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Tinseltown: Murder, Morphine, and Madness at the Dawn of Hollywood Hardcover – October 14, 2014
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New York Times Bestseller
Edgar Award winner for Best Fact Crime
The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry.
By 1920, the movies had suddenly become America’s new favorite pastime, and one of the nation’s largest industries. Never before had a medium possessed such power to influence. Yet Hollywood’s glittering ascendency was threatened by a string of headline-grabbing tragedies—including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.
In a fiendishly involving narrative, bestselling Hollywood chronicler William J. Mann draws on a rich host of sources, including recently released FBI files, to unpack the story of the enigmatic Taylor and the diverse cast that surrounded him—including three beautiful, ambitious actresses; a grasping stage mother; a devoted valet; and a gang of two-bit thugs, any of whom might have fired the fatal bullet. And overseeing this entire landscape of intrigue was Adolph Zukor, the brilliant and ruthless founder of Paramount, locked in a struggle for control of the industry and desperate to conceal the truth about the crime. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime—a dangerous place where the powerful could still run afoul of the desperate.
A true story recreated with the suspense of a novel, Tinseltown is the work of a storyteller at the peak of his powers—and the solution to a crime that has stumped detectives and historians for nearly a century.
- Print length480 pages
- LanguageEnglish
- PublisherHarper
- Publication dateOctober 14, 2014
- Dimensions1.7 x 6.2 x 9.1 inches
- ISBN-100062242164
- ISBN-13978-0062242167
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Editorial Reviews
Review
“Mann tells his story expertly . . . When it’s all over, Mann has argued so ably for his killer-candidate that he finally may have put this controversy to rest.” — Washington Post
“Mann’s call sheet of colorful characters is so richly painted, they not only make the Roaring ‘20s come to life, they’re so bizarre they seem like they could only exist in a movie.” — Entertainment Weekly
“Mann’s got the goods . . . Tinseltown may well be the most completist murder mystery of all time.” — Choire Sicha, BookForum
“Sex! Drama! Scandal! If you have the slightest curiosity about the dark purple scars of Hollywood history, this is the go-to book you cannot miss. . . Epic and fabulous—every page is haunting, every chapter a film noir. I was up all night.” — Rex Reed
“William Mann fires on all cylinders in this fascinating real-life crime story that has stumped film fans since 1922. A page-turner with incredible research and prose double-boiled, Tinseltown is a whodunit tour de force, revealing the dark heart of Hollywood.” — Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light
“Massive, exhaustively researched, endlessly fascinating . . . It’s a gripping ride with innumerable twists and turns and scenarios . . . If you love a good mystery and vintage Hollywood lore—which doesn’t read much differently than current Hollywood lore—I recommend Tinseltown without reservation.” — Liz Smith
“A stellar and gripping true-crime narrative . . . An engrossing and comprehensive look at the birth of the motion picture industry and the highs and lows it faced in the early 1920s . . . Mann has crafted what is likely to be a true-crime classic.” — Publishers Weekly (starred review)
“Mann spins this yarn with all the suspense and intrigue of a Dashiell Hammett novel. From beginning to end, the engrossing true tale will keep you guessing.” — Out Magazine
“The book’s power derives not just from piecing together the clues and analyzing motives; Los Angeles is very present as well.” — Publishers Weekly
“A gripping true-crime story that encompasses a colorful period in film history . . . Mann seamlessly weaves the details of the murder investigation, witnesses and newspaper accounts into the rich history of early film . . . Mann masterfully captures the zeitgeist of Hollywood in its early days.” — Kirkus Reviews (starred review)
“[A] gripping true-crime narrative. . . . Mann expertly juggles the various threads of the narrative to a satisfying conclusion that is sure to please both true-crime and film-history enthusiasts.” — Booklist
“For folks interested in true crime and the heyday of Hollywood, this book is a match made in a rather sinister version of heaven.” — Living Read Girl
“[Mann] brings the early days of the movie industry to sparkling life on the page, whether he’s evoking Los Angeles’ demimonde or explaining how the era’s scandals drove the film industry toward protectionism in the face of morality campaigns.” — NPR, The Best Books of 2014
“Tinseltown is an immensely enjoyable read as a recreation of a murder, and a fascinating time [and] place.” — McClatchy News Service
“A gripping true-crime narrative. . . . Mann expertly juggles the various threads of the narrative to a satisfying conclusion that is sure to please both true-crime and film-history enthusiasts.” — Booklist
“If you love a good mystery and vintage Hollywood lore-which doesn’t read much differently than current Hollywood lore-I recommend Tinseltown without reservation.” — Liz Smith
A lucid solution to the crime that feels almost as airtight as the final chapter of an Agatha Christie mystery.” — Connecticut Post
“The book is so evocatively written, right down to the weather, characters’ glances, and what they are feeling, . .. [and] seductively cinematic . . . should be made into a film itself.” — Daily Beast
Tinseltown is entertaining enough to feel illicit, but its reporting makes it an essential addition to any respectable bookshelf of L.A. history.” — Los Angeles Times Book Review
“Author William J. Mann paints a striking portrait of Los Angeles in the Roaring Twenties--a sparkling yet schizophrenic town filled with party girls, drug dealers, religious zealots, newly-minted legends and starlets already past their prime; a dangerous place where the powerful could still run afoul of the desperate.” — TCM.com
“Tinseltown does a fine job of parceling out its complex plot, and its author brings early Hollywood to life with the flair of a popular historian.” — Wall Street Journal
“Mann spins this yarn with all the suspense and intrigue of a Dashiell Hammett novel. From beginning to end, the engrossing true tale will keep you guessing.” — Out Magazine
From the Back Cover
Who killed Billy Taylor, one of Hollywood's most beloved men?
