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Thirteen Kindle Edition
Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.
Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?
- LanguageEnglish
- PublisherDel Rey
- Publication dateJune 26, 2007
- File size1131 KB
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About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Above all, the hard lessons of this century have taught us that there must be consistent oversight and effective constraint, and that the policing systems thus required must operate with unimpeachable levels of integrity and support.
—Jacobsen Report,
August 2091
1
He finally found Gray in a MarsPrep camp just over the Bolivian border and into Peru, hiding behind some cheap facial surgery and the name Rodriguez. It wasn’t a bad cover in itself, and it probably would have stood standard scrutiny. Security checks in the prep camps were notoriously lax; the truth was that they didn’t much care who you’d been before you signed up. But there were still a few obvious signs you could look for if you knew how, and Carl, with a methodical intensity that was starting to resemble desperation, had been looking for weeks. He knew that Gray was up on the altiplano somewhere, because the trail led there from Bogotá, and because where else, ultimately, was a variant thirteen going to run. He knew this, and he knew it was just a matter of time before the traces showed up and someone called it in. But he also knew, with induction programs everywhere skimping and speeding up to meet increasing demand, that time was on the other man’s side. Something had to give, and soon, or Gray was going to be gone and Carl wasn’t going to get his bounty.
So when the break came, the tiny morsel of data finally fed back from the web of contacts he’d been plying all those weeks, it was hard not to jump. Hard not to dump his painstakingly constructed cover, fire up his Agency credit and badge, and hire the fastest set of all-terrain wheels available in Copacabana. Hard not to tear across the border at Agency speed, raising road dust and rumors all the way to the camp, where Gray, of course, if he had any kind of local support, would be long gone.
Carl didn’t jump.
Instead, he called in a couple of local favors and managed to blag a ride across the border with a military liaison unit—some superannuated patrol carrier with a Colony corporation’s logo sun-bleached to fading on the armored sides. The troops were Peruvian regulars, drafted in from dirt-poor families in the coastal provinces and then seconded to corporate security duties. They’d be pulling down little more than standard conscript pay for that, but the interior of the carrier was relatively plush by military standards and it seemed to have air-con. And anyway, they were tough and young, a sort of young you didn’t see so much in the Western world anymore, innocently pleased with their hard-drilled physical competence and cheap khaki prestige. They all had wide grins for him, and bad teeth, and none was older than twenty. Carl figured the good cheer for ignorance. It was a safe bet these kids didn’t know the subcontract rate their high command was extracting from its corporate clients for their services.
Sealed inside the jolting, sweat-smelling belly of the vehicle, brooding on his chances against Gray, Carl would really have preferred to stay silent altogether. He didn’t like to talk, never had. Felt in fact that it was a much-overrated pastime. But there was a limit to how taciturn you could be when you were getting a free ride. So he mustered some lightweight chat about next week’s Argentina–Brazil play-off and threw as little of it into the conversational mix as he thought he could get away with. Some comments about Patricia Mocatta, and the advisability of female captains for teams that were still predominantly male. Player name checks. Tactical comparisons. It all seemed to go down fine.
“¿Eres Marciano?” one of them asked him, finally, inevitably.
He shook his head. In fact, he had been a Martian once, but it was a long, complicated story he didn’t feel like telling.
“Soy contable,” he told them, because that was sometimes what he felt like. “Contable de biotecnologia.”
They all grinned. He wasn’t sure if it was because they didn’t think he looked like a biotech accountant, or because they just didn’t believe him. Either way they didn’t push the point. They were used to men with stories that didn’t match their faces.
“Habla bien el español,” someone complimented him.
