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Tokyo Gore Police
| List Price: | $19.95 Details |
| Price: | $17.64 |
| You Save: | $2.31 (12%) |
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May 18, 2010
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Double Disc Special Edition 1.5
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$28.98 | $19.99 |
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Editorial Reviews
Product Description
From the producers of The Machine Girl, Death Trance and Flesh For The Beast. In the near future, the Tokyo Police Corporation is locked in a bloody war with the engineers, genetically modified super-criminals who can bio-fuse their open wounds with weapons, turning self-mutilation into a combat form. Ruka is now the top hunter. With cold-blooded efficiency she cuts through the psychotic engineers and tracks down their home base, a truly bizarre fetish club. Nothing keeps her from her sworn duty to destroy the homicidal mutants and avenge her father s death. Language options: English dubbed or Japanese with English subtitles.
Review
Bloody good! --New York Post
Strap yourselves in, boys and girls, because things are about to get very, very bloody and very, very strange. --Twitch
Best Asian Film --Fantasia Film Festival
About the Director
Yoshihiro Nishimura is a Japanese film director, special effects and makeup effects artist, and a screenwriter who has worked predominantly in the horror genre. Nishimura has been described as a legendary director and effects artist; and the Tom Savini of Japan with talent to burn. (wikipedia) His credits include Suicide Club, Meatball Machine, Vampire Girl Vs. Frankenstein, Mutant Girls Squad and many others.
Product details
- Aspect Ratio : 1.78:1
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Product Dimensions : 7.5 x 5.25 x 0.5 inches; 3.2 Ounces
- Director : Yoshihiro Nishimura
- Media Format : Multiple Formats, Color, Dubbed, NTSC, Subtitled
- Run time : 1 hour and 50 minutes
- Release date : January 13, 2009
- Actors : Eihi Shiina, Itsuji Itao, Yukihide Benny, Jiji Bû, Ikuko Sawada
- Dubbed: : English
- Subtitles: : English
- Producers : John Sirabella, Satoshi Nakamura, Yoko Hayama
- Language : Unqualified
- Studio : Tokyo Shock
- ASIN : B001I82RVS
- Writers : J.J. Vallejo, Kengo Kaji, Maki Mizui, Yoshihiro Nishimura
- Number of discs : 1
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Best Sellers Rank:
#79,573 in Movies & TV (See Top 100 in Movies & TV)
- #1,641 in Foreign Films (Movies & TV)
- #2,246 in Science Fiction DVDs
- #3,399 in Horror (Movies & TV)
- Customer Reviews:
Customer reviews
Top reviews from the United States
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TGP is a bloodbath to the nth degree that succeeds because the special effects, costumes, and make-up are excellent. For example, it seems that no time, effort, or expense was spared in creating the visuals for the sequences depicting the police lockdown and its horrific consequences. I don't consider these scenes to be dark comedy, but rather grim reminders of the crimes against humanity perpetrated by Hitler's Gestapo and Stalin's NKVD. The movie also includes some of the most outlandish characters that you will ever see. For example, a strip club consists of an assortment of bizarre performers, all of whom are the products of bioengineering. Another example pertains to Shiina's character, who undergoes a strange transformation as TGP reaches its climax. At the mind-blowing conclusion of the movie, the heroine stands ready to protect the city along with her new ally, who is the resultant of some unholy medical procedure.
Tokyo Gore Police is also indicative of the best and / or worst of avant-gardism. The murder of Ruka's father -- that is to say, the explosion at the back of his head and the large flap of scalp waving about afterward -- seems to be based on the autopsy photographs of the JFK assassination. TGP also includes satirical commercials that constitute pertinent social commentary about suicide and self-mutilation. Yoshihiro Nishimura is truly clever for having inserted such avant-gardism and satirical content into the production.
The film score is yet another highlight as it has a certain KIng Crimson feel to it -- circa Larks' Tongues In Aspic Part II. Magnificent!!! It is one of my favorite film scores -- from any genre. Tokyo Gore Police is my favorite movie from the splatter genre, and is one of my favorite movies -- from any genre. TGP is a masterpiece, there aren't enough superlatives to describe it.
