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This Is How You Die Paperback – Illustrated, April 15, 2016
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THIS IS HOW YOU DIE
Stories of the Inscrutable, Infallible, Inescapable Machine of Death
The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could know how they would die. But the machines didn't give dates or specific circumstances-just a single word or phrase. DROWNED, CANCER, OLD AGE, CHOKED ON A HANDFUL OF POPCORN. And though the predictions were always accurate, they were also often frustratingly vague. OLD AGE, it turned out, could mean either dying of natural causes, or being shot by an elderly, bedridden man in a botched home invasion. The machines held onto that old-world sense of irony in death: you can know how it's going to happen, but you'll still be surprised when it does.
This addictive anthology--sinister, witty, existential, and fascinating--collects the best of the thousands of story submissions the editors received in the wake of the success of the first volume, and exceeds the first in every way.
- Print length513 pages
- LanguageEnglish
- Publication dateApril 15, 2016
- Dimensions6 x 1.29 x 9 inches
- ISBN-101455529397
- ISBN-13978-1455529391
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Editorial Reviews
Review
"THIS IS HOW YOU DIE is a brilliantly addictive book that reads like a series of existential, death-obsessed Twilight Zone episodes. It's a book that can somehow make "brain toxoplasmosis" jump right off the page. It's fun and twisted, but also surprisingly deep and almost meditative in parts. Very highly recommended." -Seth Grahame-Smith, New York Times bestselling author of Abraham Lincoln: Vampire Hunter and Unholy Night
"This volume takes the already cool concept and pushes it in dozens of fantastic new directions." -Brandon Sanderson, #1 New York Times bestselling author of the Mistborn trilogy and Robert Jordan's The Wheel of Time series
Praise for Machine of Death:
"Machine of Death is a marvelous collection, riddled with intelligence, creative reach, and a frankness that makes the best use of the central gimmick."
--The Onion A.V. Club
"Recalls the best writings of Harlan Ellison and Charles Beaumont.... Machine of Death brought me laughs, terror and tears....Highly recommended."
--Paradox Magazine
About the Author
David Malki is the Los Angeles-based author of Wondermark, a comic strip available online and in collections from Dark Horse Books, one of which was nominated in 2009 for the Eisner Award (the highest honor in comics) for Best Humor Publication. He also holds the distinction of having written the longest article ever published by Poets & Writers Magazine.
Ryan North is the Toronto-based author of the online Dinosaur Comics, one of the internet's most popular comic strips. He's also currently the writer of the Adventure Time comic book from BOOM! Studios, based on the television show.
Excerpt. © Reprinted by permission. All rights reserved.
This Is How You Die
Stories of the Inscrutable, Infallible, Inescapable Machine of Death
By Matthew Bennardo, David Malki, Ryan NorthGrand Central Publishing
Copyright © 2013 Matthew Bennardo David Malki Ryan NorthAll rights reserved.
ISBN: 978-1-4555-2939-1
CHAPTER 1
OLD AGE, SURROUNDED BY LOVED ONES
The "coming soon" sign was gone, and in its place stood a shining silver booth.Leah stopped, fascinated, looking at the machine.
For a brief moment, she waffled over the decision, but it wasn't in her natureto be indecisive. Leah got things done. Every performance appraisal she had everreceived had said so—though sometimes there was a gentle hint that shedidn't always have to act immediately, that she could allow herself to thinkthings over a little more.
But even that slight criticism had never been partnered with any real examplesof when she'd made the wrong decision.
Leah had instinct.
Had anyone who'd known her been nearby when Leah Cole stepped into the smallbooth, they wouldn't have been surprised. She read the instructions, swiped hercredit card, agreed to the terms and conditions without really reading them, andthen watched as the machine ran through its cleaning cycle and presented herwith a single sharp needle.
She pressed her thumb against it, feeling the slight sting of the needle. Themachine beeped, and she pulled her thumb away. The needle retracted.
