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They Live: A Novel Approach to Cinema (Deep Focus) Paperback – November 1, 2010
| Jonathan Lethem (Author) Find all the books, read about the author, and more. See search results for this author |
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Deep Focus is a series of film books with a fresh approach. Take the smartest, liveliest writers in contemporary letters and let them loose on the most vital and popular corners of cinema history: midnight movies, the New Hollywood of the sixties and seventies, film noir, screwball comedies, international cult classics, and more . . . Kicking off the series is Jonathan Lethem’s take on They Live, John Carpenter’s 1988 classic amalgam of deliberate B-movie, sci-fi, horror, anti-Yuppie agitprop.
Lethem exfoliates Carpenter’s paranoid satire in a series of penetrating, free-associational forays into the context of a story that peels the human masks off the ghoulish overlords of capitalism. Taking into consideration classic Hollywood cinema and science fiction—as well as popular music and contemporary art and theory—They Live provides a wholly original perspective on Carpenter’s subversive classic.
- Print length176 pages
- LanguageEnglish
- PublisherSoft Skull
- Publication dateNovember 1, 2010
- Dimensions4.72 x 0.53 x 6.51 inches
- ISBN-10159376278X
- ISBN-13978-1593762780
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Praise for They Live
"Apparently, author Lethem was the only other person than me to take They Live as brilliant, stinging social commentary. He explains why in this great book."―Sam Stowe, California Literary Review
"Who would have thought that one of the cleverest, most accessibly in-depth film books released this year would be a smart-ass novelist exploring a cheesy-cheeky '80s sci-fi flick wherein a former wrestler combats an alien occupation via magic sunglasses? . . . [Jonathan Lethem] is able to seriously dissect the movie's message and often highbrow references, while also fully acknowledging its silliness."―Hartford Advocate
"Novelist and occasional critic Jonathan Lethem pulls apart the threads of John Carpenter's 1988 science fiction film of the same title, to entertaining and illuminating effect . . . Carpenter's film emerges from Lethem's inspection a more human and mysterious work, less coherent perhaps but fully immersed in the noisy, ceaseless traffic of cultural exchange."―The New York Times Book Review
"A fun read, packed with references to other films, literature and artists . . . one of the few books one would enjoy reading while watching a movie."―USA Today's Pop Candy
About the Author
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Product details
- Publisher : Soft Skull; Illustrated edition (November 1, 2010)
- Language : English
- Paperback : 176 pages
- ISBN-10 : 159376278X
- ISBN-13 : 978-1593762780
- Item Weight : 4.4 ounces
- Dimensions : 4.72 x 0.53 x 6.51 inches
- Best Sellers Rank: #1,422,861 in Books (See Top 100 in Books)
- #745 in Sports Journalism
- #1,250 in Cooking Humor
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About the author

Jonathan Lethem was born in New York and attended Bennington College.
He is the author of seven novels including Fortress of Solitude and Motherless Brooklyn, which was named Novel of the Year by Esquire and won the National Book Critics Circle Award and the Salon Book Award, as well as the Macallan Crime Writers Association Gold Dagger.
He has also written two short story collections, a novella and a collection of essays, edited The Vintage Book of Amnesia, guest-edited The Year's Best Music Writing 2002, and was the founding fiction editor of Fence magazine.
His writings have appeared in the New Yorker, Rolling Stone, McSweeney's and many other periodicals.
He lives in Brooklyn, New York.
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Having said that, though, there’s not a lot of background/behind-the-scenes material here, which Lethem owns up to on page 2, but it makes you wonder why this book series is called “Deep Focus” if the presentation is so lightweight? For example, there’s no cast-and-crew credits list at the end, like you find in the great BFI mini-books. Also, although he acknowledges the two source materials (Ray Nelson’s short story and Bill Wray’s comic book version), there’s no explanation of how Carpenter came across these sources, which one he found out about first, nor how Nelson and Wray felt about the finished film (if they’ve even seen it?). Without these juicy, in-depth details, it seems more like this book series should be called “Quick Pan” instead of “Deep Focus.”
The thing is, "They Live" not only tackled the Reagan era of rapacious greed & callous consumerism with ferocious glee, it was one of the few films to even approach such territory. (Check out "The Hidden" for another such film -- also a cult film, by the way.) That it did so in the form of a gonzo conspiracy-action-science fiction-horror film is actually to its advantage: its evisceration of a culture where everything & everyone is nothing but a commodity transcends its specific era. Indeed, the film is just as relevant today -- I wonder just what those sunglasses would reveal if trained on the Kardashians, or any number of hedge fund managers, or most of Congress?
Lethem romps through the film with obvious pleasure ... and if you disagree with some of his conclusions, that's all right -- I disagreed with him at times myself, but always found myself thinking about what he had said & recognizing his points. It's not a final statement about the film, but an appreciation meant to provoke further thought & discussion. In this it succeeds wonderfully, making you want to watch it again (or for the first time) as quickly as possible -- highly recommended!
Top reviews from other countries
If you're a fan of John Carpenter and/or his film 'They Live', you'll get a kick out of this fun little book that analyses the film. It's about the right length. Not so short as to be pointless, not so long that it becomes a bore. It can be read over a long afternoon or two, or picked up occasionally for a bit of interest.
It's not perfect. There are one or two obtuse and superfluous introductory notes that you can skip/skim. Occasionally the author also seems stuck on the current trend of seeing anything with a couple of masculine male characters as having homoerotic undertones. Nothing wrong with making the observation, but he does seem to dwell on it repeatedly instead of getting on with things. (Following his logic, should we also now see every chick-flick with a pair of glammed up friends, as having lesbian undertones?). Another minor annoyance (only occasional) is the author's general tone, which can seem apologetic of both They Live's science fiction elements (Which means he occasionally dismisses some things out-of-hand, and completely misses their own meanings) and its low-budget roots, as if he's almost embarrassed to be analysing such a film, despite enjoying it and finding great depth in it. The end is also a tad lacking, as he concludes with a selection of quotes from others, as though abdicating the responsibility of writing down his own final thoughts and opinions on the film.
Having said all that, they're minor complaints in comparison to the whole. This is a fascinating read for those who are fans, or just interested in film analysis. It is laid out in a roughly chronological order, as the author covers various groupings of scenes, even including their start times in the film, for reference.
It's fun to see new releases like this, taking the time to appreciate wonderful but oft-overlooked film. So I'll have to say, that overall I definitely recommend it, and will be keeping an eye out for their future releases.





