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A Thousand Suns Clean

3.5 out of 5 stars 305 customer reviews

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Editorial Reviews

'A Thousand Suns'

We were not making an album.

For months, we'd been destroying and rebuilding our band. The experiments that resulted filled the studio hard drive with diverse, abstract sounds. Amorphous echoes, cacophonous samples, and handmade staccato merged into wandering, elusive melody. Each track felt like a hallucination.

We didn't know if any of those unorthodox ideas could be incorporated into a traditional album, but we knew we didn't want our next album to be predictable. Sitting together in the same studio where we made our first album, all six of us voiced a commitment to going out on a limb, to making something truly daring. We asked ourselves: were we all earnestly willing, more than ever before, to abandon the precepts of commercial ambition in pursuit of what we believe to be honest art?

The inclination to begin writing conventional songs for a conventional album came and went. The temptation to adjust our creative vision to fulfill expectations beyond our studio walls yielded to the audacious ambition of what we hoped to achieve as a band. The two years of making 'A Thousand Suns' marked our exhilarating, surrealistic, and often challenging journey into the creative unknown.

On the eve of its completion, this body of work, assembled through unconscious inspiration and unmitigated exertion, has revealed to us notions both stirring and surprising. The album's personified imagery is neither dogma nor political premeditation. The emergent themes and metaphors illuminate a uniquely human story.

'A Thousand Suns' grapples with the personal cycle of pride, destruction, and regret. In life, like in dreams, this sequence is not always linear. And, sometimes, true remorse penetrates the devastating cycle. The hope, of course, springs from the notion that the possibility of change is born in our most harrowing moments.

Enjoy the music.

Linkin Park

Co-produced by Rick Rubin and Mike Shinoda.
Also available as a Special Edition CD+DVD which includes a 'making of the album' documentary & 'The Catalyst' music video.

Track Listings

Disc: 1

  1. The Requiem
  2. The Radiance
  3. Burning In The Skies
  4. Empty Spaces
  5. When They Come For Me
  6. Robot Boy
  7. Jornada Del Muerto
  8. Waiting For The End
  9. Blackout
  10. Wretches And Kings
  11. Wisdom, Justice, And Love
  12. Iridescent
  13. Fallout
  14. The Catalyst
  15. The Messenger


Product Details

  • Audio CD (September 14, 2010)
  • Number of Discs: 1
  • Format: Clean
  • Label: Warner Bros.
  • ASIN: B003V5PQ1E
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (305 customer reviews)
  • Amazon Best Sellers Rank: #280,424 in Music (See Top 100 in Music)

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Customer Reviews

Top Customer Reviews

Format: MP3 Music
If you can believe it, this is the first review I've ever written for an album, despite being an amazon customer for years. Why? Because I'm just so damn disappointed in all the negative reviews of A Thousand Suns.

First of all, let me say that I'm not a lyrics person. What I take away from LP's music is a feeling, an emotion, and so far I gotta admit that I'm loving the feeling I get from this album. No, it is not like any of their previous works (though I think we all saw where they might be going as a band after MtM). No, it is not nearly as angry as Hybrid Theory. And no, it is not nearly as catchy as Meteora. So what the hell is it?

To me, it's a recovery album. This may be lost on some readers, but if i picture LP's albums as a man going through life, I see their early music as a very wounded and angry man. The catharsis in listening to those albums comes from realizing that not only does someone else out there hurt as much as you, someone out there may actually hurt even more. I revel in listening to those early CDs for that reason. When Reanimation came out, I saw a slightly more playful side to LP. The wounds were still there, but they were being examined now, looked at in an almost clinical, curious way. Minutes to Midnight disappointed me at first, I'll admit it. The wounded man was no longer angry, but I still was. It took me several looped listens to come to terms with the fact that he had moved on, and was beginning to let some of the old grudges go. It's not a tired album - far from it - but MtM does give one the sense that LP was getting tired of fighting all the time. That they were searching for solace.