A moment later, there was a slight hum and a small piece of paper clicked withfinality into the tray. Leah reached down and picked it up with her other hand,tucking her pricked thumb into her mouth. Just as she pulled the small whitepiece of paper free, there was another hum and a second piece of paper clickedinto the tray.
Leah blinked, then took the second piece of paper as well. She read them both.
After work, Leah dialed the 800 number on the back of the slips of paper andwaited.
"Alexandria Corporation," a gentle-voiced man answered the phone. "This isNicolas. How may I direct your call?"
"I took the test this morning at the new booth in the Byward Market," Leah said."But I think your machine is defective."
Nicolas didn't sound bored exactly, but he certainly didn't sound worried aboutthe state of the machine. "In what way do you think there's a defect?"
"It gave me two contradictory results, on separate papers."
Nicolas paused. When he spoke next, he sounded interested. "Two results?"
"Yes," Leah said. "And it wasn't someone else leaving a copy behind in themachine—they both printed out after I gave my blood sample. I checked yourwebsite—the ID codes printed at the bottom of the paper are identical. Itgenerated two results for me."
"I'm going to transfer you," Nicolas said.
Leah waited.
Nicolas transferred her to a woman named Alia, who then transferred her to a Dr.Lindsay Brine. Leah was growing impatient—not an unusual state—butshe forced herself to take a breath and explained everything to the doctor.
Again.
The response sent a shiver up her spine.
"Are you a twin?" she asked.
Leah swallowed. Her throat felt tight. "Yes."
"Identical, I'd assume?" Dr. Brine pressed.
"We're mirror twins, if you know what that means."
"I do," Dr. Brine replied. "This has happened once or twice before. If you askyour twin to take the test and you get the same results, I'm afraid that's theonly answer we can give you. I'll have my assistant, Audrey, refund youractivation fee."
Leah said nothing. Her mind spun.
"Miss Cole?"
"Yes," Leah said. "Thank you."
"You're welcome." Dr. Brine seemed anxious to end the call.
Leah obliged.
Then she called Julia.
"Not on your life," Julia said.
Leah sipped her latte, looking at her sister with the same mix of feelings shealways had: love, protectiveness, and total frustration.
Julia had kept her hair long once the twins had been old enough to make theirown decisions. Their mother had always dressed them in matching outfits andgiven them the same short haircut, and while that hadn't bothered Leah, it haddriven Julia crazy. Now that they were adults, Julia's chestnut hair fell justpast her shoulders, unlike Leah's chic Hepburn style. Julia wore soft pastelswhere Leah favored rich jewel tones. Julia wore no jewelry aside from herwedding band. Leah decorated her ears, throat, wrists, and fingers with simplesilver pieces she'd had made personally for herself.
And still the waitress had exclaimed, "You two are twins, right?"
"No," Leah had said. "This is my girlfriend." The waitress had flushed andstammered and taken their order.
Julia had given Leah a rare smile of conspiracy. "You're terrible."
Leah had shrugged and then launched into her reason for calling. "So. Here'swhat happened."
Julia had listened, frowning with distaste when Leah had begun the tale and thenglaring by the end of the description of what had happened.
"And that's the problem," Leah said. "I've got two results, and they're mutuallyexclusive, so the doctor asked if I was an identical twin, which would mean thatone of them is for me, and one is for you."
"I don't want to know what either of them says," Julia snapped, holding up ahand.
Leah sighed. "You don't?"
"Don't sigh at me. And no, I don't." Julia put her coffee down with finality. "Idon't know why anyone would want to know. It's ... morbid. What if it saidsomething like 'childbirth'? Tristan and I are trying for a child—you knowthat. It would change everything."
"Well." Leah had frowned, thinking that Julia was missing the pointentirely—you couldn't avoid death, she felt. Knowing ahead of time atleast meant you could live accordingly. "It helps you plan ahead."
"Some of us like surprises."
Leah crossed her arms. "The doctor said that if you took the test and it gavethe same two answers, then I'd know that this was the reason for the tworesults."
