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Tracy Flick Can't Win: A Novel Hardcover – June 7, 2022
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“Tom Perrotta is…one of the great writers that we have today. I love this book.” —Harlan Coben
An “engrossing and mordantly funny” (People) novel about ambition, coming-of-age in adulthood, and never really leaving high school politics behind—featuring New York Times bestselling author Tom Perrotta’s most iconic character of all time.
Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job.
Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life—a ten-year-old daughter, a needy doctor boyfriend, and a burgeoning meditation practice.
But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be. Her male colleagues’ determination to honor Vito Falcone—a star quarterback of dubious character who had a brief, undistinguished career in the NFL—triggers memories for Tracy and leads her to reflect on the trajectory of her own life. As she considers the past, Tracy becomes aware of storm clouds brewing in the present. Is she really a shoo-in for the principal job? Is the Superintendent plotting against her? Why is the School Board President’s wife trying so hard to be her friend? And why can’t she ever get what she deserves?
A sharp, darkly comic, and pitch-perfect chronicle of the second act of one of the most memorable characters of our time, Tracy Flick Can’t Win “delivers acerbic insight about frustrated ambition” (Esquire).
- Print length272 pages
- LanguageEnglish
- PublisherScribner
- Publication dateJune 7, 2022
- Dimensions6 x 1 x 9 inches
- ISBN-101501144065
- ISBN-13978-1501144066
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From the Publisher
Editorial Reviews
Review
"Even more piercing than its predecessor... With a lyric, polyphonic intensity, [Perrotta] poses a question to the class: What have we learned?”—The New York Times
"The verdict is in on Tracy Flick: we did her wrong."—The New Yorker
"Cleverly designed.... Perrotta has reclaimed the name Tracy Flick from the bucket of misogynist punchlines.”—Washington Post
"Perrotta catches up with Tracy as an adult, rescuing her from the fate of being used as an easy symbol of, well, anything. She’s much too complex for that."—Time
"Brilliant, biting satire... so lean and taut it almost reads like a screenplay."—Minneapolis Star Tribune
"[Tracy Flick is] a richly rounded character enduring a quintessential modern American struggle.”—Boston Globe
“Told with Perrotta’s piercing wit, wisdom, and exquisite insight into human folly, Tracy’s second act delivers acerbic insight about frustrated ambition.”—Esquire
"If you ever wondered what became of overachiever Tracy Flick... now you can find out in Tracy Flick Can’t Win."—Elle
"Perrotta [is] a specialist in suburban malaise.”—Slate
"Perrotta brings his trademark dark humor and insights into suburbia to the story, along with some sweet observations about friendship."—Real Simple
"Perrotta has what it takes to revisit the past without being predictable.”—The Atlantic
“Short chapters from many perspectives [will] keep readers alternately laughing and gasping.”—Los Angeles Times
"Humorous yet humane... prescient, darkly comical.”—San Francisco Chronicle
“Perrotta’s great gift is that he lets his love for his characters, flaws and all, shine through. . . . I was rooting hard for Tracy Flick to, finally, win.” —Seattle Times
"Sharp and perfectly executed…This is the rare sequel that lives up to the original.”—Publishers Weekly, starred review
"Smart, entertaining... The breeziness of the pacing provides tart counterpoint to weightier themes... which Perrotta handles with a deft but determined satiric touch.”—Booklist
“The plot unfolds with the you-are-there feel of a documentary, or mockumentary perhaps ... Nobody told this master of dark comedy there are things you can’t make jokes about. Watch him try.”—Kirkus
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
There was another front-page story in the paper. For months it had been an almost daily occurrence, one powerful man after another toppled from his pedestal, exposed as a sexual predator: Harvey Weinstein in his bathrobe, Bill Cosby with his quaaludes, Matt Lauer and his secret button; the list went on and on. It was a satisfying spectacle—a small measure of belated justice—but it was troubling too, because it kept stirring up memories I would have preferred to leave alone, as if I were being asked to explain myself to the world, though I wasn’t exactly sure who was doing the asking.
