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The Town: A Novel of the Snopes Family Mass Market Paperback – February 12, 1961
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From the Inside Flap
This is the second volume of Faulkner's trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South.
Like its predecessor The Hamlet and its successor The Mansion, The Town is completely self-contained, but it gains resonance from being read with the other two. The story of Flem Snopes' ruthless struggle to take over the town of Jefferson, Mississippi, the book is rich in typically Faulknerian episodes of humor and of profundity.
About the Author
William Faulkner was born in New Albany, Mississippi, on September 25, 1897. His family was rooted in local history: his great-grandfather, a Confederate colonel and state politician, was assassinated by a former partner in 1889, and his grandfather was a wealth lawyer who owned a railroad. When Faulkner was five his parents moved to Oxford, Mississippi, where he received a desultory education in local schools, dropping out of high school in 1915. Rejected for pilot training in the U.S. Army, he passed himself off as British and joined the Canadian Royal Air Force in 1918, but the war ended before he saw any service. After the war, he took some classes at the University of Mississippi and worked for a time at the university post office. Mostly, however, he educated himself by reading promiscuously.
Faulkner had begun writing poems when he was a schoolboy, and in 1924 he published a poetry collection, The Marble Faun, at his own expense. His literary aspirations were fueled by his close friendship with Sherwood Anderson, whom he met during a stay in New Orleans. Faulkner's first novel, Soldier’s Pay, was published in 1926, followed a year later by Mosquitoes, a literary satire. His next book, Flags in the Dust, was heavily cut and rearranged at the publisher’s insistence and appeared finally as Sartoris in 1929. In the meantime he had completed The Sound and the Fury, and when it appeared at the end of 1929 he had finished Sanctuary and was ready to begin writing As I Lay Dying. That same year he married Estelle Oldham, whom he had courted a decade earlier.
Although Faulkner gained literary acclaim from these and subsequent novels—Light in August (1932), Pylon (1935), Absalom, Absalom! (1936), The Unvanquished (1938), The Wild Palms (1939), The Hamlet (1940), and Go Down, Moses (1942)—and continued to publish stories regularly in magazines, he was unable to support himself solely by writing fiction. he worked as a screenwriter for MGM, Twentieth Century-Fox, and Warner Brothers, forming a close relationship with director Howard Hawks, with whom he worked on To Have and Have Not, The Big Sleep, and Land of the Pharaohs, among other films. In 1944 all but one of Faulkner's novels were out of print, and his personal life was at low ebb due in part to his chronic heavy drinking. During the war he had been discovered by Sartre and Camus and others in the French literary world. In the postwar period his reputation rebounded, as Malcolm Cowley's anthology The Portable Faulkner brought him fresh attention in America, and the immense esteem in which he was held in Europe consolidated his worldwide stature.
Faulkner wrote seventeen books set in the mythical Yoknapatawpha County, home of the Compson family in The Sound and the Fury. “No land in all fiction lives more vividly in its physical presence than this county of Faulkner’s imagination,” Robert Penn Warren wrote in an essay on Cowley’s anthology. “The descendants of the old families, the descendants of bushwhackers and carpetbaggers, the swamp rats, the Negro cooks and farm hands, the bootleggers and gangsters, tenant farmers, college boys, county-seat lawyers, country storekeepers, peddlers—all are here in their fullness of life and their complicated interrelations.” In 1950, Faulkner traveled to Sweden to accept the 1949 Nobel Prize for Literature. In later books—Intruder in the Dust (1948), Requiem for a Nun (1951), A Fable (1954), The Town (1957), The Mansion (1959), and The Reivers (1962)—he continued to explore what he had called “the problems of the human heart in conflict with itself,” but did so in the context of Yoknapatawpha’s increasing connection with the modern world. He died of a heart attack on July 6, 1962.
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Top Customer Reviews
There are many profound words and great quotes that can also be exacted from the citizens of Faulknerville. For example, "A lot of people talk without saying anything, and listen without hearing anything." And perhaps Faulkner defends himself by defending a character who says, "The poets are wrong of course... But then, poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets... are exalted and terrified by it."
Great reading if you love poetic novels with intriguing and intricate plots and curiously fascinating characters. But the trilogy must be read in order with The Hamlet first and The Mansion last. Great for long, summer reads too!
Faulkner uses a lot of indirection to tell the story. One of the narrators is a child, Charles Mallison, who wasn’t even born through about half of the time line of the story. The other two are definite foils of the Snopes - V K Ratliff, the shrewd sowing machine salesman, and Gavin Stevens, the town’s lawyer, who might be based on Phil Stone (who was an Oxford, Mississippi lawyer), but also might be expressing the point of view of the author, such as the section on life always being premature. The two try to understand the motives of Flem Snopes in manipulating his way into becoming president of one of the two banks in town. Respectability is a big factor. The mythos of southern Baptists and Methodists, the founders of the town, also plays a big role. That mythos feeds and justifies retribution toward Manfred de Spain, who represents the old guard aristocracy - manners and education - in a state of decay.