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Three A.M. Hardcover – March 27, 2012
Steven John (Author) Find all the books, read about the author, and more. See search results for this author |
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- Print length304 pages
- LanguageEnglish
- PublisherTor Books
- Publication dateMarch 27, 2012
- Dimensions6.49 x 1.08 x 9.34 inches
- ISBN-100765331160
- ISBN-13978-0765331168
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Editorial Reviews
Review
About the Author
Steven John and his wife, an elementary school teacher, live in Los Angeles by way of Washington D.C. and New York, respectively. He splits his time between many things, most of which involve words. Three A.M. is his first novel.
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Product details
- Publisher : Tor Books; 1st Edition (March 27, 2012)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 0765331160
- ISBN-13 : 978-0765331168
- Item Weight : 13.6 ounces
- Dimensions : 6.49 x 1.08 x 9.34 inches
- Customer Reviews:
About the author

Steven John is a writer living in Glendale, California (by way of Washington DC). He and his wife Kristin, an elementary school teacher, were joined by their son Benjamin in October of 2013. In addition to writing for several websites and journals, Steven published his first novel THREE A.M., in 2012. His second book, OUTRIDER, is due to hit shelves in September of 2014. When not writing or spending time with his family, Steven tries to squeeze in some mountain climbing.
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This book is ideal for an airplane trip, because it keeps you engaged throughout a journey, and it's not too lengthy.
Steven John's "Three A.M." is a brilliant novel that highly intrigued me. Like many classic novels such as Mary Shelley's "Frankenstein" ( Frankenstein or the Modern Prometheus ), it works well on various levels. First, it is a great science fiction horror story of people trapped in a nightmare world. Second, this novel is a social commentary. The setting and time are unknown, because "Three A.M." could apply to any culture that has been decimated by greed. In today's society, many citizens walk aimlessly and despairingly through life as though trapped in a fog. Tom Vale compared humans to animals whose sole purpose in life is to eat, sleep and procreate. In the city of fog, life has amounted to no more than this. Then Tom finds love in the form of Rebecca and, suddenly, life has more meaning than obtaining the bare necessities; however, life soon also becomes more dangerous, more exciting.
Initially, Tom Vale is not a very likeable character. He curses and drinks too much and has a very pessimistic, cynical outlook on life. Of course, if I lived in a world without sunshine, grass, beaches, sporting events, etc., I would also be manic depressant. "Three A.M." made me realize how we take the little things in life for granted. We assume the sun will always shine and we'll always have green grass on which to play. However, as the novel's plot progresses, Tom transforms into a brave, shoot 'em up action hero we can all admire. After all, he's trying to save the lives of thousands and his military background proves invaluable.
"Three A.M." reminded me of the many end-of-the-world horror films I watched as a child. I won't mention any specific ones for fear of divulging too much of the plot. I will say, however, there are numerous twists and turns and some genuine shockers. I will also say that many of its characters are deceitful, untrustworthy and greedy; their main goal is to survive at everyone else's expense. This could aptly describe many people today who are blinded by a fog of amorality--a blindness that can only be lifted by the power of true love.
At last, I have found an atmospheric horror novel with an atmosphere that is truly bizarre, creepy and provocative. "Three A.M." is aptly named because it will keep readers up past 4:00 a.m. reading it. Not since James Herbert's classic horror novel, "The Fog" ( Fog ), have I encountered a tale where people were more terrified by this swirling, damp, hazy substance. The fog, and the unknown horrors that lurk within it, has been the theme for many horror films including John Carpenter's "The Fog" (1980) ] and Frank Darabont's "The Mist" { The Mist (Two-Disc Collector's Edition) [Blu-ray ]}. For a taste of old school science fiction horror, then I highly recommend Steven John's triumphant debut, "Three A.M." I am definitely looking forward to his next novel. Perhaps that one will keep me up at night reading until well past 4:00 a.m.
Joseph B. Hoyos
The author, John, looks positively smug in the snapshot on the back-flap. Maybe he was thinking how clever he was with the crappy ending with which he managed to slap his readers after writing a good book that deserved significantly better and more than the tepid attempt at "art" its author opted for as a parting shot. Let's add to this the fact that the publisher, in a fit of illuminated wisdom, decided to print the entire ending on the back cover. Yes. When you read the back cover (or the Amazon blurb, which is the same), you are reading the ending, not a teaser. That's it. After that, nothing: the book has ended. Good night. And it's a pity because the book had a lot of promise. Following an idea similar to, but not the same, as Blake Crouch's PINES, we find the protagonist in a dystopian city eternally invaded by dense fog where, for fifteen years, the survivors of a "plague" have badly and valiantly rebuilt their lives, permanently cut-off from the world outside because outside the plague rages on. Inside the city our hero is a cliched P.I.: alcoholic, brutish, short-tempered, chain-smoker. If it weren't for the fog and the writer's obvious talent, just this-short of Dickensian, to describe how an entire city can be gripped by floating pea soup and how that challenges everybody's perceptions and outlook on life, the novel would have been another ho-hum attempt at pasting one hard-boiled detective cliche after another. Sadly, midway through, the hero gets out of the fog, there are answers,which are a bit farfetched, to say the least, and the book races downhill fast. There were chances to stop and veer-off. There were opportunities to recover. Finally, even taking the weak episodes outside the fog, there glimmered the possibility of a good ending. Not to be, unfortunately. The novel ends abruptly, perhaps waiting for a second part that may not arrive ever for, as far as I know, there isn't even a paperback edition of this truncated mess. It felt like a waste of opportunities because the writer has talent. Having just crawled out of the almost-talentless clutches of Richard Ford and THE SPORTSWRITER, Steven John's prose struck me as a tremendous improvement. True, you don't need to try too hard to leave Ford behind but, still, John's writing is way better than Ford's and most thriller and sci-fi writers out there. In spite of all the cliches, I liked his P.I. and the descriptions of the city and the dangerous situations that little by little start to insinuate themselves into his life. The contrived stupidity of the bad guys, the hilarious, mind-numbing idiocy of the "dastardly plot" behind the fog, are not enough to derail John's writing: the man can put sentences together and come up with good, even great paragraphs. Maybe next time he'll go for a real ending.