That morning’s scandal was celebrity-free, and for me, at least, even more disturbing than usual: a “beloved” drama teacher at a fancy boarding school accused of having “inappropriate sexual and romantic relationships” with several former students, the allegations stretching all the way back to the 1980s. The teacher—he was retired now, living quietly in Tulum—denied the charges; a lawsuit had been filed against the school, its trustees, and three different headmasters who had “abetted the decades-long cover-up.” There was a black-and-white yearbook photo of the teacher in his younger days—he was standing onstage, boyish and shaggy-haired, directing a student production of Oklahoma!—along with color photos of two of his accusers. The women were attractive and successful, both around my own age—a dermatologist and an art historian—and they gazed at the camera with eyes that were somehow steely and wounded at the same time. He groomed me so skillfully, the art historian said. He told me exactly what I wanted to hear. The dermatologist had a bleaker assessment: He stole my innocence. It pretty much ruined my life.
“Mom,” Sophia said. “Are you okay?”
I looked up from the newspaper. My ten-year-old daughter was watching me closely from across the table, the way she often did, as if she were trying to figure out who I was and what was going on in my head. I’d never had to do that with my own mother.
“I’m fine, honey.”
“It’s just—you looked a little angry.”
“I’m not angry. That’s just how my face gets when I’m thinking.”
She considered this for a second or two, then wrinkled her nose.
“There’s a name for that,” she said. “It’s not very nice, though.”
“So I’ve heard.” I glanced at the wall clock. “Finish your oatmeal, sweetie. We need to get moving.”
Aside from the handful of people who knew about it at the time—my mother, the Principal, my guidance counselor—I never talked to anyone about what happened to me in high school. Until the past few months, I hardly even thought about it anymore, because what was the point? It was ancient history, a brief misguided affair—that’s the wrong word, I know, but it’s the one I’ve always used—with my sophomore English teacher, a few regrettable weeks of my teenage life. It wasn’t that big a deal. We made out a few times, and had sex exactly once. I realized it was a mistake, and I ended it. My life wasn’t ruined. I didn’t get pregnant, didn’t get my heart broken, didn’t miss a step. I graduated at the top of my class, and went to Georgetown on a full scholarship.
It was Mr. Dexter who couldn’t handle the breakup, and kept pestering me to get back together. My mother found a note he wrote on one of my essays—it was a little unhinged—and she went to the Principal, and Mr. Dexter vanished from the school, and from my life. It was all very sudden and surgical. I guess you could say the system worked.
As a grown-up—as a parent and an educator—I had no doubt that what he did was wrong, and that his punishment was just. In the privacy of my own heart, though, I couldn’t manage to hate him for it, or even judge him that harshly. There was a mitigating factor at work, an extenuating circumstance. It didn’t exonerate him, exactly, but it made him less culpable in my eyes, more worthy of sympathy or compassion, whatever you want to call it.
That circumstance was me.
The thing you had to understand—it seemed so obvious to me at the time, so central to my identity—is that I wasn’t a normal high school girl. I was unusually smart and ambitious, way too mature for my own good, to the point where I had trouble making friends with my peers, or even connecting with them in a meaningful way. I felt like an adult long before I came of legal age, and it had always seemed to me that Mr. Dexter simply perceived this truth before anyone else, and had treated me accordingly, which was exactly the way I’d wanted to be treated. How could I blame him for that?
That was my narrative, the one I’d lived with for a very long time, but it was starting to feel a little shaky. You can’t keep reading these stories, one after the other, all these high-achieving young women exploited by teachers and mentors and bosses, and keep clinging to the idea that your own case was unique. In fact, it had become pretty clear to me that that was how it worked—you got tricked into feeling more exceptional than you actually were, like the normal rules no longer applied.
It gnawed at me that summer, the possibility that I’d misjudged my own past, that maybe I’d been a little more ordinary than I would have liked to believe. But even if that were true, there wasn’t anything I could do about it. There was no injustice to expose, no serial abuser living it up in a tropical paradise.
