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Time
Reissued, Remastered
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Audio CD, May 4, 2010
"Please retry"
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$4.93 | $5.59 |
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Editorial Reviews
Amazon.com
Time was the last truly great album from the Electric Light Orchestra, released as their world-conquering fame was starting to ebb. A concept album (a brave undertaking in 1981), Time has a space-age theme and is set at the end of the 21st century. What's most remarkable is how all this science-fiction silliness is salvaged by the exuberant playing. "Yours Truly, 2095" uses a number of ELO's hallmarks--a catchy synth riff, sweeping strings, and over-the-top production--to tell a tale of a man in love with a robot; the album's highlight, it should have been a hit single. The epic "Twilight" and "Hold on Tight"--which practically bounces along like an overexcited puppy--also stand among ELO's finest works. Moreover, critical darlings Grandaddy have frequently stated the album influenced their excellent Sophtware Slump, evidence that this futuristic album was itself years ahead of its time. --Robert Burrow
Product details
- Product Dimensions : 5.62 x 4.92 x 0.33 inches; 3.84 Ounces
- Manufacturer : Sony Legacy
- Original Release Date : 2001
- Run time : 54 minutes
- Date First Available : December 7, 2006
- Label : Sony Legacy
- ASIN : B00005KHEV
- Number of discs : 1
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Best Sellers Rank:
#234,310 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #4,179 in Progressive Rock
- #6,645 in Album-Oriented Rock (AOR) (CDs & Vinyl)
- #158,879 in Pop (CDs & Vinyl)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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I really wish they had produced it as a real stage opera or movie.
I should add that this may be the album whose initial release had many of its best songs omitted in favor of lesser ones. The new release is therefore preferable, but you owe it to yourself to finish the job Jeff Lynne should have done, of moving the three tracks into the running order rather than all dangling as footnotes after the big epilogue.
Yes, for the most part, the Orchestra ditched the strings that made them an orchestra, but this still is great. Instead of intertwined string sections, the band uses electronic textures, switching out their violins and cellos for synths and vocoders. It's a concept album about a guy who gets sent to the future and just wants to go back to the 80s and meet his girlfriend again. It's just as awesome as it sounds.
So many of the tracks are incredibly strong. Perhaps the weakest are (to my ears) Another Heart Breaks and The Lights Go Down. Another Heart Breaks is a mostly instrumental electronic tune, and The Lights Go Down is an attempt at reggae that just doesn't sit well with me. But what's more is that the bonus tracks are incredibly strong. It's one of the few albums where the included bonus tracks actually should have been on the finished album, and they add strongly to the experience here.
There are three extra songs on the CD that weren't on the vinyl (or cassette) but were on the B-sides of the 45s from this album. The first two, to me, are sub-par and I skip over them. Because, the third song ("Julie Don't Live Here") is great and everything I associate with ELO: vocals, instrumentation, everything. It's theme makes me think it was written to go right before or right after the song "Is This the Way Life's Meant To Be?" but I guess they nixed it because the theme of the lyrics is so similar to that other song (guy comes back from time away to find his world changed and, in this case, his girl gone).
Still worth every cent.
Top reviews from other countries
The strings had seemingly been ditched in favour of modish synths, but that's about all that had really changed. Even the missing strings hadn't vanished, they were just a little less obvious to the ear and done in a slightly different way.
The beginning of the album can leave you in no doubt as to who it is, a short prologue leading into 'Twilight', a song that for some reason reminds me a little 'Tightrope' from ' A New World Record ' (I'm not quite sure why), but in any case has that lush, wide sweep that all the best ELO songs do. The next song is the first major surprise, 'Yours Truly 2095' is a stab of bittersweet electro-pop that leads into the drum-heavy 'Ticket To The Monn', before we arrive at the lovely, acoustic flavour of 'The Way Life's Meant To Be'. The following trio of 'Rain Is Falling', 'From the End of The World' and 'The Lights Go Down' are rather downbeat and melancholic, but not in a bad way, giving the album a flow and a resonance that points out the more uptempo numbers around them.
At this point we hit the album's real stride, first with 'Here Is The News', another elctro-pop song; a fabulous song actually, one of the very best on the album, then into 21st Century Man, a song which wears its Beatles/Lennon influences firmly on its sleeve, before climaxing with the impossibly bouncy Hold On Tight, complete with French lyric in the middle eight
The thing is, as 80's and synthy as this album sounds (though not as much as the later Balance of Power or parts of Secret Messages) it is still recognisably ELO with all that that entails. And that's really why this album is so good; it manages to retain the spirit of the ELO who went before and marry it well to the fast-encroaching new technology.
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Fifth time I've bought this album. I think it's _that_ good.
Nothing wrong with my last CD, but I strongly desired the extra tracks.
Was worth it, added to an already beautiful work of art.
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