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Timeline: A Novel Paperback – November 4, 2003
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Enhance your purchase
- Print length512 pages
- LanguageEnglish
- PublisherBallantine Books
- Publication dateNovember 4, 2003
- Dimensions5.52 x 1.03 x 8.21 inches
- ISBN-100345468260
- ISBN-13978-0345468260
- Lexile measure620L
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Editorial Reviews
Review
–Los Angeles Times
“THE PRESENT AND THE LONG-AGO PAST COLLIDE. . . . [as] three young historians whisk themselves back to fourteenth-century feudal France to rescue a friend–and engulf themselves in all manner of mind-blowing intrigue.”
–Chicago Sun-Times
“[A] BIG ROLLICKING BOOK.”
–The Wall Street Journal
“EXCITING . . . CLASSIC ADVENTURE . . . [A] SWASHBUCKLING NOVEL . . . CRICHTON DELIVERS.”
–USA Today
From the Back Cover
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Dan Baker winced as his new Mercedes S500 sedan bounced down the dirt road, heading deeper into the Navajo reservation in northern Arizona. Around them, the landscape was increasingly desolate: distant red mesas to the east, flat desert stretching away in the west. They had passed a village half an hour earlier- dusty houses, a church and a small school, huddled against a cliff- but since then, they'd seen nothing at all, not even a fence. Just empty red desert. They hadn't seen another car for an hour. Now it was noon, the sun glaring down at them. Baker, a forty-year old building contractor in Phoenix, was beginning to feel uneasy. Especially since his wife, an architect, was one of those artistic people who wasn't practical about things like gas and water. His tank was half-empty. And the car was starting to run hot.
"Liz," he said, "are you sure this is the way?"
Sitting beside him, his wife was bent over the map, tracing the route with his finger. "It has to be," she said. "The guide-book said four miles beyond the Corazon Canyon turnoff."
"But we passed Corazon Canyon twenty minutes ago. We must have missed it."
"How could we miss the trading post?" she said.
"I don't know." Baker stared at the road ahead. "But there's nothing out here. Are you sure you want to do this? I mean, we can get great Navajo rugs in Sedona. They sell al kinds of rugs in Sedona."
"Sedona," she sniffed, "is not authentic."
"Of coarse it's authentic, honey. A rug is a rug."
"Weaving."
"Okay." He sighed. "A weaving."
"And no, it's not the same," she said. "Those Sedona stores carry tourist junk- they're acrylic, not wool. I want the weavings that they sell on the reservation. And supposedly the trading post has an old Sandpainting weaving from the twenties, by Hosteen Klah. And I want it."
"Okay Liz." Personally, Baker didn't see why they needed another Navajo rug-weaving- anyway. They already had two dozen. She had them all over the house. And packed away in closets, too.
They drove on in silence. The road ahead shimmered in the heat so it looked like a silver lake. And there were mirages, houses or people rising up on the road, but always when you came closer, there was nothing there.
Dan Baker sighed again. "We must've passed it."
"Let's go a few more miles," his wife said.
"How many more?"
"I don't know. A few more."
"How many, Liz? Let's decide how far we'll go with this thing.
"Ten more minutes," she said.
"Okay," he said, "ten minutes."
He was looking at his gas gauge when Liz threw her hand to her mouth and said, "Dan!" Baker turned back to the road just in time to see a shape flash by-a man, in brown, at the side of the road- and hear a loud thump from the side of the car.
"Oh my God!" she said. "We hit him!"
"What?"
"We hit that guy."
"No, we didn't. We hit a pothole."
In the rearview mirror, Baker could see the man still standing at the side of the road. A figure in brown, rapidly disappearing in the dust cloud behind the car as they drove away.
"We couldn't have hit him," Baker said. "He's still standing."
"Dan. We hit him. I saw it."
"I don't think so, honey."
Baker looked again in the rearview mirror. But now he saw nothing except the cloud of dust behind the car.
"We better go back," she said.
"Why?"
Baker was pretty sure that his wife was wrong and that they hadn't hit the man on the road. But if they had hit him, and if he was even slightly injured- just a head cut, a scratch- then it was going to mean a very long delay in their trip. They'd never get to Phoenix by nightfall. Anybody out here was undoubtedly a Navajo; they'd have to take him to a hospital, or at least to the nearest big town, which was Gallup, and that was out of their way-
"I thought you wanted to go back,: she said.
"I do."
"Then let's go back."
"I just don't want any problems, Liz."
"Dan. I don't believe this."
He sighed, and slowed the car. "Okay, I'm turning. I'm turning."
And he turned around, being careful not to get stuck in the red sand at the side of the road, and headed back the way they had come.
"Oh Jesus."
Baker pulled over, and jumped out into the dust cloud of his own car. He gasped as he felt the blast of heat on his face and body. It must be 120 degrees out here, he thought.
As the dust cleared, he saw the man lying down at the side of the road, trying to raise himself up on his elbow. The guy was shaky, about seventy, balding and bearded. His skin was pale; he didn't look Navajo. His brown clothes were fashioned into long robes. Maybe he's a priest, Baker thought.
