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This Close to Okay: A Novel Kindle Edition
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On a rainy October night in Kentucky, recently divorced therapist Tallie Clark is on her way home from work when she spots a man precariously standing at the edge of a bridge. Without a second thought, Tallie pulls over and jumps out of the car into the pouring rain. She convinces the man to join her for a cup of coffee, and he eventually agrees to come back to her house, where he finally shares his name: Emmett.
Over the course of the emotionally charged weekend that follows, Tallie makes it her mission to provide a safe space for Emmett, though she hesitates to confess that this is also her day job. What she doesn’t realize is that Emmett isn’t the only one who needs healing—and they both are harboring secrets.
Alternating between Tallie and Emmett’s perspectives as they inch closer to the truth of what brought Emmett to the bridge’s edge—as well as the hard truths Tallie has been grappling with since her marriage ended—This Close to Okay is an uplifting, cathartic story about chance encounters, hope found in unlikely moments, and the subtle magic of human connection.
Longlisted for the 2022 Mark Twain American Voice in Literature Award
Longlisted for the Goodreads Choice Awards
Book of the Month December Pick
Good Housekeeping Book Club February Pick
Marie Claire Book Club March Pick
Most Anticipated by Elle, Today (according to Goodreads), The Millions, She Reads, and Real Simple
Recommended by Refinery29, Shondaland, Oprah Daily, Washington Post, Glamour, Cosmopolitan, Electric Literature, Bookriot, Parade, Harper's Bazaar, and more
- LanguageEnglish
- PublisherGrand Central Publishing
- Publication dateFebruary 2, 2021
- File size1104 KB
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From the Publisher
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A Conversation with Leesa Cross-Smith
When did you first have the idea for This Close to Okay, and why did you choose to make mental health one of its central themes?
Most of the time it’s difficult for me to say when I first had the ideas for my books, because I usually can’t remember, and I usually work over such a long period of time! But I want to say it was somewhere between 2015 and 2016 that I started thinking about these characters. I knew from that first flash that one of the characters was going to be considering suicide, with the other one attempting to stop them, so mental health was a central theme from the beginning. When considering characters and themes, I’m always looking for a way in…a connection…and in this case, there was no other consideration regarding my way in. I knew this was it from the moment it came to me. And since mental health is so important and so much about survival and I enjoy reading and writing about how people make it through life…all aspects of that…it made sense to me.
Music and art feature significantly in the novel; Tallie plays Wilco and Andrew Bird for Emmett in order to keep him from jumping off the bridge, and they later bond over their favorite visual artists. Did any specific songs or pieces of art inspire you while writing?
I’m always inspired by Vincent van Gogh. His letters, his paintings, his life, his struggles with his own mental health. He’s one of my favorite people. There’s a desperation that so many artists have…this drive and need to create, no matter their circumstances, no matter their health, no matter how many times they’re told no…that interests and inspires me. How people keep going, no matter what. I thought about that a lot while writing this book. How the characters stay afloat, even when things feel impossible.
I love The Impressionists and anything Art History related. “Human Thing” by The Be Good Tanyas is one song I listened to a lot. Also, “Finishing the Hat” from Sunday in the Park with George. And Sam Cooke. I love the Andrew Bird song and chose it almost randomly because his first name comes at the beginning of the alphabet. Tallie was trying to get to a song as quickly as possible in order to distract Emmett from jumping. And I chose the Wilco song “Jesus, Etc.” because it has Jesus in the title and I love Jesus. It’s a very soothing, comforting song for me. I found myself listening to it a lot after 9/11. It’s a perfect song.
Throughout the book, Tallie puts a big emphasis on how self-care rituals and creating a comfortable—or hygge—physical space can improve mental health. What are you some of your favorite rituals or objects that put you in a good headspace during stressful times?
