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This Dark Endeavor: The Apprenticeship of Victor Frankenstein Kindle Edition
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The purest intentions can stir up the darkest obsessions.
In this prequel to Mary Shelley’s gothic classic, Frankenstein, 16-year-old Victor Frankenstein begins a dark journey that will change his life forever. Victor’s twin, Konrad, has fallen ill, and no doctor is able to cure him. Unwilling give up on his brother, Victor, his beautiful cousin Elizabeth, and best friend Henry begin a treacherous search for the ingredients to create the forbidden Elixir of Life.
Impossible odds, dangerous alchemy, and a bitter love triangle threaten their quest at every turn.
Victor knows he must not fail. But his success depends on how far he is willing to push the boundaries of nature, science and, love -- and how much he is willing to sacrifice.
- Reading age12 years and up
- LanguageEnglish
- Grade level7 - 9
- Lexile measure690L
- PublisherSimon & Schuster Books for Young Readers
- Publication dateAugust 23, 2011
- ISBN-13978-1442403161
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Editorial Reviews
About the Author
Review
--"The London Times"
""This Dark Endeavor "may renew interest in "Frankenstein", but it also stands alone as an original and welcome addition to the world of young-adult fiction."--Kelley Armstrong, author of the Darkest Power series
"A dark and dramatic back story for Shelley's tormented creator."--"Kirkus Reviews"
"Brash, jealous, and arrogant, Victor is sweet relief from today's introspective YA protagonists, and one can easily visualize how this teen becomes the mad genius of Shelley's Frankenstein."--"Booklist"
"Oppel grapples with the human duality of animal and soul in ways that recall (but don't repeat) Shelley's similar thematic explorations as he revitalizes the classic horror tale for a new generation."--"Bulletin of the Center for Children's Books", STARRED review
"Oppel has reinvented the gothic thriller for modern readers. The narrative crackles with tension, emotions run high, and the atmosphere is perfectly dark and brooding. The Shelleys would be proud. I definitely recommend you check out the book when it's published August 23. I anticipate "This Dark Endeavor" will get a lot of attention, and rightly so."--Rick Riordan
"Oppel's novel is a gripping tale of undying devotion, mixing hope with foreboding."--"The Horn Book" in a STARRED review
"Oppel's tale is melodramatic, exciting, disquieting...a delicious mix."--"Publisher's Weekly" in a STARRED review
"Sharp readers will find allusions to Mary Shelley, her literary circle, and classic horror films; for those simply wanting a good story with plenty of action, this book will not disappoint."--"School Library Journal"
"The action and suspense begin on page one and let up very little in this excellent work of gothic science fiction."--"VOYA"
Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE
MONSTER
WE FOUND THE MONSTER ON A ROCKY LEDGE HIGH ABOVE the lake. For three dark days my brother and I had tracked it through the maze of caves to its lair on the mountain’s summit. And now we beheld it, curled atop its treasure, its pale fur and scales ablaze with moonlight.
It knew we were there. Doubtless it had smelled us coming, its flared nostrils drinking in our sweat and fear. Its crested head lifted slightly, almost lazily. Coins and jewels clinked and shifted as its body began to uncoil.
“Kill it!” I roared. My sword was in my hand, and my brother was at my side, his own blade flashing.
The speed with which the beast struck was incomprehensible. I tried to throw myself clear, but its muscular neck crashed against my right arm, and I felt the arm break and dangle uselessly at my side. But my sword hand was my left, and with a bellow of pain I slashed at the monster’s chest, my blade deflecting off its mighty ribs.
I was aware of my brother striking at the beast’s lower regions, all the while trying to avoid its lashing barbed tail. The monster came at me again, jaws agape. I battered its head, trying to stab its mouth or eyes, but it was as quick as a cobra. It knocked me sprawling to the stone, so that I was perilously close to the precipice’s edge. The monster reared back, ready to strike, and then it shrieked in pain, for my brother had severed one of its hind legs.
But still the monster faced only me—as if I were its sole adversary.
I pushed myself up with my good hand. Before the monster could strike, I hurled myself at it. This time my sword plunged deep into its chest, so deep I could scarcely wrench it out. A ribbon of dark fluid unfurled in the moonlight, and the monster reared to its full height, terrible to behold, and then crumpled.
Its head shattered on the ground, and there, among the bloodied fur and cracked crest, was the face of a beautiful girl.