His Spanish was good, though for the last two weeks it was Quechua he’d been speaking mostly, Mars-accented but still tight up against the Peruvian original that had spawned it. It was what the bulk of the altiplano dwellers used, and they in turn made up most of the grunt labor force in the prep camps, just as they still did on Mars. Notwithstanding which fact, the language of enforcement up here was still Spanish. Aside from a smattering of web-gleaned Amanglic, these guys from the coast spoke nothing else. Not an ideal state of affairs from the corporate point of view, but the Lima government had been adamant when the COLIN contracts were signed. Handing over control to the gringo corporations was one thing, had oligarchy-endorsed historical precedent on its side in fact. But allowing the altiplano dwellers to shake themselves culturally loose from the grip of coastal rule, well, that would be simply unacceptable. There was just too much bad history in the balance. The original Incas six hundred years ago and their stubborn thirty-year refusal to behave as a conquered people should, the bloody reprise by Túpac Amaru in 1780, the Sendero Luminoso Maoists a bare century back, and more recently still the upheavals of the familias andinas. The lessons had been learned, the word went out. Never again. Spanish-speaking uniforms and bureaucrats drove home the point.
The patrol carrier pulled up with a jerk, and the rear door hinged weightily outward. Harsh, high-altitude sunlight spilled in, and with it came the sound and smell of the camp. Now he heard Quechua, the familiar un-Spanish cadences of it, shouted back and forth above the noise of machinery in motion. An imported robot voice trampled it down, blared vehicle reversing, vehicle reversing in Amanglic. There was music from somewhere, huayno vocals remixed to a bloodbeat dance rhythm. Pervasive under the scent of engine oil and plastics, the dark meat odor of someone grilling antecuchos over a charcoal fire. Carl thought he could make out the sound of rotors lifting somewhere in the distance.
The soldiers boiled out, dragging packs and weapons after. Carl let them go, stepped down last and looked around, using their boisterous crowding as cover. The carrier had stopped on an evercrete apron opposite a couple of dusty, parked coaches with destination boards for Cuzco and Arequipa. There was a girdered shell of a terminal building, and behind it Garrod Horkan 9 camp stretched away up the hill, all single-story prefab shacks and sterile rectilinear street plan. Corporate flags fluttered whitely on poles every few blocks, an entwined g and h ringed by stars. Through the unglassed windows of the terminal, Carl spotted figures wearing coveralls with the same logo emblazoned front and back.
Fucking company towns.
He dumped his pack in a locker block inside the terminal, asked directions of a coveralled cleaner, and stepped back out into the sun on the upward-sloping street. Down the hill, Lake Titicaca glimmered painfully bright and blue. He slipped on the Cebe smart lenses, settled his battered leather Peruvian Stetson on his head, and started up the slope, tracking the music. The masking was more local cover than necessity—his skin was dark and leathered enough not to worry about the sun, but the lenses and hat would also partially obscure his features. Black faces weren’t that common in the altiplano camps, and unlikely though it was, Gray might have someone watching the terminal. The less Carl stood out, the better.
A couple of blocks up the street, he found what he was looking for. A prefab twice the size of the units around it, leaking the bloodbeat and huayno remix through shuttered windows and a double door wedged back. The walls were stickered with peeling publicity for local bands, and the open door space was bracketed by two loopview panels showing some Lima ad agency’s idea of Caribbean nightlife. White sand beach and palm trees by night, party lights strung. Bikini-clad criolla girls gripped beer bottles knowingly and pumped their hips to an unheard rhythm alongside similarly European-looking consorts. Outside of the band—jet-muscled and cavorting gaily in the background, well away from the women—no one had skin any darker than a glass of blended Scotch and water.
Carl shook his head bemusedly and went inside.
The bloodbeat was louder once he got in, but not unbearable. The roof tented at second-story height, nothing but space between the plastic rafters, and the music got sucked up there. At a corner table, three men and a woman were playing a card game that required calls, apparently without any trouble tracking one another’s voices. Conversation at other tables was a constant murmur you could hear. Sunlight fell in through the doorway and shutters. It made hard bars and blocks on the floor but didn’t reach far, and if you looked there directly then looked away, the rest of the room seemed dimly lit by comparison.
