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This Side of Night Kindle Edition
In the Mexican borderlands, a busload of student protesters is gunned down in broad daylight, a violent act blamed on the Nemesio cartel. But its aging leader, Fox Uno, sees the attack for what it is: another salvo in the long-running battle for control of Nemesio itself; perhaps by a rival cartel, or maybe someone closer to home...
Across the Rio Grande, Sheriff Chris Cherry and his deputies America Reynosa and Danny Ford find themselves caught in Fox Uno's escalating war with the recent discovery of five dead men at the river's edge. But when El Paso DEA agent Joe Garrison's own Nemesio investigation leads him into the heart of the Big Bend, he's not ready to accept the cartel leader's retreat or defeat. Not only does he suspect a high-profile drug task force in a neighboring county is corrupt, he can't shake lingering doubts about the loyalty and motives of the young deputy, Ame Reynosa. And he won't let Sheriff Cherry ignore them either.
In this pitiless land it's kill or be killed, where everyone will make one final bloody stand to decide the fate of Nemesio, the law in the Big Bend, and most of all, the future of America Reynosa.
- LanguageEnglish
- PublisherG.P. Putnam's Sons
- Publication dateJuly 16, 2019
- File size3689 KB
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Editorial Reviews
Review
"Scott’s 20-year career as a DEA agent infuses his work with realism, and his writing chops will make readers wonder why he waited so long to launch his literary career....Better yet, his descriptions of dry, stark Big Bend country are so vivid and poetic they approach the beauty of James Lee Burke’s passages about Louisiana bayou country. The result is a fine novel that is suspenseful, action-packed, literary, and thought-provoking."—Associated Press
“The author exploits his decades of experience as a federal agent to create a powerful, realistic picture of crime along the southern border. Thriller fans will enjoy this absorbing and disturbing book.”—Kirkus Reviews
“The stellar third volume in Scott’s epic Texas border series (after 2018’s High White Sun) draws its inspiration from a real-life tragedy...Scott, a veteran federal agent, writes with authority and gravitas about complex border issues. Fans of Don Winslow and Cormac McCarthy won’t want to miss this one.”—Publishers Weekly
“Scott writes beautifully, dreaming up intriguing action scenes, which those who are focused only on thrills will wish kept going and going. But patient readers will recognize and appreciate Scott's end game: showing us a world where thieves, murderers, and sadists are everyday folk.”—Booklist
“J. Todd Scott’s series reads like equal parts Don Winslow and Ace Atkins. Having spent twenty years working with the DEA, Scott knows his stuff, adding instant credibility to his stories, which are well-written and hopelessly addictive.”—New York Journal of Books
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chayo & Neva
When they shot Castel in the face, Chayo knew they were going to kill them all.
Castel had just pulled off his dirty T-shirt and was waving it over his shaved head, screaming they were students, normalistas, all unarmed, when the shot rang out. It was a high sound, clear and cutting, nothing like Chayo had ever heard before.
A church bell ringing.
Castel looked surprised, staring upward into the softening sky, when he fell.
Moments before, he'd stepped off the bus right into the burning bright headlights of the municipal police truck that had blocked their way. Chayo had marveled at how pale Castel was in those lights, his skin smooth and perfect and shiny like a new peso. How small and thin he looked, too, though he was three years older and ready to graduate. His glasses had sat crooked on his face as he yelled, big old ones his abuelo might have worn, and they were just as shiny as his skin, reflecting everything and nothing at all, since beyond that circled glow the intersection-the whole of the world-was nothing but shadows. Shadows so deep that the men surrounding them were only the barest hints of secret movement.
It was like the night itself was sweating, breathing hard: black lungs and an open, swallowing mouth.
Chayo knew that some of those men circling them in the dark wore uniforms, their faces covered in bandannas or old shirts in shame and fear, and that unlike the normalistas, all of them were armed.
Everyone was then yelling at each other, warnings and names that made no sense. All these polic’a or men pretending to be so, and the students they threatened.
At the next intersection, so far away it was like looking up to the moon, a red streetlight blinked on and off.
On and off.
A heart beating.
Despite the calming words of their own driver, when the other truck had first appeared, Chayo and Castel and some of the older students-Ernesto, Iker, Juan Pablo-had been angry and eager to pile out of the bus and confront it, make it get out of their way. But it was Neva who'd held him back, her small hand trembling yet holding his tight. Whispering, "No, please," begging him with her eyes to stay, so that when he looked down into those eyes that for weeks had been making his heart trip and stumble-always tying his tongue-he'd hesitated.
He'd sat back down. For her . . . for them both.