My brother came to my side, and together we gazed at her, marveling.
“We’ve broken the curse,” he said to me. “We have saved the town. And we have released her.”
The girl’s eyes opened, and she looked from my brother to me. I knew she didn’t have long to live, and a question burned inside me. I knelt.
“Why?” I asked her. “Why was it only me you attacked?”
“Because it is you,” she whispered, “who is the real monster.”
And with that, she died, leaving me more shaken than I could describe. I staggered back. My brother could not have heard her words—they were spoken so softly—and when he asked me what she’d said, I shook my head.
“Your arm,” he said with concern, steadying me.
“It will heal.” I turned my gaze to the pile of treasure.
“We have more than can ever be spent,” my brother murmured.
I looked at him. “The treasure is mine alone.”
He stared back in astonishment, this brother of mine who looked so much like me, we might have been the same person. And indeed we were, for we were identical twins.
“What do you mean?” he said.
I lifted my sword, put the tip against his throat, and forced him, step by step, toward the edge of the precipice.
“Why should we not share this,” he demanded, “as we’ve shared everything else equally?”
I laughed then, at the lie of it. “No twins are ever completely equal,” I said. “Though we’re of one body, we are not equal, Brother, for you were born the sooner by two minutes. Even in our mother’s womb you stole from me. The family birthright is yours. And such a treasure that is, to make this one look like a pauper’s pittance. But I want it, all of it. And I shall have it.”
At that moment the monster stirred, and in alarm I turned—only to see it making its final death contraction. But in that same instant my brother drew his sword.
“You will not cheat me!” he shouted.
Back and forth across the ledge we fought. We were both strong, with broad shoulders and taut muscles that thrived on exertion. But my brother had always been the better swordsman, and with my broken arm I was even more disadvantaged. But my cold serpent’s resolve was strong, and before long I had smacked the sword from his hand and forced him to his knees. Even as he stared at me with my own face, and pleaded with me in my own voice, I plunged the sword into his heart and stole his life.
I gave a sigh of utter relief and looked up at the moon, felt the cool May air caress my face.
“Now I shall have all the riches in the world,” I said. “And I am, at last, alone.”
For a moment there was only the shushing of the breeze from the glacial lake—and then applause burst forth.
Standing on the broad balcony, I turned to face the audience, which had been watching us from their rows of chairs just inside the ballroom. There was Mother and Father, and their friends, their delighted faces bathed in candlelight.
My brother Konrad sprang to his feet, and together we ran back to the crumpled monster and helped our cousin emerge from her costume. Her luxuriant amber hair spilled free, and her olive complexion glowed in the torchlight. The applause grew louder still. The three of us joined hands and took a bow.
“Henry!” I called. “Join us!” We all three of us waved him out. Reluctantly our best friend, a tall blond wisp of a fellow, emerged from his lurking spot near the French doors. “Ladies and gentleman,” I announced to the audience. “Henry Clerval, our illustrious playwright!”
“Bravo!” cried my father, and his praise was echoed round the room.
“Elizabeth Lavenza as the monster, ladies and gentlemen,” said Konrad with a flourish. Our cousin made a very pretty curtsy. “My name is Konrad. And this”—he looked at me with a mischievous grin—“is the hero of our tale, my evil twin, Victor!”
And now everyone was rising to their feet, to give us a standing ovation.
The applause was intoxicating. Impulsively I jumped up onto the stone balustrade to take another bow, and reached out my hand for Konrad to join me.
“Victor!” I heard my mother call. “Come down from there at once!”
I ignored her. The balustrade was broad and strong, and, after all, it was hardly the first time I had stood on top of it. But I had always done so secretly, for the drop was considerable: fifty feet to the shore of Lake Geneva.
Konrad took my hand, but instead of yielding to my pull he exerted his own, and tried to bring me down. “You’re worrying Mother,” he whispered.
As if Konrad hadn’t played on the balustrade himself!
“Oh, come on,” I said. “Just one bow!”
Our hands were still joined, and I felt his grip tighten, intent on bringing me back to the balcony. And I was suddenly angry at him for being so sensible, for not sharing my joy at the applause—for making me feel like a childish prima donna.
I jerked my hand free, but too fast and too forcefully.