At the far end of the room, a boomerang-angled bar made from riveted tin sections held up half a dozen drinkers. It was set far enough back from the windows that the beer coolers on the wall behind glowed softly in the gloom. There was a door set in the wall and propped open on an equally dimly lit kitchen space, apparently empty and not in use. The only visible staff took the form of a dumpy indigena waitress slouching about between the tables, collecting bottles and glasses on a tray. Carl watched her intently for a moment, then followed her as she headed back toward the bar.
He caught up with her just as she put down her tray on the bartop.
“B...
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Product details
- ASIN : B000SCHCAQ
- Publisher : Del Rey (June 26, 2007)
- Publication date : June 26, 2007
- Language : English
- File size : 1131 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 644 pages
- Best Sellers Rank: #374,790 in Kindle Store (See Top 100 in Kindle Store)
- #902 in Cyberpunk Science Fiction (Kindle Store)
- #3,421 in Dystopian Science Fiction (Kindle Store)
- #4,913 in Science Fiction Adventure
- Customer Reviews:
About the author

Richard K. Morgan is the acclaimed author of The Dark Defiles, The Cold Commands, The Steel Remains, Black Man (published in the US as Thirteen), Woken Furies, Market Forces, Broken Angels, and Altered Carbon, a New York Times Notable Book that won the Philip K. Dick Award in 2003.
The movie rights to Altered Carbon were optioned by Joel Silver and Warner Bros on publication, and the book remained in feature film development until 2015. It is now being turned into a 10 episode Netflix series by Skydance Media. Market Forces, was also optioned to Warner Bros, before it was even published, and it won the John W. Campbell Award in 2005. Black Man won the Arthur C .Clarke Award in 2007 and is currently under movie option to Straight Up films. The Steel Remains won the Gaylactic Spectrum award in 2010, and its sequel, The Cold Commands, was listed in both Kirkus Reviews‘ and NPR’s best Science Fiction / Fantasy books of the Year. The concluding volume, The Dark Defiles, is out now!
Richard is a fluent Spanish speaker and has lived and worked in Madrid, Istanbul, Ankara, London and Glasgow, as well as travelling extensively in the Americas, Africa and Australia. He now lives back in Norfolk in the UK with his Spanish wife Virginia and son Daniel, about five miles away from where he grew up. A bit odd, that, but he’s dealing with it.
Photo by Roberta F. [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
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Customers find the writing style amazing, with good flow and dialogue. They also find the characters interesting and the story entertaining. Readers also describe the world building as great and the content as ultra violent. Opinions are mixed on the storyline, with some finding it brilliant and revealing, while others say it's overly complex and dull.
AI-generated from the text of customer reviews
Customers find the writing style amazing, well-described, and imaginative. They also say the book has a good flow and dialogue.
"...I read the 544 page well printed and well bound trade paperback published by Del Rey in 2008...." Read more
"...The novel is entertaining and the pacing is fast. Has just the right blend of sex, violence, and mystery that I like in a hard SF novel...." Read more
"...over and over again...however that said, at times, this was some of his best writing, bar none!..." Read more
"...of today's very best science fiction writers because he writes novels of clever ideas that are well-plotted and driven by compelling characters...." Read more
Customers find the characters interesting and human. They also say there are no heroes or villains.
"...they delivered great stories, interesting characters and served up valid and thought provoking social commentary...." Read more
"...certainly use more background development but definitely solid likable characters." Read more
"...of the neo-noir, weaving complex but tight plots and creating interestingly dark characters with well-hidden motives...." Read more
"...The characters barely had time to speak, they were so busy fighting, fleeing, or fornicating, and yet I had to force myself to slog through the..." Read more
Customers find the story entertaining and fast paced. They also describe the book as a high octane thrill ride.
"...The novel is entertaining and the pacing is fast. Has just the right blend of sex, violence, and mystery that I like in a hard SF novel...." Read more
"...It is gritty, and dramatic, painful, but engaging...." Read more
"...Something about Carl Marsalis, the protagonist of Thirteen, is so compelling that I wish there were a trilogy devoted to him and his species...." Read more
"...This book is a high octane thrill ride, to steal the common move review phrase." Read more
Customers find the world building in the book great, interesting, and thought provoking. They also appreciate the sharp wit and keen understanding of human nature.
