I bought this months ago. I put in into my car CD player near the end of a long business trip. I was too wiped out from driving 300 miles to pay close attention, but it made an imprint on my mind. Then, a couple of months later, I played it again. Now I can't stop listening to it! I'm learning all the songs, playing them on my keyboard, singing them in the shower. I'm driving my wife crazy, although she's too nice to admit it. It's like I'm a teenager in love with a band. I'm going to be 60 in a year: yes, 60.
This is as good as any Ben Folds Five or Ben Folds solo work. It's more grown up: the lyrics reflect more than just two decades of life experience. Sledge's bass has become more incisive than it used to be, and Jessee's drums are awesome. Folds can do just about anything with the piano. He keeps making fun of himself ("I only wanted to be Stevie Wonder.." from Draw a Crowd) as well as others ("It was long hair -- and this time it was no hair" from Michael Praytor, Five Years Later) in his lyrics. The title track, an awesome anthem about a young woman avoiding teenage banality by nerding out in the school library, is amazing. Its lyrics were apparently written by Ben's friend writer Nick Hornby. Taken together, the songs don't rock out a lot, but neither did they all in the past (Brick, Boxing, Alice Childress, etc. etc.) The point is that everything fits together so well -- the lyrics, the composition, the instruments, the harmonies (harmonies!!) -- and that each song is like reading a short story, with characters you can relate to and a plot line you can follow. Who else does this???
I wish I had known about the tour in 2012. I would have gone nutz!
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The Sound Of The Life Of The Mind
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Top reviews from the United States
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Reviewed in the United States on January 23, 2014
Reviewed in the United States on September 20, 2012
I've been a BF5 fan since hearing "The Battle Of Who Could Care Less" on the radio in 1997. I was disappointed when they broke up, but understood... You can only play "Brick" so many times before wanting to do something else. I've followed Folds's career since then, and liked some albums/projects better than others... But always felt that the BF5 material was better, because Sledge and Jessee contributed to it as musical equals, rather than hired guns (see the solo Beatles catalogs for other examples of this phenomenon).
Anyhow, how's the record? It's REALLY GOOD! :) "Erase Me" and "Do It Anyway" are (IMHO) the equal of anything in the BF5 catalog, and several of the other tunes are worthy as well... And even the weaker songs are much improved by the personality that is added through being Ben Folds Five tracks rather than Folds solo work. For me, this one sits about equal with TUBORM... Maybe a few of the songs here are weaker than any on that record, but the best of these are better than any of those... If that makes sense.
SO BUY IT ALREADY. It's a good record, and we want to encourage them to make more. And go see the tour; that's pretty great, too, based on the show I saw.
One more thing. I'm very happy to report that (again, IMHO) this album isn't an exercise in nostalgia and trying to recapture the 90s. This is a new, current record that reflects where these 3 guys are NOW, and that's AWESOME. I'd say it shows progression and growth for the band, and points forward rather than looking behind. Only the coolest beans. :)
Anyhow, how's the record? It's REALLY GOOD! :) "Erase Me" and "Do It Anyway" are (IMHO) the equal of anything in the BF5 catalog, and several of the other tunes are worthy as well... And even the weaker songs are much improved by the personality that is added through being Ben Folds Five tracks rather than Folds solo work. For me, this one sits about equal with TUBORM... Maybe a few of the songs here are weaker than any on that record, but the best of these are better than any of those... If that makes sense.
SO BUY IT ALREADY. It's a good record, and we want to encourage them to make more. And go see the tour; that's pretty great, too, based on the show I saw.
One more thing. I'm very happy to report that (again, IMHO) this album isn't an exercise in nostalgia and trying to recapture the 90s. This is a new, current record that reflects where these 3 guys are NOW, and that's AWESOME. I'd say it shows progression and growth for the band, and points forward rather than looking behind. Only the coolest beans. :)
Reviewed in the United States on September 22, 2012
After one listen in the car, I was perplexed. It was the first Ben Folds (Five) album where I didn't love a single song. I couldn't believe it. I decided to put it away for a few hours and play it full again the next day, hoping a new mindset would change my opinion.
And god damn, was I right!
This album is spectacular. Sure, it's not the all time classics like Ben Folds Five or Whatever and Ever Amen are, but you're fooling yourself if you were expecting another Underground, Kate, or Army.