I’m a big tea drinker, so having my teapot is definitely a favorite object and ritual for me. If it’s nice enough, I like having a window open so I can hear the birds. (I’m a birder!) And all of the furniture in our house is very soft and soothing. I have a pink velvet couch and velvet pillows, plants, twinkle lights, etc. I can’t control the world or anything that happens in it, but what I can do is make my house as cozy and comfortable as possible, so I do that as much as I can!
Do you have any rituals specific to writing? What are you like when you’re in the middle of a project?
I don’t have any other rituals specific to writing besides my teapot, really. I write at home and I rarely listen to music while I’m writing. And I never wait until I “feel” like writing in order to write. I write whether I “feel” like it or not. I just get to work. It’s how I get things done.
When I’m in the middle of a project, I’m probably a bit like Doc from the Back to the Future movies, honestly. Wild eyes, wild hair! To someone not in my intimate circle, I probably seem like a bit of a mess maybe? Hyper-focused on my book. There’s a certain level of obsessiveness I have to maintain in order to finish a project. I have a journal I carry with me everywhere just in case I think of something and I usually watch movies that inspire me. I go for long walks alone or sometimes with my husband. I need to be alone quite a bit in order to work.
Depression and suicidal ideation are very personal and sensitive subjects for a lot of people; how did you approach writing about them? Were there any tropes or common misconceptions about these topics that you tried to avoid?
One thing I did was avoid using the word “commit” when writing about suicide. I’d read a lot about how that wording can be hurtful, so I didn’t use it. I tried to be as careful as possible with my words. I also wanted to make sure I allowed room for the complexity of suicidal ideation. For some people, it can be a sudden, impulsive thing. For others, a lot of planning happens. For some people, those feelings can go away and never resurface again. For others, it’s a lifelong battle. And I would say the same for depression. It can take many different forms and what works for one person may not work for another. I try my best not to assume things and not to lump everything or everyone together because every circumstance is different, and people are very multilayered and complex.
I wanted to make sure that my characters were presented as fully formed people who are flawed and real and who change their minds and have conflicting feelings. Someone battling depression can definitely have lighter moments when they feel a lift…and someone who doesn’t battle depression can definitely have darker, heavier days. I wanted to capture the complicated, messy humanness of those thoughts and feelings.
At one point, Tallie jokingly says that “no one should be on Facebook.” Do you agree? What’s your relationship with social media?
I have a complicated relationship with social media! I love it for the jokes, but I hate all the negativity. As best as I can, I try to use it for the tool it is. And it can be a really great tool! I go to it; I don’t let it come to me. I don’t have notifications turned on or anything. And it’s not a huge part of my life, no. I don’t get or need validation from it. I’m not really into hanging out on there all day. I would never argue on there. I never have! I’m mostly quiet…I post about books…I post things that inspire me. I aggressively reject all the negativity and collective anxiety. And maybe that’s my age and that I was lucky enough to grow up without it? The most important thing re: how I feel about social media is that when I’m tired of it and don’t need to use it, I log off…I literally delete the apps from my phone. It’s so freeing!
Did you encounter any roadblocks while writing this novel? In general, how do you deal with creative setbacks?
There is almost always a point while I’m writing a book when I think…oh no what do I do now?! But I’m used to it! And there are always specific plot points or things I need to figure out how to make work and if they aren’t working…it’s hard for me to think about anything else until I figure them out. But I always figure them out. Somehow!
I really just push through when it comes to creative setbacks. I’m a workaholic, which is something I am trying to get better at, but I just keep at it because I’m quite stubborn about it. So while I may take a bit of time off, (and by that I mean a night or a day) I’ve found that the best approach for me is to keep working through it until I figure it out. It’s frustrating and exhausting, but I don’t know how else to do it.
This is a massive understatement, but 2020 was obviously a difficult year for everyone. How have you been taking care of your mental health during this stressful time? Did you ever find yourself thinking back to This Close to Okay and taking the advice Tallie (or rather, you) gave to Emmett?
I’ve definitely been digging in even more (if that’s possible for me!) to the cozy, comforting things I always depend on when it comes to my mental health. My faith in a sovereign God and His unfailing love, tea and soft pajamas, spending time with my little family, British mysteries, period pieces, living slowly, going for walks, art, making dinner.