I felt my balance shift. Already weighed down by my heavy cape, I had to take a step backward. Except there was nowhere to step. There was nothing, and suddenly my arms were windmilling. I tried to throw myself forward, but it was all too late, much too late.
I fell. Half turned, I saw the black mountains, and the blacker lake, and directly below me the rocky shore—and my death, rushing up to meet me.
Down I fell toward the jagged shallows.
But I never reached it, for I landed hard upon the narrow roof of a bow window on the chÂteau’s lower floor. Pain shrieked from my left foot as I collapsed and then rolled—and my body began to slide over the edge, legs first. My hands scrabbled, but there was nothing to grasp, and I was powerless to stop myself. My hips went over, then chest and head—but at the roof’s very edge was a lip of stone, and it was here that my frenzied hands finally found purchase.
I dangled. With my feet I kicked at the window, but its leaded panes were very strong. Even if I could’ve cracked the glass, I doubted I could swing myself inside from such a position.
More important, I knew I could not hold on for very long.
With all my might I tried to pull myself back up. My head crested the roof, and I managed to hook my chin over the lip of stone. My flexed arms trembled with fatigue, and I could do no more.
Directly above me came a great clamor, and I glimpsed a throng of people peering over the balustrade, their faces ghastly in the torchlight. I saw Elizabeth and Henry, my mother and father—but it was Konrad onto whom my gaze locked. Around one of the balustrade’s posts, he had tied his cloak, so that it hung down like a rope. And then I heard my mother’s shrieks of protest, and my father’s angry shouts, as Konrad swung himself over the top of the balustrade. He grabbed hold of the cloak, and half climbed, half slid, down to its very end.
Even as the strength ebbed from my arms and hands, I watched, enthralled. Konrad’s legs still dangled some six feet from my little roof, and his landing spot was not generous. He glanced down, and let go. He hit the roof standing, teetered off balance—to the gasps of all the onlookers—and then crouched, low and steady.
“Konrad,” I wheezed. I knew I had only seconds left before my muscles failed and my fingers unlocked. He reached out for me.
“No!” I grunted. “I’ll pull you off!”
“Do you wish to die?” he shouted, making to grab my wrists.
“Sit down!” I told him. “Back against the wall. There’s a stone ledge. Brace your feet against it!”
He did as I instructed, then reached for my hands with both of his. I did not know how t...
--This text refers to an alternate kindle_edition edition.Product details
- ASIN : B004DNWPZS
- Publisher : Simon & Schuster Books for Young Readers; Reprint edition (August 23, 2011)
- Publication date : August 23, 2011
- Language : English
- File size : 4747 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Sticky notes : On Kindle Scribe
- Print length : 385 pages
- Page numbers source ISBN : 1849920893
- Best Sellers Rank: #638,881 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author

Kenneth Oppel is the author of numerous books for young readers. His award-winning SILVERWING trilogy has sold over a million copies worldwide, and been adapted as an animated TV series and stage play. AIRBORN was winner of a Michael L Printz Honor Book Award, and the Canadian Governor General's Award for Children's Literature; its sequel, SKYBREAKER, was a New York Times bestseller and was named Children's Novel of the Year by the London Times. He is also the author of HALF BROTHER, THIS DARK ENDEAVOR, THE BOUNDLESS, and THE NEST (winner of the CLA Book of the Year for Children). His latest books are INKLING, BLOOM, and GHOSTLIGHT. Born on Vancouver Island, Oppel has lived in Nova Scotia, Newfoundland, England, Ireland, and now lives in Toronto with his wife and children.
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After his twin brother Konrad falls sick, Victor resolves himself to cure his brother, and sets out to create an elixir that will stave off his brother's illness, and bring him back from the verge of death- the legendary elixir of life. Of course, this is easier said than done, however, leaving Victor to seek out notoriously rare ingredients with the help of Elizabeth, his distant cousin/love interest, and Henry, his best friend. While I won't spoil anything here, allow me to assure you that you're in for quite the quest. What's more, that's only the icing on the cake! And oh, what a cake it is!
You see, Kenneth Oppel is a master puppeteer. And not just any puppeteer, mind you. An emotional puppeteer.