"...stories, interesting characters and served up valid and thought provoking social commentary...." Read more
"Oddly relevant to current times. This book remains a good social commentary that makes you think...." Read more
"...but morgan's world building was cool and the books were loaded with tons of neat concepts...." Read more
"...to not only tell an interesting tale, but also his mastery of revealing the human side of his characters and creating empathy with his readers...." Read more
Customers find the violent content in the book incredible and ultra violent.
"...A fast paced thriller that has violence, sex, intrigue, and a really mean son-of-a-bitch protagonist...." Read more
"...It's dark, gritty, and brutal, with insights of society and mankind that ring all too true...." Read more
"...the case with previous books by this author, the plot involves lots of gratuitous violence - which is getting real old.. This is science fiction..." Read more
"...He is out there man. Cynical, incredible, and ULTRA VIOLENT!" Read more
Customers are mixed about the storyline. Some find it brilliant, surprising, and crazy. Others say it's overly complex, dull, and long.
"...their individual characters, and their dialogues are often pointed, revealing, and thought-provoking...." Read more
"Beautiful work of SF action with deep philosophical questions to whip around in your head. Richard Morgan is brilliant. The man can write!..." Read more
"...My second impression was that the story was awfully dull for one that was filled with wall-to-wall sex and violence...." Read more
"...A fast paced thriller that has violence, sex, intrigue, and a really mean son-of-a-bitch protagonist...." Read more
Customers are mixed about the futuristic settings. Some mention great dystopian futures, while others say there is no fresh idea, new technology, or social concepts.
"Great book. Created an interesting take on the future. Hard to put down once the plot started moving. Not the easiest to read...." Read more
"...which is getting real old.. This is science fiction but there isn't a single fresh idea in this book...." Read more
"This is a highly credible, extremely well thought out dystopian vision of the future with vast technological progress used by a politically..." Read more
"...There is far less imagination in the 13 universe, the 13s themselves are horrifically dull killing machine, the 'racism' meme about how Marsalis has..." Read more
Customers find the book length to be a complete waste of pages. They also say the book is merely average.
"...This latest stand-alone, Thirteen, is merely average and because I hold Morgan in such high esteem, ultimately disappointing...." Read more
"...about how Marsalis has it all bad because he's black is both lazy and stupid...." Read more
"...Complete waste of pages and I found myself scanning ahead to get back to the point of the book...." Read more
"...Thirteen is crap. I could only get through a third of it before I wanted to ask for my money back and put it down, never to pick it up again...." Read more
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Thin Air is not it.
The Solar System of 2195 is a radically different place from today. There are over a million people living on Mars in several colonies. There are regular spaceships traveling between Mars and Earth, mostly in free fall with the humans in cryogenic sleep due to the average seven month journey each way. The USA has split into three countries: New England, The Rim States, and Jesusland.
You have to be tough to live on Mars. The surface air is almost non-existent and poisonous. The people are tough, so the lawmen have to be tougher. So, one of the governments on Mars created a genetically enhanced man, the thirteens, to be the lawmen. The Earthers immediately outlawed the "mutants" from coming back to Earth. So, of course, they snuck back to Earth.
Carl Marsalis is a thirteen on Earth. He is a bounty hunter for the COLIN (United Nations COLonial INitiative Authority). He hunts rogue thirteens. And the UNGLA (United Nations Genetic Legislation Authority) says that all people have rights to only share their genes when they want to so there is no testing, officially.
The newest thirteen to sneak to Earth is a doozy. Instead of docking the spaceship at the space station and coming down the nanostalk, he crashed the spaceship in an ocean. Plus, there is no food on the spaceships, only cryogenically sleeping humans. And the newest thirteen was awake for the entire trip.