Julia hadn't taken any time to ponder the question. As she shut Leah down, Leahcouldn't help but think that this was one instance where they were indeedidentical.
Left with no way to confirm a flaw in the machine—or to confirm that she'dhave to be happy with two options for her life's ultimate end—Leah hadgone back to work, tucking the two slips of paper into her purse and pullingthem out every now and then to look at them.
Just in case, she decided to stop drinking alcohol, though the rational part ofher mind reminded her that so far, no one had ever managed to avoid what wasprinted on the little pieces of paper the booths handed out. They were alwaysright. But if that particular result was hers, there was no way to know if shecould at least delay things. She decided to try.
Life went on. Her sister and Tristan had her over for dinner for the bigannouncement and then e-mailed her pictures of Julia's ever-expanding belly overthe weeks that followed. Leah immediately bought expensive clothes that Juliainsisted were too much and too stylish for a baby to wear—especially sincethe baby would grow out of them so quickly.
Leah helped her sister decorate the nursery once they'd learned they were havinga little boy and tried not to comment too strongly on the stereotypical bluecolor or the cowboy theme. After they'd finished putting up the borders, the twosisters had moved to the kitchen and sat down at Julia's table.
"Being pregnant suits you," Leah said with a smile.
Julia burst into tears.
Leah jumped up, embracing her sister out of habit, but lost as to the cause.
"What's wrong?" she asked, squeezing Julia's shoulders tightly.
"I took the stupid test!" Julia wailed. "I kept thinking about what we talkedabout, and then I started wondering, what if there was something horrible thatwas going to happen to me before our baby grew up? And then I thought about howour dad died when we were little, and how horrible that was ... and I couldn'thelp it ..." Julia sniffled, wiping her nose. "But I can't do it." She sighed."I just ... I just can't do it."
"I don't understand," Leah said.
Julia pulled out her purse and opened it. She dug inside, pulling out anenvelope that she'd obviously gotten from an ATM.
"I didn't look at them; I just put them in here," Julia said. She took a shakybreath. "It gave me two. All I want to know ..." She swallowed and handed theenvelope to Leah. "All I want to know is that it has nothing to do with beingpregnant. And that it doesn't say I'll die before I get to see my baby grow up."
Leah opened the envelope and pulled out the two slips of paper.
"They're the same as mine," she said, then looked up at her sister. "And don'tworry. Neither of them is about pregnancy, and they don't say anything aboutdying young. In fact—"
"Stop!" Julia raised a hand. "I don't want to know."
Leah bit her lip, considering. Then she nodded and put the slips back into theenvelope.
"If you call the company and tell them what happened, they'll refund your testpayment," she said.
"I never want to think about that again," Julia said.
Graham was born, and Leah found out that she did have a mothering gene afterall—though she truly enjoyed handing Graham back to her sister when shewas ready to go home and have a long hot bath. Tristan was a natural at being adad, and Julia had never seemed happier.
"I'm a mother," Julia kept repeating whenever Graham was sleeping in her arms."I'm a mother." From her sister's lips, Leah thought this sounded like thehighest accomplishment of humankind. Leah felt a surge of fierce love for hersister, and the two were closer than they'd been in years, spending more timetogether than they had since they were teens.
When Julia bobbed her hair short, Leah began growing hers out. Julia must havenoticed, but she didn't say anything.
Leah babysat on Saturday nights, so her sister and Tristan could enjoy anevening out—usually just dinner and a movie. It wasn't a chore, even whenGraham was grumpy and refused to sleep. Leah generally read a book, the babymonitor tucked on the table beside her, and found herself feeling oddly content.
The phone rang harshly on one of those nights, and she scooped it up, annoyed atherself for forgetting to turn off the ringer and hoping that it hadn't wokenGraham.
"Hello?" she asked, ready to tear out the throat of a telemarketer.
"Leah?" Leah barely recognized the voice, it was so ragged and raw.
"Tristan?" Her heart began to pound. "What's wrong? Where are you?"
