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And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South Paperback – November 4, 2008
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In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of Agee and Evans’s project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee’s fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson’s ninety-part photo essay includes updates alongside Evans’s classic originals. Maharidge and Williamson’s work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.
- Print length288 pages
- LanguageEnglish
- PublisherSeven Stories Press
- Publication dateNovember 4, 2008
- Dimensions6.05 x 0.75 x 8.9 inches
- ISBN-101583226575
- ISBN-13978-1583226575
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Editorial Reviews
Review
“A book that reaches into this country's heart of darkness … A tragically human story more telling than a thousand polls. The photographs by Mr. Williamson are eloquent.” —Herbert Mitgang, The New York Times
“The collaborative effort of photographer Walker Evans and writer James Agee, Let Us Now Praise Famous Men, portrayed the lives of three sharecropper families in the South during the Depression, giving witness to the tyranny of the tenant farming system that enslaved some nine million tenants in 1936. Their book was at once poetic, scathing, compelling, and tragic. Fifty years later, Maharidge and Williamson have revisited, photographed, and interviewed the surviving members and descendants of the Gudger, Ricketts, and Woods families shown in that book … A fascinating work.” —Library Journal
“A stunning sequel to the James Agee/Walker Evans classic, Let Us Now Praise Famous Men. It is at times astonishing, at all times deeply moving.” —Studs Terkel
About the Author
Product details
- Publisher : Seven Stories Press; 53419th edition (November 4, 2008)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 1583226575
- ISBN-13 : 978-1583226575
- Item Weight : 1.18 pounds
- Dimensions : 6.05 x 0.75 x 8.9 inches
- Best Sellers Rank: #1,763,368 in Books (See Top 100 in Books)
- #641 in Photojournalism (Books)
- #2,401 in Journalism Writing Reference (Books)
- #6,870 in Essays (Books)
- Customer Reviews:
About the authors

Discover more of the author’s books, see similar authors, read author blogs and more

My new book is "Somelace Like America: Tales from the New Great Depression," with writer Dale Maharidge. Bruce Springsteen has written a foreword.
Someplace Like America will have three major sections of photographs, 81 total images. Many were taken over the past 30 years as Dale and I documented American workers who sometimes end up homeless. Other images were taken during my travels as a staff photographer at the Washington Post.
For more information, go to Facebook, where Dale has created a page. Type in "Someplace Like America: The book." If you don't have a Facebook acount, type that title in Google and add "Facebook" and the page will come up.
The book will be published by the University of California Press in May.
This account is being "built" by Amazon. Once I am able, I'll add some of my other missing books, such as "Homeland" with Dale.