One of the things I've always respected about Oppel's writing is his finely-tuned awareness of emotion, and just how expertly he makes said emotion burst off the page in his work. True enough, This Dark Endeavor is a thoroughly emotional book. Not in the sense that it's leaking flowery prose and melodrama every other sentence, however- in fact, that couldn't be farther from the truth. It's a work that tugs and pull at a reader's emotions, launching them headfirst into Victor's battle for self-worth. I'll admit, it takes quite a bit for me to become emotionally invested in a character, but right from the very beginning, I could tell Victor's problems were so human, it would be nigh impossible not to find yourself rooting for him in some form or another.
It's that same emotional force that makes this book so powerful, so gripping that you dread having to lay it down. Every detail is described in beautiful prose that's not too heavy and not too skimpy- a miracle in and of itself. Oppel excels at immersing readers in a book's atmosphere, and from the serene landscape of Geneva to the chilling ambiance of underground caves, it's quite clear that This Dark Endeavor is no exception.
I only have a few complaints. First, near the end of the book, we realize that a certain character had less than good intentions, and the character quickly assumes the role of antagonist. However, the character's sole reason for his action is due to a tiny mistake made by the protagonists, and given the fact that he could've easily alerted them to the situation, his transformation seems a bit jolting to say the least. Perhaps I didn't notice it, but it seemed foreshadowing was a bit light with this character, as if there was no evidence at all of his true nature to be found, however small.
Speaking of jolting changes, there's one detail I can't forget to mention. The book's ending. While a sequel is apparently in the works for next year, the ending is clear contrast with all the themes that the book had been building up to at that point. Whenever I first heard about the book, I expected it to end in a similar fashion, but by the end, it truly seemed as if things were going to take a different turn, yet somehow stay faithful to the source work. However, by the first sentence of the final chapter, I knew that wasn't the case. You see, there was no real lead-up to the events of the last chapter, and in fact, the chapter that proceeded it could almost be considered the "happily ever after" of the book. Yet, out of nowhere, the final chapter pops in, and shatters all that. It was for story reasons, no doubt, but a bit more elaboration and explanation would've benefited the chapter greatly. As mentioned earlier, there is a sequel on the way, and perhaps it will answer some of the burning questions I've been left with in the aftermath of this book, but I truly believe a bit more in just that one chapter could've made the book even more wonderful.
In short? Buy. This. Book. Even with a bit of a jolting ending, This Dark Endeavor will have you tearing through pages until the very end, and, if you're anything like me, reaching for a copy of Frankenstein to continue the story. Whether it be the wonderful dialogue, the perfect plot twists, or even the lovable, three-dimensional characters, This Dark Endeavor truly has something for everyone.
Victor is always just a step behind his twin brother Konrad, even in realizing he has a crush on the distant cousin who was brought to live with their family after her father abandoned her. Except, of course, when it comes to getting in trouble. Victor is a professional at mischief and mayhem, much to his family's dismay. When the kids stumble across a hidden library full of alchemy books, Victor is the first to start snooping around... until their father catches them and forbids them to ever enter the Dark Library again. But when Konrad falls gravely ill and no medicine seems to be making a dent, Victor is willing to try anything to save his brother.
Convinced alchemy is the only way, Victor finds a book that might contain the secret of the Elixir of Life. He tracks down the only alchemist known in the area only to find a man confined to a wheelchair who was forbidden to practice alchemy by Victor's own father. When Victor pleads for his brother's sake, the alchemist agrees to help them at least translate the code for the recipe. But as the code gets cracked and the ingredients are revealed, the alchemist is just as anxious to try the recipe himself. Being confined to the wheelchair, the kids must get the rare ingredients themselves, even if it risks their lives. But with Konrad's life hanging in the balance, no risk is too much for Victor.
Here is the thing about Victor Frankenstein... he is kind of a wise guy. He is an arrogant teen boy who isn't afraid to plod head on into situations despite the possible consequences... actually, without much regard for the possible consequences at all. But he loves his brother. And he is fallible. I liked this fun prequel to the Frankenstein we all read about in high school. I think it was a great way to explain the man he eventually became. It really made me think about Frankenstein differently, which is the reason this would be a fun series to give a young adult who is reading the classic Shelley story. It might also encourage them to write a little fan fiction of their own about their favorite characters from books or movies they have enjoyed! Add to that the beauty in the lesson of different perspectives, and you have quite a fun lesson on your hands!