And he wasn't the only one, not after Iker-with his round, pockmarked face pressed against the window-had called out that the truck was empty anyway. Abandonado. Its driver having quickly vanished into the dark to join the swiftly circling shadows, the truck left idling in the intersection.
Only its lights alive, pointed at them like cold, staring eyes. Seeing nothing.
Ojos de los muertos.
Holding Neva's hand, feeling her heartbeat in his fingers, Chayo had thought he could hear the empty truck's radio still chattering to itself, ghostly voices from far away. A mouthful of static. Fantasmas whispering in the hot night and the empty air, murmuring about them: two busloads of young students, trapped in the street.
So, it was Castel alone who'd stepped down from the bus to face the truck, calling out to the rest of them still huddled on the bus-all those like Chayo who'd sat back down, afraid:
". . . It's nothing, we'll push it out of the way. Have heart!"
ÁTener coraz—n!
Castel, who was going to teach in Chiquero later in the year, who liked navelina oranges more than anyone Chayo had ever known.
Castel, from Meoqui, who also wanted to be a poet, someday.
Castel, who had never listened to anyone about anything and made everything an argument, smiling as he did so, the gap between his two front teeth far too wide.
Castel, who took off his shirt to wave wildly in front of him.
Un peque–o torero.
Only Castel . . . whose voice was far too big for that small, exposed body.
Surrounded by light.
Naked.
"We are unarmed. Who do you think you are? The night cannot hide you! We see all of you."
ÁLos vemos a todos ustedes!
But Chayo couldn't see anything, not really. The night was too dark. It had become this living thing, with its black lungs and beating red streetlight heart and hot, open mouth.
And . . .
Ojos de los muertos.
The night had come alive to swallow them whole and make them disappear.
Or Chayo hadn't wanted to see, as Neva buried her face in his arm, turning them both away . . .
. . . when the shooting began.
Leaving Castel alone in that pooled light, looking up into the night sky, searching for that mysterious church bell they'd all heard and Chayo would never forget.
Castel, still calling out, "It's okay. No fear, my friends. They're shooting in the air."
But they weren't.
TheyÕd taken the buses two hours earlier outside Ojinaga, bargaining with the drivers until theyÕd agreed to take the thirty-five students of the Escuela Normal Rural Librado Rivera to Chihuahua City. It was the way of things, a practice that had been going on for as long as the rural schools had existed. With no funding from the government, the normalistas-all teachers-in-training for MexicoÕs most remote farming areas-had become accustomed to making deals with local bus and van drivers, borrowing and begging and offering them food and lodging and what little money they had in exchange for help. Sometimes it was easy, sometimes not, but they took the buses all the time to visit the remote schools they would eventually be responsible for or to pick up supplies . . . and of course, to go to protests. On this occasion they were going to Chihuahua City to join other normalistas in a great rally against government corruption. Next fall theyÕd need them again to make their way to Mexico City itself, to commemorate the 1968 massacre of students and civilians by government security forces in Tlatelolco, in the great Plaza de las Tres Culturas. TheyÕd sing and draw chalk outlines of the dead and bleed fake blood on scribbled doves.
Carry signs and chant.
"ÁYo no estaba all’, pero no voy a olvidar!" I wasn't there, but I won't forget!
Again, it was the way of things. All the normalistas were going to be teachers, but most were activists, too, at heart. They loved their country and wanted better for it.
Chayo, a first-year, along with Castel and Juan Pablo and Batista, were responsible for getting the buses for the trip to Chihuahua. They found the first at Calle Segunda, near Federal Highway 16. The bus had been empty and the driver had been lighthearted. A big man, round and ruddy as the navelinas Castel liked so much (so Chayo called him "Naranja"), drinking two warm Cokes and eating an empanada his wife had made; laughing easily at Juan Pablo's jokes. He told dirty stories of his own youth and they all liked him. They found the second on Calle del Pac’fico, but this one had been less enthusiastic. He already had paying passengers, a handful of old abuelas and teenagers no older than the normalistas themselves, and only agreed to their request if he could first drop them at the bus station and then talk with his dispatch.
He had to make arrangements for the rest of his shift and have the tires checked for such a long trip.
He didn't tell jokes or laugh. He was as thin as the other driver was fat, with a pinched and sour face (so he became "Lim—n"), and sparse hair too small for his head. It looked painted on, badly colored like a child's drawing. Juan Pablo made a joke about it, and although Chayo had tried hard not to laugh, he joined in with the others until the driver stared at them all, glaring, as if counting or memorizing their faces.
At the station, Lim—n got off his bus and spoke for a long time to a security guard. An hour passed, and no one seemed to look at the tires. Instead, Lim—n made calls from a small cell phone, one after another, pacing back and forth and smoking four or five cigarettes-taking so long it made Chayo nervous-until he finally returned.
