- File Size: 2168 KB
- Print Length: 272 pages
- Publisher: Farrar, Straus and Giroux (October 1, 2019)
- Publication Date: October 1, 2019
- Sold by: Macmillan
- Language: English
- ASIN: B07MYXB26N
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Lending: Not Enabled
- Amazon Best Sellers Rank: #14,692 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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About the Author
“The Topeka School rocks an American amplitude, ranging freely from parenthood to childhood, from toxic masculinity to the niceties of cunnilingus . . . Lerner’s own arsenal has always included a composer’s feel for orchestration, a ventriloquist’s vocal range and a fine ethnographic attunement . . . I could say more― about trauma, sex, paradox, magic― but only at the cost of further reducing this irreducible novel, which seeks instead to spread its readers beyond their borders with its fertile intelligence and its even more abundant heart...A high-water mark in recent American fiction."
―Garth Risk Hallberg, The New York Times Book Review
“An extraordinarily brilliant novel that’s also accessible to anyone yearning for illumination in our disputatious era . . . Through the wizardry of Lerner’s prose, this battle of adolescent elocution becomes an emblem for the fiery state of American culture . . . Among the myriad miracles of The Topeka School is that it accomplishes so much, captures so much and questions so much about America in fewer than 300 pages.”
―Ron Charles, The Washington Post
"[The Topeka School] is thoroughly, intimidatingly brilliant and absolutely contemporary . . . It's funny, and at times, painfully acute . . . [Lerner] is a supremely gifted prose stylist, at once theoretical and conversational; he never bores or blathers, and is always limpid. Rather than inviting the reader to look at him or his life, he invites the reader to look through him."
―Christine Smallwood, Harper's
"The best book yet by the most talented writer of his generation . . . [Lerner] treats the self like an archive of social data from which it is possible to construct a larger story about our times . . . Jane, in particular, is an astonishing creation; it is hard to think of another character in recent fiction who shows up so vividly on the page . . . a particle accelerator of a novel."
―Giles Harvey, The New York Times Magazine
―Joumana Khatib, The New York Times Book Review
"Ben Lerner is moving from strength to strength, and The Topeka School displays a unique mind and sensibility on the prowl."
--Dwight Garner, The New York Times 2019 Critics' Picks
“A triumph of ventriloquism . . . [Lerner] has written a perfectly weighted, hugely intelligent, entirely entertaining novel that does more than simply mine his childhood or explore what it is to be an author; he has taken on American masculinity, group identity and marginalization, political messaging and generational exchange, and has done so not didactically but generously and with admirable sensitivity.”
--The Times Literary Supplement (UK)
"Because Lerner draws so freely from his own life, he is often grouped together with other writers of autofiction, like Karl Ove Knausgaard and Sheila Heti, which does his work a slight disservice. It ignores his real lineage, the great literature of passivity, failure and refusal: Melville’s Bartleby, the novels of Robert Walser and László Krasznahorkai."
―Parul Seghal, The New York Times
"Lerner is a dazzlingly intelligent writer, and for anyone looking to understand contemporary America this tale of toxic masculinity, resentful outcasts, rigged high-school debates and political disaster is a good place to start."
--The Times (UK)
"[Lerner is] one of the most acclaimed writers in the English-speaking world . . . [The Topeka School] is not just a bildungsroman . . . but a polyphonic portrait of an entire community . . . Lerner can get away with writing so many books that are autofictional because a spirit speaks through him―because his language takes on a life of its own."
―Becca Rothfeld, The Wall Street Journal
"I dunno if Ben Lerner was reading a lot of Faulkner when he wrote The Topeka School or if he naturally shares some of that writer’s fixations (clan, memory, language) and modes (doom-filled, funny, allusive), but either way: damn."
―Vulture (#1 Book of the Year)
"Absorbing . . . Despite the book's specificity in place and time―Kansas in the late 1990s―it is really America that is lying on the therapist's couch."
"With acute social insight into the crisis of toxic masculinity and deep psychological penetration into one Midwestern family, [The Topeka School] is the rare novel of ideas that never skimps on depth of feeling."
―Adrienne Westenfeld, Esquire
"In Lerner's work, an anticapitalist rhetoric indebted to critical theory is wedded to a lyricism that finds an eerie beauty in what it negates, like a black light . . . [The Topeka School] proves that Lerner, without sacrificing the idiosyncratic charms of his earlier books, can do more things with the novel form."
―Evan Kindley, The Nation
“Ben Lerner’s The Topeka School is the best novel of the Donald Trump era thus far . . . Maybe the most remarkable thing about The Topeka School is the way it models this possibility by gathering together the apparently distant and unrelated―psychotherapy, high school debate, Kansan politics, concussions, the drama of a marriage―into a story that feels sincere and generous.”
