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The Hobbit Paperback – September 18, 2012

4.7 4.7 out of 5 stars 70,201 ratings

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Sauron has returned. . . watch The Lord of the Rings: The Rings of Power Season 2 on Prime Video.

The journey through Middle-earth begins here with J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy.

“A glorious account of a magnificent adventure, filled with suspense and seasoned with a quiet humor that is irresistible... All those, young or old, who love a fine adventurous tale, beautifully told, will take The Hobbit to their hearts.”—The New York Times Book Review

"In a hole in the ground there lived a hobbit." So begins one of the most beloved and delightful tales in the English language—Tolkien's prelude to The Lord of the Rings. Set in the imaginary world of Middle-earth, at once a classic myth and a modern fairy tale, The Hobbit is one of literature's most enduring and well-loved novels.

Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.

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Immerse Yourself in Middle-earth
The Fellowship of The Ring The Two Towers The Return of the King The Lord of the Rings The Lord of the Rings The Fellowship of the Ring [TV Tie-In]
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The Return of the King [TV Tie-In] The Two Towers [TV Tie-In] The Fellowship of the Ring The Two Towers The Return of The King The Lord of The Rings
The Return of the King [TV Tie-In] The Two Towers [TV Tie-In] The Fellowship of the Ring The Two Towers The Return of the King The Lord of the Rings
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Editorial Reviews

Amazon.com Review

The Hobbit
Six Different Editions

Pick the version of the Hobbit that best suits your needs.


The Hobbit; or, There and Back Again
The Hobbit; or, There and Back Again

A great modern classic and the prelude to The Lord of the Rings, with an iconic cover inspired by Tolkien’s designs.

The Hobbit: Deluxe Pocket Edition
The Hobbit: Deluxe Pocket Edition

This charming deluxe pocket-sized edition contains the complete unabridged text and features a beautiful leatherette cover and gilt-edging. The perfect gift for little Hobbits everywhere!

Hobbit Illustrated Edition
Hobbit Illustrated Edition

A beautiful gift edition of J.R.R. Tolkien's enchanting tale, fully illustrated by Jemima Catlin.

Hobbit 75th Anniversary Edition
Hobbit 75th Anniversary Edition

This deluxe hardcover edition of J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy contains a short introduction by Christopher Tolkien, a reset text incorporating the most up-to-date corrections, and all of Tolkien’s own drawings and full-color illustrations, including the rare “Mirkwood” piece.

Hobbit Young Reader’s Edition
Hobbit Young Reader’s Edition

The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

Hobbit Collector’s Edition
Hobbit Collector’s Edition

This deluxe collector's edition of Tolkien's modern classic is boxed and bound in green leatherette with gold and red foil rune stamping on the spine and cover. The text pages are printed in black with green accents. It includes five full page illustrations in full color and many more in two colors, in addition to Thror's map -- all prepared by the author.

Review

"All those, young or old, who love a finely imagined story, beautifully told, will take The Hobbit to their hearts." Horn Book Guide

"A flawless masterpiece." The Times of London —

Product details

  • Publisher ‏ : ‎ Houghton Mifflin Harcourt (September 18, 2012)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 300 pages
  • ISBN-10 ‏ : ‎ 054792822X
  • ISBN-13 ‏ : ‎ 978-0547928227
  • Reading age ‏ : ‎ 12 years and up
  • Lexile measure ‏ : ‎ 1000L
  • Grade level ‏ : ‎ 7 - 9
  • Item Weight ‏ : ‎ 2.31 pounds
  • Dimensions ‏ : ‎ 5.5 x 0.85 x 8.25 inches
  • Customer Reviews:
    4.7 4.7 out of 5 stars 70,201 ratings

About the author

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J. R. R. Tolkien
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J.R.R. Tolkien was born on 3rd January 1892. After serving in the First World War, he became best known for The Hobbit and The Lord of the Rings, selling 150 million copies in more than 40 languages worldwide. Awarded the CBE and an honorary Doctorate of Letters from Oxford University, he died in 1973 at the age of 81.


