Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Other Sellers on Amazon
+ $3.99 shipping
+ Free Shipping
+ $2.89 shipping
Things Fall Apart Paperback – Unabridged, September 1, 1994
|New from||Used from|
"Neverworld Wake" by Marisha Pessl
Read the absorbing new psychological suspense thriller from acclaimed New York Times bestselling author Marisha Pessl. Learn more
Frequently bought together
Customers who viewed this item also viewed
One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy:
Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.
Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber
Praise for Chinua Achebe
“A magical writer—one of the greatest of the twentieth century.” —Margaret Atwood
“African literature is incomplete and unthinkable without the works of Chinua Achebe.” —Toni Morrison
“Chinua Achebe is gloriously gifted with the magic of an ebullient, generous, great talent.” —Nadine Gordimer
“Achebe’s influence should go on and on . . . teaching and reminding that all humankind is one.” —The Nation
“The father of African literature in the English language and undoubtedly one of the most important writers of the second half of the twentieth century.” —Caryl Phillips, The Observer
“We are indebted to Achebe for reminding us that art has social and moral dimension—a truth often obscured.” —Chicago Tribune
“He is one of the few writers of our time who has touched us with a code of values that will never be ironic.” —Michael Ondaatje
“For so many readers around the world, it is Chinua Achebe who opened up the magic casements of African fiction.” —Kwame Anthony Appiah
“[Achebe] is one of world literature’s great humane voices.” —Times Literary Supplement
“Achebe is one of the most distinguished artists to emerge from the West African cultural renaissance of the post-war world.” —The Sunday Times (London)
“[Achebe is] a powerful voice for cultural decolonization.” —The Village Voice
“Chinua Achebe has shown that a mind that observes clearly but feels deeply enough to afford laughter may be more wise than all the politicians and journalists.” —Time
“The power and majesty of Chinua Achebe’s work has, literally, opened the world to generations of readers. He is an ambassador of art, and a profound recorder of the human condition.” —Michael Dorris
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Things Fall Apart was the first look the European-American centric world had into African culture from the perspective of someone actually within that culture. What is even more fantastic than that is that this novel about Africa and imperialism’s negative effect was published in 1959 and was even in that time very successful. Chinua Achebe attempts to explain that in an interview with Katie Bacon, “People from different parts of the world can respond to the same story, if it says something to them about their own history and their own experience.” Achebe goes on to explain the idea of cross-cultural literature more ineptly.
So, is Okonkwo really so tragic of a hero? I have come to understand that in the context of a European dominated literature field Okonkwo would indeed be classified as a tragic hero. However, in this light of literature dominated by shared experience, I feel that Okonkwo succeeded where no other hero could have. He alone was able to spread the possibility of literary success to writers of nations not previously considered advanced enough to produce such works. No matter how tragic Okonkwo's own story, he was able to open up the entire world to reading it simply because he possessed that great characteristic of a hero, the ability to make others empathize with his situation.
There are a couple of crucial events in Okonkwo’s life in which his need to appear manly results in great inner distress. The first occurs when it’s determined that a young man who’s been staying with Okonkwo’s family must be killed. (The young man was sent to Umuofia as a settlement for a wrong between the young man’s father and an Umuofia resident.) Okonkwo has been a father to the young man. Even when a village elder tells Okonkwo to have no part in the killing owing to being like a father to the boy, Okonkwo feels he must participate lest he be seen as effeminate. Of course, Okonkwo is wracked with guilt because he murdered a boy who’d been like a son to him. Later, an accidental discharge of Okonkwo’s firearm kills an innocent young man. The worst part of this for Okonkwo is that an accidental killing is seen as a “woman’s offense.” As punishment, Okonkwo and his family are sent in exile on another village for seven years. Okonkwo isn’t so much torn up by killing another innocent as by the fact that the way it happened makes him look girly in the eyes of others—or so he believes.
Besides the character portrait of Okonkwo, the book is also a commentary on the nature of colonialism and proselytizing missionaries. The first part of the book is set in a pre-colonial state, but in the latter half the rapidly developing tensions between the missionaries and the local villagers is featured. When Okonkwo and his family return to Umuofia after seven years, he finds that white men have built a church and are actively seeking to turn the villagers away from the indigenous beliefs. Of course, for Okonkwo this is just too much, and he can’t believe others are putting up with this. (Adding to his torment is the fact that his son is one of the converts—possibly because that son himself wants to distance himself from the father who murdered his best friend [the boy from the other village.]) Okonkwo is ultimately unable to tolerate that the world has become something so different from what he believes is right, and to continue living means to steer away from the path that he has locked his life into.
This short and thought-provoking book is a great window into pre-colonial Africa and the clash of worldviews that colonization brought. It’s also a cautionary tale about not having sympathy for the failings of one’s father—not to mention the weakness inherent in our own humanity.
Most recent customer reviews
I didn't want to put it down; I couldn't wait for downtime, so I could read...Read more