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The Dispossessed: An Ambiguous Utopia (Hainish Cycle) Kindle Edition
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Ursula K. Le Guin
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LanguageEnglish
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PublisherHarperCollins e-books
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Publication dateOctober 13, 2009
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File size2306 KB
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Editorial Reviews
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
There was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb, it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an, idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.
Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.
Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.
Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.
A number of people were coming along the road towards the landing field, or standing around where the road cut through the wall.
People often came out from the nearby city of Abbenay in hopes of seeing a spaceship, or simply to see the wall, After all, it was the only boundary wall on their world. Nowhere else could they see a sign that said No Trespassing. Adolescents, particularly, were drawn to it. They came up to the wall; they sat an it. There might be a gang to watch, offloading crates from track trucks at the warehouses. There might even be a freighter on the pad. Freighters came down only eight times a year, unannounced except to syndics actually working at the Port, so when the spectators were lucky enough to see one they were excited, at first. But there they sat, and there it sat, a squat black tower in a mess of movable cranes, away off across the field. And then a woman came over from one of the warehouse crews and said, "We're shutting down for today, brothers." She was wearing the Defense armband, a sight almost as rare as a spaceship. That was a bit of a thrill. But though her tone was mild, it was final. She was the foreman of this gang, and if provoked would be backed up by her syndics. And anyhow there wasn't anything to see. The aliens, the off-worlders, stayed hiding in their ship. No show.
It was a dull show for the Defense crew, too. Sometimes the foreman wished that somebody would just try to cross the wall, an alien, crewman jumping ship, or a kid from Abbenay trying to sneak in for a. closer look at the freighter. But it never happened. Nothing ever happened. When something did happen she wasn't ready for it.
The captain of the freighter Mindful said to her, "Isthat mob after my ship?"
The foreman looked and saw that, in fact there was a real crowd around the gate, a hundred or more people. They were standing around, just standing, the way people had stood at produce-train stations during the Famine. It gave the foreman a scare.
"No. They, ah, protest," she said in her slow and limited Iotic. "Protest the ah: you know. Passenger?"
"You mean they're after this bastard we're supposed to take? Are they going to try to stop him, or us?"
The word "bastard," untranslatable in the foreman's language, meant nothing to her except some kind of foreign term for her people, but she had never liked the sound of it, or the captain's tone, or the captain. "Can you look after you?" she asked briefly.
"Hell, yes. You just get the rest of this cargo unIoaded, quick. And get this passenger bastard on board. No mob of Oddies is about to give us any trouble." He patted the thing he wore on his belt, a metal object like a deformed penis, and looked patronizingly at the unarmed woman.
She gave the phallic object, which she knew was a weapon, a cold glance. "Ship will be loaded by fourteen hours," she said. "Keep crew on board safe. Lift off at fourteen hours forty. If you need help, leave message on tape at Ground Control." She strode off, before the captain could one-up her. Anger made her more forceful with her crew and the crowd. "Clear the road there!" she ordered as she neared the wall. "Trucks are coming through, somebody's going to get hurt. Clear aside!"
The men and women in the crowd argued with her and with one another. They kept crossing the road, and some came inside the wall. Yet they did more or less clear the way. If the foreman had no experience in bossing a mob, they had no experience in being one. Members of a community, not elements of a collectivity, they were not moved by mass feeling, there were as many emotions there as there were people. And they did not expect commands to be arbitrary, so they had no practice in disobeying them. Their inexperience saved the passenger's life.
Some of them had come there to kill a traitor. Others had come to prevent him from leaving, or to yell insults at him, or just to look at him; and all these others obstructed the sheer brief path of the assassins.
--This text refers to the mass_market edition.Review
From the Inside Flap
Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.
--New Yorker --This text refers to an alternate kindle_edition edition.About the Author
Ursula Kroeber Le Guin was born in 1929 in Berkeley, and lives in Portland, Oregon. As of 2014, she has published twenty-one novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry, and four of translation, and has received many honors and awards, including the Hugo, Nebula, National Book Award, and PEN/Malamud. Her most recent publications are Finding My Elegy: New and Selected Poems and The Unreal and the Real: Selected Stories.
--This text refers to an out of print or unavailable edition of this title.From the Back Cover
A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras—a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.
To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.
--This text refers to an out of print or unavailable edition of this title.Product details
- ASIN : B000FC11GA
- Publisher : HarperCollins e-books; Reprint edition (October 13, 2009)
- Publication date : October 13, 2009
- Language : English
- File size : 2306 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 400 pages
- Page numbers source ISBN : 0062421077
- Lending : Not Enabled
- Best Sellers Rank: #24,446 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
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Top reviews from the United States
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I never thought I'd say this about one of her novels or stories.
This book is a must read. It also includes an english professor's reading guide at 94% that includes a brief synopsis of the social situation at the time the novel was written to help explain why the author wrote the book the way she did and then poses thought provoking questions about each chapter. I suggest that you read this guide first and then read each chapter and try to answer the questions in the reading guide and repeat until you have completed the novel. Reading the book in this way will be a far more moving and enjoyable experience.
One of my favorite novels of any genre. Tackles all the right questions. Challenges all political schools of thought, institutions of science, morality, industry. Does so fairly and develops compelling characters. Finds meaning in the meaningless suffering, on the level of a Dostoyevsky novel, compares favorably to The Idiot especially. A powerful message without ever preaching. Especially if you're interested in physics, this is a great book to read. If you're new to science fiction or have no interest in physics, this is a great place to start, being one of the most underrated classics.
The book jacket summarizes the story well. This Ursula Le Guin novel is a tale of a utopian society, and the characters that struggle to keep it a utopia. It is a multi-layered novel. I think readers have and will get different messages depending on their circumstances. Its story is certainly relevant to what's occurring in politics today. Highly recommended.
This book chronicles the related people of twin planets, one previously colonized by settlers from the other. The narrative vividly contrasts various types of social organization and behavior, including freedom (and the lack of it), government (and the lack of it), mutual cooperation and competition, and so forth. While the differences seem stark at first, the subtleties become more apparent as more is revealed. It not only entertains but forces the reader to think about alternate ways of living that have been dismissed or not considered before.
The story is delivered mostly from the view of the protagonist, from two different periods in his life. The movement back and forth from his earlier life to his later life helps with a deeper understanding of the intricacies of the tale. The timelines come together eventually, of course, but the beauty of the book is in the wholeness of the telling.
The author occasionally creates words, or at least they appear to be created as they are new to me and not in dictionaries or wikipedia, but these created words have meanings that are obvious. They add to the beautiful fabric of the chronicle.
Top reviews from other countries
The problem with many of these so-called master works is that their vision is utterly out of date. Maybe in 1974 readers were surprised by the portrayal of humanoids in alien societies, and the casual imagining of other social and political systems. But films like Logan's Run, Star Wars, Blade Runner and Total Recall all set new standards and the best SF creation since has maintained the principle that you have to have a special world and you have to have a good story inside it. So, into the trash it goes and press Eject.
Briefly putting this novel: it focuses more on character development of the protagonist & his interactions with societies and side characters. This is definitely not a plot-driven novel.
There is no antagonist, actually, the legal environment and culture is just a restriction & frustration.
I really like this novel & considerate a classic in my collection just based on the fact that it's so diverse from the others, that its more about the character & his struggles/triumphs rather than the plot.
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