Customer reviews

4.7 out of 5 stars
70,201 global ratings

Customers say

Customers find the text rich, descriptive, and simple. They describe the book as entertaining, whimsical, and full of adventure. Readers appreciate the details in the action parts and say the plot is exciting. They also praise the fantastic character development and wide range of characters. Additionally, they mention the book appeals to all ages.

AI-generated from the text of customer reviews

1,086 customers mention "Readability"897 positive189 negative

Customers find the text rich, descriptive, and fun. They say the book needs to be read carefully and savored. Readers also appreciate the great narration and unique style of writing. The paperback presentation of the book is great for someone enjoying it as a leisure read.

"...All of this presented in one of the most unique styles of writing ever encountered; a style of writing that paints every detail of Tolkien's..." Read more

"...make-up, articulate stunt work, unequaled cinematography, precise production design, and all the other crew activities which only ever seem to rate..." Read more

"...Instead, it was a very simple read. The story-arc and pacing were on point. It is just a good story...." Read more

"Tolkien is a master storyteller. His language is so beautiful and descriptive...." Read more

740 customers mention "Enjoyment"740 positive0 negative

Customers find the book entertaining, whimsical, and fun. They appreciate the funny dialogue and excitement. Readers also mention the book is rife with love, laughter, danger, and death.

"...Lee's anything but poor, but Mague's are more merry, bright and rich. The characters appear heartier and the colors set a better mood...." Read more

"...The details in the action parts were fun and added to lengthening of that enjoyment...." Read more

"...I read this book for an assignment and found myself enjoying it more than I expected...." Read more

"...All in all, this was a wonderful, enjoyable book. I hope to read some of Tolkien’s other works, and especially want to learn more about Radagast." Read more

486 customers mention "Adventure"437 positive49 negative

Customers find the adventure exciting, suspenseful, and action-packed. They say the story is well-written and they can envision what's happening. Readers also mention the book is a charming and beautiful journey through Middle-earth, filled with captivating characters.

"...The details in the action parts were fun and added to lengthening of that enjoyment...." Read more

"...There was lore, various races / species of creatures, unique cultures, mystery, action, and plenty of endearment...." Read more

"...It was a delight to see Gollum. He was so creepy yet portrayed so vividly...." Read more

"...It has humor, suspense, mystery, & compassion. I recommend it to anyone over the age of 10 years!" Read more

291 customers mention "Character development"278 positive13 negative

Customers find the character development fantastic. They say Bilbo shows great bravery and intelligence. Readers also mention the book has a wide range of characters and is an easy read.

"...The characters appear heartier and the colors set a better mood...." Read more

"...The main protagonist experienced character development and the way Tolkien wrote, allowed readers to feel it, too...." Read more

"...His descriptions created such vivid pictures in my mind. Bilbo is a splendid character and I love him! 😍 Great read! Onto The Lord of the Rings!..." Read more

"...The character development of Bilbo was pretty good...." Read more

258 customers mention "Ages"247 positive11 negative

Customers find the book appeals to all ages. They say it's better suited for kids who are not ready for Lord of the Rings, and a great adventure for all ages. Readers also mention it's good for teens and a cautionary tale for readers of all ages.

"...It was written by an adult and is absolutely suitable for adults...." Read more

"...The Hobbit is simply a must read for all ages and should be bought without hesitation!" Read more

"...the Rings,’ has been a family favorite for decades and boasts a more juvenile-friendly story of Middle Earth." Read more

"...It has stood the test of time because it is loved by fantasy readers of all ages...." Read more

222 customers mention "Pacing"168 positive54 negative

Customers find the pacing of the book steady and fast. They say the action keeps the story moving along. Readers also mention the plot is straightforward and easy to follow.

"...by means of effective make-up, articulate stunt work, unequaled cinematography, precise production design, and all the other crew activities which..." Read more

"...It was a delight to see Gollum. He was so creepy yet portrayed so vividly...." Read more

"Delivery very fast. Product in good conditions. I recommend." Read more

"...The beginning is a little slow because the narrator has to establish his voice and explain what Hobbits are, but once the story gets going it is a..." Read more

170 customers mention "Value for money"160 positive10 negative

Customers find the book worth the price and say it's worth getting. They also mention that its value increases with age and that it's worth upgrading your family library to these specific editions.

