I do not understand why the song Toys in the Attic is not include in their Greats Hits CD.
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Toys In The Attic
Remastered
$18.95 $18.95
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Track Listings
| 1 | Toys In The Attic |
| 2 | Uncle Salty |
| 3 | Adam's Apple |
| 4 | Walk This Way |
| 5 | Big Ten Inch Record |
| 6 | Sweet Emotion |
| 7 | No More No More |
| 8 | Round And Round |
| 9 | You See Me Crying |
Editorial Reviews
The boys from Boston have shifted 8 million copies of this rock classic in the US alone. Includes Rock this Way; Sweet Emotion; No More No More; the title track and more.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.62 x 4.92 x 0.33 inches; 3.84 ounces
- Manufacturer : Sony Legacy
- Original Release Date : 1993
- Run time : 37 minutes
- Date First Available : December 7, 2006
- Label : Sony Legacy
- ASIN : B0000029AP
- Number of discs : 1
- Best Sellers Rank: #103,147 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #990 in Arena Rock (CDs & Vinyl)
- #1,321 in Pop Metal (CDs & Vinyl)
- #2,057 in Blues Rock (CDs & Vinyl)
- Customer Reviews:
Customer reviews
4.8 out of 5 stars
4.8 out of 5
2,074 global ratings
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5 out of 5 stars
Good vinyl reissue
This is a review of the vinyl reissue. The copy I received is the 2013 reissue, pressed at RTI "from the original source tapes" (with a sticker on the front that says so), but it wasn't one of the 5,000 numbered copies, which I thought was what "Limited Edition" in the Amazon description referred to. It's okay, though -- I believe it's the same record, with the same mastering, just without the numbered jacket and the Record Store Day sticker.This vinyl edition is pressed on 180 gram vinyl. My copy was perfectly flat, with an almost totally noise-free background. I'm not sure if it's mastered from the original analog tapes or if it was done from high-res digital (it's hard to be sure these days), but it sounds very good, with a nice balanced sound and good dynamics. A good deal at the current price ($16).For record nerds: the dead wax says "STERLING RKS" meaning engineer Ryan Smith mastered the record at Sterling Sound.
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Top reviews from the United States
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- Reviewed in the United States on August 22, 2024
- Reviewed in the United States on April 12, 2024none
- Reviewed in the United States on March 25, 2017This is a review of the vinyl reissue. The copy I received is the 2013 reissue, pressed at RTI "from the original source tapes" (with a sticker on the front that says so), but it wasn't one of the 5,000 numbered copies, which I thought was what "Limited Edition" in the Amazon description referred to. It's okay, though -- I believe it's the same record, with the same mastering, just without the numbered jacket and the Record Store Day sticker.
This vinyl edition is pressed on 180 gram vinyl. My copy was perfectly flat, with an almost totally noise-free background. I'm not sure if it's mastered from the original analog tapes or if it was done from high-res digital (it's hard to be sure these days), but it sounds very good, with a nice balanced sound and good dynamics. A good deal at the current price ($16).
For record nerds: the dead wax says "STERLING RKS" meaning engineer Ryan Smith mastered the record at Sterling Sound.
5.0 out of 5 stars Good vinyl reissueThis is a review of the vinyl reissue. The copy I received is the 2013 reissue, pressed at RTI "from the original source tapes" (with a sticker on the front that says so), but it wasn't one of the 5,000 numbered copies, which I thought was what "Limited Edition" in the Amazon description referred to. It's okay, though -- I believe it's the same record, with the same mastering, just without the numbered jacket and the Record Store Day sticker.
Reviewed in the United States on March 25, 2017
This vinyl edition is pressed on 180 gram vinyl. My copy was perfectly flat, with an almost totally noise-free background. I'm not sure if it's mastered from the original analog tapes or if it was done from high-res digital (it's hard to be sure these days), but it sounds very good, with a nice balanced sound and good dynamics. A good deal at the current price ($16).
For record nerds: the dead wax says "STERLING RKS" meaning engineer Ryan Smith mastered the record at Sterling Sound.
Images in this review
- Reviewed in the United States on March 17, 2013Ah, the glory days of Aerosmith. I was 12 years young when I first bought this album and it was the very first Aerosmith album I ever owned! Wore out the grooves!
This was Aerosmith's third album and a breakthrough one as well for the group, thanks in part to "Walk This Way" and "Sweet Emotion."
Their first four albums (Aerosmith, Get Your Wings, TITA and Rocks) were able to combine great melodies with a hard edge! (Brad Whitford, after all, was a Berklee College Of Music graduate!) I very often find myself humming these songs long after I listen to them.
From the accelerating title track to the album's sorrowful closer, "You See Me Crying" (the first time the group ever included strings!), this album is good to the last drop.
