Enjoy fast, free delivery, exclusive deals, and award-winning movies & TV shows with Prime
Try Prime
and start saving today with fast, free delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Streaming of thousands of movies and TV shows with limited ads on Prime Video.
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
-30% $47.38$47.38
Ships from: Amazon.com Sold by: Amazon.com
Save with Used - Like New
$43.50$43.50
Ships from: Amazon Sold by: Locitup1time
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
The Timeless Way of Building
Purchase options and add-ons
Now, at last, there is a coherent theory which describes in modern terms an architecture as ancient as human society itself.
The Timeless Way of Building is the introductory volume in the Center for Environmental Structure series, Christopher Alexander presents in it a new theory of architecture, building, and planning which has at its core that age-old process by which the people of a society have always pulled the order of their world from their own being.
Alexander writes, "There is one timeless way of building. It is thousands of years old, and the same today as it has always been. The great traditional buildings of the past, the villages and tents and temples in which man feels at home, have always been made by people who were very close to the center of this way. And as you will see, this way will lead anyone who looks for it to buildings which are themselves as ancient in their form as the trees and hills, and as our faces are.".
- ISBN-100195024028
- ISBN-13978-0195024029
- PublisherOxford University Press
- Publication dateJanuary 1, 1979
- LanguageEnglish
- Dimensions5.5 x 2 x 7.4 inches
- Print length552 pages
Frequently bought together

More items to explore
Editorial Reviews
Review
Book Description
About the Author
Acting on his deeply-held conviction that, as a society, we must recover the means by which we can build and maintain healthy living environments, he has lived and worked in many cultures, and built buildings all over the world.
Making neighborhoods, building-complexes, building, balustrades, columns, ceilings, windows, tiles, ornaments, models and mockups, paintings, furniture, castings and carvings--all this has been his passion, and is the cornerstone from which his paradigm-changing principles have been derived.
Product details
- Publisher : Oxford University Press (January 1, 1979)
- Language : English
- Hardcover : 552 pages
- ISBN-10 : 0195024028
- ISBN-13 : 978-0195024029
- Item Weight : 1.5 pounds
- Dimensions : 5.5 x 2 x 7.4 inches
- Best Sellers Rank: #66,985 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

For nearly 50+ years Christopher Alexander has challenged the architectural establishment, sometimes uncomfortably, to pay more attention to the human beings at the center of design. To do so he has combined top-flight scientific training, award-winning architectural research, patient observation and testing throughout his building projects, and a radical but profoundly influential set of ideas that have extended far beyond the realm of architecture.
In the process Alexander has authored a series of groundbreaking works, including A Pattern Language: Towns, Buildings, Construction and The Timeless Way of Building. His most recent publication continues that ground-breaking work, the four-volume book set, The Nature of Order: An Essay on the Art of Building and the Nature of the Universe, incorporates more than 30 years of research, study, teaching and building. It was described by Laura Miller of the New York Times “the kind of book every serious reader should wrestle with once in a while: [a] fat, challenging, grandiose tract that encourages you to take apart the way you think and put it back together again.”
Alexander was born in Vienna, Austria and raised in Oxford and Chichester, England. He was awarded the top open scholarship to Trinity College, Cambridge in 1954, in chemistry and physics, and went on to read mathematics at Cambridge. He took his doctorate in architecture at Harvard (the first Ph.D. in architecture ever awarded at Harvard), and was elected to the society of Fellows at Harvard University in 1961. During the same period he worked at MIT in transportation theory and in computer science, and at Harvard in cognitive science. His pioneering ideas from that time were known to be highly influential in those fields.
Alexander became Professor of Architecture at the University of California, Berkeley in 1963, and taught there continuously for 38 years, becoming Professor Emeritus in 2001. He founded the Center for Environmental Structure in 1967, published hundreds of papers and several dozen books, and built more than 200 buildings around the world.
Alexander is widely recognized as the father of the pattern language movement in computer science, which has led to important innovations such as Wiki, and new kinds of Object-Oriented Programming. He is the recipient of the first medal for research ever given by the American Institute of Architects, and he has been honoured repeatedly for his buildings in many parts of the world. He was elected Fellow of the American Academy of Arts and Sciences in 1996 for his contributions to architecture, including his groundbreaking work on how the built environment affects the lives of people.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find the content insightful and classic. They also say the book is one of the best books for design. However, opinions differ on the writing style, with some finding it excellent and others saying it's a mess.
AI-generated from the text of customer reviews
Customers find the book insightful, profound, and liberating. They also say it's refreshing, inspirational, and a great contribution to any class on aesthetics. Readers also mention the book has a primal, sacred aspect that resonates with people far and wide.
"...I was surprised that the book was so philosophical and poetic in describing architecture. I expected something more technical...." Read more
"...Alexander's vision is insightful and well worth the look." Read more
"...Also, there are very good pictures in the book that touches the heart...." Read more
"...of Four's' work as well as Martin Fowler's, I would say this book is a refreshing read. My only regret is waiting so long to read this book...." Read more
Customers find the pacing of the book excellent. They say they can fast read it and get the point or take their time.