It was only when I started to get a grasp on the interesting underlying concepts, which were either original or just new to me, that the sex and violence started to become compelling and meaningful. When I began to sort out who was dying and why they were dying, then the action propelled the story along. The author's comentary on evolution, and on how we tamper with it one way or the other, became a framework to hang the story on, and the action started to have a purpose. After all, our current state of evolution is built on an infinite progression of sex and death. Marsalis eventually becomes a memorable character, and I'm glad I struggled through the first hundred pages while the story came together.
Top reviews from other countries
What a crushing disappointment it was!
This book is nothing like the Takeshi Kovacs saga. It's a political, thematically disjointed and logically incoherent piece long on dialogues, and low on action. Whatever action we get to see is also of rather sloppy variety, raising serious questions about professional competence of the so-called enhanced male. The women characters are astoundingly two-dimensional. And the antagonist!
If you are in the mood for a proper noir-thriller set in a futuristic dystopian milieu, there are many BETTER books, starting with 'Altered Carbon'.
This book is only for politically motivated people looking for a book that fits their vision of social Darwinism. Hence, not recommended.
Dieses Buch ist ein wuchtiger Klopper - die 500 Seiten der US-Ausgabe sind extrem klein und eng gedruckt, in der deutschen Übersetzung hat es über 800 Seiten. Von allen Büchern Morgans ist es meiner Meinung nach das am anspruchsvollsten zu lesende - weil der Start langsam, unglaublich komplex und dadurch mitunter verwirrend ist. Zugleich ist es aber auch eines der tiefschürfensten, emotionalsten und aufregendsten Bücher, die ich von ihm (und eigentlich auch überhaupt aus der SciFi) kenne.
Wie gesagt, auf den ersten ca. 150 Seiten ist Durchhaltevermögen angesagt, doch ich kann jeden nur ermuntern, weiterzulesen - man wird für die anfängliche Geduld tausendfach belohnt.
Wer Morgans Takeshi Kovacs Trilogie kennt (Das Unsterblichkeitsprogramm / Altered Carbon und Folgebände), wird die Welt in SCORPION zumindest ansatzweise vertraut finden: Der Roman spielt im späten zwanzigsten Jahrhundert. Seit ein paar Jahrzehnten versucht man unter größten Anstrengungen und unter Führung von Konzernen den Mars zu kolonialisieren, die Reise zwischen den Planeten ist allerdings lang und kompliziert und die Lebensbedingungen schwierig, ein Drei- oder Fünfjahresvertrag wird von den wenigsten verlängert.
Die USA sind entlang religiöser Trennlinien in eine spöttisch als 'Jesusland' bezeichnete 'Republik' (rassistisch, strengchristlich-religiös, fortschrittsfeindlich, tendenziell verarmend) zerbrochen und die fortschrittlichen 'RimStates', die ehemaligen Küstenstaaten.
Der Protagonist, Carl Marsalis, ist nicht nur schwarz, sondern auch ein sog. Variant Thirteen, eine genetisch veränderte Laborzüchtung. In mittlerweile umstrittenen Experimenten wurden vor Jahrzehnten alle möglichen 'Varianten' kreiert, jede auf ihre Weise von Problemen behaftet. Die Thirteens sind Super-Alpha-Männchen, physisch extrem widerstandsfähig, hochintelligent und kaum sozialkompatibel - man versuchte Supersoldaten zu erschaffen, doch scheiterte, weil sich Thirteens nicht unterordnen. Jahre später führten hysterische Reaktionen in der Öffentlichkeit zur Einstellung aller Thirteen-Programme; die Thirteens wurden entweder auf den Mars geschickt, oder in Internierungslager.