"...Beautiful artwork and worth every penny! Oh yeah, the story is exceptional as well." Read more

"...Great story at a great price!!!" Read more

"...and when the Kindle editions became available, and for a very reasonable price, I decided to grab them both...." Read more

"...There is great wealth here - in imagery, action, character, conflict, and, yes, humor...." Read more

157 customers mention "Illustrations"140 positive17 negative

Customers find the illustrations in the book in their full majesty. They say the text and images are easy on the eyes, with several full-color pictures that effortlessly paint vivid pictures in the reader's mind. Readers also appreciate the original cover artwork as Tolkien envisioned it.

"...the overall work, are nicely supplemented by scale doubles, forced perspective images, miniatures, and other Jackson-ish tricks of the trade...." Read more

"...Lots of excitement, humor and lovable characters. The drawings are nice. Tolkien was such a talented writer." Read more

"...The enhanced version contains additional drawings which are interesting but probably mainly of interest to longtime fans...." Read more

"...His prose is lyrical, rich in detail, and effortlessly paints vivid pictures in the reader's mind...." Read more

Not the Highest Quality Hardcover, but Some Decent Surprises
4 out of 5 stars
Not the Highest Quality Hardcover, but Some Decent Surprises
This is a review of the hardcover 75th anniversary edition of The Hobbit (ISBN: 978-0-618-96863-3).I purchased this book to replace an aging/worn paperback after looking through various editions for one that would combine durability, reading ease, and affordable cost. Some hardcover editions are too large/heavy for comfortable lap reading (I have read my paperback to my son and intend to revisit the book with him again in the future). Others were simply too costly, either due to second-hand pricing in the collector’s market or the up-front cost for purchase. Although I can appreciate the desire of some readers to own a high quality illustrated (or leather-bound) edition, I am personally uncomfortable paying astronomical prices for a book that is intended to be read, with all the wear & tear that comes with doing so.The book is of a good size and has a comfortable weight for carrying on-the-go. I am somewhat concerned that the binding is thin as is the glue that holds the pages together. The book should work fine for quite a few readings but it may not retain its shape if you hope to pass it down to future generations or if you are a frequent traveler. Paper is of a good thickness where you can barely see the text on the surrounding pages. As someone who despises thin paper like you might find in most Bibles, the page thickness is greatly appreciated. They are also not “floppy” and thus should be easy to read while sitting next to a child or when in bed. The text inside is easy to read and of a sufficient size/spacing for most readers (I wear glasses and can read it just fine – much better than with my old paperbacks), although I would look elsewhere if large print is needed.I was pleasantly surprised to find a few of Tolkien’s own illustrations included with the text, although I do not care for the sudden presence of glossy white pages for the occasional color illustration. The dust jacket reflects Tolkien’s original design which I love. It is made of a fine paper (and not glossy!) with raised lettering, but the image is very obviously scanned in and a bit blurry. Despite the image quality concern, I am enough of a fan of the artwork to make this a rare instance in which I will keep the dust jacket (the underlying cover is plain black). Tolkien’s illustrations have a whimsicalness to them that fits well with the nature of the story, and is also far removed from the imagery of the films. The maps are full color and printed on the inside flaps of the covers. I would have preferred a different format for those, such as the foldout maps in certain editions of The Lord of the Rings, but they work fine.This edition also matches up pretty closely with the hardcover The Lord of the Rings boxed set with the older Alan Lee paintings (ISBNs 978-90395048931-4, 978-0-395-48933-8, 978-0-395-48930-7), although it is of inferior quality to those volumes (see photos for comparison)
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Top reviews from the United States

