- Series: Maisie Dobbs
- Hardcover: 352 pages
- Publisher: Harper; 1st Edition edition (March 14, 2017)
- Language: English
- ISBN-10: 0062436600
- ISBN-13: 978-0062436603
- Product Dimensions: 6 x 1.1 x 9 inches
- Shipping Weight: 1.6 pounds (View shipping rates and policies)
- Average Customer Review: 4.7 out of 5 stars See all reviews (312 customer reviews)
- Amazon Best Sellers Rank: #8,776 in Books (See Top 100 in Books)
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In This Grave Hour: A Maisie Dobbs Novel Hardcover – March 14, 2017
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“While Winspear maintains her focus on the volunteers and charitable organizations involved in their rescue and relocation, her portraits of individual evacuees like Anna, a homeless waif so traumatized she has stopped speaking, are enough to break your heart.” (Marilyn Stasio, New York Times)
“With authority and compassion, Winspear excels at captivating plotting, authentic casting and refined prose. Superlative crime fiction that breaks the boundaries of the genre, In This Grave Hour portrays a past that reverberates in the present.” (Jay Strafford, Richmond Times-Dispatch)
“Winspear’s compelling series entry feels very timely in light of our current political climate over issues of refugees and immigration. Fans will line up to get this installment, but it also serves as a good introduction for new readers.” (Library Journal, starred review)
“A fine novel, written with Winspear’s sure hand and ability to meld historical events into an engaging crime narrative. Fans will savor this one as they anticipate what Maisie will do in WWII.” (David Pitt, Booklist)
“A female investigator every bit as brainy and battle-hardened as Lisbeth Salander.” (Maureen Corrigan, NPR's Fresh Air)
“A series that seems to get better with every entry.” (Tom Nolan, Wall Street Journal)
“With clarity and economy, Winspear lays the historical groundwork…. The setting matters, but what may matter more is the lovely, sometimes poetic way Winspear pushes her heroine forward…. May she shine on the literary scene for many books to come.” (Robin Bianco, USA Today, 3.5 out of 4 stars)
From the Back Cover
Sunday, September 3rd, 1939. At the moment Prime Minister Neville Chamberlain broadcasts to the nation Britain’s declaration of war with Germany, a senior Secret Service agent breaks into Maisie Dobbs’s flat to await her return. Dr. Francesca Thomas has an urgent assignment for Maisie: to find the killer of a man who escaped occupied Belgium as a boy some twenty-three years earlier during the Great War.
Within days, in a London shadowed by barrage balloons, bomb shelters, and the threat of invasion, another former Belgian refugee is found murdered. And as Maisie delves deeper into the killings of the dispossessed from the “last war,” a new kind of refugee—an evacuee from London—appears in Maisie’s life. The little girl billeted at Maisie’s home in Kent does not, or cannot, speak, and the authorities do not know whom the child belongs to or who might have put her on the “Operation Pied Piper” evacuee train. They know only that her name is Anna.
As Maisie’s search for the killer escalates, the country braces for what is to come. Britain is approaching its gravest hour—and Maisie could be nearing a crossroads of her own.
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Top customer reviews
Maisie is not your average "girl sleuth."
She has the courage to speak her mind along with impeccable manners; a no-nonsense woman who is also witty and compassionate.
I really appreciate that Maisie's compassion comes across as genuine and sugar-free.
Her intuitive take on everyone and everything around her is spot on: As I see Maisie, she is the poster child for cognitive thinking.
No one bests Maisie...other than her dad, as you will see in this 13th story in the life of Maisie Dobbs.
This book begins with a radio announcement at 11:15 am, September 3rd, 1939.
Nevile Chamberlain, the Prime Minister of Britain, announces that England is now at war with Germany.
Throughout the book, we read many authentic details of England's preparations for all-out war. Every citizen is given a gas mask and expected to have it with them at all times. The full blacking out of windows at night is rigidly enforced. The strange "barrage balloons" loom over London, a highly visible and ominous reminder that a new kind of war is under way.
Maisie, who has recently returned from grief-stricken wanderings abroad, reopens her business as "Psychologist and Investigator" of her own detective agency. She is approached by a member of the Belgian Embassy and asked to investigate the murder of a man who had been a refugee from Belgium in the first World War.
As Maisie sets about solving the case, more murders occur, all seeming to point to a common denominator involving a group of Belgian refugees who fled from Belgium to England during WWI.
In the meantime, Maisie becomes involved with a little girl who was evacuated, along with many other children, from London to Kent in the hopes of protecting them from the worst of the bombings sure to come.
Among the children are little Anna, who has no papers with her to explain who she is or where she is from. The child has with her only her gas mask and a little case she will not let out of her sight.
Anna cannot or will not speak a single word.
Although "In This Grave Hour" is a well-tuned mystery novel, it is also a much different story as well; one about the triumph of love and compassion over seemingly unbearable anger and heartache.
While this book can be read and enjoyed out of sequence, each book is a continuation of the one before, in the course of Maisie's life.
I recommend starting with book one: "Maisie Dobbs," if you like to start "at the beginning."
All of the books in this series are peppered with well-researched facts and tidbits about the era. Some of these provide just enough "cozy" to make things interesting to those who enjoy such details. But Winspear's books are far more than "cozies."
They are well-written mysteries, and, in my opinion, excellent literature.
This is the thirteenth novel in the Maisie Dobbs series. This book is as intriguing and enjoyable as the first and all the others in the series. The story is intricately plotted with subtle clues.
The story opens on September 3rd, 1939—the day England declared war on Germany. In what appears to be an unrelated matter, a foreign government asks Maisie to investigate a series of murders. The victims were evacuated while children during the First World War. They elected to remain in England after the war. Now someone is killing them.
Maisie peels back the layers of the victim’s lives to discover connections that have their roots in Belgium. Maisie also suspects her contact in the Belgian embassy is not being forthright with her. British police see the murders as random robberies.
While unraveling the knots in the case, Maisie intervenes in the situation of a little girl found alone in a railway station during the evacuation of children from London in anticipation of German air raids and invasion. Touched at her core, she makes arrangements for the child to be cared for as she searches for the little girl’s caretaker.
In This Grave Hour is Winspear at her best. Maisie continues to grow as a person and this book reveals new aspects of her character as both cases revive memories of her war service and her husband’s death she would rather not face. But she does face them and the reader draws closer to Maisie. Once again, Maisie is smart, strong and determined to see justice done. And she is also vulnerable and this makes us care for her more.
Maisie’s world is alive with the characters and friends we have journeyed with over the years. Her father and stepmother help with the little girl. Billy and Sandra are back. There is a hint a romance from early in the series may rekindle. And Maisie’s relationship with the little girl presents all kinds of possibilities. I’m already looking forward to Book 14.
I highly recommend this story. Join Maisie on her journey through England and Europe in the time period Winspear brings alive through her descriptions. We see London as Maisie sees it and the story world in never disappointing.
But Winspear's latest suffers from a weak plot line, poor attention to detail and setting and far too much time reviewing past events.
I would rather she spent more time revising than have published it in its present state.