to the growing darkness did he order the boys down and tell them to hurry back to the Mansion for supper. I’m losing it, he thought, and rubbed his face with his hands. He followed as the boys crossed Route 294 in a clump and then stretched out into a loose line to pass through the school’s iron gate. The gate hung between two stone pillars; on the right pillar a sign read, THE ROARING ORCHARDS SCHOOL FOR TROUBLED TEENS, WEBITUCK, NY. The Mansion they headed toward was built on a slight eminence, and sat in an angle of light. Most of the boys rested the shovels on their shoulders or dragged them rasping along the gravel driveway. William Kay and Andrew Pudding soon fell behind; they were swinging their shovels at each other like swords.
They walked face to face, Pudding shuffling backwards up the drive, William laughing wildly as the heavy wooden handles met overhead with dull clacks. Roger was glad the two of them rarely had energy for anything other than this sort of idiocy. Pudding was short and solidly built, with a round, babyish head. William was skinny and mean. If they set their minds to it, they could do plenty of damage.
It was the time of evening when everything recedes into its outline, when it feels as though there’s more than enough time and space for every conceivable thing to happen. Roger called for William and Pudding to quit playing and hurry up. He told the boys in front to wait for their dormmates. But his voice died on the air and no one was listening.
Alternative Boys rounded the curve beneath the weeping beeches at the top of the drive. In front of them stood the Mansion, an enormous white farmhouse augmented by a jumble of disconsonant additions. Before the boys could reassemble to climb the steps together, Roger called out, “Freeze.” They stopped where they were. “Hands out, gentlemen.” Alternative boys dropped their shovels and held their arms out straight, each trying to reach the boy closest to him without moving his feet. They wiggled their fingers and stretched. The boys in front were close enough to form a jagged line that connected them all. William and Pudding could reach each other but were separated from the rest of the dorm.
“You’ve drifted,” Roger said. “Hold hands.”
Leaving their shovels where they lay, Alternative Boys formed a circle and all held hands. The sun had tipped further back behind the hills and an orange band of sunset light, followed by shadow, slid up the trunks and lower branches of the trees until only the highest leaves held light any longer. “Now,” Roger said, “what’s going on with you guys that you can’t stay grouped?”
The boys rolled bits of gravel under the soles of their sneakers or stared over the heads of the boys on the opposite side of the circle. Eric Gold was visibly upset. He had thick eyebrows and a wide, flat nose, and in the week and a half he’d been at the school, hadn’t made any friends. “This is bullshit,” he shouted. “You can’t hand-hold me. You don’t even know me.” The other boys found this very funny, but those on either side of Eric tightened their grips to keep him from doing anything that would get them into more trouble.
Roger cleared his throat. “I know that if you’re letting your dormmates fall behind, you’re either not paying attention to them or you’re not willing to confront them. That’s all I need to know.” Roger adjusted his hat, a green felt cowboy hat, and scratched at his beard. “Has anyone explained the idea behind grouping to you? William, could you tell Eric what group stands for?”
“Goats remember only…” William began.
Roger sighed. “Pudding? Want to help your friend?”
Pudding looked at William and back at Roger. “Gee, I recently… ordered…”
“Pudding,” Roger said.
“..underpants…”
The other boys reacted with embarrassed silence. “I’m not hearing anything,” Roger said, “to convince me that if I were to un-hand-hold the dorm right now I wouldn’t get taken advantage of again.” The pink, gilded clouds of the reflected sunset faded in the picture windows of the Mansion. Shadows had risen from the valley floor to where the boys stood; the sparse woods darkened.
“Han,” Roger asked, “could you please help us out?”
Han Quek hesitated, unsure of which would be worse: spending more time holding hands in a circle or playing along with Roger. He decided quickly. “Genuine relationships occur in uncomfortable proximity.”
“Thank you. You see, Eric? This isn’t about punishing anyone. It’s about bringing the group closer together. And when you’re out of arms’ distance, when you drift, you’re denying real intimacy by fleeing togetherness. So Pudding, why were you having such a tough time being close to the people in the dorm today? Why are you and William isolating?”
“I wasn’t isolating,” William said. “I was genuinely trying to hit him with my shovel. Genuinely.” William’s pale skin and blond hair looked even lighter in the darkness.