The first time I ever saw the movie, Dazed and Confused, when it begins with "Sweet Emotion" during the opening credits, I knew I was gonna love that movie...and I did! Perfectly captures that era well with the use of that song...and it ends with the main characters on their way to buy Aerosmith tickets!
This is an album that still excites me to this day.
- Reviewed in the United States on February 7, 2011I wasn't too keen on Aerosmith at first -- and growing up in the 1970s, if you weren't too keen on Aerosmith, you probably weren't too cool, either, according to your friends. The band was hugely popular with the blue-jean set back then, especially males -- if memory serves me right, the band used to refer to its three-fourths-male concert audiences as "the blue army."
Part of my problem was I really did think some of the critics were right: Aerosmith was just Rolling Stones Lite. Certainly, there was an influence. But my other problem was the songs ... or lack of them. "Dream On," from the first album, was OK till singer Stephen Tyler reached the Shriekosphere near the song's end. "Mama Kin" was mildly engaging. But much of the rest of that first record just didn't sound that appealing. "Get Your Wings," the second album, did little to sway me.
But when "Toys in the Attic" came out in 1975, even I had to admit it: The band had kicked it up not just a NOTCH but about three or four of 'em. The songs were amazing: "Walk This Way" and "Uncle Salty" and "No More, No More." There was a cover, too, of a nasty old blues song called "Big Ten-Inch Record" that was just hilarious good fun.
And then there was "Sweet Emotion," the best song of the band's career at that point. From Tom Hamilton's boiling bass line to the crunching guitars of Joe Perry and Brad Whitford to Joey Kramer's killer drums to Tyler's spot-on lead vocal, it was a perfect rock anthem. And Tyler was keeping his voice in a slightly lower range, so that he sounded more growly than girly.
And speaking of girls: My memory also says this is where Aerosmith's fan base started to shift. Young women started going to the shows with their boyfriends, and buying the records. Aerosmith was held in very high esteem, in fact, by my first serious girlfriend. Sweet young lady; she even forgave me for spilling beer one time on their "Greatest Hits" album. In fact, it pretty much started our relationship -- she thought I was a funny klutz, and stopped me from wincing and trying to clean off the album by putting me in a lip-lock I'll never forget.
This may be my favorite Aerosmith album, and "Sweet Emotion" definitely is my favorite song in their repertoire. Note: If you're an SACD person, the SACD version is worth getting. The surround mix is spacious and revealing without being too pretty. In other words, it still sounds like rock and roll. "Sweet Emotion" is especially nice, with the percussion and talk-box vocals that start the piece loitering in the surround speakers while Hamilton's bass churns it up out front. The SACD is long out of print and very, very pricy now. Two recommendations: Pony up the money and get one. And never sell it!
- Reviewed in the United States on November 4, 2023Some of the best music from the past.
- Reviewed in the United States on December 3, 2023everything was great..good shape..
- Reviewed in the United States on March 27, 2015I was impressed with this SACD, I have always loved the album and the band! I have been trying to get this for some time and finally found a price I was willing to pay. I saw Aerosmith at an outdoor concert in Portland, OR a very long time ago. It was a great concert and I find this SACD is much better than the concert only because it is even more like being there, being in the middle of the sound stage is wonderful. As a prior reviewer said Sweet Emotion is amazing and Walk this way is very good. I did have to bring the rear speakers up +2 to get the balance the way I like it. I have tried it on all 3 of my SACD systems and am impressed. This SACD is up there with Brain Salad Surgery and Dark Side of the Moon as SACD's that use the 5.1 channel potential effectively.
Top reviews from other countries
john laneReviewed in Canada on February 28, 20235.0 out of 5 stars Gift this album to someone you love
If you are not familiar with this album, google it. Simply put, it's one of the all time great R&R albums and that's not just my opinion. Don't be a streamer jerk, buy and support musicians and start with this album.
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JessyvReviewed in France on September 1, 20235.0 out of 5 stars Un must have
Album mythique je le voulais depuis longtemps
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francescoReviewed in Italy on February 21, 20215.0 out of 5 stars Perfetto
Perfetto!!!!
TarsoReviewed in Brazil on September 30, 20195.0 out of 5 stars 😊
Excelente!
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Adolfo Arauz (ado)Reviewed in Spain on November 3, 20205.0 out of 5 stars Uno de los mejores discos de los Aerosmith
Con un sonido cercano a los Cream, y a la psicodelia que marcó el sonido de muchas bandas de los 60's. Aerosmith se desmarcaba de las bandas de su época con este discazo. Una maravilla absoluta, donde destaca la voz de Steven Tyler y la magia del estudio es usada para potenciar el sonido de la banda.
Imprescindible en una biblioteca sonora.
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