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A Thousand Mornings: Poems Paperback – September 24, 2013
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In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.
- Print length96 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateSeptember 24, 2013
- Dimensions5.02 x 0.27 x 7.72 inches
- ISBN-100143124056
- ISBN-13978-0143124054
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"If you're one of the many, many fans of National Book Award- and Pulitzer-winning poet Mary Oliver, you'll very much welcome A Thousand Mornings." —Shelf Awareness
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out,
and I say, oh, I am miserable,
what shall—
what should I do? And the sea says
in its lovely voice:
Excuse me, I have work to do.
Product details
- Publisher : Penguin Books; Reprint edition (September 24, 2013)
- Language : English
- Paperback : 96 pages
- ISBN-10 : 0143124056
- ISBN-13 : 978-0143124054
- Item Weight : 3.6 ounces
- Dimensions : 5.02 x 0.27 x 7.72 inches
- Best Sellers Rank: #10,618 in Books (See Top 100 in Books)
- #7 in Nature Poetry (Books)
- #36 in Poetry by Women
- #4,659 in Genre Literature & Fiction
- Customer Reviews:
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About the author

A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as "far and away, this country's best-selling poet." Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet's sister Norma Millay. It was there, in the late '50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook's death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver's essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver's books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work.
Photo Credit: Rachel Giese Brown, 2009.
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One can never feel low or lonely when there is a book of Mary Oliver poems in one’s hands.
I knew I had plenty of work to finish that evening, but first things first. I opened a Flying Bison Blizzard Bock, ran a hot bath and settled in for a soak, sip and read.
It is an event in my life, when a new Mary Oliver book is published. In the past so many years I have celebrated the arrivals of Evidence, Thirst, Swan, and Red Bird. I have purchased at least five copies of her New and Selected Poems because I can’t help but give them away when I meet someone who has never heard of her before. And each time I receive a new title it is my constant companion for weeks upon weeks. If you find it strange that a book of poems can be a companion, then you have not met a Mary Oliver poem yet.
A Thousand Mornings is a slender volume, seventy-six pages, and yet how many hours of pleasure, contemplation and company it contains. When I read Oliver’s poems I am always transported to my own experiences. The places she unfolds in her work are so similar to my favourite places at the farm, the creatures I encounter, the plants and trees and insects, that I am immersed in that world but with an even closer view. Because this is what Mary does, illuminates the most intricate details of what she notices, and somehow brings a universal light to the profound human experience as well. Amazement. Awe. Wonder. Gratitude. Reverence. For all that lives, and also dies.
I have noticed over the past several books she has published that more and more she is slipping more personal, more intimate details of her own life within the words. Mary is notoriously private, rarely gives interviews, and has often spoke of how she keeps her private and personal life out of her work, at least in a confessional way. But in A Thousand Mornings there are several poems that are intimate to her life, much more so than in any of her other works. And yet there is still nothing confessional about them, only an expansive wisdom that never says, “this is the answer,” but instead leaves only questions in the reader’s mind. Questions and a sense of amazement for the world, and tremendous comfort. Mary Oliver is a poet who honours mystery. I find immeasurable comfort in that.
Beautiful, beautiful, beautiful.
Top reviews from other countries
It's a book of poems.
There are some really beautiful poems in it, thought provoking...
It is VERY enjoyable...
Uma pequena ressalva apenas ao material da capa, que por algum motivo, nessa edição, se arrebitou nas quatro pontas e deixou a mostra alguns traços de plástico, como se submetido ao calor. E isso logo nas primeiras semanas de comprado. Vamos procurar melhorar os materiais da capa, Penguin!












