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Troubled Daughters, Twisted Wives: Stories from the Trailblazers of Domestic Suspense Paperback – August 27, 2013
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Murderous wives, deranged husbands, deceitful children, and vengeful friends. Few know these characters—and their creators—better than Sarah Weinman. One of today’s preeminent authorities on crime fiction, Weinman asks: Where would bestselling authors like Gillian Flynn, Sue Grafton, or Tana French be without the women writers who came before them?
In Troubled Daughters, Twisted Wives, Weinman brings together fourteen hair-raising tales by women who—from the 1940s through the mid-1970s—took a scalpel to contemporary society and sliced away to reveal its dark essence. Lovers of crime fiction from any era will welcome this deliciously dark tribute to a largely forgotten generation of women writers.
- Print length384 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateAugust 27, 2013
- Dimensions0.5 x 7.6 x 5.1 inches
- ISBN-100143122541
- ISBN-13978-0143122548
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Editorial Reviews
Review
“Crime connoisseur Sarah Weinman has thoughtfully selected a Whitman’s Sampler of wickedness.” – PW
“If you (like most people) are unfamiliar with the subgenre, you might be lured in by Patricia Highsmith’s and Shirley Jackson’s marquee names — but my favorite stories so far come from more obscure contributors.” — Judy Berman, Editor-in-Chief of Flavorwire
"Sarah Weinman knows everything about crime fiction, and in her amazing anthology, she introduces an array of brilliant female writers who know more than they should about the dark side of the human psyche. Each story features a woman who's "good and mad" in her own shocking way, and Troubled Daughters, Twisted Wives is an important and riveting read."—Lisa Scottoline, New York Times bestselling author of Don’t Go
“Troubled, twisted, and terrific. Where have these women been? Sarah Weinman's Troubled Daughters, Twisted Wives serves up stellar short stories, forgotten gems by some of the finest authors of their era.”—Hallie Ephron, author of the bestselling There Was an Old Woman
"A short unabashed fan letter for a first rate job. My compliments to Ms. Weinman. It was like opening gifts, one story to the next, from a very young Patricia Highsmith to Shirley Jackson in her prime. A rare and worthy collection of suspense pioneers.”—New York Times bestselling author Carol O'Connell
“At last, the anthology we have been waiting for: a veritable goldmine of spellbinding, psychologically rich tales. Masterfully curated by crime fiction expert Sarah Weinman, Troubled Daughters, Twisted Wives not only brings much-deserved attention to fourteen unjustly neglected, pioneering writers—it also changes the way we think about the history, and the future, of the suspense genre.”—Edgar Award-winning author Megan Abbott
"These thoughtfully selected and very readable crime stories give us an unusually revealing and subtle portrait of the curtailed real lives of women in the mid twentieth century and the fantasies that would free them."—Sheila Kohler, author of Becoming Jane Eyre
"In this book, Weinman has expertly curated near-forgotten works by some of the most gifted women crime writers of all time. These chilling, provocative stories prove just how harrowing domestic suspense can be and together provide an eye-opening perspective on the evolution of the psychological thriller. Troubled Daughters, Twisted Wives delivers page after page of pure, dark pleasure."—Koethi Zan, author of The Never List
About the Author
Product details
- Publisher : Penguin Books (August 27, 2013)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0143122541
- ISBN-13 : 978-0143122548
- Item Weight : 11.2 ounces
- Dimensions : 0.5 x 7.6 x 5.1 inches
- Best Sellers Rank: #1,159,543 in Books (See Top 100 in Books)
- #2,402 in Mystery Anthologies (Books)
- #9,816 in Short Stories Anthologies
- #50,553 in Suspense Thrillers
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And what discoveries they are. The stories present a wide range of female characters from every socio-economic class, with one thing in common...they're willing to cross the boundaries of acceptable behavior to get what they want. Even if that means murder.
These writers were working during a time when America was at the height of prosperity and , one assumes, domestic bliss on the home front. After all, the United States had won the war, banished the Axis powers, and was the economic engine driving a global recovery. But not all was Sugar and Spice, as Vera Caspary explains in her sad tale of family rivalry. The men in these stories often little suspect the tensions and deceit simmering below the surface, as we see in The Stranger in the Car. Many of the women in this collection are caregivers, whose financial burdens lead them to take desperate actions. These often lead to a shocking end with a surprise twist, as in A Nice Place to Stay and Mortmain.
You'll never look at that nice nurse caring for an aged loved one quite the same way after reading these stories.
If this sampling of suspense leaves you hungry for more, check out the website that Sarah has put together celebrating these top notch writers, Domestic Suspense. It's packed with more photos, books covers and biographies than a box of Cracker Jack. It'll lead you to more stories and novels by these writers. It's time to bring these women out of the attic. Sarah Weinman has unlocked the door.
Take a peek. Go ahead...I dare you.
I also enjoy the whole other world and vantage point of female authors that Weinman has opened up. My next purchase are the two Women Crime Writers volumes.
One caveat that other reviewers have made is that you have to be careful with Weinman's introductions, because one or more of them can spoil the story (suspense of progression or even outcome), but I do recommend reading her intros to these stories if for no other reason than she cites other works by the author at hand which essentially translates to further recommended reading.
I'm very pleased to have a new passion for crime fiction in the form of under-acknowledged or overlooked female authors. I'm not a big fan of "private eye" noir - in fact I don't like it all - so the sub-genre of domestic suspense-noir is more to my taste.
Firstly the check boxes at the top of the review need to be clarified. These are murder mysteries, so there are dead people, but the crimes happen off stage, so when I state "Some Violence" the representation of this violence is minimal. Same with sexual content. I haven't finished the book but so far there isn't even any "making out".
I'm not going to mention any of the individual stories but the authors of these stories seem to represent a wide spectrum of people both known and unknown to me before I got the book. Fortunately Ms. Weinman writes excellent introductions to each story adding a bit about the story after giving a short pertinent biography of the writer.
Highly recommend this book for Noir lovers.