The upbeat songs are the clear winners here. Erase Me is an awesome opener. It has that classic Five feel, but you can also tell there is some growth and experience added now. Michael Praytor reminds me of Steven's Last Night in Town. Absolutely killer rocker. The title track is an instant classic. It was the one song I liked the most on my first listen and still a highlight of the album. Great lyrics, and I say that as someone who probably lives "the life of the mind".
If you were looking for that unsophisticated, immature Folds Five feel to a song... Draw a Crowd is for you. Great rocker. Could easily fit on the first album. I wasn't blown away by Do It Anyway when I first heard it, but now I love it. Great jamming, classic Ben screaming. Lyrics that could fit on Lonely Avenue. Awesome.
Hold That Thought is one of the best of the more mellow songs on the album. I love the feel of it, especially after the refrain. Away When You Were Here is another great slower one.
The other slower songs I wasn't initially a fan of, even on repeated listens... but now they have really grown on me. Sky High is fantastic, as is On Being Frank. Excellent story, excellent melody. Frank has actually grown into a clear highlight for me. My favorite ballad on the album. Really, really good.
It seems every Folds album has one bad slow song on it, and this is no exception. Thank You for Breaking My Heart has been getting a lot of love, and I don't understand it. It's unlistenable for me. Dreadfully slow and completely uninteresting.
One bad song aside, this is a fantastic album. The rock songs are the highlights, while the ballads that work REALLY work. It might not rank up there with their absolute best stuff, but it's pretty damn close. Really surpassed my expectations.
Clearly the boys haven't lost a step... while Ben, himself, remains (at least in my opinion) the greatest music genius we've seen come along in 30 years.
Get this album and go see the boys on tour this fall. It's gonna be a great time!
And god damn, was I right!
This album is spectacular. Sure, it's not the all time classics like Ben Folds Five or Whatever and Ever Amen are, but you're fooling yourself if you were expecting another Underground, Kate, or Army.
The upbeat songs are the clear winners here. Erase Me is an awesome opener. It has that classic Five feel, but you can also tell there is some growth and experience added now. Michael Praytor reminds me of Steven's Last Night in Town. Absolutely killer rocker. The title track is an instant classic. It was the one song I liked the most on my first listen and still a highlight of the album. Great lyrics, and I say that as someone who probably lives "the life of the mind".
If you were looking for that unsophisticated, immature Folds Five feel to a song... Draw a Crowd is for you. Great rocker. Could easily fit on the first album. I wasn't blown away by Do It Anyway when I first heard it, but now I love it. Great jamming, classic Ben screaming. Lyrics that could fit on Lonely Avenue. Awesome.
Hold That Thought is one of the best of the more mellow songs on the album. I love the feel of it, especially after the refrain. Away When You Were Here is another great slower one.
The other slower songs I wasn't initially a fan of, even on repeated listens... but now they have really grown on me. Sky High is fantastic, as is On Being Frank. Excellent story, excellent melody. Frank has actually grown into a clear highlight for me. My favorite ballad on the album. Really, really good.
It seems every Folds album has one bad slow song on it, and this is no exception. Thank You for Breaking My Heart has been getting a lot of love, and I don't understand it. It's unlistenable for me. Dreadfully slow and completely uninteresting.
One bad song aside, this is a fantastic album. The rock songs are the highlights, while the ballads that work REALLY work. It might not rank up there with their absolute best stuff, but it's pretty damn close. Really surpassed my expectations.
Clearly the boys haven't lost a step... while Ben, himself, remains (at least in my opinion) the greatest music genius we've seen come along in 30 years.
Get this album and go see the boys on tour this fall. It's gonna be a great time!
Top reviews from other countries
Melomaniak
5.0 out of 5 stars
Five is Three again
Reviewed in France on April 9, 2015
4,5/5
On les avait quitté sur un impeccable The Unauthorized Biography Of Reinhold Messner en 1999, revoici, à la surprise générale parce qu'on ne s'y attendait vraiment pas, 13 longues années plus tard, le retour du Ben Folds Five. Rien que ça, sans même écouter la moindre note de la moindre chanson de ce The Sound of the Life of the Mind, est une excellente nouvelle.