"We're at the hospital."
A truck had run a red light and slammed into the passenger side of their car.Tristan's head was wrapped with bandages, two cracked ribs were bundled tight,and he was covered in small scrapes and cuts.
Julia had been in surgery for nearly three hours.
Tristan lay in his hospital bed, staring out the window of his room into thenight.
Leah sat beside him, waiting for the doctor to return. Graham was bundled in acarrier and fast asleep despite the background noises of the hospital.
When the doctor came in, his face said it all.
"No," Tristan said, and his eyes grew wet.
Leah rose. "Tell me."
The doctor regarded her a moment, then spoke. "There are some major internalinjuries. She lost a lot of blood. We had to remove her spleen and one of herkidneys. And the other kidney ..." He took a breath. "We had to stop surgery.But her remaining kidney has also been damaged. Once she's well enough forsurgery again, we can go in and we might be able to correct the damage,but—"
Leah's eyes blurred. She gripped the arms of the chair and tried to hold on toconsciousness. This couldn't be happening.
"—would be the preferred option."
Leah frowned, coming back. "What did you say?"
Beside her, Tristan was crying quietly.
"Oh, thank God," he said.
The doctor repeated himself.
Leah made a decision.
At Graham's first birthday, Julia watched him frown at the candle and laughedwhen Tristan tried to get him to blow it out. None of the children really seemedto understand what the party was about, but the parents had fun, and the cleanupwasn't so bad. None of the kids had much cake, and Julia knew she'd probably endup throwing most of it out—assuming her husband didn't eat it all in thenext two days.
The presents had all been opened—an excruciatingly slow process givenGraham's preoccupation with the shiny red paper on the first gift, which hewould have been happy to play with for the entire afternoon. There was only onething left, and Julia was dreading it with her entire being.
But Tristan took Graham for his nap, and she was alone.
Now or never, she thought.
She pulled the sealed envelope from her purse and looked at the handwriting. Hersister's perfect penmanship had always annoyed her as a child. Leah'simpulsiveness seemed at odds with her perfectly crafted letters, and Julia's ownhandwriting was terrible. Tristan said she should have been a doctor.
Open Me at Graham's First Birthday, the envelope said.
For a long moment, she wondered if she should just throw it out, but she knewshe wouldn't. Finally, she slid open the envelope and pulled out the letter. Itwas a single page alongside two small pieces of paper, which were folded inhalf. Julia swallowed when she recognized them.
The letter wasn't long, which both relieved and saddened her.
Julia,
The difference between certainty and a chance is love. I never thought I'd wishwith all my heart to be the one getting the second result, but right now I do. Ihope you will understand why I'm doing this, and I hope that you'll read thissomeday. The doctor said he could operate on your kidney and he might be able tosave it. Or I could give you one of mine. I'm going to give you one of mine. Iknow what that might mean for me, but I know what it might mean for you, too. Ipromise you that I thought this decision through.
Kiss Graham for me.
Love,Leah
Julia swallowed a lump and then fished out the two pieces of paper. She sighed,closing her eyes for a moment, and then opened the first.
Kidney operation, it said.
Julia felt her eyes brim with tears and allowed herself to cry. She opened thesecond.
It said, Old age, surrounded by loved ones.
"Thank you," Julia whispered, and then went to kiss her son.
Story by 'Nathan Burgoine
Illustration by Danica Novgorodoff
ROCK AND ROLL
"okay, kids, it'll be just another five minutes or so. You just sit tight, now."The man flashed a hurried smile to the three young teens before disappearingonce again. His unnaturally dyed hair portrayed an almost pitiful desire to lookmuch younger than he was, to fit in with these kids who were easily thirty yearshis junior. His hair was matched by his shiny leather vest and spasticallyaccessorized pants.
