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Touched with Fire: Manic-Depressive Illness and the Artistic Temperament Paperback – October 18, 1996
| Kay Redfield Jamison (Author) Find all the books, read about the author, and more. See search results for this author |
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One of the foremost psychologists in America, “Kay Jamison is plainly among the few who have a profound understanding of the relationship that exists between art and madness” (William Styron).
The anguished and volatile intensity associated with the artistic temperament was once thought to be a symptom of genius or eccentricity peculiar to artists, writers, and musicians. Her work, based on her study as a clinical psychologist and researcher in mood disorders, reveals that many artists subject to exalted highs and despairing lows were in fact engaged in a struggle with clinically identifiable manic-depressive illness.
Jamison presents proof of the biological foundations of this disease and applies what is known about the illness to the lives and works of some of the world's greatest artists including Lord Byron, Vincent Van Gogh, and Virginia Woolf.
- Print length384 pages
- LanguageEnglish
- PublisherFree Press
- Publication dateOctober 18, 1996
- Dimensions5.5 x 0.9 x 8.44 inches
- ISBN-10068483183X
- ISBN-13978-0684831831
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Editorial Reviews
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc.
About the Author
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Product details
- Publisher : Free Press; Reissue edition (October 18, 1996)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 068483183X
- ISBN-13 : 978-0684831831
- Item Weight : 10.2 ounces
- Dimensions : 5.5 x 0.9 x 8.44 inches
- Best Sellers Rank: #67,231 in Books (See Top 100 in Books)
- #42 in Behavioral Psychology (Books)
- #61 in Coping with Bipolar Disorder
- #62 in Social Services & Welfare (Books)
- Customer Reviews:
About the author

Kay Redfield Jamison (born June 22, 1946) is an American clinical psychologist and writer. Her work has centered on bipolar disorder, which she has had since her early adulthood. She holds a post of Professor of Psychiatry at the Johns Hopkins University School of Medicine and is an Honorary Professor of English at the University of St Andrews.
Bio from Wikipedia, the free encyclopedia. Photo by Unknown, Copyright Holder is JHMI [CC BY 2.5 (http://creativecommons.org/licenses/by/2.5)], via Wikimedia Commons.
Customer reviews
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Every page has 1 or more references and meanings to my life experiences. I am lucky to have been able to find a good psych to help me understand my wonderful madness.
Collage level book.
Touched with Fire was written long ago, it seems, but reaches even further into the past to examine the unique place Manic-Depression has had throughout history in an objective manner. One of the keys is that Dr. Jamison addresses the taboo subject of Mania having 'beneficial' effects along with detrimental ones. The nature of the illness is also one that causes the afflicted to occasionally rise to prominence due to the properties of the manic state where they may not have had the momentum and 'fire' were they not of the afflicted.
This topic is personal for me, but there is a truly worldwide audience for this book; it's not just those directly touched by Bipolar Disorder who should pay attention. If history was shaped, in part, by a certain brain phenomenon still shifting its position in the diagnostic world, there should be curiosity kindled and research amped up. If those who can't help but dissect the brains of serial killers and gaze at the physical totem of Einstein's own were to return to a state of wonder at this ailment that gives and takes brilliance than perhaps the diagnostic system for mental illness might get a much-needed reboot.
I guess it's good to know that talented people in history with bipolar disorder were able to accomplish great works, but it's really not all that engaging. It's just case study after case study. I actually gave it away after I read it, knowing I would never read it again.
Top reviews from other countries
A great deal of the book involves analysing the works, biographies and correspondence of creative types who were plagued by mental illness. This is required and necessary given the topic, and each analysis bolsters the author’s argument. Some may, however, find the many literary inclusions distracting, especially if one had been expecting a more straightforward scientific book and is unused to subjective testimony used in this way. That said, they are integrated well into the text and it is easy to follow. My only complaint is the occasional deep dive into a particular individual, such as chapter 5’s subject Byron, which I found less engaging than marshaling an argument with reference to a multitude of individuals.
The book also delves into the fraught ethical and social terrain of treating those who may, in some way, benefit from their illness. Jamison rightly points out the many artists who claim to have been inspired or made productive by mental illness, and asks hard questions over whether treatment may dampen creative abilities. As expected, the answers are unclear, but Jamison marshals facts and biographic details to clarify the problem and recognize the problems of forgoing treatment as well.
All in all, the book is intriguing, well written and informative. Concrete examples and meticulous referencing highlight the work that has gone into it, and its factual basis does not prevent the book from making a moving and emotional read. For anyone interested in mood disorders, the nature of creativity and the notion of the “tortured artist” this book is a must read, giving a deep insight into the complex nature of creativity and mood. Readers would serve themselves well in checking out Jamison’s other work as well, particularly her moving memoir “An Unquiet Mind”.
Reviewed in the United Kingdom on February 26, 2019
A great deal of the book involves analysing the works, biographies and correspondence of creative types who were plagued by mental illness. This is required and necessary given the topic, and each analysis bolsters the author’s argument. Some may, however, find the many literary inclusions distracting, especially if one had been expecting a more straightforward scientific book and is unused to subjective testimony used in this way. That said, they are integrated well into the text and it is easy to follow. My only complaint is the occasional deep dive into a particular individual, such as chapter 5’s subject Byron, which I found less engaging than marshaling an argument with reference to a multitude of individuals.
The book also delves into the fraught ethical and social terrain of treating those who may, in some way, benefit from their illness. Jamison rightly points out the many artists who claim to have been inspired or made productive by mental illness, and asks hard questions over whether treatment may dampen creative abilities. As expected, the answers are unclear, but Jamison marshals facts and biographic details to clarify the problem and recognize the problems of forgoing treatment as well.
All in all, the book is intriguing, well written and informative. Concrete examples and meticulous referencing highlight the work that has gone into it, and its factual basis does not prevent the book from making a moving and emotional read. For anyone interested in mood disorders, the nature of creativity and the notion of the “tortured artist” this book is a must read, giving a deep insight into the complex nature of creativity and mood. Readers would serve themselves well in checking out Jamison’s other work as well, particularly her moving memoir “An Unquiet Mind”.
We cannot all be Tennessee Williams, Ezra Pound, Van Gogh, Lord Byron or whomever else she puts under the yoke of Bipolar Disorder. Nonetheless, she reveals some of the "silver linings" of Bipolar Disorder - one which is the experience heightened emotional states; if you are a young artist perusing the reviews and considering purchasing this work, I would advise that you do so. Ms Jamison, as a sufferer, captures the experience of the condition succinctly while providing a series of case studies on the subject. If you're at all literary-minded, the book should be a joy of itself, but if you also suffer from the condition, you will discover another layer of fascination and poignancy to the work.
This review is not meant to discourage would-be readers who have not experienced or witnessed this condition. It is a superb work, and if you're curious, I would advise that you feed your fascination!