Pudding laughed and tried to kick William, but they were holding hands and Pudding couldn’t turn to kick him properly.
“No, really,” William said. “Is there anyone here who doesn’t think Pudding ought to get hit with a shovel? Raise your hand.” Holding hands, no one could. “See? Pudding’s the only one who doesn’t think he should get hit. He’s the one isolating. You should ask him why he’s isolating.”
“I did,” Roger said. The clouds were melting away into the dark, but Roger was willing to wait. He believed in following the school’s process, which could take time. He was calm, and prepared to be completely rational, and if necessary, thoroughly unreasonable.
Pudding said that he hadn’t seen the other boys getting ahead of him because he was walking backwards, and as Roger began describing the difference between an explanation and an excuse, someone flipped a light switch inside the Mansion. The picture window in front of Alternative Boys ceased reflecting the shreds of sunset and opened now onto the Meditation Room. It hovered above the boys like a lit stage. Frances, one of the school’s therapists, had entered the room with Nancy Ormsbee, a student in New Girls. The boys watched Nancy and Frances sit down in the oversized wicker armchairs beside the glass-topped table.
All of a sudden it felt late. The day was lost and the boys sensed there was no time left for anything. They would hurry to change for a late dinner of cold cuts and corn chips and caffeine-free store-brand soda, and go to bed.
It was one of the last days of Summer Session and every dorm was on retreat. Roger didn’t like that Alternative Boys could see Nancy at therapy. She had only been enrolled three days ago and had already run away once; the police brought her back. Roger allowed the dorm to be un-hand-held. They returned their shovels to the Mansion basement, then went upstairs where they changed from work clothes to school dress and waited their turn for dinner. Bit by bit, darkness seeped into the corners of the valley. The birds that had spent the evening flitting from branch to branch flew deeper into the woods to sleep.
One at a time the dorms walked to the back of the Cafetorium to pick up dinner trays, then brought these back to their quarters in the Mansion. Regular Kids, Alternative Girls, Alternative Boys, New Girls. When they were all back inside, New Boys exited the Cottage where they lived, got their food, and returned.
Later, lights around campus were turned off one by one until only the windows in the upper floors of the Mansion were lighted. Then these too went out, one after another down the hallways as dorm parents entered each room to administer nighttime meds and say good night. Finally the floodlights illuminating the front of the Mansion were the only lights left on.
The valley was quiet. Deer stalked windfall apples in the orchard on the east side of the Mansion. Their heavy lips slid over the apples and they broke the cool skins with their teeth. These were crab apples, small and sour, but there were too many deer in the valley, even in late summer when their numbers had been thinned by trucks hurtling down the Interstate; they ate what they could. The deer stopped and looked nervously over their shoulders. They froze not at any sound but at an intensification of the silence that pealed like a bell.
On less quiet nights, the wind racing down the hills would rattle the Mansion’s dusty window screens and whistle in the branches of the trees. But tonight the sky weighed down directly on the valley and on the school in its center. The students were left awake, their visions curling in on themselves like fiddleheads. Voicelessly they went through the same exhausted speeches that they recited on other sleepless nights: the monologues to their parents about all the reasons it had been a mistake to send them to the school; the rants they would let loose on Aubrey if they could get away with it; or just the stories they would tell with studied indifference, collapsing onto an old couch in a friend’s basement, about what a fucked-up place it was they had just escaped. We moved our lips through these febrile daydreams and could not sleep.
We were fourteen, fifteen, sixteen years old, although there was a tired joke at the school that Aubrey would accept a six-year-old as long as someone paid his tuition. Maybe I shouldn’t say “we” quite yet—the day I’m describing is the day before I arrived at Roaring Orchards. My story here and in what follows is based on what I saw and what I was told, by students and occasionally by members of the faculty. Students and faculty had very different experiences of the school, but we had one thing in common: we would all rather have been somewhere else. But we stayed, or many of us did, most of the time. We all stay except for those who don’t, as Aubrey sometimes said. Nancy Ormsbee was one of those who didn’t stay.