Reviewed in the United States on November 23, 2006
Giving The Hobbit less than 5 stars is absurd. When one talks about Tolkien "dilly-dallying and such" one is referring to his complex style of writing. Quite frankly, Tokien is not "less," he is "more." He demands that one pay more attention, he gives one more information. If one wishes to say that more isn't always better, then fine. The rest of us don't expect them to understand. Let me put it this way: It is like Champagne. People don't dislike Champagne, they merely don't understand it. These idiot reviewers "Larry", "Curly" and "Moe" don't prefer the taste of Champagne to 7UP, they simply can't taste it. Is it their limited capacity for intelligence? Is it upbringing? It doesn't really matter what it is, all that matters is that they can't "taste" The Hobbit. But those of us who can, can- and we love the taste. After all, we have no choice. These are people who would rather eat Aunt Jemima pancakes with fake syrup than have hot crepes rolled with fine preserves. Really, do the opinions of these people actually count? It is understood by many that an opinion is only an opinion- how untrue this is! In the legal world an opinion is something that is ruled and weighed to be best, to be most true. There _is_ such a thing as a good opinion, even the best opinion. And opinion can be right and an opinion can be wrong. I daresay that giving The Hobbit 3 stars is wrong. And why do I dare? Because if someone told us that cow manure tasted better than ice cream they would be wrong. The bottom line is this: Mozart is better than The Beetles; Ferraris are better than raced out Subarus and Ice Cream does, in fact, taste better than manure. If, like this idiot, you are a simpleton who can can neither hear, taste nor see then don't bother to post your opinions to the rest of us. Instead, take my advice and cozy yourself up with something you can understand like Harry Potter and let yourself float away to the world of un-imagination. You will be much happier and won't have to deal with the headaches of trying to figure out what Tolkien is trying to say, nor will you have to deal with the frustrations of not being able to see in full color and dimensions the Dwarves and Elves and Wizards they way that the rest of us can. I almost pity you, but then, you wasted 60 seconds of my life with degenerate reviews so on second thought, get out of my gene pool and stop breathing my air. It's people like you that make the rest of our lives so two-dimensional by preventing more work like The Hobbit from ever being created with your lack of understanding and abundance of stupidity.

P.S. The Hobbit is a great book, arguably the greatest, certainly the greatest in its own league. It was written by an adult and is absolutely suitable for adults. The fact that it may also be enjoyed and understood by children is only a further credit to Tolkien's genius. Don't let the altogether too commonly found ramblings that this is a book for children discourage you from reading it if you haven't already. While not everyone is capable of enjoying it, it is criminal not to at least expose everyone to this book for anyone who is capable of enjoying it who is denied the oppurtunity has been cheated of one of the finest intellectual pleasures of this past century. My advice to you is to read it slowly and thoroughly. It is an experience like nothing else that will never be quite as magical the second time around.

P.P.S. If you don't know what The Hobbit is about, in short, it is about Adventure. A great Adventure full of Swords and Magic; of Dwarves and of Elves and of Wizards and Hobbits; Good, Evil; Trolls and Goblins; Suspense, Excitement, Comedy and Tragedy; Music, Riddles and Poetry. All of this presented in one of the most unique styles of writing ever encountered; a style of writing that paints every detail of Tolkien's fantastic world in your mind as if you were there. Not a single word is wasted and every element of the story is to be enjoyed. If any of these things sound even remotely fascinating then read this book- you won't be disappointed.

P.P.P.S. Comments about the illustrated versions for those trying to decide between the two illustrated versions of The Hobbit done by Alan Lee and Michael Hague: I recommend the Michael Hague edition hands down. The illustrations seem to fit the book much more than Lee's. Lee's anything but poor, but Mague's are more merry, bright and rich. The characters appear heartier and the colors set a better mood. More simply put, when I look at Lee's illustrations I feel like I'm standing in the dining room of somebody's grandmother- wallpaper, china dolls, lace and all- they just seem old and dry. Hague's characters, the dragon especially, seem more believable- when I turn the page I don't get a feeling like what I'm looking at is out of place. Another difference with Hague is that I am confident that anybody would enjoy his illustrations, but with Lee I merely see why some people 'might prefer it.' Hague really does have that illustration feeling I expect to see in a book; Lee's look like they belong on a museum wall. Also, I feel that Hague took a more direct interpretation of the book while Lee seemed to illustrate as he liked to fit his own style without much less regard to the book. Still, before buying I suggest you sample the art on the internet just to be sure of your tastes. However, if you're uncertain then I am confident that you and especially your children will enjoy Hague.
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Reviewed in the United States on December 14, 2010
Peter Jackson's *The Hobbit* (Part I -- "Into the Wilderness"):
TITLE: *Martin's Freeman's Bilbo Baggins is inspired!*

[***** 5 stars. Until *The Hobbit, Part I* becomes available on DVD, I'm posting the film review here.]