Et puis il est temps de se confronter à la chose, d'examiner, d'abord, son étrange pochette qu'on aurait plus imaginé illustrant un album de rock progressif, mais soit, passons. Et d'attaquer le vif du sujet, ce pourquoi on est là et ce qu'on espère sera d'un niveau qui ne nous fera pas regretter le retour de Ben Folds et de ses deux compagnons de jeu, le batteur Darren Jesse et le bassiste Robert Sledge. Autant le dire tout de suite, The Sound of the Life of the Mind n'est pas un grand album, juste un bon album. Autant le dire tout de suite (bis), on y retrouve immédiatement la patte du trio, leurs habituelles manières d'interagir, leur faconde pop toujours fermement menée par les mélodies, la voix et le piano de Ben, bien sûr, parce qu'outre un titre, le sympathique mais accessoire Sky High signé par Darren Jesse, c'est tout de même à un implacable Folds Show auquel on assiste. C'est tout sauf une surprise, d'ailleurs, parce que Ben, on le sait, est un garçon qui sue la mélodie par tous les pores de la peau, dont la voix, à l'idéale tessiture pop, est un parfait véhicule de textes souvent acerbes et/ou sarcastiques, toujours excellemment écrits, et que le monsieur, comme on l'a entendu sur les nombreux albums solo sandwichés entre les deux derniers BFF (et plus particulièrement sur Rockin' The Suburbs, son premier et son meilleur), est un arrangeur aussi précis que précieux et talentueux. Bref le garçon nous énerverait presque s'il ne nous avait pas procuré pas de si belles émotions comme c'est encore le cas ici. Mais, indéniablement, il faut l'alchimie des trois pour obtenir ce son, l'énergie bienvenue d'un The Sound of the Life of the Mind doté d'une belle dynamique, d'un Do It Anyway mené tambour battant ou d'un Draw a Crowd tout bête piano (pop) rock diablement efficace, la grâce nostalgique d'un Michael Prayton convoquant sans honte les Beach Boys et d'un Thank You for Breaking My Heart essentiellement joué au piano délectablement doux-amer, la quasi-perfection mélodique pop d'un Erase Me ne manquant pas de nerf avec son passage énervé à basse saturée ou d'un Away When You Were Here certes un poil convenu mais si bien (orchestralement) arrangé. Bon, il y a aussi quelques morceaux un poil moins inspirés, le Sky High précité par exemple ou d'un On Being Frank un peu trop muzak pour être honnête, mais, dans l'ensemble, la fête est presque aussi belle qu'elle le fut dans un fantastique premier run de, seulement !, trois petits albums et cinq courtes années.
Et donc, le retour du Ben Folds Five ? Comme dirait la mère de Bonaparte, pourvu que ça dure ! The Sound of the Life of the Mind ? Pas exactement l'extase mais une réussite, indubitablement. Et donc, qu'est-ce qu'on dit ? Merci messieurs et à très bientôt pour, souhaitons !, la suite de vos trépidantes aventures !
1. Erase Me 5:15
2. Michael Praytor, Five Years Later 4:32
3. Sky High 4:42
4. The Sound of the Life of the Mind 4:10
5. On Being Frank 4:33
6. Draw a Crowd 4:14
7. Do It Anyway 4:23
8. Hold That Thought 4:14
9. Away When You Were Here 3:30
10. Thank You for Breaking My Heart 4:50
Ben Folds - piano, keyboard, vocals
Darren Jessee - drums, percussion, vocals
Robert Sledge - bass, synthesizers, contrabass, vocals
On les avait quitté sur un impeccable The Unauthorized Biography Of Reinhold Messner en 1999, revoici, à la surprise générale parce qu'on ne s'y attendait vraiment pas, 13 longues années plus tard, le retour du Ben Folds Five. Rien que ça, sans même écouter la moindre note de la moindre chanson de ce The Sound of the Life of the Mind, est une excellente nouvelle.