The man's words made Amanda suddenly aware that the three of them had beensitting in complete silence the entire time. She had been gazing at thelaminated badge she had been given, attached to a green fabric neck strap."Backstage Pass," it read in bold letters at the top, with the logo of the tourprinted beneath it. The colors of the logo didn't quite line up, making thegraphic appear as though it had purple shading on the left side and bottom.
The girl next to Amanda seemed to have the same realization and turned quicklyto Amanda. "I'm Julie," she said, sticking out her hand.
"Amanda," she replied, clasping Julie's hand. Amanda blushed a little as sherealized that her hand was sweaty because she was so nervous, especiallycompared to Julie's oddly cold palm. She let go perhaps a little early,embarrassed, and was flustered when Julie held on for another awkward second.Amanda thought she saw the hint of a smirk in Julie's face.
"I'm Austin," said the boy on the other side of Amanda. He was in a wheelchairand wore thick-framed, yellowish-tinted glasses. As Amanda turned to shake hishand, she was thrown off a little by his eyes, one of which seemed to focus on apoint a little behind her. His hand was a little warmer than Amanda's, whichfelt a little weird—but she held on this time, determined not to have thesame problem she had with Julie. She looked back at Julie, expecting her toreach over and shake hands with Austin, but she didn't; Julie just looked at himas if to acknowledge his presence while still holding on to the faint smile frombefore.
"I like your purse," Amanda offered, turning again toward Julie and trying toregain some of the power that the handshake faux pas had taken from her. Shedidn't really feel strongly one way or the other about the purse, but it didseem to be an expensive designer bag, or at least a knock-off. Either way itstruck Amanda as being something Julie must be proud of.
(Continues...)Excerpted from This Is How You Die by Matthew Bennardo, David Malki, Ryan North. Copyright © 2013 Matthew Bennardo David Malki Ryan North. Excerpted by permission of Grand Central Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- Publisher : Grand Central Publishing; Illustrated edition (April 15, 2016)
- Language : English
- Paperback : 513 pages
- ISBN-10 : 1455529397
- ISBN-13 : 978-1455529391
- Item Weight : 1.45 pounds
- Dimensions : 6 x 1.29 x 9 inches
- Best Sellers Rank: #350,630 in Books (See Top 100 in Books)
- #909 in Science Fiction Anthologies (Books)
- #2,819 in Dystopian Fiction (Books)
- #4,137 in Short Stories Anthologies
- Customer Reviews:
About the authors

Ryan North is the (New York Times bestselling, Eisner-award winning) creator of Dinosaur Comics, the co-editor of the Machine of Death series, and the author of both "To Be or Not To Be" and "Romeo and/or Juliet": the choose-your-own-path versions of Shakespeare's plays. He also wrote "The Unbeatable Squirrel Girl" for Marvel Comics, who you might know from their movies about an iron man. His non-fiction work includes "How To Invent Everything: A Survival Guide for the Stranded Time Traveller" and the upcoming "How to Take Over the World".
He lives in Toronto, Canada with his wife Jenn and his dog Noam Chompsky.

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David Malki ! is the creator and author of the comic strip "Wondermark", a unique gag strip created entirely from Victorian-era woodcuts. Formerly a professional movie-trailer editor, Malki now spends his days making Wondermark comics and clever spinoff items, as well as serving as the Supreme Commander of Publicity & Promotions for TopatoCo, at least the world's third-largest publisher of licensed webcomics merchandise.

'Nathan Burgoine's first novel, Light, was a finalist for both the Lambda Literary Award for LGBT SF/Fantasy/Horror, and the BOTYA 2013 Gay & Lesbian (Adult Fiction) ForeWord award. His first queer YA novel, Exit Plans of Teenage Freaks, was a finalist for a Prix Aurora Award. Since then, he's completed a contemporary queer fantasy trilogy, Triad Blood, Triad Soul, and Triad Magic.
