From Publishers Weekly
Starred Review. Waldrop has long been a major force in American avant-garde poetics, and this substantial new volume is big news indeed. Comprising three sequences—each almost a book in itself—plus an epilogue, it is an extended philosophical meditation on what are, broadly, the major themes of all poetry: perception, the imagination, the body, and how the human inner life interacts with the larger world. In mostly short, jagged free verse pieces, Waldrop goes at these lofty concepts head-on in accessible, if cerebral, language. The speaker of the first sequence, itself composed of six sets of lyrics, lists and a longer poem, attempts to prove the claim that I saw... everything/ that was happening on earth and can/ describe the hum of clouds. The second sequence is a set of discrete poems made up of sentence fragments and aborted thoughts that strive toward completion and correspondence: Most suicides/ in May, June, July. Unusual/ heat drives most toward God. A/ cul-de-sac. The last is, again, a set of sets of poems, the most compelling of which, called Carriage—a Transition— pours lyric bursts down the page. The volume concludes with a longer poem called Epilogue: Stone Angels that meditates in a Rilkian mode on cemetery statues, which are/ the opposite of perception: we/ bury our gaze in them. These poems are similarly entrancing. (Mar.)
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"Waldrop has long been a major force in American avant-garde poetics, and this substantial new volume is big news indeed. . . . Entrancing." Starred Review--"Publishers Weekly"
"These poems demand a certain reverence."--"Bookforum"
"A complex, absorbing work."--"Providence Sunday Journal"
"Impressive."--"Poets & Writers Magazine"