I do find myself thinking about Tallie a lot! Her knitting and her cats and candles. Her house! And most importantly, her heart. I think often of 1 Peter 4:8…“Aboveall, keep loving one another earnestly, since love covers a multitude of sins.”And I don’t mean that in a generic, hashtaggy way. I mean that in a real way. Love, kindness, forgiveness, gentleness, and softness in a super negative, anxious, toxic environment…I’m not saying those things are an instant magical fix for a hellscape, but I am saying a whole lot of good and beautiful things start there.
Editorial Reviews
About the Author
Review
"Leesa Cross-Smith writes the way many people wish they could: ferociously, tenderly, and with a tremendous amount of heart. The stories contained in So We Can Glow showcase the very best of Cross-Smith's voice. They stick with readers long after the book is closed. This collection is tantalizing and Cross-Smith is a delight."―Kristen Arnett, New York Times bestselling author of Mostly Dead Things (on So We Can Glow)
"I so admire these stirring, sexy, haunting stories about the darkest corners of women's inner lives. A treat for the soul and the senses, and funny too. Leesa Cross-Smith is a wonderful storyteller."―Alexia Arthurs, award-winning author of How to Love a Jamaican (on So We Can Glow)
"The magic of So We Can Glow is that no matter who you are, no matter your circumstances, no matter your gender identity, when reading this book you become the girls and women in these pages. You hope their hopes, dream their dreams, fantasize and love alongside them. Leesa Cross-Smith is some sort of sorceress."―Rion Amilcar Scott, PEN/Robert W. Bingham Prize-winning author of Insurrections and The World Doesn't Require You(on So We Can Glow)
"Different as they are, all the stories focus on the strange hearts of women and girls -- brave and broken, longing and loving -- and weave together to create this structurally playful and lyrically rich second collection."―The Millions, "Most Anticipated: The Great First Half 2020 Book Preview"(on So We Can Glow)
"Examines -- and delights in -- female obsession and desire . . . nodding to the complicated, indelible bonds between women."―Buzzfeed, "The Most Anticipated Books of 2020"(on So We Can Glow)
"These stories, brief but dense with emotion, will make you feel like you're falling in love -- again and again and again. They drop the reader into moments that feel soaked with longing, like strawberries in champagne. Through Cross-Smith's characters, we experience the messiness, the ache, but mostly the glory of female desire."―Amy Bonnaffons, author of The Regrets and The Wrong Heaven(on So We Can Glow)
"Cross-Smith's thrilling debut novel, Whiskey and Ribbons, is as immediate and compelling as music. Her three lovers tell their stories, each turning over what we think we know, creating a moving triptych on love, desire, and grief, and the unexpected families life makes for us."―Alexander Chee, author of The Queen of the Night (praise for Whiskey & Ribbons)
"Leesa Cross-Smith is a consummate storyteller who uses her formidable talents to tell the oft-overlooked stories of people living in that great swath of place between the left and right coasts... Where she is most stunning is in the endings...creating crisp, evocative moments that will linger long after you've read this book's very last word."―Roxane Gay (praise for Every Kiss A War) --This text refers to an alternate kindle_edition edition.