In her top bunk in her room in New Girls, she inched toward the edge of her mattress, freezing at each squeak of the metal springs. She climbed over the footboard, lowered herself off the bed. Nancy crawled across the carpet and braced herself against the wall beside the door. Then, as she had done earlier that week, she gently slid the plastic mattress, on which her roommate Laurel slept, away from the door inch by inch, taking time between each little push to let Laurel readjust in her sleep. When there was just enough room, Nancy turned the doorknob until she felt the spindle pull the latch from the post. She opened the door and squeezed out, keeping the knob turned and only letting it spring back when she had carefully pulled the door shut on the girls asleep in their room. She stole a pair of sneakers from Alternate Girls and slipped out of the Mansion into the dark.
Nancy took a deep breath and sprinted across the lawn to where the school vans were parked beside the gym. She opened the back doors of the newest looking one and felt around in the dark for the jack. With it she returned, her hands shaking with adrenaline, to the Mansion.
New Girls’ med closet was a room off their lounge. Nancy set the jack beneath the doorknob and worked the lever. She winced at the sound of wood cracking and held still. She didn’t seem to have woken anyone. She pumped the jack again and the knob bent, the metal growing paler while the old wooden door gave way. When the bolt cracked loose, Nancy entered and quickly went through the girls’ allowance envelopes, taking the money saved in each. She was about to leave when she turned back and grabbed the packet with the next morning’s meds. She ran back downstairs and outside.
Before she disappeared from Roaring Orchards, Nancy took one last look back at the Mansion. The floodlights in the flowerbeds lit the building but distorted it as well. The eaves and the gingerbreading above the entrance cast magnified shadows over the white façade. It reminded her of a person holding a flashlight under his chin in the dark. And then she left the school forever.
The Mansion sat in the center of the valley, surrounded by trees unstirred by any wind. The moon had risen, alone in the dark sky but for the haze around it. They were a pair, the moon alone in the sky, the Mansion alone in the valley, each snug in its socket like an eye and a tooth.
Product details
- Publisher : Soho Press; Illustrated edition (October 2, 2012)
- Language : English
- Paperback : 368 pages
- ISBN-10 : 1616951885
- ISBN-13 : 978-1616951887
- Lexile measure : 840L
- Item Weight : 11.9 ounces
- Dimensions : 5.5 x 0.94 x 8.2 inches
- Best Sellers Rank: #1,170,421 in Books (See Top 100 in Books)
- #794 in Humorous American Literature
- #870 in Comedic Dramas & Plays
- #6,387 in Fiction Satire
- Customer Reviews:
About the authors

Great authors inspire us. But what about the stories that inspire them?
Recommended Reading, a magazine from Electric Literature, publishes one story every week--each chosen by today's best authors and editors--and uses the power of personal recommendations to give diverse writers and presses the readership they deserve.
Electric Literature is the independent publisher the Washington Post called "a refreshingly bold act of optimism." We were the first to publish a literary magazine to the iPhone and iPad, the first to publish a short story to Twitter, and the first major literary magazine to publish directly to Tumblr.
Pick up exclusive Recommended Reading merchandise at www.electricliterature.com/store
Keep up to date on news, events, and readings at @electriclit or facebook.com/ELlitmag

Dan Josefson has received a Fulbright research grant and a Schaeffer Award from the International Institute of Modern Letters. He has an MFA from the University of Nevada, Las Vegas and lives in Brooklyn.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Sounds interesting, right? Boarding school? Troubled teens? Crazy adults? An almost cultish leader whose ideas nobody can quite seem to grasp?
Sadly, the book falls flat. Very flat. The narrator's own story is very incomplete. We never understand why Benjamin was put away at this school. No one seems to make any progress. You will find them in the same state at the beginning of the book as the end. There is a traumatic event that unfolds 3/4 way through the book and still there is no character development. The narrator even refers to his return to the school as an adult, and yet no reason is ever given for his pilgrimage back to this place that must have affected him deeply.
I can't help but think that we got the boring pieces of this story. All the ones that sat right on the surface. Student A did this. Teacher B did that. I wish the author had dug down a little deeper to tell us not just what happened, but what it felt like.