WARNING: Spoilers ahead!

While Gandalf the Wizard [Ian McKellan] remains timeless, it was obvious from the start that the Bilbo Baggins of three *The Lord of the Rings* films fame [Ian Holm, now pushing 80 years old] would have to bow out for the making of *The Hobbit*. Director Peter Jackson had surely asked himself, "Who could portray a young Ian Holm?", (but not necessarily a younger Bilbo Baggins since we now perceive Bilbo to look like the actor.) Answer: Martin Freeman. And he was right - Freeman effortlessly coalesced into the lead role.

In the first of the two *The Hobbit* entries [sub-titled: *Into The Wilderness*], a more youthful Bilbo Baggins is craftily crow-barred by Gandalf into embarking upon a great adventure (Hobbits *despise* adventures!) and by serving as a burglar for a grumbly troupe of thirteen dwarves, all of whom are determined to reclaim their lost family treasure from the Evil dragon, Smaug; however, the actual battle with Smaug at the Lonely Mountain will have to wait until Part II [to be entitled: *Into the Fire*] is released.

Part I largely focuses upon the history of the dwarves and the initial hazards that they encounter during their single-minded quest, chiefly battling orcs in the Misty Mountains and finishing with their tribulations with the giant spiders of the vast and ominous Mirkwood forest.

It's worth noting right off that the screenwriters very shrewdly rehabilitated the puerile songs of the dwarves [found throughout the book], transforming them into a range of vivid action scenes. This strategy achieved a pair of worthy ends: 1. I've heard audio versions of this story and to include the dwarf renderings of these archaic and lengthy songs would have been in profound conflict with an effective film conveyance. 2. These newly-fashioned scenes provide additional fodder for the artful expansion of the general lack of book material, thereby reinforcing audience interest.

Honestly, a movie version of Tolkien's *The Hobbit* could feasibly have been corralled within a single feature-length film [just think of all the ground that was covered in Avatar (Original Theatrical Edition)] -- but the financial anticipations of the producers [greed], which tended to tenon seamlessly with Peter Jackson's lust for detail, had dictated long ago that viewers would have to hang on for a "final" conclusion. Part I features an ending of a sort but perhaps it would be more forthright to regard it as a dramatic finale.

One looming uncertainty which has kept Tolkien fans off-balance was whether the screenwriters would go dark with *The Hobbit* in an effort to effectively link it up with The Lord of the Rings - The Motion Picture Trilogy (Platinum Series Special Extended Edition) series, particularly since Tolkien originally penned the earlier work as a sort of kids' fairy tale. In retrospect the answer to the question was probably evident to Peter Jackson from his earliest conception of a film version, noting additionally that his time-honored philosophy is that first-class films cannot simply mirror the books from which they are taken. A good screenplay massages a book for all it's worth but the visual and audio aspects must be fully accommodated too.

Particular figures such as Gandalf, Elrond [Hugo Weaving], Galadriel [Cate Blanchett] and, Gollum [Andy Serkis] have already been firmly established in terms of image and it would be less than prudent at this juncture to radically manipulate the personalities of these prominent returning characters. And speaking of Galadriel, she was never a personage to be found in *The Hobbit* but Peter Jackson mined her from Tolkien's trilogy, casting her very strategically in his film version (along with Legolas, played by Orlando Bloom who also did not appear in *The Hobbit*) to further expand the script. Blanchett's presence additionally helped to overcome the gender gap of the book version. Still, these two actors are not in any way just add-ons -- their respective roles and performances have imparted considerable gravity to the story.