Product details
- ASIN : B089SPDTP6
- Publisher : Grand Central Publishing (February 2, 2021)
- Publication date : February 2, 2021
- Language : English
- File size : 1104 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 321 pages
- Best Sellers Rank: #165,572 in Kindle Store (See Top 100 in Kindle Store)
- #102 in Black & African American Literary Fiction
- #835 in Women's Literary Fiction
- #844 in Women's Divorce Fiction
- Customer Reviews:
About the author

Leesa Cross-Smith is a homemaker and writer from Kentucky. She is the author of GOODBYE EARL, HALF-BLOWN ROSE, THIS CLOSE TO OKAY, SO WE CAN GLOW, WHISKEY & RIBBONS, and EVERY KISS A WAR. Her next novel is the forthcoming AS YOU WISH. HALF-BLOWN ROSE was the Amazon Editors’ Spotlight for June 2022 and the inaugural pick for Amazon’s Editorial Director Sarah Gelman’s Book Club Sarah Selects. THIS CLOSE TO OKAY was a Goodreads Choice 2021 Nominee for Best Fiction, a Book of the Month Book of the Year 2021 Nominee, a Book of the Month Early Release Pick for December 2020, the Good Housekeeping Book Club Pick for February 2021, and the Marie Claire Book Club Pick for March 2021. THIS CLOSE TO OKAY was also longlisted for the 2022 Mark Twain American Voice in Literature Award. SO WE CAN GLOW was listed as one of NPR’s Best Books of 2020 and was longlisted for the 2021 Joyce Carol Oates Prize. WHISKEY & RIBBONS won the 2019 Independent Publisher Book Awards (IPPY) Gold Medal in Literary Fiction, was longlisted for the 2018 Center for Fiction First Novel Prize, and was one of O Magazine's 2018 Top Books of Summer. EVERY KISS A WAR was nominated for the PEN Open Book Award (2014) and was a finalist for both the Flannery O'Connor Award for Short Fiction (2012) and the Iowa Short Fiction Award (2012). Find more @ LeesaCrossSmith.com
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At the beginning of This Close to Okay, readers meet main character Tallie, who is a 40-year-old recently divorced therapist driving home from work on a Thursday. She’s taking her usual route over a bridge on her way home when she sees someone about to jump off the bridge. Tallie pulls over, yells at the man to get his attention, and then talks to him until he agrees to come with her. Emmett is the 31-year-old man who is about to jump off the bridge to commit suicide when Tallie intervenes. Emmett’s reasons for wanting to commit suicide are slowly revealed to readers over the course of the rest of the novel. The novel changes perspectives back and forth from Tallie to Emmett throughout, although I felt much of the story was told through Tallie’s perspective.
Tallie takes Emmett out for coffee since he refuses to go to a hospital or to a family member’s house. She is understandably reluctant to leave him by himself, for fear he will go back to the bridge. She is intentionally using her therapist techniques while trying to hide the fact she is a therapist. Emmett repeatedly says he no longer feels as if he is going to hurt himself, but when readers switch to his perspective, we quickly learn he is lying to Tallie. Also, there is a point in the coffee shop when Tallie takes something from Emmett in an attempt to secretly learn more about why he was trying to jump off the bridge. In other words, immediately the main characters start their relationship with some strategic deceit.
After some coffee and a long chat, Emmett is still refusing to either seek professional help or go to a relative or friend’s home. As a result, Tallie decides to take him home with her. This is the first in a long series of problematic ethical decisions and questionable judgements that Tallie makes during her time with Emmett which I found hard to swallow. Some readers may also have issues with the main character’s actions as she breaks several professional therapist boundaries that are in place to protect patients and ensure their well-being. However, Emmett is not a patient, even though he obviously does need professional help, therefore some readers may find it easier to dismiss Tallie’s indiscretions than I did.
Even though the author does explain Tallie’s reasoning for taking Emmett home with her, this decision just doesn’t seem like a reasonable or believable scenario to me for three reasons. For one thing, I find it difficult to believe that a therapist would not know one single emergency resource or contact for suicide prevention. The author herself provides a suicide prevention hotline number in the back of her novel, which leads me to wonder if someone calls that hotline wouldn’t the responder have a place to send the person calling? Secondly, I had a hard time buying the idea that any single woman would pick up a man literally off the street and take him to her house especially when she lives alone. The author describes Tallie as a very perceptive and intuitive person who practically has supernatural instinct, but I still find it unfathomable.