"Are you all right?" Baker said as he helped the man to sit up on the dirt road.
The old man coughed. "Yeah. I'm all right."
"Do you want to stand up?" he said. He was relieved not to see any blood.
"In a minute."
Baker looked around. "Where's your car?" he said.
The man coughed again. Head hanging limply, he stared at the dirt road.
"Dan, I think he's hurt," his wife said.
"Yeah," Baker said. The old guy certainly seemed to be confused. Baker looked around again: there was nothing but flat desert in all directions, stretching away into shimmering haze.
No car. Nothing.
"How'd he get out here?" Baker said.
"Come on," Liz said, "we have to take him to the hospital."
Baker put his hands on under the man's armpits and helped the old guy to his feet. The man's clothes were heavy, made of a material like felt, but he wasn't sweating in the heat. In fact, his body felt cool, almost cold.
The old guy leaned heavily on Baker as they crossed the road. Liz opened the back door. The old man said, "I can walk. I can talk."
"Okay. Fine." Baker eased him into the back seat.
The man lay down on the leather, curling into a fetal position. Underneath his robes, he was wearing ordinary clothes: jeans, a checked shirt, Nikes. He closed the door, and Liz got back in the front seat. Baker hesitated, remaining outside in the heat. How was it possible the old guy was out here all alone? Wearing all those clothes and not sweating?
It was as if he had just stepped out of a car.
So maybe he's been driving, Baker thought. Maybe he's fallen asleep. Maybe his car had gone off the road and he's had an accident. Maybe there was someone else still trapped in the car.
He heard the old guy muttering, "Left it, heft it. Go back now, get it now, and how."
Baker crossed the road to have a look. He stepped over a very large pothole, considered showing it to his wife, then decided not to.
Off the road, he didn't see any tire tracks, but he saw clearly the old man's footprints in the sand. The footprints ran back from the road into the desert. Thirty yards away, Baker saw the rim of an arroyo, a ravine cut into the landscape. The footprints seemed to come from there.
So he followed the footsteps back to the arroyo, stood at the edge, and looked down into it. There was no car. He saw nothing but a snake, slithering away from him among the rocks. He shivered.
Something white caught his eye, glinting in the sunlight a few feet down the slope. Baker scrambled down for a better look. It was a piece of white ceramic about an inch square. It looked like an electrical insulator. Baker picked it up, and was surprised to find it was cool to the touch. Maybe it was one of those new materials that didn't absorb heat.
Looking closely at the ceramic, he saw the letters ITC stamped on one edge. And there was a kind of button, recessed in the side. He wondered what would happen in he pushed the button. Standing in the heat, with big boulders all around him, he pushed it.
Nothing happened.
He pushed it again. Again nothing.
Baker climbed out of the ravine and went back to the car. The old guy was sleeping, snoring loudly. Liz was looking at the maps. "Nearest big town is Gallup."
Baker started the engine. "Gallup it it."
Back on the main highway, they made better time, heading south to Gallup. The old guy was still sleeping. Liz looked and him and said, "Dan . . ."
"What?"
"You see his hands?"
"What about them?"
"The fingertips."
Baker looked away from the road, glanced quickly into the back seat. The old guy's fingertips were red to the second knuckle. "So, he's sunburned."
"Just on the tips? Why not the whole hand?"
Baker shrugged.
"His fingers weren't like that before," she said. "They weren't red when we picked him up."
"Honey, you probably just didn't notice them."
"I did notice, because he had a manicure. And I thought it was interesting that some old guy in the desert would have a manicure.
"Uh-huh." Baker glanced at his watch. He wondered how long they would have to stay at the hospital in Gallup. Hours, probably.
He sighed.
The road continued straight ahead.
Product details
- Publisher : Ballantine Books; 1st edition (November 4, 2003)
- Language : English
- Paperback : 512 pages
- ISBN-10 : 0345468260
- ISBN-13 : 978-0345468260
- Lexile measure : 620L
- Item Weight : 14.6 ounces
- Dimensions : 5.52 x 1.03 x 8.21 inches
- Best Sellers Rank: #154,356 in Books (See Top 100 in Books)
- #1,798 in Mystery Action & Adventure
- #3,478 in Thriller & Suspense Action Fiction
- #13,546 in Suspense Thrillers
- Customer Reviews:
About the author

After graduating from Harvard Medical School, Michael Crichton embarked on a career as a writer and filmmaker, whose credits include 'The Andromeda Strain', 'Westworld', 'Jurassic Park', 'Rising Sun', 'Prey' and 'State of Fear' and the TV series 'ER'. He has sold over 150 million books which have been translated into thirty-six languages; twelve have been made into films. He is the only person to have had, at the same time, the number one book, movie and TV show in the United States.
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y people. People that pursue authentic reenaction as weekend warriors. Then he allows the heroic reenactor to fulfill his dream. Meanwhile the evil technology nerd . . . well, just read it!