It is impossible to separate this film's noir-ish ambiance from Howard Shore's magnificent soundtrack. He's done it again! Upbeat and even a bit frivolous at the outset, the filmscore soon slips furtively into darker realms as the story advances, a few heroic themes being reserved for the appropriate dramatic moments. One is acutely taken with the leitmotif which Shore appended to Beorn, a Prokofiev-ish ponderousness integrated with a more serious Beethoven-like dignity... the perfect musical emulsion for the venerated skin-changer.

Once initial New Zealand and Australian actors' guild stumbling blocks were surmounted, the Kiwi locations again became a reality, a twin-island geography wholly adequate for the production when supplemented by studio settings, all of which have lead to the presentation of an astonishingly exceptional end-product. It would certainly have proven problematic to reproduce The Shire's Hobbiton in Eastern Europe, a location which was suggested during the early union-troubled days.

Martin Freeman's dazzling performance has eclipsed even that of Elijah Wood's stellar lead role in *The Lord of the Rings* films. The former's ebullient energy ironically seems to have retrospectively amplified Ian Holm's earlier portrayal of Bilbo in the New Line Cinema trilogy of films. The remaining cast members have also set the viewers at complete ease as they creatively played out their respective roles. Peter Jackson undoubtedly learned early in his career that, given spot-on casting, at least half the battle is won. And it's hardly surprising that a particular limelight shines on Fili [Robert Kazinski] and Kili [Aidan Turner] since this caveat, for those of us who already know the story, will markedly impact most of us when we get to view the second film. The director is clearly looking ahead.

In the larger view *The Hobbit* story lacks the bulwark of heroic figures which we encountered throughout *The Lord of the Rings* series, Aragorn, Boromir, Theoden, Faromir, and so on. Still, imposing characters such as Elrond, Beorn, and Bard the Bowman provide us with a subliminally more-than-adequate melodramatic security blanket. The bottom line is that this superb movie is not simply the detritus of *The Lord of the Rings* films. It's gratifying that Peter Jackson was shrewd enough to not endeavor upon such a futile follow-up attempt -- he created this film from scratch. Embracing that same notion, the screenwriters saw to it that the storyline endured sufficient jumbling so that the tale is not precisely as linear as the one we encounter in the book. This film stands on its own.

With better than a baker's dozen of little folks in starring roles the temptation to over-incorporate moments of comic relief [vignettes of Gimli] must have rivaled the gnawing urge which only The One Ring could normally generate. While some tasteful levity fell well within the bounds of a palatable script, I did actually breathe a sigh of relief once I realized that few such incidents were forthcoming.

The computer generated images aspect of the movie, while perfectly executed and integral to the overall work, are nicely supplemented by scale doubles, forced perspective images, miniatures, and other Jackson-ish tricks of the trade. No fear -- these facets of the film are all first-class and delightfully palatable. Gollum is better than ever. Additionally, due accolades can hardly be suitably imparted to all the folks who helped to polish this film to excellence by means of effective make-up, articulate stunt work, unequaled cinematography, precise production design, and all the other crew activities which only ever seem to rate a fleeting line of scrolled credit.

One is pleased to observe that the new role of Warner Brothers and MGM [Hollywood-based companies which recently acquired New Line Cinema] did not perceptibly obstruct Peter Jackson's proclivity for artistic detail. The casual but essential impedimenta present at every place where the Dwarfish Crusaders land aids us all to subconsciously believe in the reality of Middle Earth along with its numerous and varied inhabitants. Probably much credit for the focused attention upon the near-infinite number of magical nuances should go largely to Alan Lee, a man with an unbounded imagination coupled with a vast artistic talent.