Finally, given that Tallie is a trained, practicing, educated therapist she has been taught to have certain boundaries and cautioned about what can happen without having boundaries. Therefore, I find it highly unlikely that she would so readily abandon her professional ethics. Readers must overcome these three logical expectations multiple times during the story. Even more ethical lines are crossed as Tallie and Emmett’s relationship grows and deepens.
The entire novel takes place over one weekend. Tallie meets Emmett on a Thursday and he leaves her home on a Sunday. For the course of a weekend, they essentially operate as a new couple together. They go to a Halloween party together, including shopping for costumes together. They get tipsy a couple times, she cooks him meals, he cooks her meals, and he cleans the gutters of her house.
Without revealing too much about the plot, the characters share some of their hardest hurts with each other, including some life-changing events and how they felt about them. Tallie has unresolved feelings about her former marriage and it turns out Emmett is a widower. Both share with each other up to a point, and each purposely leave out details so neither have a complete view of the other person. In some ways they open up to one another and get to know each other but in other ways both are keeping some very big secrets. However, neither person knows the other one is holding back, so each thinks that the other person is being open, trusting and honest. The character development was well done but I do think the entire story would have been more powerful if written in the first-person perspective.
Towards the end of the book, of course all the half truths unravel. Even readers are kept in the dark about Emmett’s identity and all that he has endured. His entire truth is devastating. Tallie’s lies are also discovered by Emmett, and ironically even though they were lying to each other both feel angry and self-righteous about the other’s deceit.
An overall theme in the description of the book is the healing power of emotional connection. I don’t know if that theme rings true to me. Even though the characters do build an emotional connection, it is based on the shaky ground of half-truths and partial lies. There is a suspension of disbelief required to believe Tallie’s actions. Some readers may have strong feelings about Tallie’s professional ethics, morals, and her treatment of a person who is so emotionally fragile.
Guy tells Tallie his name is Emmett. After talking for a while Tallie can tell she cannot leave him alone and invites him to her home, which is crazy to offer up to anyone, especially a suicidal strange man. Tallie and Emmett seemed to quickly form a connection, and both are reluctant after one night of Emmett sleeping on her couch to walk away from the other. Tallie is able to assess and determine that Emmett needs help and conversationally gets him to open up when she does the same. Tallie doesn’t reveal she is a therapist. Emmett also doesn’t reveal a lot about his life which we later find out. The two have chemistry and a connection that is evident. Tallie invites Emmett to stay the weekend and they both agree to move on and go their separate ways after Sunday after accompanying Tallie to her brother’s Halloween party and meeting more people who keep telling him he looks so familiar. Tallie opens up about her divorce from Joel and his cheating to the guy in college that got away Nico who she has a friend with benefits type of relationship that Emmett figures out. Well a lot happens at the party and the lies and deceit from both are revealed. Throughout the book, both Tallie and Emmett and Tallie and Nico have a sexual jealousy thing going on that you don’t know which guy you should be rooting for to be with Tallie. Emmett has A LOT of issues, but the ending had me wanting more closure. It wrapped up with the connection and love she has for both men, one a love and partner and the other a love and friendship.
Top reviews from other countries
This book was emotional but cozy and made.me laugh. It made.me feel all sorts of emotions and I didn't expect it to have a twist in it either.
Both characters annoyed me at one point but it was good they both had a flaw and nobody likes a character who is perfect.
Writing mentle health cant be easy but the author did it well, for someone who suffers with mentle health I felt this book handled it and portrayed it well. I only gave it 3.5 stars as I didn't connect to the characters as much as I do with other books however this book is well worth the read.
Reviewed in the United Kingdom on March 11, 2021
This book was emotional but cozy and made.me laugh. It made.me feel all sorts of emotions and I didn't expect it to have a twist in it either.
Both characters annoyed me at one point but it was good they both had a flaw and nobody likes a character who is perfect.
Writing mentle health cant be easy but the author did it well, for someone who suffers with mentle health I felt this book handled it and portrayed it well. I only gave it 3.5 stars as I didn't connect to the characters as much as I do with other books however this book is well worth the read.












