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Timeline Hardcover – 1999
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When you step into a time machine, fax yourself through a "quantum foam wormhole," and step out in feudal France circa 1357, be very, very afraid. If you aren't strapped back in precisely 37 hours after your visit begins, you'll miss the quantum bus back to 1999 and be stranded in a civil war, caught between crafty abbots, mad lords, and peasant bandits all eager to cut your throat. You'll also have to dodge catapults that hurl sizzling pitch over castle battlements. On the social front, you should avoid provoking "the butcher of Crecy" or Sir Oliver may lop your head off with a swoosh of his broadsword or cage and immerse you in "Milady's Bath," a brackish dungeon pit into which live rats are tossed now and then for prisoners to eat.
This is the plight of the heroes of Timeline, Michael Crichton's thriller. They're historians in 1999 employed by a tech billionaire-genius with more than a few of Bill Gates's most unlovable quirks. Like the entrepreneur in Crichton's Jurassic Park, Doniger plans a theme park featuring artifacts from a lost world revived via cutting-edge science. When the project's chief historian sends a distress call to 1999 from 1357, the boss man doesn't tell the younger historians the risks they'll face trying to save him. At first, the interplay between eras is clever, but Timeline swiftly becomes a swashbuckling old-fashioned adventure, with just a dash of science and time paradox in the mix. Most of the cool facts are about the Middle Ages, and Crichton marvelously brings the past to life without ever letting the pulse-pounding action slow down. At one point, a time-tripper tries to enter the Chapel of Green Death. Unfortunately, its custodian, a crazed giant with terrible teeth and a bad case of lice, soon has her head on a block. "She saw a shadow move across the grass as he raised his ax into the air." I dare you not to turn the page!
Through the narrative can be glimpsed the glowing bones of the movie that may be made from Timeline and the cutting-edge computer game that should hit the market in 2000. Expect many clashing swords and chase scenes through secret castle passages. But the book stands alone, tall and scary as a knight in armor shining with blood. --Tim Appelo --This text refers to the Audible Audio Edition edition.
From Publishers Weekly
"And the Oscar for Best Special Effects goes to: Timeline!" Figure maybe three years before those words are spoken, for Crichton's new novelAdespite media reports about trouble in selling film rights, which finally went to ParamountAis as cinematic as they come, a shiny science-fantasy adventure powered by a superior high concept: a group of young scientists travel back from our time to medieval southern France to rescue their mentor, who's trapped there. The novel, in fact, may improve as a movie; its complex action, as the scientists are swept into the intrigue of the Hundred Years War, can be confusing on the page (though a supplied map, one of several graphics, helps), and most of its characters wear hats (or armor) of pure white or black. Crichton remains a master of narrative drive and cleverness. From the startling opening, where an old man with garbled speech and body parts materializes in the Arizona desert, through the revelation that a venal industrialist has developed a risky method of time-travel (based on movement between parallel universes; as in Crichton's other work, good, hard science abounds), there's not a dull moment. When elderly Yale history prof Edward Johnston travels back to his beloved 15th century and gets stuck, and his assistants follow to the rescue, excitement runs high, and higher still as Crichton invests his story with terrific period detail and as castles, sword-play, jousts, sudden death and enough bold knights-in-armor and seductive ladies-in-waiting to fill any toystore's action-figure shelves appear. There's strong suspense, too, as Crichton cuts between past and present, where the time-travel machinery has broken: Will the heroes survive and make it back? The novel has a calculated feel but, even so, it engages as no Crichton tale has done since Jurassic Park, as it brings the past back to vigorous, entertaining life. Agent, Lynn Nesbit. 1,500,000 first printing; Literary Guild nain selection; simultaneous large-print edition and audiobook. (Nov. 16)
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audible Audio Edition edition.
Top customer reviews
A group of medieval scholars and grad students is employed by the quants in archaeological restoration of a French mill, town, chapel, and chateau which was the site of a 14th century battle between locals and English knights. The group believes this is a cultural and charitable project of their benefactor who also owns the Guttenberg bible. When they find out it is part of a plan to make money through time tourism, the Professor goes to the 14th century to check it out. His short trip does not go as planned and the others decide to go back to finds him.
The 14th century is a difficult time. The quiet (no background noise) is appealing but the violence, fighting, political intrigue, and lack of gender equality is a concern to 21st century visitors. Crichton has crafted an exciting back-and-forth between the 14th and 21st century teams as both deal with violence, tech issues, political infighting, and lack of honesty and transparency with their colleagues.
I did not see the 2003 film which failed miserably at the box office. I don't know if the story was too complex for the big screen or if the casting of the aged Scottish comedian-singer Billy Connolly caused the demise.
I highly recommend to any Chrichton fans.
It IS a page-turner that does not get bogged down in overly complicated explanations about multi-verse theory or quantum physics, but provides enough information to provide the average reader enough verisimilitude to make this "time-travel" yarn seem plausible.
This is the first book I've read by this author, and I think that I will take a look at some of his other works ....and what better complement can I give than that?