A Thousand Suns, then, in my view, is Linkin Park's first glimpse of solace.
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Format: Audio CD
I got hooked on Linkin Park about 5 or 6 years ago when I really started listening to music, and when I say hooked I mean hooked. I would not only listen to Hybrid Theory and Meteora non-stop, but I would listen to any unreleased song I could find. I was a die-hard fan. So naturally when I heard that they were going to put out Minutes to Midnight, I would look high and low for any glimpses of what the new material would be like. When the album finally dropped, I bought it, but was a bit let down. I expected the Mike Shinoda's raps over the rock beat with Chaz shredding the chorus with sing-scream lyrics. Instead, I got a few hard songs, and a bunch of soft ballad-esque songs. But the ballads grew on me, and Minutes to Midnight became one of my favorite CD's. So flash forward 3 years to the release of A Thousand Suns, I basically knew what to expect. The soft songs took some getting used to, but in the end they became favorites.

1 - The Requiem - Leadoff song with an apocalyptic feel. The distorted refrain from The Catalyst adds a chilling perspective to it. Overall a good way to start the album off.

2 - The Radiance - More of a driving beat, with an excerpt from the speech from Mr. Opphenmeier talking about the atomic bomb and relating it to the Bhagavad Gita (a text I just finished for one of my college courses). Not anything really special, just a filler

3 - Burning In The Skies - Really soft electro song with Mike singing the verses and Chester singing the chourus. Beat is made up of electronic drum and a toned down electric guitar and piano. Bridge of the song has some pick-up of the guitar to give it more of a driving beat

4 - Empty Spaces - Think Civil War. Sounds pretty cool.
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Format: Audio CD
Why is everybody whining about it not being like the first two albums? When was being different a bad thing? It amazes me how people can't seem to accept the fact that LP wanted to go a different direction with this album instead of doing the exact same thing as Hybrid Theory and Meteora. If you would like to know Mike's take on the subject, just listen to "When They Come For Me", which is where the above quote came from.

I personally really enjoy this album. It's almost a mix of old-LP and Pink Floyd, and it's awesome. By that I mean I feel like the vocals are much closer to their old sound, but they are experimenting A LOT with the instruments. It honestly sounds like Hahn is doing all the work (which is why I was confused when it was announced that six songs are going to be in Guitar Hero). My other complaint is that there are really only 9 full songs on this album; the rest are filler songs that sound like they came from a Pink Floyd album, hence the comparison.

Personal favorite songs include "When They Come For Me", "Waiting For The End", "Blackout", and "Wretches and Kings" as my overall favorite from the album.
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Format: Audio CD
Linkin Park have been a tight, incredibly solid band for the past decade. Both "Meteora" and "Minutes to Midnight" were fine records that were well-arranged and filled with excellent, even profoundly well-crafted songs, including those that did not make it to the radio.

With "A Thousand Suns" the group maintains its inspiration and creative juices, but only a little more than that.

Mike Shinoda and Chester Bennington ooze passion and commitment, yet very few of the songs catch hold, and the ones that do - including singles "The Catalyst" and "Waiting for the End" - are not as strong as the vast majority of the songs from their last two albums.

The guys attempt a great deal and make some heavy artistic statements about the state of the world and our collective understanding as a people, both on the local and global level, but these messages - admirable though they may be are - are buried in generally uninteresting, though pleasant, songs.

The best by far is "Wretches and Kings" with its message of recognizing the real enemies (as George Carlin called them, "The Big Club") who walk among us and immobilize the lower classes. However, the rousing speech from political activist Mario Savio is stronger and more memorable than the song itself.

The album is still a fine, if, essentially, forgettable, listening experience. "Blackout" is fueled by intense, boiling-over-the-top anger, sadness and frustration, and "When They Come For Me" has more energy and precision than the majority of the tracks. "Robot Boy" also has some smooth, chilled grooves that work well.

The best thing about "A Thousand Suns" is its consistent efforts to scintillate with musical pleas for elevated social consciousness.
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