A group of medieval scholars and grad students is employed by the quants in archaeological restoration of a French mill, town, chapel, and chateau which was the site of a 14th century battle between locals and English knights. The group believes this is a cultural and charitable project of their benefactor who also owns the Guttenberg bible. When they find out it is part of a plan to make money through time tourism, the Professor goes to the 14th century to check it out. His short trip does not go as planned and the others decide to go back to finds him.
The 14th century is a difficult time. The quiet (no background noise) is appealing but the violence, fighting, political intrigue, and lack of gender equality is a concern to 21st century visitors. Crichton has crafted an exciting back-and-forth between the 14th and 21st century teams as both deal with violence, tech issues, political infighting, and lack of honesty and transparency with their colleagues.
I did not see the 2003 film which failed miserably at the box office. I don't know if the story was too complex for the big screen or if the casting of the aged Scottish comedian-singer Billy Connolly caused the demise.
Although I was a fan of this book overall, there were still some ways that I thought it could have been improved. One way this could have been done would have been by developing the characters more. It felt like, throughout the book, more and more characters kept getting introduced that contained a possible personal connection for the reader. This was interesting, but it allowed little room for any of the characters to become complex or for the reader to deeply connect with them. I feel that this connection is an important part of a novel because it makes the story more emotional and less confusing for the reader. Also, I would have liked for Crichton to develop more of a story around the people back in the regular world, because the little contrast that was provided made it more entertaining to read. I also think that putting more emphasis on the differences between the medieval world and the current world would make the reader more able to connect the story to their life and keep reading more.
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2. People don't like it.
3. It's not really anything like the book.
4. I like to be different.
In a bizarre plot twist, I watched the film long before I read this. I'm happy to admit that the film isn't ever going to top the charts, but there is something about it that makes me enjoy it whenever I watch it. Perhaps I love time travel, perhaps I enjoy a good story about the dark ages. Perhaps it's got Anna Friel in it. Whatever; I like it, so I thought I'd read the book too, as I also like Michael Crichton.
Anyway, reading this off the back of the film is harder than doing it the other way - there's usually stuff missed out in a film adaptation, but here we have pretty much a completely different story altogether. Anna Friel in the book is no longer Arnaut's sister, but is an English woman who "allegedly" murdered her first husband. Marek keeps his ears, and Chris isn't quite so Paul Walkerish. Billy Connolly still has a Scottish accent in the book though, although that may just have been in my reading.
So we've a different story altogether, with only a few bits and pieces dotted around that were used in the film. I like the book, probably as much as I like the film, but having experienced the two now, I can see why there is a divide. Overall, if you're a fan of time travel, history, Michael Crichton, and reading books, then I'd recommend this to you. If you're a fan of Anna Friel - go with the film instead.
Crichton tethers his plot to the 'Many Worlds' view of quantum reality. In the list of references at the end of the novel, he cites, in particular, ‘The Fabric of Reality: The Science of Parallel Universes and Its Implication’ (1998) by David Deutsch and its account of the ‘photon demonstration of multiverses’ on which Timeline relies.
Having characters teleported to a warring region of medieval France sets up the central adventure strand of the novel. However, the reader’s imagination is from time to time switched back from that world to the contemporary world where the techno-strand of the story advances.
Action is prioritized over characterization, perhaps with an eye to the eventual film adaptation. For my taste, the extreme rapidity with which the characters attuned themselves to the mores of the medieval world seemed more far-fetched even than the countless times they evaded fatal wounding from arrows or swords.
The convoluted medieval sequences do go on a bit too long and squeezed the dregs out this reader’s visualization abilities.
There is, I noticed, one particular element of techno-casting in the story that perhaps most readers will gloss over: the scientists have technology that monitors and displays in real-time the quantum-field probabilities of re-teleportation occurring. I feel that concept alone would have been the basis for a more credible quantum physics novel. For example, consider super-fast high-frequency trading of shares being rendered obsolete by backward time-travel of share-movement information. (Note: I recall watching years ago a documentary about real-world functional-MRI studies of simple decision-making situations. My conclusion was that either freewill is an illusion or there is a backward flow in time (a few milliseconds) of information in the brain.)
I pretended to myself that I understood all the Quantum stuff. In fact, I did and I didn't and I did and didn't at the same time.
I was genuinely engrossed in the medieval explanations of technology, economics, warring politics, etc.
But then Crighton starts to refer to everyone with a tin hat and shield as a knight and I realised every other detail was therefore suspect.
Shame really.
The real motivation for the "time travel" (you need to read it to understand the falseness of that expression) was a bit weak and was really a poor excuse for shoving modern people into a dangerous historical situation. Not nearly as good as, say, the USS Nimitz travelling back to just before the attack on Pearl Harbour. A bit more like Dr Who.
Our trusty band of modern archaeologists and historians run rings around the well trained and experienced warring parties and enter and exit castles at will even during sieges. I have no idea why carefully built up defences were so easily circumnavigated. I'm not sure I was able to follow how many times Chris was cut, shot, sliced, slid down a valley side, floundered in water or got captured. Jackie Chan should play him in the film.
Having said all that, it was a pager turner for me. I did enjoy it even as it went daft.
The big surprise near the end, simply wasn't.