―Ryan Lackey, Slant
“Autofiction master Lerner (10:04) returns with his most expansive novel to date . . . Narration from the present-day and interludes hinting at a terrible tragedy add intrigue to this study of polarization and toxic masculinity.”
"This third novel from Lerner (Leaving the Atocha Station, 10:04) arrives laden with the kind of hype that can sink a story from the get-go (“the future of the novel is here”). And then the book itself―page by page, sentence by sentence―surmounts it . . . The onset of a coming, nameless dread is palpable―as is the sublime pleasure of Lerner’s prodigious mastery of plot, style, and form.
―Corey Seymour, Vogue
“Awe-inspiring . . . Lerner has hit on something deep, and true, in the portrait of “debate” in this book . . . The beautiful recollections of childhood in The Topeka School allow for a Portrait of the Artist–type origin story.”
―Mark Greif, Bookforum
“Provocative and illuminating, this is a story for your head and your heart to enjoy.”
--SPY.com (12 Best Books of the Year)
“[An] essayistic and engrossing novel . . . Few writers are so deeply engaged as Lerner in how our interior selves are shaped by memory and consequence . . . Increasingly powerful and heartbreaking as the story moves on. Autofiction at its smartest and most effective: self-interested, self-interrogating, but never self-involved.”
―Kirkus Reviews (Starred Review)
“Ben Lerner’s forthcoming novel The Topeka School weaves a masterful narrative of the impact that mental illness, misogyny, homophobia, politics, and religion have on children who want to be men . . . It’s rare to find a book that is simultaneously searing in its social critique and so lush in its prose that it verges on poetry.”
―Nikki Shaner-Bradford, The Paris Review (Staff Pick)
"Ben Lerner is arguably the hottest novelist writing in America today, in complete control of
his ideas and his prose, and ambitious with both."
--The Telegraph (UK)
"The Topeka School is a kind of 21st-century The Sound and the Fury―a kaleidoscopic portrait that masterfully connects one family and its traumas to wider cultural dysfunction . . . Lerner's novel offers a compelling exploration of how we got here, an
d where we might go."
"The Topeka School is a novel of exhilarating intellectual inquiry, penetrating social insight, and deep psychological sensitivity. To the extent that we can speak of a future at present, I think the future of the novel is here."
―Sally Rooney, author of Normal People
"Ben Lerner has redefined what it means for a writer to inhabit an American present by showing how a family reckons with its past. Here the personal and political are masterfully interwoven. The Topeka School is brave, furious, and, finally, a work of love."
―Ocean Vuong, author of On Earth We’re Briefly Gorgeous
“Ben Lerner is a masterful writer who destabilizes the very notion of what a novel can achieve by making it new at every turn. The Topeka School is not only a fiction for our times, but for the ages: insightful, humane, politically astute, and true.”
―Hilton Als, author of White Girls
"In Ben Lerner’s riveting third novel, Midwestern America in the late nineties becomes a powerful allegory of our troubled present. The Topeka School deftly explores how language not only reflects but is at the very center of our country’s most insidious crises. In prose both richly textured and many-voiced, we track the inner lives of one white family’s interconnected strengths and silences . . . This is Lerner’s most essential and provocative creation yet."
―Claudia Rankine, author of Citizen: An American Lyric
"The Topeka School is what happens when one of the most discerning, ambitious, innovative, and timely writers of our day writes his most discerning, ambitious, innovative and timely novel to date. It’s a complete pleasure to read Lerner experimenting with other minds and times, to watch his already profound talent blooming into new subjects, landscapes, and capacities. This book is a prehistory of a deeply disturbing national moment, but it’s written with the kind of intelligence, insight, and searching that makes one feel well-accompanied and, in the final hour, deeply inspired."
―Maggie Nelson, author of The Argonauts
"Ben Lerner is a brilliant novelist, unafraid to make of the novel something truly new . . . He is one of my favorite living writers."
―Rachel Kushner, author of The Flamethrowers
Praise for 10:04
"Reading Ben Lerner gives me the tingle at the base of my spine that happens whenever I encounter a writer of true originality. He is a courageous, immensely intelligent artist who panders to no one and yet is a delight to read." ―Jeffrey Eugenides, author of The Marriage Plot
"Just how many singular reading experiences can one novelist serve up? . . . 10:04 is a mind–blowing book … Strange and spectacular." ―Maureen Corrigan, NPR’s Fresh Air
“This is a book that belongs to the future.” ―Giles Harvey, The New York Review of Books
“[Lerner’s] concerns wrap around the modern moment with terrifying rightness . . . 10:04 describes what it feels like to be alive.” ―John Freeman, The Boston Globe
“Mr. Lerner is among the most interesting young American novelists at present . . . We come to relish seeing the world through [the narrator’s] eyes.” ―Dwight Garner, The New York Times
“Ingenious . . . This brain-tickling book imbues real experiences with a feeling of artistic possibility, leaving the observable world ‘a little changed, a little charged.’” ―Sam Sacks, The Wall Street Journal
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Note: I received a copy of this book from Farrar, Straus and Giroux (via NetGalley) in exchange for my honest review.