That was the only time he smiled at them, as he stepped back up onto the bus. He grinned wide to reveal dirty yellow teeth, winking in slow motion in the last of late-afternoon light, as if they were all just sharing another of Juan Pablo's jokes.
But no one else knew what the joke was.
And then they were rolling down the dusty road to join Batista, who waited with the first bus.
Neva was BatistaÕs younger cousin, and she was not a normalista.
She went to the Catholic school in Ojinaga, but proudly told Chayo the first time she saw him she didn't believe in God, laughing out loud as she said it, twining her tiny wooden rosary around her fingers. She claimed she'd believe in God when He did something good for her, and He hadn't done a damn thing yet. Chayo wasn't sure if she meant that or not. She was small and dark, always in motion like a delicate bird, and everything made her laugh. She'd gotten an iPhone for her quince the year before and loved all other things americano: music and pop stars and bands that Chayo had never heard of. She talked endlessly about television shows and movies, and sometimes Chayo tried to find out about them so he could understand all the things that seemed so important to her, to truly understand her. Most afternoons after school she'd change into a small T-shirt and put on some bright makeup and then appear with a carload of other laughing and smoking girls outside Librado Rivera, supposedly to visit Batista and bring him food and other things, although she somehow always ended up talking to Chayo, too, who felt tall and strange and awkward around her in those moments, as if he were put together from mismatched wood and old nails. He wanted to be funny like her friends, or like Juan Pablo, but he didn't know any jokes, and oftentimes said nothing at all.
Smiling like a fool as she circled him in cigarette smoke, humming melodies to her songs.
They once walked together along the dirt road by the school near the fields the normalistas had worked so hard to plant, and for each song she sang, he pointed out for her a different plant, tree, or flower: the dahlias and the lechuguilla and the guayule. The candelilla and the drooping molina and bright red splash of ocotillo. He showed her the sideways S of a rattlesnake's passage drawn in the dust, and pointed out the difference between the footsteps of a mule deer and a javelina. He told her that at one time jaguars had hunted these areas, but they were long gone, or no one had seen one in such a long time that it was much the same thing. She asked where he was from, and although he was embarrassed, he told her anyway-near Blanco-and when she admitted she did not know that place, he said no one did.
And then she had laughed, though he wasn't trying to be funny, and it was still the most beautiful sound in the world. She even put her hand on his arm-for a heartbeat-to let him know she meant no harm.
It was the first time he'd felt those fingers on his bare, tanned skin, and although he was ashamed of how filthy he was from the fields, he couldn't shy away from that slight brush of fingertips . . . letting her touch work all the way through him. Right into his blood and bone. For hours after she was gone he'd still felt that brief contact-heavy and hot and beating in time with his heart-leaving him both happy and terrified that he would always feel it.
That it would never go away, or worse, never come again.
It wasn't just that touch, but also what she'd said: how she'd smiled and put her head next to his as if they were sharing a secret, sharing one breath, and whispered that she liked his seriousness. He'd wanted so badly then to tell her that she was beautiful-the most beautiful thing he'd ever seen-but she'd already pulled her hand back from his arm, dancing away down the sunlit road, taking all his words and breath and heart away with her.
Neva didnÕt want to change the world, she wanted to leave it.
She talked about it all the time: going over the R’o Bravo to Los Estados Unidos to stay with familia she had in Dallas or Houston (Chayo could never remember which). In two years she planned to leave Ojinaga for good, or so she promised, and get a job and see the americano bands that she loved and shop in the stores that she'd read about. She believed trying to change things in Mxico was as silly as trying to move a mountain, and when Chayo once told her that such a thing could be done, one rock at a time, she'd said maybe, maybe, but that would take too damn long and she had too many other things to do. Plus, rocks were sharp and heavy, and she didn't want to hurt herself. She pretended not to care with such practiced ease that she almost believed it herself, but Chayo knew better. She was afraid of what change demanded, of its high cost. In the last few years everyone had lost someone, something, to the narcos and their corruption and a government that had no will to stop either. Everyone had a story, as many stories as all the songs she sang.
She was right; she just didn't want to get hurt.
So he was surprised when they returned to NaranjaÕs bus to find her there waiting with Batista and the other normalistas. He thought at first sheÕd only come to see them off, but no, she was going with them. She needed to see for herself what all the fuss was about, take some pictures on her iPhone, and share her grand adventure with her friends. She even leaned in close to him (not as close as that day on the road, but close enough) and said maybe sheÕd carry a rock or two of her own, a couple of the lighter ones. Her eyes were bright and shining and forever, and he knew then that heÕd carry her all the way to Chihuahua City and back in his arms, if he had to. He wanted her to come more than heÕd ever wanted anything in his whole life, so it was good there was no talking her out of it anyway.
