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This Is Where It Ends

4.3 out of 5 stars 23 customer reviews

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Editorial Reviews

2011 album from the Bay Area Metal monsters. ASP have been redefining the Death and Grind genres with vibrant ideas and unrelenting delivery and reaching new heights with 2008's Awaken The Dreamers, the band's first release to make the Billboard Top 200 charts at #126. This Is Where It Ends conveys more of the raw energy, groove and technicality that put them on the map. Add even stronger hooks and melodies than before and you have All Shall Perish's best work to date. This Is Where It Ends is a truly an experience for the senses. Without a doubt, the future of Metal has arrived and if you aren't paying attention, you might get left by the wayside with your car on bricks.

Track Listings

Disc: 1

  1. All Over the Road 2:54
  2. Young Love 3:00
  3. Pressure and Time 3:19
  4. Only One 3:14
  5. Get Mine 2:23
  6. Burn Down Los Angeles 2:28
  7. Save Me 2:32
  8. Gypsy Heart 3:29
  9. White Noise 3:04
  10. Face of Light 4:28


Product Details

  • Audio CD (May 15, 2012)
  • Original Release Date: May 15, 2012
  • Number of Discs: 1
  • Label: Nuclear Blast America
  • ASIN: B0051ERGZ2
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #88,229 in Music (See Top 100 in Music)

Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
I don't know what to say about this album, when the sticker on wrapper describes it is something it is Not, except that it IS NOT Exteme Metal. Cephalic Carnage is Extreme Metal. Origin and Neuraxis may be considered extreme metal, in comparison to this Cephalic Carnage would need to be called Insanely Belligerent Metal. There are melodies, there are melodious guitar solos. Looks like All Shall Perish has really cleaned up their act and Evolved. It is loud, it just ain't extreme. Fits better into the -you need to look at yourself and realize how innane your life is, and what's going to happen to you afterwards- Death Metal sub-genre, with some distorted disturbed sense of romance in some tracks. Poison the Well or Naera with a touch of Misery Index and As I Lay Dying is what I describe this as.
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At first glance, you may wrongly dismiss All Shall Perish, bringing whatever preconceived notions you have about the band's sound or youth to your listening experience. Plus a couple of strangely picked touring partners, (Danzig, Godsmack!?) and line-up changes have given them a strange reputation, floating somewhere between real metal and fake side-show. But if you listen, really listen, you'll truly be rewarded, the same way you are when listening to a band like Arsis, or Black Dahlia Murder. There's deathcore here for sure and some metalcore leanings, but the band has progressed so far beyond their earliest material, that to use the core word is super unfair. Hardcore has just permeated metal completely and that's just the way it is, so referring to a band with this much talent and chops as anything-core is misleading. Even the godfathers of death metal themselves, Death, were using breakdowns as far back ago as 1991! This is Where it Ends has a wicked sharpness and grinding madness that was mostly benched on the previous album. The heavy material hearkens back to The Price of Existence days, but maturely breaks free from the chug-a-lug-a-thon, to color in the picture with sinewy guitar melodies, rubbery bass flourishes, and the best vocals in death metal and maybe even the whole metal world. Seriously "Eddie" Hermida is the Rob Halford or Freddy Mercury of the death metal world. He has the best range; the lowest lows, the highest highs, the best pace/flow, and the most memorable use of all his talents. The guy's friggin excellent is what I'm saying. Ben Orum's guitar leads and riffs are expert as usual; technical but accessible. And the rest of the band has finally caught up to him in songwriting extremity and awesomeness.Read more ›
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Format: Audio CD Verified Purchase
The price of existence was my favorite album from ASP for a while. Now, this is where it ends takes that place. This is a huge step forward for asp in terms of technicality and awesomeness. Definitely a buy.
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Format: Audio CD
Although it is not entirely without reason that Oakland's All Shall Perish are most commonly lumped in with the "deathcore" crowd (mainly because of the fact that they formed in 2003, long before the genre's recent surge in popularity, and thus helped to influence many of the bands that are apart of the "New Wave Of American Death Metal"), they are certainly not a snug fit for that label. As they started to prove on their last release, 2008's melodeath-tinged "Awaken The Dreamers," and continue to do on this, said album's follow-up (2011's "This Is Where It Ends") the band have trodden down a "more metal" style as of late. What this means is the following: Think more melody and fewer breakdowns than you are probably used to hearing from ASP.

Sure, there is still a definite hardcore influence coursing throughout most of this record, as "Procession Of Ashes" is clear evidence of. It first and foremost plays like a piece of full-on, Sick Of It All-inspired hardcore, as it is long on repetitive, circular chugging and slamdanceable breakdowns. With that said, though, even it is inflected with more melody than is found on the average hardcore album (not even hardcore song, but album!). Indeed, it is peppered with some nice little guitar melodies throughout, including winding spider webs of harmonic leads, an infectious, sweep-picked solo, and a piano-sounding acoustic outro.

For the most part, though, "Ends" is comprised of songs that can less accurately be described as "deathcore," and more-so as technical death metal and/or deathgrind. There is a strong Origin influence felt on such cuts as the sweeping "Spineless" and the bludgeoning set opener, "Divine Illusion," which has a thunderous bottom-end offset by some piercing harmonic guitar soloing, and killer brutal vocals.
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Format: MP3 Music
Call me a homer, but this album sounds like melodic death every which way. I can't say I've listened to ASP before this album came out, but it doesn't sound like any deathcore I've ever listened to. They're way too talented to be considered deathcore, and I feel that label does them an injustice. All Shall Perish has the brutal guitar riffs and the drumming to back it up. I'm usually not into metal vocals, but this guy isn't half bad. If you're into sick melodic guitar licks, then you gotta check out this album.
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