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The Trials of Lenny Bruce With Audio CD: The Fall and Rise of an American Icon Paperback – September 1, 2003
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Lenny committed his life to telling the truth. But the truth he told infuriated those in power, and authorities in the largest, most progressive cities in the country worked relentlessly to put him in jail. To them, Lenny's words were filthy, depraved. But to his fans-the hip, the discontented, the fringe-his words were not only sharp and hilarious, they were a light in the dark to the repressed society of the early 1960s.
Lenny's battles were fought on stage and in the courtroom-against cops in San Francisco and L.A. who took notes at his performances, against judges in Chicago and against a prosecutor in New York with a zeal to bring the comedian down.
Lenny also fought his addiction to heroin and, at times, his own lawyers. And there were those who never stopped fighting for Lenny-people like Steve Allen, Phil Spector and William Kunstler.
To better understand the power of Lenny's performances, the authors have compiled an audio CD of the routines that got him in trouble, as well as interviews with his defenders and prosecutors, and his friends and followers, including George Carlin, Hugh Hefner and Margaret Cho.
The first carefully documented account of Lenny Bruce's career and free speech struggles, The Trials of Lenny Bruce paints a vivid, shocking, hilarious and tragic portrait of a man too honest for his time.
The Trials of Lenny Bruce includes a one-hour audio CD narrated by Nat Hentoff that features:
--Lenny Bruce performances (including ones for which he was busted)
--Notorious routines, including "Religions, Inc.," "Blah Blah Blah," "Thank You Mask Man" and "Las Vegas Tits and Ass"
--Interviews with George Carlin, Hugh Hefner, Margaret Cho and others
A Book Sense 76 Selection
"A work that puts it all together...Collins and Skover write with clarity and energy....It is entertaining, often exciting-but above all it is an immensely important record of a vital chapter in our ever-evolving democracy's eternal groping toward liberty."
-Baltimore Sun
"The CD gives the text another dimension and allows for a truly different reading experience....A fine retelling of Bruce's career as well as one of the only books in print to detail his free-speech legal troubles."
-Library Journal
- Print length576 pages
- LanguageEnglish
- PublisherSourcebooks MediaFusion
- Publication dateSeptember 1, 2003
- Dimensions6 x 1.5 x 9 inches
- ISBN-101570718377
- ISBN-13978-1570718373
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Editorial Reviews
Review
"The authors set the record straight....Detailed, objective and valuable." -- Kirkus Review
From the Author
David M. Skover graduated from Yale Law School and clerked for Judge Jon O. Newman of the U.S. Court of Appeals, Second Circuit. He now teaches as a law professor at Seattle University Law School. Skover has written numerous scholarly articles in the Harvard, Stanford and Michigan Law Reviews, and coauthored (with Pierre Schlag) Tactics of Legal Reasoning.
Collins and Skover were the founding coeditors of Books-on-Law, a monthly online journal dedicated to book reviews and have written for a variety of publications, including the New York Times, Washington Post, Los Angeles Times and The Nation. Their first book together was The Death of Discourse.
Nat Hentoff writes weekly articles for The Village Voice and has written numerous articles, essays and books about politics, human rights and jazz. He has received numerous awards, including the National Press Foundation Award for Distinguished Contributions to Journalism and the American Bar Association Certificate of Merit for Coverage of the Criminal Justice System.
About the Author
David M. Skover graduated from Yale Law School and clerked for Judge Jon O. Newman of the U.S. Court of Appeals, Second Circuit. He now teaches as a law professor at Seattle University Law School. Skover has written numerous scholarly articles in the Harvard, Stanford and Michigan Law Reviews, and coauthored (with Pierre Schlag) Tactics of Legal Reasoning.
Collins and Skover were the founding coeditors of Books-on-Law, a monthly online journal dedicated to book reviews and have written for a variety of publications, including the New York Times, Washington Post, Los Angeles Times and The Nation. Their first book together was The Death of Discourse.
Nat Hentoff writes weekly articles for The Village Voice and has written numerous articles, essays and books about politics, human rights and jazz. He has received numerous awards, including
the National Press Foundation Award for Distinguished Contributions to Journalism and the American Bar Association Certificate of Merit for Coverage of the Criminal Justice System.
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Product details
- Publisher : Sourcebooks MediaFusion; 1st edition (September 1, 2003)
- Language : English
- Paperback : 576 pages
- ISBN-10 : 1570718377
- ISBN-13 : 978-1570718373
- Item Weight : 1.7 pounds
- Dimensions : 6 x 1.5 x 9 inches
- Best Sellers Rank: #1,557,687 in Books (See Top 100 in Books)
- #3,799 in Civil Rights & Liberties (Books)
- #6,012 in Criminal Law (Books)
- #9,234 in Political Leader Biographies
- Customer Reviews:
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This book takes those routines and then goes behind the scenes on the commotion the routines brought about and how he shaped the law by his constant definding of the first amendment. This book shows how passionate Bruce was about the law and as you read it, you can see the influence and how that influence was passed to Carlin, Pryor, Hicks, and Kenison as well as how Bruce still influences performers on stage today like Lewis Black.