"Pleased with the product description and speed of arrival. Great Job!" Read more
"Excellently written, can fast read it and get the point or take your time and enjoy every detail." Read more
"Great price. Shipped quickly." Read more
Customers have mixed opinions about the writing style of the book. Some find it excellently written, while others say it's a mess.
"...The text is a MESS!!! How this was Kindle version was put out for sale is CRAZY. I’m going to try to return it." Read more
"This trilogy is brilliant. It's the most important written work on the art, artistry, spirit and practical wisdom of designing spaces that I know of...." Read more
"...It is not an easy read but well worth the effort...." Read more
"The book is clearly very well written and its concepts are marvelous, don't get me wrong, but the tone... meh...." Read more
Reviews with images
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
The writing style that I noticed in my first read of the book made me feel like I was reading an architecture bible. I hesitate to describe the book as religious, but the book's description "the power to make buildings beautiful lies in each of us already" and the description of the word "alive" giving architecture "the quality without a name" triggered an epiphany when recalling that the Bible says "In the beginning God created the heaven and the earth." and, "So God created man in his own image." This is why I'd say this book has a primal, sacred aspect, and this is why we like to build. Additionally, the book especially moved me so my mind's eye was opened to see "alive" patterns and to think about the morphology of architecture filling voids and generating towns.
On the second pass of reading, I was struck by this software architecture analogy in the table of contents: "16. Once we have understood how to discover individual patterns which are alive, we may then make a language for ourselves for any building task we face. The structure of the language is created by the network of connections among individual patterns: and the language lives, or not, as a totality, to the degree these patterns form a whole." Could this be the guidebook for designing enterprise software architecture?
Obviously this book was the inspiration for the philosophy and vocabulary for software architecture, and I thought some of the following excerpts were noteworthy paradigm shifts.
"The patterns are not just patterns of relationships, but patterns of relationships among other smaller patterns, which themselves have still other patterns hooking them together---and we see finally, that the world is entirely made of all these interhooking, interlocking nonmaterial patterns." This sounds like the difference between patterns of software architecture and object-oriented software design patterns.
"Each pattern is a three-part rule, which expresses a relation between a certain context, a problem, and a solution." Deja vu for software patterns.
"You may be afraid that the design won't work if you take just one pattern at a time...There is no reason to be timid...The order of the language will make sure that it is possible." Likewise in software architecture design, as one design pattern is considered at a time to see how it fits needs into the large picture of design. If this pattern is later deemed to be dead, it can be replaced by an "alive" design pattern.
"Next, several acts of building, each one done to repair and magnify the product of the previous acts, will slowly generate a larger and more complex whole than any single act can generate." This correlates to software refactoring.
"It is essential, therefore, that the builder build only from rough drawings: and that he carry out the detailed patterns from the drawings according to the processes given by the pattern language in his mind." When I read this, I thought about the metaphor to the software architect's vision and design. The software architect's design needs to be abstract enough to accommodate change easily, but yet simple enough so software programmers can understand it, finish the detailed component design and build the component to fit the architectural whole.
Alexander's method frees architecture from the prison of professional jargon and technical terminology. Buildings should be designed with the use in mind. What events, human or non-human will most often occur? Design should encourage the fullest expression of these events.
Chapters 1-10 outline Alexander's whole philosophy of language, when perhaps it would have been more effective to give more specific examples. But the examples do come, good ones too.
One he gives is that of a fountain. Should a fountain within a secluded garden have a trickle of water that spreads outward in four directions from the center? Or would a gushing flow be better? Thinking about intellectually likely tells us nothing, but anyone who experiences the two will instantly prefer the gush to the trickle. It is the feeling of freedom and aliveness. All architecture should seek to promote such a quality in the events that recur there.
Another good example comes on page 300 when he talks about building houses in Peru. He was criticized for wanting to put in an "Entrance Transition" room that would allow guests to experience a change in surroundings from the formal street to the comfort of a home. Most considered this room totally unnecessary, with an attitude that "people should be beyond such trivialities." A good architect moves beyond values when designing. It is authentic feelings that are important, that must be taken into account when designing, not our opinions about how things ought to be.
A complete pattern language for a building is one that recognizes all the authentic feelings that recur in and around the building. These smaller components make up the larger components that guide the decisions of the architect. Alexander's vision is insightful and well worth the look.
if you're an aspiring software architect, you would do the community around you a big favor by perpetuating this book - the more of us that speak and understand the "pattern languages" that pervade this book (and his other related works), the more we can build and aspire to build really really awesome stuff.
Don't worry, you will not be transported back to the 'traditional' nor will you be constrained by a 'formula' for there is still endless possibility for design working with the principles that Alexander reminds us of.
Read this book to take yourself back to what is really important, what really harmonises with the human spirit and with nature, and re-acquaint yourself with reality.
Once you have enjoyed this volume Alexander offers a number of others which will compliment and enhance your introduction.
Houses, towns, entire cities, will be gentler on the spirit if these books are read by all who have the authority to approve and plan building works.
Top reviews from other countries
It is a companion book to A Pattern Language and The Oregon Experiment.
The book is so beautifully written that I sometimes am moved to tears by the profoudness of the thoughts expressed. All architects mist read this book.