For nearly a century, no one has known.
Until now.
In the early 1920s, millions of Americans flocked to movie palaces every year to see their favorite stars on the silver screen. Never before had a popular art so captured the public's imagination, nor had a medium ever possessed such power to influence. But Hollywood's glittering ascendancy was threatened by a string of lurid, headline-grabbing tragedies, including the murder of William Desmond Taylor, the handsome and popular president of the Motion Picture Directors Association—a legendary crime that has remained unsolved since 1922.
Now, in this fiendishly involving narrative, bestselling Hollywood chronicler William Mann draws on a rich host of sources, many untapped for decades, to reopen the case of the upstanding yet enigmatic Taylor and the diverse cast that surrounded him—including three loyal ingenues, a grasping stage mother, a devoted valet, a gang of two-bit thugs, the industry's reluctant new morals czar, and the moguls Adolph Zukor and Marcus Loew, locked in a struggle for control of the exploding industry. Along the way, Mann brings to life Los Angeles in the Roaring Twenties: a sparkling yet schizophrenic town filled with party girls and drug dealers, newly minted legends and starlets already past their prime, a dangerous place where the powerful could still run afoul of the desperate.
A true story re-created with the thrilling suspense of a novel, Tinseltown is the work of a master craftsman at the peak of his powers.
About the Author
William J. Mann is the New York Times bestselling author of The Contender: The Story of Marlon Brando; Kate: The Woman Who Was Hepburn; How to Be a Movie Star: Elizabeth Taylor in Hollywood; Hello, Gorgeous: Becoming Barbra Streisand; Wisecracker: The Life and Times of William Haines; and Tinseltown: Murder, Morphine and Madness at the Dawn of Hollywood, winner of the Edgar Allen Poe Award. He divides his time between Connecticut and Cape Cod.
Product details
- Publisher : Harper; First Ed edition (October 14, 2014)
- Language : English
- Hardcover : 480 pages
- ISBN-10 : 0062242164
- ISBN-13 : 978-0062242167
- Item Weight : 1.66 pounds
- Dimensions : 1.7 x 6.2 x 9.1 inches
- Best Sellers Rank: #534,531 in Books (See Top 100 in Books)
- #997 in Movie History & Criticism
- #4,757 in Actor & Entertainer Biographies
- #8,465 in U.S. State & Local History
- Customer Reviews:
About the author

I live in two of the most beautiful places on the planet ' Provincetown, Massachusetts, with its exquisite light and ever-shifting dunes in the summer and the fall, and Palm Springs, California, with its majestic mountains and invigorating desert air in the winter and the spring. I am indeed blessed.
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"Tinseltown" is no exception to this rule, but William J. Mann offers the fullest, richest account of the Taylor killing to date, introducing several new details, a novel, intriguing "solution," and--perhaps most valuable of all--offering a fascinating look at Old Hollywood.
The Taylor murder is, in fact, only a plot element in the complex, often sordid, but always exciting history of the film industry's early days. The anti-hero of our story is Adolph "Creepy" Zukor, the ruthless film mogul who likely engineered the Taylor cover-up. Other stars of the show include Mabel Normand (one of the few sympathetic characters in this story,) the sad, tormented ingenue Mary Miles Minter, Taylor's eccentric valet Henry Peavey (depicted much more sensitively and positively than most other accounts of the case,) and a host of grifters, blackmailers, killers, drug addicts, and desperate wanna-be stars.