Et puis il est temps de se confronter à la chose, d'examiner, d'abord, son étrange pochette qu'on aurait plus imaginé illustrant un album de rock progressif, mais soit, passons. Et d'attaquer le vif du sujet, ce pourquoi on est là et ce qu'on espère sera d'un niveau qui ne nous fera pas regretter le retour de Ben Folds et de ses deux compagnons de jeu, le batteur Darren Jesse et le bassiste Robert Sledge. Autant le dire tout de suite, The Sound of the Life of the Mind n'est pas un grand album, juste un bon album. Autant le dire tout de suite (bis), on y retrouve immédiatement la patte du trio, leurs habituelles manières d'interagir, leur faconde pop toujours fermement menée par les mélodies, la voix et le piano de Ben, bien sûr, parce qu'outre un titre, le sympathique mais accessoire Sky High signé par Darren Jesse, c'est tout de même à un implacable Folds Show auquel on assiste. C'est tout sauf une surprise, d'ailleurs, parce que Ben, on le sait, est un garçon qui sue la mélodie par tous les pores de la peau, dont la voix, à l'idéale tessiture pop, est un parfait véhicule de textes souvent acerbes et/ou sarcastiques, toujours excellemment écrits, et que le monsieur, comme on l'a entendu sur les nombreux albums solo sandwichés entre les deux derniers BFF (et plus particulièrement sur Rockin' The Suburbs, son premier et son meilleur), est un arrangeur aussi précis que précieux et talentueux. Bref le garçon nous énerverait presque s'il ne nous avait pas procuré pas de si belles émotions comme c'est encore le cas ici. Mais, indéniablement, il faut l'alchimie des trois pour obtenir ce son, l'énergie bienvenue d'un The Sound of the Life of the Mind doté d'une belle dynamique, d'un Do It Anyway mené tambour battant ou d'un Draw a Crowd tout bête piano (pop) rock diablement efficace, la grâce nostalgique d'un Michael Prayton convoquant sans honte les Beach Boys et d'un Thank You for Breaking My Heart essentiellement joué au piano délectablement doux-amer, la quasi-perfection mélodique pop d'un Erase Me ne manquant pas de nerf avec son passage énervé à basse saturée ou d'un Away When You Were Here certes un poil convenu mais si bien (orchestralement) arrangé. Bon, il y a aussi quelques morceaux un poil moins inspirés, le Sky High précité par exemple ou d'un On Being Frank un peu trop muzak pour être honnête, mais, dans l'ensemble, la fête est presque aussi belle qu'elle le fut dans un fantastique premier run de, seulement !, trois petits albums et cinq courtes années.
Et donc, le retour du Ben Folds Five ? Comme dirait la mère de Bonaparte, pourvu que ça dure ! The Sound of the Life of the Mind ? Pas exactement l'extase mais une réussite, indubitablement. Et donc, qu'est-ce qu'on dit ? Merci messieurs et à très bientôt pour, souhaitons !, la suite de vos trépidantes aventures !
1. Erase Me 5:15
2. Michael Praytor, Five Years Later 4:32
3. Sky High 4:42
4. The Sound of the Life of the Mind 4:10
5. On Being Frank 4:33
6. Draw a Crowd 4:14
7. Do It Anyway 4:23
8. Hold That Thought 4:14
9. Away When You Were Here 3:30
10. Thank You for Breaking My Heart 4:50
Ben Folds - piano, keyboard, vocals
Darren Jessee - drums, percussion, vocals
Robert Sledge - bass, synthesizers, contrabass, vocals
Christoph Schulte
5.0 out of 5 stars
Endlich!
Reviewed in Germany on September 23, 2012
Da ich immer wieder die Erfahrung mache, dass Ben Folds hierzuland nach wie vor ein Geheimtipp zu sein scheint, möchte ich an dieser Stelle zuerst darauf hinweisen, dass es sich in erster Linie um einen amerikanischen Piano-Singer-Songwriter handelt, dessen Wurzeln - was sein Songwriting betrifft - jedoch definitiv in der zutiefst englischen Tradition liegt. Der Unterschied zum amerikanischen Songwriting besteht zum einen in der Melodieführung, und zum anderen in der eigenen Komplexität von Harmonie und Arrangement. Der Opener z.B. hätte der 70er-Band 'SPARKS' alle Ehre gemacht, die seinerzeit als amerikanische Band einige Jahre in England verbrachten, was ihre Musik wesentlich beeinflusste. Ben Folds klingt nicht einfach 'bluesig', hat wenige Anleihen in der 'Country'- Tradition, und nur selten sind 'jazzige' Elemente spürbar, sondern ist eher einer klassischen europäischen Linienführung zuzuordnen. Sein Klavierspiel jedoch, greift immer wieder auch in die wunderbare, zutiefst (afro)amerikanische Trickkiste. 