"Fucked at Birth" is my 12th book. The title is not gratuitous--it comes from a graffito spray-painted inside the gas station on the cover of the book. I set off on a quest to ask a wide range of Americans what the flag on the outside of the service station and the writing inside meant to them. I drove across America, from California to New York City amid the height of the pandemic. Homeless camps in California. The Navajo Nation, BLM in Denver, meat packing towns in Nebraska and Iowa, Youngstown.
Before this I released "Snowden's Box" with Jessica Bruder, about my heretofore secret role in the Edward Snowden leak.
"The Dead Drink First" is my first Audible Original. But it's not a spoken book. It's a podcast about my 18-year-quest to bring my dad's missing WWII buddy home. He was buried near my father at Arlington National Cemetery in 2018. The Dead Drink First is based on dozens of hours of audio I recorded over the years, along with new audio. This podcast is a spinoff of my book "Bringing Mulligan Home/The Long Search for a Lost Marine," which was reissued this year by PublicAffairs with a new 9,000-word section of material. The podcast and book are different experiences for listeners/readers. Kind of like cousins. I hope people enjoy both.
The paperback of "Someplace Like America / Tales from the New Great Depression" came out in 2013, with photographs by Michael S. Williamson. Bruce Springsteen wrote a foreword. This book is about our 30 years of covering workers. We bring the story up to the present grim time for so many millions of Americans. We update the stories of the homeless we found back in the 1980s and found out how they are doing today.
In 1990 I won the non-fiction Pulitzer Prize for a book I did with Michael. "And Their Children After Them" followed the fates of the sharecroppers documented by James Agee and Walker Evans in "Let Us Now Praise Famous Men." A new edition will be published on the 30th anniversary of the Pulitzer by Seven Stories Press in early 2020, with 7,000 new words of update, and a surprise for readers.
I have several Facebook pages. The author one: Go to Facebook and type in "Dale Dimitro Maharidge." Others: "Someplace Like America: The Book" and "Bringing Mulligan Home." If you are not a Facebook member, you can still view the pages typing in the titles, plus "Facebook", in Google.
Dale Maharidge - Winter 2021
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An advisory note: AND THEIR CHILDREN AFTER THEM may be best read after reading either "Let Us Now Praise Famous Men" or "Cotton Tenants" rather than as a standalone read. This book is essentially a supplement/follow up to "Let Us Now Praise Famous Men", a book in which Agee used pseudonyms for the three families he covered; this book uses those same pseudonyms. "Cotton Tenants", on the other hand, uses the actual family names. Considering my introduction to this subject matter was triggered by "Cotton Tenants", I found it somewhat confusing at times trying to tie the names from "Cotton Tenants" to those in AND THEIR CHILDREN AFTER THEM.
Pseudonym vs. Actual Family Name (used in "Cotton Tenants")
Gudger = Burroughs
Ricketts = Tengle (or Tingle)
Woods = Fields
Dale Maharidge and Michael Williams basically continue the story that started in 1936. Agee's "Let Us Now Praise Famous Men" could be viewed as an appetizer for a meal that was never intended to be served (as Agee died in the 1950s). While the written observation of the three families was thorough and thought-provoking enough, Walker Evans' accompanying photos are what beg readers to ask "I wonder what ever happened to them?" Those photos generate a curiosity similar to National Geographic's captivating photo of the Afghan refugee girl. AND THEIR CHILDREN AFTER THEM finally gives readers that main course ... fifty years later. In many ways, Maharidge and Williams make Evan's classic still photos come alive as well as providing us new angles of interpreting Agee's words.
The authors have graciously organized the book into sections that cover specific time frames (1930-1940, 1940-1960 and 1960-mid 80s) and the three families Agee originally covered are given their own chapters within each section. In addition to the original families, the authors profile two more families that were not fully represented in Agee's book: a black family and land-owning family. I found the detailing of these families through the decades a particularly miserable journey. While the Second World War may have brought prosperity to the majority of Americans, the cotton tenants in the Deep South still languished in a seemingly unbreakable cycle of generational poverty. The authors reference Agee's original observations and predictions throughout the book and for the most part, his bleak view of their futures was spot-on. Even in the mid-1980s, the offspring of one family were still urinating in buckets and defecating in the weeds surrounding their dilapidated shack dwelling. Sadly, the one child Agee had pegged as having the will to break away from poverty and having a bright future becomes a tragic, sacrificial figure in the end (even though her children manage to break the poverty cycle). The lives of the offspring are not uplifting and pleasant, but mostly wretched. The book tends to uphold the stereotypical terms describing small towns in the rural Deep South: poor, apathetic and racist. A large collection of updated black-and-white photos at the front of the book are hauntingly reminiscent of Walker Evans' classic 1936 photos. The photos alone encapsulate the continuing misery of generational poverty and emphasize the cliché: "the more things change, the more they stay the same".
AND THEIR CHILDREN AFTER THEM is an eye-opening and depressing read. "Cotton Tenants" may have triggered my interest in learning more about the plight of these poor farming families, but this book completely ended my curiosity. The emotions I felt while reading were tinged with sympathy, frustration and disgust. Frequently, the heart-wrenching futility exhibited by the impoverished families was offset by their lethargic acceptance of their predicament. Although AND THEIR CHILDREN AFTER THEM was written almost thirty years ago, it is a fulfilling read that satisfactorily ends the story James Agee started over seventy years ago.
And it has big implications. Slavery and Cotton are not some far off evil that is long gone. America is still paying for the sin of slavery. Both the Northern Merchants and Southern Plantation owners made big livings off of slave produced cotton. Our country let slavery grow through most of the 1800's to pay for the party. The Civil War interrupted. Exploitation and domination took over where slavery left off. What to do with the thousands of poor whites and millions of poor blacks aka "collateral damage" of the deal? Keep them going with the hope of next year's profits. Keep them in need due to this year's failures. Sure let them try the city and the North. But they'll be back, if they survive. And when all else fails blame the blacks for everything and if you are black, blame yourself or your immediate boss.
Now it's been 25 years since THIS book. Most middle class jobs have been lost overseas. The biggest migration in human history - 100 million Chinese moving from farm to manufacturing has turned the world's economy around, spurred on by US economic policy and Wal-Mart. The biggest job growth area in the US is now the South. Where the unions don't exist and wages are lowest.
For me this book is a profound illustration of the downside of capitalism without morals. Do we really still believe that as long as something is profitable that it is good? Yeah I think we do. As long as we feel like money is good however we get it . . . stocks . . . bonds . . . companies that exploit natural resources without consequence, companies that exploit Third World Countries with no child labor or health laws whatsoever.
In the end of course we all end up in a mostly forgotten cemetery . . . with or without a tombstone. Both books dwell on this point. But this book finally has a more angry edge about it all. It's not fair. No. But then again everybody dies. If I didn't believe in God I think I would be pretty depressed after reading this. As it is I am sad and angry and hopeful.