I present only a singular critique of this film and it has nothing to do with the body of the movie itself: I feel compelled to comment that the decision to incorporate the endless scroll of Tolkien Fan Club members' names within the end credits is ill-advised and indirectly demeaning to the actual cast and crew. What do these people actually contribute to the film's production? Loyalty and moral support? The folks who have indeed delivered something more tangible are appropriately noted elsewhere within the credits. But most of the listed individuals have played no real part whatever, regardless of the syrupy patronization conducted by the film-makers toward this particular faction of Tolkien enthusiasts. Including these names in the film credits, which also takes in the so-called self-appointed "guardians" of Tolkien's work [a trivial minority of Tolkien Fan Club members], amounts to little more than a shallow ego-bribe. It's presumptuous as the devil to assert that Tolkien's books *need* guarding by anyone -- the affiliation here is more akin to pretentious posthumous tail-gating on the venerable Old Master.

The credits perquisite imparted by the film producers, appears in my view to ostensibly head off any whining outrage raised on the internet by those Tolkien radicals who are wholly unyielding in regard to the slightest manipulation of Tolkien's texts. This posture is pure nonsense. In the end, if one's name is included in the film credits then how can s/he ever issue an untainted appraisal of the film? In truth, such an individual could never ethically issue a fruitful critical review, (nor would they likely be *inclined* to criticize, which leads me to question the motives and ethics of the producers on this front.) But here I ramble witlessly upon a topic which only faintly deserves to be dignified by my attentions to it. In truth, my mini-rant is not even a legitimate film criticism - it's really just a pet peeve.

In summary, *The Hobbit* contains enough MacGuffins and other surprise moments to make it seem like a new story while still paying a more than adequate tribute to Tolkien's original manuscript. Martin Freeman was surely a brilliant choice to play Bilbo. I can hardly wait to see Part II!
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Doug W.
5.0 out of 5 stars Gorgeous Edition
Reviewed in Canada on February 2, 2024
Finally bought this edition of the hobbit and was not disappointed. This has been my favourite novel for more than 20 years and there’s finally an extremely gorgeous and well-made version that I’m proud to have in my collection. All of the touches that were put into this just put it over the top from the gold foil, pages to the leather bound spine with the minimalist art. It’s a must have for any fan of the series.
Daniel
5.0 out of 5 stars Simplesmente sensacional
Reviewed in Brazil on October 26, 2023
Essa versão facsimile de O Hobbit é o item perfeito de qualquer colecionador de Tolkien. O box é bem reforçado, rígido. A dustjacket é linda e o livro em si é maravilhoso. Capa dura em tecido, fonte réplica e texto do original. Não poderia estar mais satisfeito
Aysha Miya
5.0 out of 5 stars Nice
Reviewed in India on September 4, 2024
Good book
Mel
4.0 out of 5 stars Leuk
Reviewed in Belgium on August 24, 2024
Leuk geschenk voor mijn vriend die LOTR fan is.
Francesco Ciccia
5.0 out of 5 stars Un viaggio nella Terra di Mezzo da non perdere!
Reviewed in Italy on August 2, 2024
Se siete amanti del fantasy e di Tolkien, questa edizione de "Lo Hobbit" è un vero e proprio tesoro da non lasciarvi sfuggire. Le illustrazioni di Alan Lee sono un capolavoro assoluto, che danno vita alla Terra di Mezzo in modo così vivido e dettagliato che vi sembrerà di poter toccare con mano le montagne, le foreste e le creature fantastiche create dallo scrittore.

La qualità della carta e della rilegatura è eccezionale, rendendo questo volume un oggetto da collezione. Il formato è perfetto per essere sfogliato comodamente sul divano o portato con sé ovunque vogliate.

Perché dovreste acquistare questa edizione?

Le illustrazioni di Alan Lee: Sono un vero e proprio valore aggiunto. Ogni immagine è un'opera d'arte che vi trasporterà direttamente nella Terra di Mezzo.
La qualità dell'edizione: È un libro curato nei minimi dettagli, perfetto per essere regalato o per arricchire la vostra libreria.
Un'esperienza di lettura indimenticabile: La combinazione tra la prosa magica di Tolkien e le illustrazioni di Alan Lee crea un'esperienza di lettura unica.

Non perdete l'opportunità di possedere questa edizione speciale de "Lo Hobbit". È un'edizione che vi farà immergere completamente nel mondo creato da Tolkien e che vi accompagnerà per tutta la vita.