This book is appropriate for any middle through young adult reader who likes to read about adventure, but it would mostly likely have the most impact on someone who has read Shelley's original. Therefore, an older student would probably get the most, but I wouldn't hold a kid back from this story if they hadn't read the original. In all honesty, other than the name, there isn't much keeping you from understanding this story without the original. It's a fun adventure filled with silly kids, emotions, and a mystery to be solved. You will most likely enjoy it just as much as I have, especially as Victor gets himself in and out of one tough spot to another!
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Now let’s put it into context, I have never read much gothic horror, be it classical or modern, and my attempts at dipping my toes in the horror genre have never gotten me very far. I love the creepy, mysterious build ups but the endings always leave me disappointed, often bitterly so. I did, however, hope that a story set in a time period so very suited to the genre and mixing alchemy with the paranormal would be what I had been looking for.
Instantly, Victor (main twin and POV of both books) was my favourite of the twins: Konrad just seemed too damn good and too damn reasonable whereas Victor already promised all the greyness I like to find in my protagonists. So when Konrad falls mysteriously ill after he, his brother, and their childhood friend Elisabeth discover the family’s hidden Dark Library which contains hundreds of tomes on alchemy, Victor isn’t willing to sit still and wait for the doctors to do something. Instead, helped by Elisabeth, for whom he is just about starting to develop feelings, and their friend Henry who has always been dragged into their ‘adventures’, he delves into the Dark Library–against his father’s wishes–to seek a cure for his brother. That’s how he finds himself in possession of the recipe for the Elixir of Life, the one thing that could save Konrad and restore his life once and for all.
With the help of the alchemist Polidori who lives in disgrace in the nearby city, the three teenagers set off on a quest to find the different ingredients needed for the Elixir.
I was glad I knew from the back of book two that Konrad was going to die (sorry for the spoiler!) because otherwise this book would have hit me where it hurt and I don’t know whether I would have found myself more upset or angry at it. Although I couldn’t quite get attached to Konrad (who I spent the latter half of the book when he wasn’t back to half dying wanting to smack around the head), I felt for Victor as he was forced, first by his father then by Konrad himself, to stop pursuing his dabbling in alchemy.
But with how two out of the three ingredients in his possession, Victor decides he can’t possibly give up now and manages to shake both Henry and Elisabeth out of their refusal to help and the three of them return to the alchemist to finish up the Elixir.
The end of the book left a bitter taste in my mouth and left me both very disappointed and unfulfilled. No reason is given as to why what happens happens, and not even in the second book do any of the characters question the why. It’s a little frustrating, and I do feel that Oppel could have done better with this. There would be have been many different ways to end book one that would have been by far more shocking and yet far more appropriate, leaving the mystery open instead of taking part of it away.
Bar the ending, the book was fantastic. Victor is a flawed but believable character who, having just turned sixteen and possessed of passion. Having always come second best to Konrad, Victor feels that this is his time to shine, and where possible get the girl. But more than that, Victor craves the knowledge that comes to him, and with it the skill set that he is starting to acquire. Because Victor is good at alchemy, he seems almost intuitively skilled with it and for once he no longer feels as though he isn’t good enough. By his side is Henry, a friend from childhood who far prefers poetry to adventure but is steadfast in his loyalty to Victor and his brother. And there is Elisabeth, the pretty girl, distant cousin to the twins and the target or everyone’s attention. Now, having already read and finished book two, I can’t quite remember what I though of Elisabeth in this book. I think she was okay although I really wanted to smack the over-religiousness she displays later on in the story right out of her (but that, I guess, is just a question of preference).
All in all, This Dark Endeavour was a really good book, well written with the perfect imagery for its genre and believable flawed characters. It’s just a pity the ending seemed to leave me wanting more of a resolution.
The main drive of the plot follows Victor, Elizabeth and their friend Henry trying to find the ingredients they need for the elixir of life, to save Victor's twin, Konrad. But there is also the sub plot which examines the love that the twins share for Elizabeth, their distant cousin. All of the characters are well developed, each adding something to the plot. Oppel has also done a great job at creating tension and atmosphere - with the addition of the Dark Library, the subject of alchemy and the torments of the heart and soul, Oppel's book is satisfyingly Gothic.
All in all, this is a great read. I loved it. Although this installment ends in a way which provides some resolution, there is also a very natural link to the next part of Victor's story. On the inside flap, there is a tag line which says something like, from the purest intentions, the darkest obsessions can be born. This brilliantly sums up the premise of this book.
Highly recommended.