Mann's scenario of how Taylor died is interesting, but, of course, he necessarily cannot present much hard evidence to back it up. His theory cannot be accepted as the "final word," but it's certainly one of the most plausible "solutions" to date.
As thorough as Mann's book is in most respects, he does make a few odd omissions. He barely mentions the curious fact that Taylor's brother, Dennis Deane-Tanner, also abandoned his family and disappeared. It has been proposed, as a matter of fact, that Dennis was really Taylor's sinister former valet, "Edward Sands." Not long before the murder, Sands robbed Taylor and vanished--yet another puzzling element to this endlessly mysterious case. (Mann states that Sands was never seen again, although other accounts claim that the ex-valet was found dead under suspicious circumstances.) I believe Mann may have made a mistake in dismissing all possibility that brother Dennis and Sands the valet somehow figured in the murder.
Still, this book is wonderfully absorbing reading. Even if you have little interest in true crime, the soap-opera like saga found in these pages is almost certain to draw you in.
The author William Mann is an excellent writer and researcher. I can personally attest to this because I've read his other books and that's precisely why I grabbed Tinseltown up when offered by Vine. A chronicler of the film industry and popular film personalities, his books are always interesting as well as informative. In Tinseltown, Mann looks at early Hollywood scandal and broadly paints a picture of anxious film executives, coverups, and the real Hollywood. The details incorporated in this book and vividly described are designed for maximum effect and the end product does in fact echo Nathanel West's fictional Day of the Locusts and Erik Larsen's fact based books. Despite knowing the facts surrounding Taylor's murder and some of the theories surrounding the case, I easily bought into Tinseltown for its drama, suspense, characters, and information unearthed from police and FBI files. However, all the already listed reasons for why this book is good cannot be surpassed by William J. Mann's ability to recreate a Hollywood few people know about even today. This book is a mesmerizing story that will grab you and keep you wondering.
I totally enjoyed this book and found it to be visual in its portrayal of people and events.
Top reviews from other countries
Hollywood itself was under attack at the time of Taylor’s murder. From actors and actresses using drugs, to the all pervading press interest in the Fatty Arbuckle murder trial, the film industry stood accused of affecting the morals of the young and providing bad role models. It was gradually becoming understood that the young looked up to these new heroes and heroines of the screen and that, whether children were ‘swash-buckling’ like Douglas Fairbanks Jr. or dying their hair to look like the newest screen goddess, these people were becoming important and could not be ignored; causing a moral panic to erupt. When Taylor was murdered, those in the business were more concerned with covering up the scandal than in discovering the culprit – like most people in Hollywood, Taylor had his own secrets. A homosexual man who had abandoned his wife and daughter for a new life (although he certainly financially supported them), Taylor seemed to be loved by all who knew him – so, why was he killed?
This book takes us through all the possible scenario’s (before offering a solution at the very end) and these range from disgruntled, criminal former employees, drug dealers that Taylor had warned off, jealousy and possible blackmail. Much of the book revolves around three women in Taylor’s life. Actress Mabel Normand, a dear friend of Taylor’s and a woman re-making her life after drug dependency, Margaret ‘Gibby’ Gibson, an ambitious but fading actress, trying to reinvent herself as ‘Patricia Palmer’ and young starlet, Mary Miles Minter, just eighteen, and her over-bearing ‘stage’ mother, Mrs Shelby. This book takes us through Taylor’s life and relationships, including Mary Miles Minter’s obvious crush on the older man and also the investigation into his murder.
Although I have read many true crime books, this is much more a story of a time and place than of the actual murder investigation itself – although that is obviously covered. At times the book reads more like a novel and the flowery language, while suiting the era the author writes about, can sometimes be a little too much. However, the author is certainly realistic in re-telling how the crime scene was compromised and how the investigation was stalled and evidence covered up. Zukor was so concerned about Taylor – who he considered his spokesman for the industry – being damaged by scandal that he flew to L.A. himself and was utterly calculating and callous when protecting his own interests – sacrificing people with no thought to anyone but himself. In fact, like Hollywood itself, this is often a rather sordid tale. Scratching beneath the surface uncovers jealousy, thwarted ambition, financial desperation and the growing influence of drugs. If you have any interest in either true crime, or the early days of Hollywood, this is an interesting account of both a tragic event and how it was dealt with by an industry just beginning to feel their influence, and flex their muscles, in a fast changing time.
Great read.