As I read this book, I have to admit that I wondered how much of it would make sense unless you grew up in Northeast Kansas during the 90s. Likewise, unless you were a Debater or Forensics "nerd" in high school, I wondered how much someone would understand the references to these activities that were discussed throughout the book. Like the author, I grew up in NE Kansas during the 90s (I am ever-so slightly older) and was a frequent visitor to Topeka, so a lot of references were familiar to me. (As a HS Forensics participant, and having had one child (so far) be a Debater, I was very familiar with the numerous Debate and Forensics references). Invariably, we saw protests from Fred Phelps' "church." Most of us, even my ultra-conservative mother, were appalled by the protests, but much like the book states, the objections to Fred Phelps had little to do with the demeaning of the LGBTQ community. While this book touched on a lot of issues, one of the most profound moments of this book for me revolved around the issue of Fred Phelps: Why were the citizens of Topeka (or anywhere) so offended by him when they agreed with him? (Please note: I do not agree with Fred Phelps or his ideologies.)
I never imagined that I would receive parenting insight with this book, but as a mom to two boys, the issue of toxic masculinity is a recurrent concern and is something that weighs on my heart. I do not want my boys to think it is acceptable to treat girls/women as only sex objects (as was my experience growing up in the 90s and even still now, ugh!) nor in any way inferior, yet I do not want them to feel that they are somehow inferior or invalidated because they are male.
And now, I feel compelled to address the, ahem, elephant in the room. This novel tried to provide a backstory for how Donald Trump happened. Yes, I still live in Kansas, but I can assure you there are cities/areas in this "red" state that are liberal (or purple), much like the family portrayed in this novel. (I would argue that we do not have "red" or "blue" states, we have concentrated areas in each state that lean politically one way and they are better defined by rural, urban, suburban.) The subject of Donald Trump and how anyone can support him is certainly a compelling psychological examination, no matter which side you are on. I think this book makes some interesting conclusions that show how some of this absurd current circumstance even became possible. Which brings it back to the conclusion about Fred Phelps: Why are they offended when they agree? Yikes.
So, go find a quiet, comfy space, grab a cup of tea (or coffee), and allot yourself chunk of time to try to read this gem of a book in a single setting (or 2). It's well worth your time.
Top international reviews
A narrativa se situa nos anos de 1990 uma década que até hoje nos influencia – não tanto quanto os anos de 1960, mas ainda assim paira sobre nós, essa década que acabou (junto com o século) em 11 de setembro de 2001. Topeka é a cidade onde Lerner nasceu e cresceu, e tal qual o protagonista, Adam Gordon (o mesmo de Leaving Atocha Station, cuja narrativa é posterior a aqui), participou de campeonatos de debates e foi campeão.
O romance investiga uma masculinidade tóxica com honestidade – o pai do personagem, assim como o de Lerner trabalha com adolescentes problemáticos –, e, na medida em que o romance olha para o passado, podemos fazer um diagnóstico do presente. Aquela foi a década o último suspiro da opressão impune. O que não quer dizer que certas coisas foram superadas – mas elas não passam mais despercebidas, o que é já um começo para transformação.
A questão central do autor em seus romances anteriores era de como a subjetividade se ligava à arte, e de como essa exprimia o indivíduo no mundo do capitalismo tardio. Isso está aqui, mas a forma como as personagens olham para o mundo, e este para elas é outra. Há outros dois narradores além de Adam: sua mãe e seu pai. E é impressionante como o autor é capaz de criar um trio com vozes distintas. A narradora, por sua vez, tem um papel de destaque, sendo quem é capaz de mais bem figurar a dinâmica do mundo onde vivem, seu lugar social permite isso. Sendo uma autora feminista, seu livro desperta as piores respostas dos homens. Ela recebe ligações anônimas que a chamam de destruidora de lares para baixo. E Jane é obrigada a desenvolver dispositivos para se proteger disso. É um pequeno elemento dentro da narrativa que ressoa grande, e diz muito sobre o estado das coisas.
É o livro mais sofisticado de Lerner, no qual ele vai muito além do estado da arte, e leva sua prosa para outro lugar. É um grande livro, mas também uma espécie de problema que criou para si mesmo. O que fazer agora?