For shorter fiction lovers lovers, 'Nathan has written the queer romance novellas "In Memoriam," "Handmade Holidays," "Saving the Date," "Faux Ho Ho," "Village Fool," and "Felix Navidad." His first full collection of short fiction. including five new stories and a novelette, is Of Echoes Born. He returned to YA with a queer rom-com Hi-Lo, Stuck With You (from Lorimer Kids), and a YA novella, "Hope Echoes," included in Three Left Turns to Nowhere, from Bold Strokes Books.
A cat lover, 'Nathan managed to fall in love and marry Daniel, who is a confirmed dog person. Their ongoing "cat or dog?" détente ended with the rescue of huskies. They live in Ottawa, Canada, where socialized health care and gay marriage have yet to cause the sky to cave in.

Matthew Bennardo lives in Kent, Ohio.
He is co-editor and co-publisher of MACHINE OF DEATH: A COLLECTION OF STORIES ABOUT PEOPLE WHO KNOW HOW THEY WILL DIE, which was ranked as one of Amazon's Top Ten Customer Favorites for 2010 in Science Fiction & Fantasy.
A sequel, called THIS IS HOW YOU DIE, was published by Grand Central Publishing in July 2013.
His short stories appear in ASIMOV'S SCIENCE FICTION, STRANGE HORIZONS, DAILY SCIENCE FICTION, LIGHTSPEED, SHIMMER, BENEATH CEASELESS SKIES, and others.

Richard Salter has been writing and editing for over 25 years. He is the editor of a Doctor Who anthology (Short Trips: Transmissions), a post-apocalyptic mosaic novel (World's Collider), and co-editor of the charity anthology Fantasy For Good, featuring stories by Neil Gaiman, George R. R. Martin, Michael Moorcock, Piers Anthony, and many others. All proceeds go to The Colon Cancer Alliance.
His debut novel, The Patchwork House, is a haunted house chiller mixed with time travel, and was published by Nightscape Press. 2017 saw the release of his first thriller, co-written with Steven Savile. Shining Ones is book five of the Ogmios Directive series. He also edited a reissue of the bestselling Ogmios novel Silver, also by Savile, and it's long-awaited sequel, Gold. His short fiction appears in various anthologies including Solaris Rising: The New Solaris Book of Science Fiction, Warhammer: Gotrek & Felix the Anthology, Sharkpunk, Horror for Good and This is How You Die (Machine of Death 2).
By day he works as a project manager for a telecom software vendor, and he lives with his wife, two sons, a dog and a cat in the suburbs of Toronto, Canada.
Find out more at http://www.richardsalter.com

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Discover more of the author’s books, see similar authors, read book recommendations and more.

I haven't had a normal job in a long time. Currently, I export used construction heavy machinery to Asia, and do security at a local club. That and writing, of course.
I've done one or two short stories in the romance and horror genres, but I mainly write sci-fi. Recently I began a new project that's a good space opera/adventure series. Also, I have an ebook fantasy series I will be releasing soon.
Writing credits--so far--include 'Airholes' in the Ruins Terra anthology from Hadley Rille, a non-fiction piece in The Escapist, and 'The Sun is Real' in the Mirror Shards anthology. Coming out mid-July is my short story 'Zephyr' in the 'This is How You Die' anthology, (Machine of Death 2). I also co-authored the business novel ‘Under the Gun’ with Bill Byrd.
I'm an alumni of NMMI and Baylor University, and live in Fort Worth, Texas with three dogs and a turtle.

Martin Livings (born 1970) is an Australian author of horror, fantasy and science fiction. He has been writing short stories since 1990 and has been nominated for both the Ditmar Award and Aurealis Award. Livings resides in Perth, Western Australia.
Livings’ short fiction has appeared in the award-winning anthology Daikaiju! (Agog! Press), as well as in Borderlands, Agog! Terrific Tales (Agog! Press) and Eidolon, among many others. His work has been listed in the Year’s Best Horror and Fantasy Recommended Reading, and reprinted in Year’s Best Australian SF and Fantasy Volume 2 (MirrorDanse Books, 2006), Australian Dark Fantasy and Horror, 2006 Edition (Brimstone Press, 2006), and The Year’s Best Australian Fantasy and Horror in 2010, 2012, 2013 and 2015 (Ticonderoga Publications).