The plot, while certainly bizarre, is coherent and well-structured, but that's not really what you're looking for in a film like this. Similarly, it's well-performed (at least in Japanese--I didn't watch the English dub), but that's not what you're looking for either. You're looking for over the top scenes of violence and gore, rendered in quality practical effects rather than substandard CGI. And that's exactly what this film delivers.
Of course this film isn't for everyone, but I assume those who aren't turned off by the title or trailer are exactly the kind of people--much like myself--who'll love it. Honestly, many of the scenes feel like excerpts from my fever dreams, and I mean that in the best way possible.
Top reviews from other countries
The film is quite obviously not to be taken seriously, but does have a plot thread regarding the recent privatisation of the Tokyo police force running through it, often showing the increasing violence displayed by these officers for the sake of ‘public safety’. While it does have the satirical edge Robocop has with its occasional advertisements, TGP relies more on the splatter and creativity of its world, with beings known as ‘engineers’ wreaking havoc on its populace, each dismemberment making them more hideously disfigured and connected to whatever implement they may be carrying. The protagonist of the film being directly moulder by these events, it is also a very willingly perverted film, mocking those who indulge in what the West probably are aware of as the seedier side of Japanese culture. Not that any of them get away with it.
If you have a B-Movie collection then give the film a go. If you’re aware of the genre then you probably know roughly what to expect, but if you’re a newcomer to these sorts of things, start lower. Around Maniac Cop should see you right.
I have also spent 14 years researching this and she's not a real police women. This film is therefore terrible and should be destroyed like a mutant with a telescope in its bum.
This isn't a good film and at times, because of unexplained cutting from one scene to another, difficult to follow. Also I didn't recognise one cop when, out of samurai-stylised uniform, he transformed into a total idiot who wrongly thought himself the coolest dude in the city. Characterisation is minimal -there are only really two, our heroine and main villain, everyone else is a cipher at best.
The satirical elements -tv ads for some form of violence such as having chirpy teen girls promoting small knives to use for self-harm- are wincingly effective.
However, the selling point are the surreal images and the over the top gore (often one and the same) and good grief it is over the top, piling image after image you never imagined in your entire life and the one (if you're male) you might fearfully have imagined then you certainly hoped that you never would see.
I feel deeply ashamed of myself to admit that I did enjoy this film and, worse, that I'll watch it again some time in the future. In mitigation, all I can say is that it is a black black unreal comedy which displays a remarkable, albeit appalling, invention, rather than being a witless sadistic slasher. It may not leave you stirred but it will quite likely leave you shaken.
I have to say I found it hard to be grossed out by most of this film despite the mayhem going on, as it's really so far over the top that the sheer amounts of blood spraying everywhere actually mitigate against this feeling. However, there were a number of scenes where I did find myself thinking, "oh now, that is a bit different". I have to say that on the whole the average Japanese person appears to have a lot more blood in their body that I do and dreadfully high blood pressure to go with it too. They're also incredible tough! I enjoyed watching this film a lot; it's really very, very silly and as long as you're not the sort of person who gets grossed out by over the top injuries and body modifications in films, you may well find it a lot of fun too. In fact, the longer it goes on the more ridiculous everything gets.
Technically, the picture quality is very good and the film looks well made and doesn't feel cheap. The special effects are by and large excellent. My only criticism is that the producer appears to have got a really good deal on a box of red light bulbs from somewhere and thus they were used in as many scenes as possible. With the amount of on-screen time all the blood and wounds had, I wouldn't have thought red was a colour that would have been in particular demand. This version has both Japanese (with optional English subtitles) and dubbed English audio choices up to 5:1. The subtitles are generally fine, except where they obscure (and basically duplicate) some of a text in a few of the spoof adverts that pop up from time to time. The special features are fairly minimal, but there is a very long trailer if you haven't got time to watch the whole film.
Three things to love about this movie.
1/ The commercials.
2/ The police dispatcher
3/ Eihi Shiina's legs.
Loved it. A guilty pleasure