A terrific read for anyone who has gone through or had peripheral involvement with residential treatment programs for teens. Professionals, parents, participants alike will love/hate this cautionary tale. It's reallyreallyreally entertaining. Rueful smiles abound. It's in the fiction category but looked pretty stinkin' real to me. Hit pretty close to home.
But there were enough similarities that Dan Josefson's portrayal not only rang true, but packed a wallop. My school too was a rarefied, nearly incestuous environment that, despite being in a major city and affiliated with a major university, was oddly isolated from the outside world. I too was one of those staff barely older/more mature (and definitely less streetwise) than many of the students I worked with. I too struggled to understand and implement the therapeutic "process" and be part of the daily therapeutic "milieu". And I too saw the pathos and tragedy that ensue when so many severely damaged kids are isolated with only each other and staff with their own issues. I often found myself wondering if Josefson's portrayal of Benjamin were perhaps autobiographical - how else could he paint such an unbelievable, yet utterly accurate, picture of such a place?
Not only does Josefson's novel work on a psychological level, it works on a literary level. Our narrator, Benjamin, is the ultimate unreliable narrator. His story is ostensibly a first person narrative, but it shifts frequently to a third person omniscient point of view, including many events, conversations and even thoughts, feelings and dreams, which Benjamin could not possibly know. He tells us early on that everything came from what he later learned or was told, but it seems improbable, at best, that head master Aubrey would have told him his dreams, for instance.
Benjamin is brought to Roaring Orchards ostensibly just for a tour, but his parents leave him behind and hurry out without so much as a goodbye, apparently on the advice of Aubrey. But even that is suspect, because Benjamin must have known that it was more than a tour, or else why would he have kicked out the window on his parents' car? Benjamin is initially placed into "Alternative Boys" dorm, the mid-level dorm for somewhat higher functioning kids. He is thrown into a world of unfathomable rules and a whole new language of allegedly therapeutic terms - mostly developed by Aubrey. Students in the dorm have to stay grouped within arm's length or else the entire group gets "hand held". Problems are addressed in "candor meetings" where everyone might have to write their "fibs" - functional intimacy blockers. Students who run or get violent may get put in a "wiggle" (another acronym, although I can't remember and can't find exactly what it stands for), get "cornered", "sheeted" or "roomed".
Benjamin makes it clear, without stating it directly, that no one at Roaring Orchards, staff or student, can be trusted. In a therapeutic milieu founded on the healing benefits of honesty, everyone exaggerates, distorts and/or outright lies. Often those lies are taken as the truth and the ordinary truth is rejected as "dishonest". Benjamin himself is (was, as he's telling us the story) a student at Roaring Orchards, so he is telling us that he can't be trusted either. Yet somehow underneath the lies and the distortions, a kind of truth emerges - a truth of enmeshed relationships, human nature and the intentional and unintentional damage we do to each other, particularly those to whom we are closest - either physically or emotionally.
Roaring Orchards is a place intended to be glorious and magical. Most of the dorms are located in the Mansion. There's also an "Enchanted Forest", a fountain, a garden and a farm on the premises. All of these elements are intended to have symbolic meaning in the students' healing process. But even in the time Benjamin is telling us about, the school is worn, shabby, almost tawdry. The carpet is fraying, additions have been added on haphazardly, the farm consists of a goat, a pig and a handful of chickens that only the maintenance man ever tends to. These faded elements too have symbolic importance.
Benjamin is telling us this story many years after he himself left the school and several years after the school was closed down completely. The buildings are still standing, but only just. The Mansion is a barren shell, so rotten that Benjamin can't even make it up the stairs safely. The Classroom Building is still nearly the way it was left, if dustier. It is there that Benjamin - now an adult - encounters some reminders and begins writing his narrative of his youth at Roaring Orchards. To whom he is writing or why is left as vague and misty as all the other senseless, tragi-comic events in the book.
This book left me feeling both pensive and wistful, but it is not a sentimental book. The book is deeply sarcastic, ironic and contemptuous of humanity, its cruelty and the possibility of healing. Yet somehow there is also something redeeming and hopeful about it. It is a book to be mulled over and peeled away in layers. It is a frustrating book, one that defies explanation, one that may leave you feeling left out of the joke. Highly recommended for those who can tolerate ambiguity and lack of resolution. 4.5 stars.