Product details
- ASIN : B07JL4B8WN
- Publisher : G.P. Putnam's Sons (July 16, 2019)
- Publication date : July 16, 2019
- Language : English
- File size : 3689 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 464 pages
- Best Sellers Rank: #361,309 in Kindle Store (See Top 100 in Kindle Store)
- #3,988 in Contemporary Literature & Fiction
- #6,457 in Crime Thrillers (Kindle Store)
- #13,223 in Suspense (Kindle Store)
- Customer Reviews:
About the author

A retired federal law enforcement agent with thirty years of experience, J. Todd Scott was a finalist for the 2024 International Thriller Writers Award for Best Paperback Original and is the critically acclaimed author of six crime, suspense, and thriller novels. He is also a film and TV producer and screenwriter, most recently for the Paramount+ series Lawmen: Bass Reeves.
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Customers find the book crackling, brilliant, and enjoyable. They describe the storylines as fantastic, complicated, and action-packed. Readers praise the writing style as wonderful, excellent, and edge-of-seat stuff. They appreciate the sense of place, a true portrayal of life around border towns, and vivid landscapes. They also mention the book is layered with great characters and vividly describes emotions.
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Customers find the book brilliant, solid, and enjoyable. They say it's skillfully crafted and at times beautiful and vivid. Readers also mention the details feel authentic.
"This Side of Night takes you on a wild and deadly ride. Skillfully crafted and at times beautiful and vivid in describing the emotions, people and..." Read more
"...The outcome was satisfying -- but our heroes sure cut a lot of legal corners to achieve it." Read more
"...Damn good book!" Read more
"...A great read: you will care for these characters. Start with the first, as always" Read more
Customers find the storylines fantastic, superb, and complicated. They describe the book as an action-packed, thriller, and literary piece of work.
"...Plot is exciting, with solid action, although one doubts that in real life the Sheriff and his friends would have emerged as unquestioned heroes...." Read more
"...Nowhere. A really damn good police procedural, thriller, & literary piece of work, up to the standards of Michael Connelly...." Read more
"...I love the characters! The writing style is perfect! The story lines have been fantastic...." Read more
"...Only insecure and/or pretentious writers do this. The story begins well, with violent action but then bogs down in sentimental flashbacks...." Read more
Customers find the writing style wonderful, excellent, and literary. They say the book is good enough to read and has superb dialogue.
"...What made the difference is J. Todd Scott not only is an excellent writer and storyteller, he also knows the territory intimately, because he is a..." Read more
"...Nowhere. A really damn good police procedural, thriller, & literary piece of work, up to the standards of Michael Connelly...." Read more
"...I want more Chris Cherry!!! I love the characters! The writing style is perfect! The story lines have been fantastic...." Read more
"Wonderful writing, edge of seat stuff. Read the trilogy of which this is that last. No Country For Old Men sort of book except not as depressing" Read more
Customers find the book has a great sense of place. They say it's a true portrayal of life around border towns, mixed with vivid landscapes. Readers also mention the stories are top-notch and realistic.
"The book has a good sense of place, and conveys some of the flavor of the Big Bend country...." Read more
"...A true portrayal of life around border towns, of good & evil, & the grey areas that for some, are a daily occurence. Superb dialog...." Read more
"...The writer who has a long law enforcement background has agreat sense of place...." Read more
"...If you can handle the violence, the stories are top-notch and realistic...." Read more
Customers find the characters great.
"...Characters are well-drawn for the most part, though the lead characters' inner dramas get a bit repetitive...." Read more
"...New favorite author!!! I want more Chris Cherry!!! I love the characters! The writing style is perfect! The story lines have been fantastic...." Read more
"Intense Plot - layered with great characters - mixed with vivid landscapes..." Read more
Customers find the book vivid in describing emotions, people, and places. They also say the author does a good job of capturing the feel of the Big Bend area of the border.
"...Skillfully crafted and at times beautiful and vivid in describing the emotions, people and places that make up the tapestry of this book...." Read more
"...J Todd Scott does a good job of capturing the feel of the Big Bend area of the border." Read more
"...There is violence here but emotional depth and compassion for the two young refugees from the mass shooting...." Read more
Customers find the pace of the book plodding.
"...This book the first 2/3 the story moved kind of slow but thought the last 1/3 of the book thing really picked up...." Read more
"...Good enough to read but does not quickly move throughout the bood" Read more
"...This one feels contrived.the story.quite.uninteresting and the pace a plodder...." Read more
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