- Audible Audio Edition
- Listening Length: 15 hours and 21 minutes
- Program Type: Audiobook
- Version: Unabridged
- Publisher: Brilliance Audio
- Audible.com Release Date: June 17, 2008
- Whispersync for Voice: Ready
- Language: English
- ASIN: B001BACYGQ
- Amazon Best Sellers Rank:
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The Poet Audible – Unabridged
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Top Customer Reviews
From reading about his other books, this is one of his non-Bosch books, and as such, was a fortunate place to begin.
What we have here is an old-fashioned page turner. A bare bones summary would be a Denver reporter loses his twin brother cop to suicide, purportedly over a particularly disturbing, unsolved homicide. As he copes, the reporter learns about a number of police suicides, with several seeming related.
At that point in the novel, it becomes a struggle to put the book down. I had to remind myself to slow my reading so I wouldn't miss anything, yet I was tearing through the pages as fast as I could. You won't want to be bothered by anything else for a few hours.
The manhunt is breathlessly told, and becomes scarier as you peek into the mind of the perpetrator. Comparisons to "Silence of The Lambs" are understandable, but unfair. Honestly, this book isn't as good as THAT one, but it doesn't miss by much. Lector is nothing like the Poet; they're two different animals.
The final quarter of the book is best read at night, or better yet, like 3:00 or 4:00 in the morning, with only a lamp illuminating the page. It's a bit thrilling when the pieces fit together so unexpectedly yet neatly. There's a satisfying click to each piece of the puzzle as it fits into place.
Here's my big problem: the paperback edition I read ends with a several-page peek at his recent book, "The Narrows." If I'm not mistaken, characters from this book make it into that one, but somehow dovetails with his other books, of which there hae been seven or eight in between.
My problem then is that I have one heck of a lot of reading to do...
I'll stay away from the plot(and I recommend you stay away from reviews that tell you too much), but it involves a likeable narrator, the FBI profilers, a truly creepy villain, and many plot twists that still make sense after you catch your breath.
If you are looking for a thriller, and you don't have to get to sleep soon, then this book is certainly for you. I plan to read all of the Michael Connelly books this summer, and that's the highest praise I can give an author.
This book may not grab you right off the bat, but after you get into it, you keep turning those pages longer than you intended to. If you like details of crime investigations you will like this book. The main character, Jack, is not a super-hero, but a believable and likeable good guy, who's persistence and determination one has to admire.
The pedophile personality in the book is very disturbing, and the murders descriptive, so it is not for the squeamish reader. I liked the fact that the book keeps you wondering as to who the real cop-killer is. The only disappointment was in the killers motivation - when the real killer is revealed, it is unclear what caused the individual to go wrong and created such an evil, warped personality. Recommend it for lovers of suspense and crime-solving - Intense, fast reading!
I was immediately drawn to main character Jack McEvoy. He was sculpted with more precision. He was written with more passion. I may be way off base with this, but it seemed to me that McEvoy was a more natural character for Connelly to write. I have been to talks given by Michael Connelly where he shares experiences with police officers he was privileged to have, so you know there is truth in his detective fiction, but it was fun to read the same type of story wrapped in a different package. He had ridden along with the officers, but he had lived as a reporter. It was entertaining to get some insight into how reporters fight for information since they do not have the authority or the reputation with the police, and see just how competitive their world can be.
Yes, there is a girl. And right away I was closed minded to the whole thing. "This story did not need romantic involvement," I pleaded to the book in my hands, "it is so good without it." But I was wrong. Too often the romance is built in to make the book more marketable to a wider audience. Not so in The Poet.
I cannot remember the last time I came across a book that was so hard to put down. The Poet was interesting, entertaining and suspenseful. I found myself finishing the last page, closing the back cover of the book and wanting for fresh air. "THAT was a good book," I said aloud, to no one in the room.