Bruce made all of those performers possible and is still making cutting edge performers possible today.
The authors went about their task by looking into the legal aspects of the trials. They said that the trials were not fairly judged and that the jury was not a completely fair jury. The author's evidence was reliant upon the past cases that were put forward by the Supreme Court. They also heavily relied upon what happened in Lenny's life to show
how Lenny progressed as the trials went on and how his routines changed from fairly comedic routines, to serious routines. The routines were more about society in general to begin with at first, but as Lenny's addiction to heroine increased, the comedian became more and more fazed by the trials. The author's sources were the legal documents that the Supreme Court had on Lenny Bruce, as well as other books on Lenny, movies, recordings, both published and unpublished interviews with people that were involved in either the trials that Lenny was in, or lived during the time that Lenny was alive, radio programs on Bruce, newspaper articles or reviews on Lenny, and court documents that involved the cases that Lenny had. The author's use pictures as a graphic way of seeing Lenny and getting to take a look at the guy instead of just assuming a picture into the mind. The pictures add very little to the text, though, as they are partly used for filler for the book. The authors also included an audio tape to the front of the book. The audio tape really did add to the meaning of the book, because instead of just reading about his routines, it allowed for the reader to actually listen to his routines and see what Lenny was clearly trying to state during his routines. It proved a point that in order to really know what was going on at the time, you had to listen to what Lenny was saying, and not just writing that was placed in a book. No book really can exclaim the same meaning as an audio tape can.
The author's were both successful in writing this book. They did not have to go about and write this book, but like Lenny, they wanted to change the opinions and feelings of others for Lenny. They were both graduates of law school, and are not only successful in the legal area, but they are also talented and diligent in the writing area. The
authors persuaded me to continue reading through the book, because they were able to use colorful language and the fact that they knew what they were clearly talking about. These writers were not just completely opinion based during this book, but they were also legally based in the sense that they were able to show what was legally going on during the trials, and Lenny's life. As stated before, this book had a need to be written. It had to show that Lenny was not just there to make "naughty swears" in his routines, but it showed that Lenny questioned authority, and that was what really got him into trouble. I would highly advise for people that want to read about Lenny's life to get this book. It really does show that Lenny was not just a figment of history, but that his comedy is still widely accepted today. Go pick a copy up for yourself, and see what the 1950's were really like in America.
Bruce was arrested many times for obscenity, but particularly interesting in this book is the demonstration that what often drove the arrests was irritation about his blasphemy. Bruce had routines that could bother any denomination. After mockingly accepting Jewish responsibility for killing Jesus, he roared, "We Jews killed Christ, and if he comes back, we'll kill him again!" He had a hilarious routine in which Christ and Moses come into the back of St. Patrick's Cathedral, to the embarrassment of Cardinal Spellman and Archbishop Sheen, who have to telephone the pope to explain ("_Of course they're white!_"). We have no blasphemy laws in this country (to the dismay, still, of some), but he was literally brought up on blasphemy charges. Blasphemy could not stick, but obscenity might. The problem Bruce had was that according to the Supreme Court decision in _Roth_, a work had to be taken as a whole, but the cops and prosecutors always concentrated on the specific words. The vice squad informers could, during a performance, tally every naughty synonym Bruce used for genitalia or coitus, and then present the list for consideration by the grand jury. Consideration to the sweep of Bruce's satire was seldom given.
As demonstrated in this comprehensive and well referenced volume, by two lawyers who obviously love their subject and enjoy explaining First Amendment issues, Bruce has had a resurrection. There have been plays and movies, but more importantly, as George Carlin (who was once arrested for attending a Bruce performance) said, "Lenny opened all the doors, or kicked them down." The nightclubs and comedy clubs are now open for anyone, with the sensible idea that if you might be offended by what you hear, don't pay to go in. A stand-up comic might fear bombing on stage, or getting heckled, but because Bruce has already taken the heat, no comic has to fear getting arrested. Within this book is a CD of Bruce giving some of his most famous routines, and commentary by admirers and detractors. On it, Margaret Cho, who continues in the tradition of offering outrageous satirical commentary, says that she knows part of her job, as Bruce's descendant, is to disrupt polite society, but she knows what has gone before: "I don't want to end up like him, but I want to be like him."