His first novel, Carnies, was published by Lothian Books in Australia in June 2006. Carnies was nominated for an Aurealis Award and won the 2007 Tin Duck Award for Best Novel by a Western Australian. His collection of short stories, Living With the Dead, was released in 2012 by Dark Prints Press, and an original story from the collection, “Birthday Suit”, won the Australian Shadows award for Best Short Fiction that year.
Both Carnies and Living With the Dead are available now available through Amazon, along with his techno-thriller novel Skinsongs, zombie spy thriller Sleeper Awake, and the novellas Rope and The Final Twist. His latest novel, An Ill Wind, has just been released on Amazon as well.
https://martinlivings.wordpress.com/
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book entertaining and interesting. They describe the stories as fantastic, unique, and fresh. Readers also find the concept clever and original. They praise the writing quality as well-written and readable. They appreciate the beautiful illustrations that paint an intriguing meta-picture of societies. Opinions are mixed on the pacing, with some finding it tragic and humorous, while others say it's upsetting.
AI-generated from the text of customer reviews
Customers find the book entertaining, interesting, and a great book to dive into. They mention it's a good combination of funny, sad, silly, serious, and creative takes on death.
"...And it *works*. Both collections are worth reading, but the stories in this one are consistently better written, more interesting and thoughtful,..." Read more
"...Highly recommend this one. One of the best anthologies I've ever come across...." Read more
"...to the famous detective and a well written mystery that was great fun to read.Monsters from the Deep, editor David Malki !..." Read more
"...Some were eerie, others heartwarming. One even made me cry...." Read more
Customers find the stories fantastic, absorbing, and interesting. They appreciate the unique perspective given by each story. Readers also mention the stories go between different genres seamlessly.
"...These are not just good MoD stories, these are good stories, period. Five stars." Read more
"...Be warned: This Is How You Die is indeed a long book but the stories are so varied and encompass so many genres that you will continually be pulled..." Read more
"...One even made me cry. However, all of the stories are fantastic - be the story about orcs, zombies, or schoolchildren sneaking out of class to..." Read more
"...Rarely have I read a book that possesses quantity AND quality among the stories, and this one definitely does...." Read more
Customers find the book thought-provoking, interesting, and clever. They say the results are creative and amusing. Readers also mention the book is a great collection of smart, funny, and thoughtful stories.
"...in this one are consistently better written, more interesting and thoughtful, if not quite as funny (although it does have its moments.)..." Read more
"...Apitoxin is a very clever spin on the book's premise by John Takis, who places his tale right in the hands of none other than Sherlock Holmes...." Read more
"...Some were eerie, others heartwarming. One even made me cry...." Read more
"...It's funny, sad, and thought provoking. I love the idea of basically having an open writing contest to publish a book of short stories...." Read more
Customers find the book very well-written, readable, and insightful. They also say the short stories are endearing. Readers mention the book is clever, well-edited, and illustrated.
"...are worth reading, but the stories in this one are consistently better written, more interesting and thoughtful, if not quite as funny..." Read more
"...is both a wonderful tribute to the famous detective and a well written mystery that was great fun to read...." Read more
"...all the stories aren't really my "type", they are all very readable and make you think. I couldn't put this book down." Read more
"...adventure, and a choose-you-path tale, and you get a rich, very readable experience that will grab your attention...." Read more
Customers find the illustrations beautiful and intriguing.
"...This time around the authors take a more sober, insightful look at the societal and practical potential of the Machine's predictions: "The Test" as..." Read more
"...All together they paint an intriguing meta-picture of societies so familiar (to those of us in the USA, I guess) that you almost forget about that..." Read more
"...with stories of differing genres that are accompanied by beautiful illustrations created by artists as varied as the authors...." Read more
"...It's a phenomenal look into how different people from different periods might accept (or reject) fate. A very fun, light, existential read." Read more
Customers find the variety of genres in the book truly vast and unique.