'Blues', 'BoogieWoogie' und 'Jazz' sind ihm nicht fremd, sondern bilden häufig die Grundlage seiner Arrangements. Streicher und exakt komponierte Background-Stimmen geben dem Trio-Sound aus Drums, E-Bass(gerne auch ange- bzw. verzerrt!)und Klavier die fast schon 'klassische' Färbung des traditionellen Pop-Song-Arrangements. Man mag niemals so richtig eine Gitarre vermissen, denn 'punkig' oder einfach 'rockig' klingt Ben Folds schon lange mühelos. Das schöne und wunderbare allerdings an diesen Songs, die eine geradezu magische Vermengung von 'Hab-ich-doch-schon-mal-gehört...' und 'Ohrwurm-nach-einmaligem-Hören' sowie 'Ich-muss-diesen-Song-jetzt-unbedingt-fünf-Mal-hintereinander-hören' oder 'Ich-höre-momentan-gar-nichts-anderes-mehr...' sind die wirklich zum Teil atemberaubenden Texte: Hier findet man niemals Platitüden oder 'ausgetretene' Pfade; hier ist Ben Folds ein - für amerikanische Verhältnisse - wirklich 'böser' Junge: 'And if you're feeling small and you can't draw a crowd, draw dicks on the wall...' Meine persönlichen Lieblings-Lyrics sind die des Titelsongs und des wunderbaren 'Away When You Were Here'. Ich könnte allerdings auch noch... - Und genau hier höre ich jetzt auf, und empfehle einfach nur dieses sehr, sehr schöne Album, welches sich so herrlich in seine Diskografie einfügt und für mich jetzt schon eine herausragende Position einnimmt.
G. Southwell
5.0 out of 5 stars
They Are Back
Reviewed in the United Kingdom on September 19, 2012
I wasn't entirely sure what to expect from Ben Folds 5 reforming, I loved their early stuff, it was young, angry and full of bounce. But they are older now (as am I!) and trying to go back to their roots completely would surely end up with a slightly desperate result.
This album feels like a bridge between the Ben Folds 5 albums and Ben Folds best solo album, Songs for Silverman, with the added influences of Folds jaunts into Accapella showtunesy melodrama (in a good way) and his story telling from the work with Nick Hornby. We have the perfect mix of the upbeat "Erase Me" and "Do It Anyway" to the moving "Away When you Were Here", the wistful "On Being Frank" and the wonderfully childish "Draw A Crowd".
Aside from the first two BF5 albums I have felt that all of Mr Folds work has included a weak song or two that I would often skip, I am quite a few listens in to this album and if there is a weak song I haven't spotted it yet. Part of me wanted a new "Underground" or "Battle of who could care less" but they have been done.
Can't wait to see them live in December!
This album feels like a bridge between the Ben Folds 5 albums and Ben Folds best solo album, Songs for Silverman, with the added influences of Folds jaunts into Accapella showtunesy melodrama (in a good way) and his story telling from the work with Nick Hornby. We have the perfect mix of the upbeat "Erase Me" and "Do It Anyway" to the moving "Away When you Were Here", the wistful "On Being Frank" and the wonderfully childish "Draw A Crowd".
Aside from the first two BF5 albums I have felt that all of Mr Folds work has included a weak song or two that I would often skip, I am quite a few listens in to this album and if there is a weak song I haven't spotted it yet. Part of me wanted a new "Underground" or "Battle of who could care less" but they have been done.
Can't wait to see them live in December!
オーバーオーラー
5.0 out of 5 stars
エバーグリーンな好盤です
Reviewed in Japan on February 15, 2013
初期のパンキッシュなサウンドの好きなファンの方には
少し淋しいかも知れませんが、野太いベースとバッタバッタと
ひっぱたくドラムが暖かなピアノとかなでる優しいメロディは
とても優しい気持ちにさせてくれます。
も少し聴いていたいなと思ううちに終わりを迎えます
少し淋しいかも知れませんが、野太いベースとバッタバッタと
ひっぱたくドラムが暖かなピアノとかなでる優しいメロディは
とても優しい気持ちにさせてくれます。
も少し聴いていたいなと思ううちに終わりを迎えます
Andrew
4.0 out of 5 stars
It's been to long
Reviewed in Canada on November 8, 2012
This newest offering from Ben Folds Five picks up right where they left off. Catchy, piano driven rock tunes. I haven't listened to the album a ton of times yet, but what I've heard, I've loved. There is most likely a large chunk of that chalked up to nostalgia, but it's a great album in my opinion, and I look forward to delving into it some more over the coming weeks!
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