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Tremolo: cry of the loon (LeGarde Mysteries Book 5) by [Lazar, Aaron Paul]
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Tremolo: cry of the loon (LeGarde Mysteries Book 5) Kindle Edition

4.3 out of 5 stars 53 customer reviews
Book 5 of 11 in LeGarde Mysteries (11 Book Series)
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Length: 236 pages Word Wise: Enabled Enhanced Typesetting: Enabled
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Editorial Reviews


Beautifully written, with the perfect touch of nostalgia and suspense, the pages of this book tremble with a strong emotional appeal. Set in Maine, during the summer of 1964, there is a vivid sense of traveling back in time, as memorable moments of this era provide the framework for the story. The author has captured both the coziness as well as the craziness of the sixties, thereby making the plot realistic and riveting.... --Joyce Handzo for In the Library Reviews

A tightly written tale with loads of action and adventure to keep you reading by a superb storyteller whose characters live and breathe.... --Anne K. Edwards, mystery author

About the Author

Aaron Paul Lazar writes to soothe his soul. The author of LeGarde Mysteries and Moore Mysteries savors the countryside in the Genesee Valley of upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys.

Product Details

  • File Size: 590 KB
  • Print Length: 236 pages
  • Simultaneous Device Usage: Unlimited
  • Publisher: Twilight Times Books (August 15, 2006)
  • Publication Date: August 15, 2006
  • Sold by: Amazon Digital Services LLC
  • Language: English
  • ASIN: B0042RULTM
  • Text-to-Speech: Enabled
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  • Word Wise: Enabled
  • Lending: Enabled
  • Enhanced Typesetting: Enabled
  • Amazon Best Sellers Rank: #258,673 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

By Kcorn TOP 500 REVIEWER on January 21, 2008
Format: Paperback
It has been my pleasure to take part in a "virtual" or online book tour for the book, Tremolo: Cry of the Loon, a book written by Aaron Paul Lazar.

This novel set off powerful waves of memories and pure, unabased nostalgia in me, taking me back to a time when the Beatles were popular. There was even a term for it - Beatlemania. It was in full swing and John Kennedy and Martin Luther King were well-known as well. In those days, children spent summers outside, not in front of video games.TV? Four channels, at best, and one of those was a budding PBS station, another usually a local channel.

The power and importance of spending time outside is not a minor theme in this book but a major factor. I think nature is almost like another character here, multi-faceted, haunting. Those sections that described life outdoors renewed my desire to take the family camping and to enjoy simpler pleasures, those that are all around us, from a misty morning to the glare of sun on a bright patch of snow. Good timing, too, because it looks like me might be heading into a recession...but I digress.

At the heart of this book is a missing girl, the mystery surrounding her disappearance and young Gus, turning from child to man, coming of age during one memorable summer at a lakeside camp in Maine. From the first sentence in Chapter One: "We're not gonna make it" to the closing lines I felt swept into this book and wanted to know what would happen next.

I was captured by the main story, that lost girl and the three children (Gus and his friends, Sigfried and Elsbeth) who try to find out what happened to her.
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Format: Paperback
Set in 1964, in the Belgrade Lakes of Maine, Aaron Paul Lazar's novel "Tremolo, Cry of the Loon" presented one mystery after another begging to be solved and kept me turning pages to the very end to see who the guilty person or persons were.

At the tender age of eleven, Gus LeGarde has a lot to deal with. First, when Gus and his friends, Elsbeth and Siegfried, wreck their small boat, they manage to swim to shore, but as they make their way through the trees to Gus's grandparents' fishing camp where Gus and his family are spending the summer, they almost collide with a young girl. She's bleeding and frightened and running from a drunken man. Who is the girl the man calls Sharon? Why is he after her? Gus worries about Sharon and wants to help her, so he tells the authorities, but they give little credit to the young boy.

Second, who is the mysterious woman staying in Cabin Fifteen? Everyone is hush, hush about her, and all Gus knows is that she is old, has a cat, and recently lost a family member. She also has "guardians" who live in the cabin next to her, which means she's probably someone important.

Third, while authorities search for Sharon, valuable religious artifacts are stolen: a bell cast by Paul Revere and a rare marble statue of the Virgin Mary, along with other priceless objects. Is there a connection between Sharon's disappearance and the theft of the artifacts?

When Gus and his friends get too close to the truth, their lives become endangered. Will they rescue the missing girl, or will their fate be the same as hers, whatever that might be? If you're a child of the '60s, you'll remember the thirty-three rpm records, the movie "To Kill a Mockingbird," the Beatles, and five-cent sodas. If you're not a child of the '60s, you'll enjoy the twists and turns and surprises in this breathtaking mystery.

Beautiful imagery and touches of nostalgia make this a must read for all ages. You'll be glad you read it.
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Format: Paperback
Using a deceptively simple presentation, Aaron Paul Lazar serves this story of a young Gus LeGarde 11, like a refreshing savory meal. He brings us back to the 60's, a time before the prevalence of electronics and fast food and crazy schedules. The children in this story play and explore and feel their power. They are free in ways our culture has since forgotten.

The plot centers around Gus' coming of age, his crush on a 15 year old girl, watching "To Kill a Mockingbird" with his parents and his subsequent emotions and questions (he asks his parents what rape is), his friendship with German-raised 10 year old twins, the children's adventures in trying to find a terrified young girl they had seen fleeing from a drunken man, mysteries around valuable missing religious artifacts and life at his grandfather's camp.

Aaron's gentle spirit comes through in his writing even with the complex subject matter. It's like he's serving a good meal on a tray and wants to be sure that we will like it.

I read the other reviews and wonder if some of the more critical ones don't miss the point a bit. Can't it be okay to enjoy ourselves wandering through the summer with these children, coming of age with them? I am fairly new to Aaron's writing style and am enjoying the pace with it's richness of sensation and weaving of characters and scenes both those he creates on his own and those he brings in from his past. Who hasn't had a situation, if not exactly the same at least in the same genre, in which he remembers his dad chasing bats around the house in his boxers and then recaptures so delightfully in Tremolo?

Aaron generously gives of himself while he creates a world for us to wander in and around, enjoying adventures with his characters.
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