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The Trials of Lenny Bruce: The Fall and Rise of An American Icon Hardcover – January 1, 2002
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- Print length562 pages
- LanguageEnglish
- PublisherSourcebooks Inc
- Publication dateJanuary 1, 2002
- Dimensions6.25 x 1.75 x 9.25 inches
- ISBN-101570719861
- ISBN-13978-1570719868
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About the Author
David M. Skover graduated from Yale Law School and clerked for Judge Jon O. Newman of the U.S. Court of Appeals, Second Circuit. He now teaches as a law professor at Seattle University Law School. Skover has written numerous scholarly articles in the Harvard, Stanford and Michigan Law Reviews, and coauthored (with Pierre Schlag) Tactics of Legal Reasoning.
Collins and Skover were the founding coeditors of Books-on-Law, a monthly online journal dedicated to book reviews and have written for a variety of publications, including the New York Times, Washington Post, Los Angeles Times and The Nation. Their first book together was The Death of Discourse.
Nat Hentoff writes weekly articles for The Village Voice and has written numerous articles, essays and books about politics, human rights and jazz. He has received numerous awards, including the National Press Foundation Award for Distinguished Contributions to Journalism and the American Bar Association Certificate of Merit for Coverage of the Criminal Justice System.
Product details
- Publisher : Sourcebooks Inc; First Edition (January 1, 2002)
- Language : English
- Hardcover : 562 pages
- ISBN-10 : 1570719861
- ISBN-13 : 978-1570719868
- Item Weight : 2.15 pounds
- Dimensions : 6.25 x 1.75 x 9.25 inches
- Best Sellers Rank: #1,629,579 in Books (See Top 100 in Books)
- #2,540 in Civil Rights & Liberties (Books)
- #7,729 in Political Leader Biographies
- #13,094 in Actor & Entertainer Biographies
- Customer Reviews:
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About the authors

Ronald Collins is the Harold S. Shefelman scholar at the University of Washington Law School and a fellow at the First Amendment Center. He is the editor of CONSTITUTIONAL GOVERNMENT IN AMERICA (1980), THE DEATH OF CONTRACT (1992), and THE FUNDAMENTAL HOLMES: A FREE SPEECH CHRONICLE AND READER. He is the co-author of THE DEATH OF DISCOURSE, (1996, 2005), THE TRIALS OF LENNY BRUCE (2002), AND WE MUST NOT BE AFRAID TO BE FREE: STORIES OF FREE EXPRESSION IN AMERICA (2011). IN 2010 he was selected as a writer in residence at the Normal Mailer home in Provincetown.

I am a Professor of Law at Seattle University, where I've taught Constitutional Law, First Amendment Law, and Mass Media Theory for 30 some years. In the course of my professional life, I've written books that have been inspired by my course reading and research.
My first coauthored book, "Tactics of Legal Reasoning," was geared for students who needed a primer on the intellectual moves that lawyers and judges take to construct and deconstruct legal arguments. My second coauthored book, "The Death of Discourse," was directed to a general audience interested in the ways that modern mass media, advertising, and the pornographic culture have dramatically changed the character of public discourse.
Then came "The Trials of Lenny Bruce," a book that focused on the obscenity trials of the famous Jewish comedian of the 1950s and 1960s. Two books came out in 2013 -- first, "Mania," a narrative account of the outrageous lives of, and the outraged literature produced by the major Beat figures (Jack Kerouac, Allen Ginsberg, William Burroughs, and others) in the early 1950s; and second, "On Dissent," an exploration of the meaning of the concept of dissent in contemporary America.
They were followed by three more: "The Judge: 26 Machiavellian Lessons," a dynamic compendium of career advice for federal court judges; "Robotica: Speech Rights and Artificial Intelligence," a defense of free speech protection for robotic expression; and "The People v. The Poet-Publisher," a stirring account of the celebrated American poet and publisher, Lawrence Ferlinghetti, and his battle for First Amendment protection for erotic poetry.
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The authors went about their task by looking into the legal aspects of the trials. They said that the trials were not fairly judged and that the jury was not a completely fair jury. The author's evidence was reliant upon the past cases that were put forward by the Supreme Court. They also heavily relied upon what happened in Lenny's life to show
how Lenny progressed as the trials went on and how his routines changed from fairly comedic routines, to serious routines. The routines were more about society in general to begin with at first, but as Lenny's addiction to heroine increased, the comedian became more and more fazed by the trials. The author's sources were the legal documents that the Supreme Court had on Lenny Bruce, as well as other books on Lenny, movies, recordings, both published and unpublished interviews with people that were involved in either the trials that Lenny was in, or lived during the time that Lenny was alive, radio programs on Bruce, newspaper articles or reviews on Lenny, and court documents that involved the cases that Lenny had. The author's use pictures as a graphic way of seeing Lenny and getting to take a look at the guy instead of just assuming a picture into the mind. The pictures add very little to the text, though, as they are partly used for filler for the book. The authors also included an audio tape to the front of the book. The audio tape really did add to the meaning of the book, because instead of just reading about his routines, it allowed for the reader to actually listen to his routines and see what Lenny was clearly trying to state during his routines. It proved a point that in order to really know what was going on at the time, you had to listen to what Lenny was saying, and not just writing that was placed in a book. No book really can exclaim the same meaning as an audio tape can.
The author's were both successful in writing this book. They did not have to go about and write this book, but like Lenny, they wanted to change the opinions and feelings of others for Lenny. They were both graduates of law school, and are not only successful in the legal area, but they are also talented and diligent in the writing area. The
authors persuaded me to continue reading through the book, because they were able to use colorful language and the fact that they knew what they were clearly talking about. These writers were not just completely opinion based during this book, but they were also legally based in the sense that they were able to show what was legally going on during the trials, and Lenny's life. As stated before, this book had a need to be written. It had to show that Lenny was not just there to make "naughty swears" in his routines, but it showed that Lenny questioned authority, and that was what really got him into trouble. I would highly advise for people that want to read about Lenny's life to get this book. It really does show that Lenny was not just a figment of history, but that his comedy is still widely accepted today. Go pick a copy up for yourself, and see what the 1950's were really like in America.
This book takes those routines and then goes behind the scenes on the commotion the routines brought about and how he shaped the law by his constant definding of the first amendment. This book shows how passionate Bruce was about the law and as you read it, you can see the influence and how that influence was passed to Carlin, Pryor, Hicks, and Kenison as well as how Bruce still influences performers on stage today like Lewis Black.
Bruce made all of those performers possible and is still making cutting edge performers possible today.