Carl kehrte nach Jahrzehnten legal vom Mars zurück und jagt nun als lizensierter Kopfgeldjäger für eine überstaatliche Organisation andere Thirteens. Nach einer schiefgelaufenen Operation, die ihn hinter Gitter bringt, bietet ihm der COLIN-Konzern, zuständig für die Mars-Transfers, einen Deal an: Er soll einen extrem gefährlichen Thirteen aufspüren, der über ein COLIN-Transportschiff illegal auf die Erde zurückgelangte und seither eine Spur Leichen hinterlässt. Dabei arbeitet er mit der Ex-Polistin Sevgi zusammen, die ihre eigenen Geister zu bekämpfen hat. Bald verbindet sie mehr als nur der Job. Und die Jagd auf den Flüchtling entpuppt sich als die Spitze eines gigantischen Eisbergs aus alten Verschwörungen, Lügen, Intrigen und Fehlinformationen, die zuletzt zu einer vollkommen unerwarteten und äußerst fesselnden Auflösung kulminieren.
Ich weiß gar nicht, wo ich anfangen soll.
Vielleicht damit, dass dieses Buch sich durch eine außergewöhnliche emotionale Bandbreite auszeichnet. Es verbindet das Mitfiebern bei vertrackter Ermittlungsarbeit mit den Adrenalinstößen phantastisch choreografierter Action und einer so emotionalen Tiefe, dass ich - ich gesteh's - an einer gewissen Szene erst nach einer Pause weiterlesen konnte, weil ich mir die Tränen aus den Augen wischen musste. So was passiert mir extrem selten bei Büchern, und erst recht nicht bei SciFi-Action-Krachern mit einer unterschwelligen politischen Botschaft.
Der Plot selbst ist in mehrerer Hinsicht großartig: wie der Autor es schafft, einen wieder und wieder auf die falsche Spur zu führen, in Verwicklungen, die nicht das sind, was sie scheinen, aber irgendwie doch mit der Lösung zu tun haben - das ist pure Meisterschaft und einfach nur großes Unterhaltungskino. Wie dieser Plot nahtlos-glaubwürdig in Morgans Weltentwurf eingebettet ist, und wie dieser Weltentwurf auf schmerzhafte Weise dem Leser die (hässlichen) Realitäten des Hier und Jetzt vor Augen hält, das ist atemberaubend. Vor allem ist es ein Plädoyer gegen Heuchelei, und in zweiter Instanz gegen Rassismus, gleich welcher Art.
Vor allem aber lebt dieses Buch - wie fast alle Bücher Morgans - durch seine lebendigen und vielschichtigen Charaktere, die nicht die Intelligenz des Lesers beleidigen, sondern die über Ecken und Kanten verfügen, die wandlungsfähig sind und sich dennoch glaubwürdig im Rahmen ihrer charakterlichen Prägung bewegen. Carl Masalis ist mit Sicherheit kein weißer Ritter, er ist oft nicht einmal sympathisch, aber dafür ungeheuer faszinierend - und das gilt auch für die meisten anderen Figuren im Buch.
Klare Leseempfehlung!
However now I have read the book I am pleased to say it is well worth a read.
Comparisons with Altered Carbon (which I rate as one of my favourite books) are largely pointless, as brilliant as it was Altered Carbon for me was a perfect mix of two books Gibsons Neuromancer and Clarkes Caves of Steel ie:hard cyberpunk and pure Sci Fi/detective novel and possibly an outstanding one off.
Thirteen although perhaps a little less in your face and with not as much shock value is a more realistic story with some real good plot twists. The impression of subdued sometimes emotionless narrative gave me great empathy with the shark like Marselis and the slight change of style during various different scenes especially the death of a character really sucked me in. The cynical all too realistic background of altruistic international organisations, big business, politics and human greed being a realistic future or indeed a mirror of the present.
I think Morgan is really starting to get his own style now although I couldn't help suddenly remembering Besters The Demolished Man shortly after finishing!
I'm not going to spoil the plot or go through the whole book as enough people have done that already I will just say buy this book if you like Sci fi or even thrillers as I read nearly 100 books a year and this rates as one of my favourites.
The only downsides being the poor intro on the back of the book and the God-awful cover on the UK version.







