—Janet Maslin, The New York Times*
"Tana French is the most interesting, most important crime novelist to emerge in the past 10 years."
—The Washington Post
"[Tana French] inspires cultic devotion in readers…most crime fiction is diverting; French's is consuming."
—The New Yorker
“Atmospheric and unputdownable.”
"A fierce examination of the chasm between how women choose to present themselves before the world and the more complicated truth underneath--and not to mention a total page-turner."
“Beautifully crafted . . . may be her best yet.”
“This is the kind of book you’ll want to dig into with all the lights on.”
—Cup of Jo
“There's nothing standard about French's approach to crime fiction, which plays the form much like a jazz musician improvising on a standard. Even when the outlines of the mystery seem familiar…she finds a way to get at enriching themes and powerful emotional truths in fresh and surprising ways.”
“As in all of the author's work, meaning lurks beneath every quip and glance. French not only spins a twisty cop tale, she also encases it in meticulous prose, creating a read that is as elegant as it is dark."
Praise for Tana French
“To say Tana French is one of the great thriller writers is really too limiting. Rather she’s simply this: a truly great writer.”
“Terrific—terrifying, amazing, and the prose is incandescent.”
“French is a poet of mood and a master builder of plots.”
—Maureen Corrigan, The Washington Post
“One of the most distinct and exciting new voices in crime writing.”
—The Wall Street Journal