"...Die is indeed a long book but the stories are so varied and encompass so many genres that you will continually be pulled along to keep reading,..." Read more
"...They are all based on the same fundamental premise, but each one is completely unique...." Read more
"...away to all sorts of genres, eras, and universes with it - there's a lot of variety!" Read more
"Even better than part one, IMHO. Lots of variety and creative "solutions" to the problem of knowing one's death in advance...." Read more
Customers have mixed opinions about the pacing of the book. Some mention that the stories run from tragic to humourous to horrifying, while others say the topic is a bit morbid and some of the stories are upsetting.
"...It's funny, sad, and thought provoking. I love the idea of basically having an open writing contest to publish a book of short stories...." Read more
"...The subject matter is pretty dark even if the authors handle it differently, and even though there is humor, along with the suspense and horror,..." Read more
"...A good combination of funny, sad, silly, serious, and "what did I just read" stories." Read more
"Tragic, hilarious, cerebral, and existential..." Read more
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Top reviews from the United States
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And it's never, ever wrong.
There are a couple of jokers in the deck, of course. It tells you *how* you will die, but not *when*. Also, the invariably-capitalized Machine of Death is an Oracle in the classical sense: its predictions always come true, but are usually open to interpretation and often more than a little ironic. Example: the Machine predicts you will die from "GUNSHOT WOUND," but it turns out that that fatal wound comes from a hang-fire from the gun you're using to try to kill the person you think is going to shoot you. It's a weird but brilliant concept, and the various authors have a lot of fun with it in this book.
The stories in the first MoD collection dealt mostly with the Machine's impact on peoples' lives (and deaths,) and the often darkly hilarious situations that arose from *sort-of* knowing how one would depart this world. This time around the authors take a more sober, insightful look at the societal and practical potential of the Machine's predictions: "The Test" as a teenage rite of passage; collecting and exchanging prediction slips like trading cards (and the terrifying consequences of trying just a bit too hard to gain peer cred by obtaining a truly unique slip); how the job description of your average workaday assassin changes when he can't simply shoot his targets dead anymore; and lots, lots more.
And it *works*. Both collections are worth reading, but the stories in this one are consistently better written, more interesting and thoughtful, if not quite as funny (although it does have its moments.) These are not just good MoD stories, these are good stories, period. Five stars.
This book does play on the fears of our own mortality and asks the million dollar question of if you could know how you were going to die would you want to? For me, no I really don't think i would, but the authors in these stories struggle with that question in a believable manner and many different paths were taken. Some chose to know, some ultimately didn't. Some fought their inevitability, some surrendered to it, which is a lot like facing down death from what I've seen in those I've known who knew via illness that their clock was winding down.
The simple premise is that a machine will tell you how you will die but not when or where. And while there are a few loopholes, for lack of another term, in the vagueness or off the wall possibilities, it's inevitable, like death itself, that the line printed on your card is true and unavoidable.
I can say for myself that I as great as this book was, and as much as I recommend it, I couldn't plow through it. The subject matter is pretty dark even if the authors handle it differently, and even though there is humor, along with the suspense and horror, some of the themes are universal and some very true to life. There are stories in here that made me laugh, and made me cry. A few like the one of the mirror twins, has stuck with me weeks after I read it, and goes down as one of my favorite short stories of all time. So I had to read a story or two here and there versus reading it in one sitting or even inside of one week. Your milage may vary, but even though as I've said the authors do a fantastic job, it's heavy subject matter when we're talking about death and it's inevitability.
Highly recommend this one. One of the best anthologies I've ever come across. I don't think you'll be disappointed if short stories and/or theme based anthologies are your thing.
Top reviews from other countries
The worst thing about this book is when you get deeply invested in one storyline or character, and it moves on to the next. This will happen a lot.
Pick it up. Seriously.
Mr North, Mr Bennardo and Mr Malki thankyou for another great publication!