Mr. Dexter didn’t just lose his job because of me; he lost his wife and a lot of his friends and his self-respect, and he never really got back on track. After he stopped teaching, he managed his family’s hardware store until it went out of business, and then he became a home inspector. He got married a second time in his forties, but that hadn’t worked out, either. I knew this because he wrote me a letter in 2014. He was in the hospital at the time, being treated for an aggressive form of prostate cancer, and wanted to apologize to me before it was too late. He said he still thought about me sometimes, and wished we’d met under different circumstances.
I’m not a bad person, he said. I just made some horrible decisions.
He was fifty-five when he died. As far as I was concerned, he could rest in peace.
Sophia was attending soccer camp that week at Green Meadow High School, where I served as Assistant Principal. I pulled up in the horseshoe driveway by the practice field, idling just long enough to watch her sign in with a clipboard-wielding counselor, and then trot onto the grass, where she was greeted with a fanfare of happy shrieks and joyful shimmies from the other girls, as if they hadn’t seen her for years. I felt a familiar pang of separation, the melancholy awareness that my daughter’s real life—at least her favorite parts—took place in my absence.
I’d never been like that as a child, a valued member of the pack, showered with affection, protected by the safety of numbers. I’d always been a party of one, set apart from the other kids by the conviction—I possessed it from a very early age—that I was destined for something bigger than they were, a future that mattered. I didn’t believe that anymore—how could I, my life being what it was—but I remembered the feeling, almost like I’d been anointed by some higher authority, and I missed it sometimes. It had been an adventure, growing up like that, knowing in my blood that something amazing was waiting for me in the distance, and that I just needed to keep moving forward in order to claim it.
The only thing waiting for me that morning was my cramped office in the empty high school, the unceasing demands of a job I’d outgrown. It was an important position, don’t get me wrong—I had a lot on my shoulders—but it was hard to stomach being the number two again, after savoring an all-too-fleeting taste of real authority.
Three years earlier, I’d taken over as Acting Principal after my boss, Jack Weede, had suffered a near-fatal heart attack. He was sixty-five at the time, and everyone assumed he would pack it in, and that my promotion would become permanent. But Jack surprised us all by coming back; he couldn’t let go of the reins. It was his call and I didn’t hold it against him—retirement had never struck me as much of a prize, either—but the ordeal had taken a toll on him, and a lot of his workload ended up landing on good old Tracy’s desk.
Even on a slow day in early August, there was more than enough to keep me busy. I started by combing through the analytics from our most recent round of assessment tests, trying to spot gaps in our curriculum, and offer some low-impact, last-minute suggestions for addressing them. We’d been slipping a bit in the statewide rankings—not badly, but just enough to cause some alarm—and we needed to take some concrete measures to turn that around before it became a serious problem.
After that, I scoured a stack of old résumés in search of a long-term substitute for Jeannie Kim, our popular (if slightly overrated) AP Physics teacher, who was taking maternity leave in January. An incompetent sub isn’t a huge problem if they’re only in contact with the students for a day or two, but Jeannie was going to be out for an entire semester.
If I’d left it up to Jack, he would’ve waited until the last minute, hired the first warm body he could get his hands on, and then shrugged it off if something went wrong. It’s hard to find a good sub, Tracy. There’s a reason those people don’t have real jobs. But I wasn’t about to let that happen, not if I could help it. Our students deserved better. It was easy to forget, when you were a grown-up and high school was safely in the past, how it felt to be a captive audience, the way time could stand still in a classroom, and one bad teacher could poison your entire life.
Product details
- Publisher : Scribner (June 7, 2022)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 1501144065
- ISBN-13 : 978-1501144066
- Item Weight : 14.4 ounces
- Dimensions : 6 x 1 x 9 inches
- Best Sellers Rank: #467,468 in Books (See Top 100 in Books)
- #1,451 in Humorous Fiction
- #3,176 in Family Life Fiction (Books)
- #9,410 in Literary Fiction (Books)
- Customer Reviews:
About the author

Thomas R. Perrotta (born August 13, 1961) is an American novelist and screenwriter best known for his novels Election (1998) and Little Children (2004), both of which were made into critically acclaimed, Academy Award-nominated films. Perrotta co-wrote the screenplay for the 2006 film version of Little Children with Todd Field, for which he received an Academy Award nomination for Best Adapted Screenplay. He is also known for his novel The Leftovers (2011), which has been adapted into a TV series on HBO.
