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The Art of Political Murder: Who Killed the Bishop? Paperback – Bargain Price, September 1, 2008
- Print length416 pages
- LanguageEnglish
- PublisherGrove Press
- Publication dateSeptember 1, 2008
- Dimensions7.86 x 5.88 x 1.17 inches
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Product details
- ASIN : B00375LNA6
- Publisher : Grove Press; Reprint edition (September 1, 2008)
- Language : English
- Paperback : 416 pages
- Item Weight : 14.4 ounces
- Dimensions : 7.86 x 5.88 x 1.17 inches
- Best Sellers Rank: #7,993,540 in Books (See Top 100 in Books)
- #3,196 in Central America History
- #15,910 in Murder & Mayhem True Accounts
- #23,296 in Deals in Books
- Customer Reviews:
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About the author

Francisco Goldman has published five novels and two books of nonfiction. The Long Night of White Chickens was awarded the American Academy’s Sue Kaufman Prize for First Fiction and the novel Say Her Name won the 2011 Prix Femina étranger. The Ordinary Seaman was a finalist for the International IMPAC Dublin Literary Award. The Divine Husband was a finalist for the Believer Book Award. The Art of Political Murder won the Index on Censorship T.R. Fyvel Book Award and the WOLA/Duke Human Rights Book Award. The Interior Circuit, published in 2013, was named by the LA Times as one of ten best books of the year and received the Blue Metropolis “Premio Azul.” He has been a Guggenheim Fellow and a Berlin Fellow. He was a 2018-19 Fellow at the Harvard Radcliffe Institute. He is the founder and co-director of the Premio Aura Estrada, in honor of his late wife, an award for women of the Americas 35 and under who write creative prose in Spanish. His books have been published in sixteen languages.
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Top reviews from the United States
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This book details the murder of Bishop Juan Gerardi in Guatemala in April 1998 and the ensuing nine years of investigation and prosecution of persons complicit in the killing. The author, a journalist born in Guatemala but working in New York, also wrote three novels. THE ART OF POLITICAL MURDER reads like, and is as engaging as, a mystery thriller. But the characters, plot, twists, intrigues and horrors were provided by the Guatemalan oligarchy, not the author's imagination.
The bishop's murder appears to be in retaliation for the publication of the REMHI report, the result of the Archdiocese survey of atrocities committed by the Guatemalan Army during the 36 years of internal war. But a smokescreen of alternative motives emerges along with the intimidation of witnesses, lawyers, prosecutors and judges, forcing many of them to flee the country.
Goldman weaves an easily understandable narrative and structure for the nearly 200 named players in these intrigues. For easy reference, appendices provide a list of the primary persons involved, a timeline, the author's sources and notes and an index with page references for all individuals mentioned.
THE ART OF POLITICAL MURDER vividly portrays army officers accustomed to impunity, judicial officials fearful for their families and the terrified, street-smart indigents who know what really happened to the bishop. In relating the arrogance and fears of the adversaries, Goldman enlightens us on the long conflict between the wealthy Guatemalan oligarchy and most everyone else in a country where the army directly or indirectly controlled the government for decades. As a bonus, read this book to understand why President Bill Clinton, in February 1999, apologized to the Guatemalan people for the United States having supported the Guatemalan Army during the past fifty years.
The intellectual authors of this gruesome crime have yet to be brought to justice. If you know little about Guatemala, its miserable Human Rights record, the involvement of US officials at the highest levels, then this book will walk you through this sordid history as background to help you understand the bizzare case, and how a bold group of young persons go about bringing to justice the perpetrators.
A recently released feature film simply titled Gerardi, La Pelicula, dramatizes the life of Gerardi up until the moment of his death. I recommend it as an excellent experience to enjoy before reading the book. It puts in context many of the elements that are treated by Goldman's narrative.
It can be purchased from GEAP ('jeep'), the Guatemala Education Action Project, from their website [...]
I spent a brief time in Guatemala doing human rights work in the mid 80's (a shout out to any PBI alums in the house :)), and so was interested in the subject matter, and had at least a glancing acquaintance with the horrid murderous travesty that was the Guatemalan government, as well as the impenetrable fog of denials, mis-statements, forgeries, violence, hidden agendas, disappearances and murk that hid virtually any attempt to get at any truth.
I found the first half of the book (which focuses on the "who-done-it") outstanding. Here Goldman relates the story of the investigation - the false leads, the disappearing witnesses, the hopelessly (and deliberately) contaminated crime scene, the (deliberately) conflicting evidence, the overlapping areas (and agendas) of the investigators, etc. That the investigators were able to finally pierce it (not completely, but most crimes never are) is just amazing, especially given the very real threat to themselves and their families.
I think the other reviewers who criticize this book for not analyzing the case for/against Monsenor Mario, or for not analyzing the case made by 'who killed the bishop' are being unfair - goldman spends a _lot_ of time on each of these, especially the latter, to the point that you could almost criticize the book for over-focusing on it. Similarly, I think criticizing the book for not telling more of the story of the defendants is ludicrous - when your primary interactions with a defendant consist of their giving you death threats, it's hard to go much further!
The problem with the book lies in the second half, what is called the "second crime" - the multi-year "war of attrition" against the verdict, year after year of judicial games, wars in the press, maneuver after maneuver. Here, while I appreciate the author's work in showing us just how deeply broken the justice system and press were (and are), I just felt the book became a less interesting read - we know who done it, we know why, now we read chapter after chapter of frustration (although it sure made me glad I've never been a guest of the Guatemalan Penal system!). One last cavil - another reviewer says that Goldman never walks us through the final 'best guess' of the final crime, minute by minute - oh yes he does, it's near the end.
So in summary - a good book, an important book, a book alternately deeply depressing and deeply inspiring, but not a great _read_, the only reason I am marking it down a little.
Top reviews from other countries
Well worth buying and giving to anyone who wants to know some of the malign effects of U. S. interference in other countries in the Americas.
The author apparently holds both Guatamalan and U. S. citizenship and is an award-winning novelist. This book is his first non-fiction work.