Bio from Wikipedia, the free encyclopedia.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find this book engaging and well-paced, appreciating its inventive writing style and multiple narrator approach. The story receives positive feedback, with one customer describing it as a beautifully crafted life story with a good ending for Tracy Flick. Customers praise the character development, humor, and thought-provoking nature of the book, while also appreciating it as a great sequel.
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Customers find the book engaging and enjoyable, with one mentioning it kept them reading all night.
"...This is a worthy sequel, well worth the read which is quite quick. I, for one, wished there was more to the story, but enjoyed it greatly." Read more
"...It was an ok book, I was never that interested in any of the characters. But i finished it." Read more
"...to straggle in this latest novel, but I still found it readable, enjoyable, and engaging." Read more
"...Still I found the sequel to be very enjoyable. Tracy is more sympathetic now than the movie portrayed her...." Read more
Customers appreciate the pacing of the book, with its inventive writing style and multiple narrators from various points of view, making it a quick read.
"...The book uses multiple narrators, including Jack Weede, the principal who began his career in another, more sexist era and has had his share of..." Read more
"...It's written in a similar style to the first one, with narration from various points of view, making the whole story piece together...." Read more
"...The author's writing style is inventive by offering chapters to different characters, something which was captured in the film...." Read more
"...The author uses multiple narrators, but he gives them their own unique voices for the most part and that is not an easy feat...." Read more
Customers enjoy the story, with one describing it as a beautifully crafted life narrative and another noting the nice twist at the end.
"This is a light story that ends in tragedy...." Read more
"...It's a perfect ending for Tracy some thirty years after she was first introduced." Read more
"...Love the characters and they are written Roa good standard. Nice twist at the end. I’d recommend it." Read more
"...So much humor in this Flick #2 wrapped into a beautifully crafted life story" Read more
Customers appreciate the character development in the book, with one mentioning its multiple perspectives through different characters and numerous subplots.
"...The author's writing style is inventive by offering chapters to different characters, something which was captured in the film...." Read more
"I enjoyed Tracy Flick Can't Win because it has great character studies conveyed in a very amusing and painfully honest manner, often with disastrous..." Read more
"Good book. Being an educator myself, it resonated well with me. Love the characters and they are written Roa good standard. Nice twist at the end...." Read more
"...There are numerous subplots which include: sexual awakening, career ambitions, career regrets and high school administration politics to name a few..." Read more
Customers find the book humorous, describing it as a mix of funny and sad moments.
"...It is still a book with humorous and sad happenings which keep you hooked to the end." Read more
"...Can't Win because it has great character studies conveyed in a very amusing and painfully honest manner, often with disastrous consequences to the..." Read more
"I thought the book was an entertaining, quick read...." Read more
"I’ve always enjoyed Perotta books, with Election arguably the best. So much humor in this Flick #2 wrapped into a beautifully crafted life story" Read more
Customers find the book thought-provoking and interesting, with one customer noting how it examines very normal things, while another describes it as beautifully humanizing.
"...At all. It's beautifully humanizing. It's an examination of the very normal things that can get in the way of dreams, and how great success can..." Read more
"I thought the book was an entertaining, quick read. Perhaps more thought provoking than I anticipated in the first couple of chapters so, rewarding..." Read more
"...Support, betrayals and then dumb fate rule the world not order. Compelling work." Read more
"So moving and engaging! The characters were so well developed and interesting. Kept me reading all night!..." Read more
Customers enjoy this sequel, with one mentioning it's a great return to an ad character.
"...This is a worthy sequel, well worth the read which is quite quick. I, for one, wished there was more to the story, but enjoyed it greatly." Read more
"...A great return to an ad charac" Read more
"Wonderful sequel..." Read more
"great sequel..." Read more
Top reviews from the United States
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- Reviewed in the United States on June 17, 2022The immortal heroine of "Election," Tracy Flick is now an adult and by most standards, leading a successful middle-aged life. She's divorced with a young daughter with whom she gets along well, although it's nowhere near the symbiotic relationship she had in her youth with her own single mom. She's the competent assistant principal at a suburban New Jersey high school, she has her Ph.D. (a "doctor in quote marks" but hey), and is beginning to question certain things in her past due to the emergence of MeToo. Was she really a victim in her teens when she had an affair with a teacher and then experienced betrayal when a second teacher sabotaged her bid as student government president? Also, she's in the running for the job of principal now that the current one is retiring, but again, it seems like she's being denied her rightful due, even if she can't figure out the particulars right away. In addition, former student Kyle Dorfman (a tech guru) has moved back and now wants to have a Hall of Fame to honor alum. But the main candidate does not meet with Tracy's approval (to put it mildly).
The book uses multiple narrators, including Jack Weede, the principal who began his career in another, more sexist era and has had his share of sexual misconduct; Vito Falcone, the retired pro football player who is experiencing symptoms of brain damage while attempting to make amends (as an AA step) to those he hurt in the past; two teens with their own romantic troubles; and Diane Blankenship, a beloved office worker who is nominated unexpectedly for the Hall of Fame. Each has their own distinct voice. The climax I won't spoil, but does explain the Taylor Swift quote at the beginning: "Now we got bad blood."
This is a worthy sequel, well worth the read which is quite quick. I, for one, wished there was more to the story, but enjoyed it greatly.
- Reviewed in the United States on June 17, 2022Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job.
Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life—a ten-year-old daughter, a needy doctor boyfriend, and a burgeoning meditation practice. But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be.
Among her many other responsibilities, Tracy is enlisted to serve on the Selection Committee for the brand-new Green Meadow High School Hall of Fame. Her male colleagues’ determination to honor Vito Falcone—a star quarterback of dubious character who had a brief, undistinguished career in the NFL—triggers bad memories for Tracy, and leads her to troubling reflections about the trajectory of her own life and the forces that have left her feeling thwarted and disappointed, unable to fulfill her true potential.
As she broods on the past, Tracy becomes aware of storm clouds brewing in the present. Is she really a shoo-in for the Principal job? Is the Superintendent plotting against her? Why is the School Board President’s wife trying so hard to be her friend? And why can’t she ever get what she deserves?
My Thoughts:
As we watch Tracy Flick try to finally get what she deserves through hard work and staying true to her beliefs, we know already that Tracy Flick Can’t Win. Others seem to get the kudos, while she seems stuck in the past with the failures she can’t forget.
Alternating stories offer a look at the other characters, some of whom are competitors for Tracy…and some are friends.
As we near the big night when the Hall of Fame contenders are announced, we sense that there will be a big moment for Tracy. Something that will get her noticed. I enjoyed this character and rooted for her all along. 4.5 stars.
- Reviewed in the United States on July 2, 2023This is a light story that ends in tragedy. The story is so focused on the ambitions of the high school administrators, I thought it would end with the results of them jockeying for positions. It was an ok book, I was never that interested in any of the characters. But i finished it.
- Reviewed in the United States on June 13, 2022I love Tracy Flick. I'm probably not the first ambitious woman to see shades of myself in her. And one of the comforts of Election is the promise that, after being raped and isolated and generally treated less than kindly by adults, Tracy will go to Georgetown and pursue her huge dreams. So when I saw in the summary that she was a vice principal of a high school I was so scared this book would just read as an extended sneer directed towards her. It doesn't. At all. It's beautifully humanizing. It's an examination of the very normal things that can get in the way of dreams, and how great success can sometimes, infuriatingly, depend as much on luck as anything else (and that success doesn't always last forever.) It also seems like a bit of a welcome apology from the author about the idea that a 15 year old having sex with her teacher was fine and wouldn't have any long term consequences. It's a perfect ending for Tracy some thirty years after she was first introduced.








